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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4B696 it is the complementary color #2B4969. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4B696. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4B696 shade: #D9B691, #EAC8A4, #FBDAB7, #FFECCA and #FFFEDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4B696. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4B696 shade: #D4B696, #C3A483, #B29270, #A1805D and #906E4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4B696 shade: #D4B695, #D4A595 and #D49595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4B696 shade: #D4B695, #D4C695, #D0D495, #BFD495 and #AFD495

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4B696 shade matches the following richer shades: #D4B695, #E0B68A, #ECB67E and #F8B772

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4B696 shade: #D4B695, #C8B5A1, #BCB5AD, #B0B4B9 and #A4B4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4B696 shade: #D49598, #D4A495, #D4B595, #D4C595 and #D2D495

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4B696 shade: #BC8D5B, #C8A178, #D4B695, #E0CAB3 and #ECDED0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4B696 shade: #D4B696, #A8D495 and #9C95D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4B696 shade: #D4B696, #95D4B5 and #B595D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4B696 shade: #D4B696, #A8D495, #95B5D4 and #C195D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4B696 shade: #D4B696, #95D495, #95B5D4 and #D495D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 29 / 17

HEX #D4B696

RGB 212 182 150

HSL 30.97, 0.42%, 0.71%

LAB 75.86, 6.03, 20.29

 

Complementary color

CMYK 59 / 30 / 0 / 59

HEX #2B4969

RGB 43 73 105

HSL 210.97, 0.42%, 0.29%

LAB 30.15, -0.64, -22.01

 

CMYK 0 / 16 / 33 / 15

HEX #D9B691

RGB 217 182 145

HSL 30.83, 0.49%, 0.71%

LAB 76.22, 7.33, 23.55

 

CMYK 0 / 15 / 30 / 8

HEX #EAC8A4

RGB 234 200 164

HSL 30.86, 0.63%, 0.78%

LAB 82.64, 6.8, 22.47

 

CMYK 0 / 13 / 27 / 2

HEX #FBDAB7

RGB 251 218 183

HSL 30.88, 0.89%, 0.85%

LAB 88.96, 6.34, 21.46

 

CMYK 0 / 7 / 21 / 0

HEX #FFECCA

RGB 255 236 202

HSL 38.49, 1%, 0.9%

LAB 94.1, 1.2, 18.83

 

CMYK 0 / 0 / 13 / 0

HEX #FFFEDD

RGB 255 254 221

HSL 58.24, 1%, 0.93%

LAB 98.97, -5.07, 15.92

 

CMYK 0 / 14 / 29 / 17

HEX #D4B696

RGB 212 182 150

HSL 30.97, 0.42%, 0.71%

LAB 75.86, 6.03, 20.29

 

CMYK 0 / 16 / 33 / 24

HEX #C3A483

RGB 195 164 131

HSL 30.94, 0.35%, 0.64%

LAB 69.32, 6.55, 21.37

 

CMYK 0 / 18 / 37 / 30

HEX #B29270

RGB 178 146 112

HSL 30.91, 0.3%, 0.57%

LAB 62.67, 7.15, 22.55

 

CMYK 0 / 20 / 42 / 37

HEX #A1805D

RGB 161 128 93

HSL 30.88, 0.27%, 0.5%

LAB 55.89, 7.86, 23.82

 

CMYK 0 / 24 / 49 / 44

HEX #906E4A

RGB 144 110 74

HSL 30.86, 0.32%, 0.43%

LAB 48.98, 8.72, 25.21

 

CMYK 0 / 14 / 30 / 17

HEX #D4B695

RGB 212 182 149

HSL 31.43, 0.42%, 0.71%

LAB 75.84, 5.9, 20.8

 

CMYK 0 / 22 / 30 / 17

HEX #D4A595

RGB 212 165 149

HSL 15.24, 0.42%, 0.71%

LAB 71.61, 15.03, 14.93

 

CMYK 0 / 30 / 30 / 17

HEX #D49595

RGB 212 149 149

HSL 0, 0.42%, 0.71%

LAB 67.77, 23.72, 9.52

 

CMYK 0 / 14 / 30 / 17

HEX #D4B695

RGB 212 182 149

HSL 31.43, 0.42%, 0.71%

LAB 75.84, 5.9, 20.8

 

CMYK 0 / 7 / 30 / 17

HEX #D4C695

RGB 212 198 149

HSL 46.67, 0.42%, 0.71%

LAB 79.93, -2.54, 26.37

 

CMYK 2 / 0 / 30 / 17

HEX #D0D495

RGB 208 212 149

HSL 63.81, 0.42%, 0.71%

LAB 83.27, -11.27, 30.79

 

CMYK 10 / 0 / 30 / 17

HEX #BFD495

RGB 191 212 149

HSL 80, 0.42%, 0.71%

LAB 82.02, -17.65, 28.91

 

CMYK 17 / 0 / 30 / 17

HEX #AFD495

RGB 175 212 149

HSL 95.24, 0.42%, 0.71%

LAB 80.94, -23.47, 27.28

 

CMYK 0 / 14 / 30 / 17

HEX #D4B695

RGB 212 182 149

HSL 31.43, 0.42%, 0.71%

LAB 75.84, 5.9, 20.8

 

CMYK 0 / 19 / 38 / 12

HEX #E0B68A

RGB 224 182 138

HSL 30.7, 0.58%, 0.71%

LAB 76.76, 9.25, 28.12

 

CMYK 0 / 23 / 47 / 7

HEX #ECB67E

RGB 236 182 126

HSL 30.55, 0.74%, 0.71%

LAB 77.75, 12.76, 35.95

 

CMYK 0 / 26 / 54 / 3

HEX #F8B772

RGB 248 183 114

HSL 30.9, 0.91%, 0.71%

LAB 79.06, 16, 44.02

 

CMYK 0 / 14 / 30 / 17

HEX #D4B695

RGB 212 182 149

HSL 31.43, 0.42%, 0.71%

LAB 75.84, 5.9, 20.8

 

CMYK 0 / 10 / 20 / 22

HEX #C8B5A1

RGB 200 181 161

HSL 30.77, 0.26%, 0.71%

LAB 74.76, 3.54, 12.65

 

CMYK 0 / 4 / 8 / 26

HEX #BCB5AD

RGB 188 181 173

HSL 32, 0.1%, 0.71%

LAB 74.03, 1.06, 4.94

 

CMYK 5 / 3 / 0 / 27

HEX #B0B4B9

RGB 176 180 185

HSL 213.33, 0.06%, 0.71%

LAB 73.14, -0.43, -3.04

 

CMYK 17 / 9 / 0 / 23

HEX #A4B4C5

RGB 164 180 197

HSL 210.91, 0.22%, 0.71%

LAB 72.61, -1.96, -10.49

 

CMYK 0 / 30 / 28 / 17

HEX #D49598

RGB 212 149 152

HSL 357.14, 0.42%, 0.71%

LAB 67.84, 24.12, 7.95

 

CMYK 0 / 23 / 30 / 17

HEX #D4A495

RGB 212 164 149

HSL 14.29, 0.42%, 0.71%

LAB 71.36, 15.58, 14.59

 

CMYK 0 / 15 / 30 / 17

HEX #D4B595

RGB 212 181 149

HSL 30.48, 0.42%, 0.71%

LAB 75.58, 6.43, 20.45

 

CMYK 0 / 7 / 30 / 17

HEX #D4C595

RGB 212 197 149

HSL 45.71, 0.42%, 0.71%

LAB 79.67, -2.02, 26.02

 

CMYK 1 / 0 / 30 / 17

HEX #D2D495

RGB 210 212 149

HSL 61.9, 0.42%, 0.71%

LAB 83.42, -10.5, 31.03

 

CMYK 0 / 25 / 52 / 26

HEX #BC8D5B

RGB 188 141 91

HSL 30.93, 0.42%, 0.55%

LAB 62.08, 11.83, 33.46

 

CMYK 0 / 20 / 40 / 22

HEX #C8A178

RGB 200 161 120

HSL 30.75, 0.42%, 0.63%

LAB 68.84, 8.85, 26.8

 

CMYK 0 / 14 / 30 / 17

HEX #D4B695

RGB 212 182 149

HSL 31.43, 0.42%, 0.71%

LAB 75.84, 5.9, 20.8

 

CMYK 0 / 10 / 20 / 12

HEX #E0CAB3

RGB 224 202 179

HSL 30.67, 0.42%, 0.79%

LAB 82.56, 4.07, 14.28

 

CMYK 0 / 6 / 12 / 7

HEX #ECDED0

RGB 236 222 208

HSL 30, 0.42%, 0.87%

LAB 89.22, 2.47, 8.57

 

CMYK 0 / 14 / 29 / 17

HEX #D4B696

RGB 212 182 150

HSL 30.97, 0.42%, 0.71%

LAB 75.86, 6.03, 20.29

 

CMYK 21 / 0 / 30 / 17

HEX #A8D495

RGB 168 212 149

HSL 101.9, 0.42%, 0.71%

LAB 80.51, -25.94, 26.61

 

CMYK 26 / 30 / 0 / 17

HEX #9C95D4

RGB 156 149 212

HSL 246.67, 0.42%, 0.71%

LAB 64.42, 16.28, -31.3

 

CMYK 0 / 14 / 29 / 17

HEX #D4B696

RGB 212 182 150

HSL 30.97, 0.42%, 0.71%

LAB 75.86, 6.03, 20.29

 

CMYK 30 / 0 / 15 / 17

HEX #95D4B5

RGB 149 212 181

HSL 150.48, 0.42%, 0.71%

LAB 80.07, -26.51, 8.97

 

CMYK 15 / 30 / 0 / 17

HEX #B595D4

RGB 181 149 212

HSL 270.48, 0.42%, 0.71%

LAB 66.57, 23.96, -27.79

 

CMYK 0 / 14 / 29 / 17

HEX #D4B696

RGB 212 182 150

HSL 30.97, 0.42%, 0.71%

LAB 75.86, 6.03, 20.29

 

CMYK 21 / 0 / 30 / 17

HEX #A8D495

RGB 168 212 149

HSL 101.9, 0.42%, 0.71%

LAB 80.51, -25.94, 26.61

 

CMYK 30 / 15 / 0 / 17

HEX #95B5D4

RGB 149 181 212

HSL 209.52, 0.42%, 0.71%

LAB 72.36, -3.66, -19.17

 

CMYK 9 / 30 / 0 / 17

HEX #C195D4

RGB 193 149 212

HSL 281.9, 0.42%, 0.71%

LAB 67.71, 27.77, -25.94

 

CMYK 0 / 14 / 29 / 17

HEX #D4B696

RGB 212 182 150

HSL 30.97, 0.42%, 0.71%

LAB 75.86, 6.03, 20.29

 

CMYK 30 / 0 / 30 / 17

HEX #95D495

RGB 149 212 149

HSL 120, 0.42%, 0.71%

LAB 79.41, -32.36, 24.95

 

CMYK 30 / 15 / 0 / 17

HEX #95B5D4

RGB 149 181 212

HSL 209.52, 0.42%, 0.71%

LAB 72.36, -3.66, -19.17

 

CMYK 0 / 30 / 0 / 17

HEX #D495D4

RGB 212 149 212

HSL 300, 0.42%, 0.71%

LAB 69.64, 33.89, -22.81

 

Description

Color code: HEX #D4B696 | qconv.com Color code: HEX #D4B696 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 182 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 182 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 29 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 29% 17% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - cranberry--almond-an...
Link: http://d3lp4xedbqa8a5.cloudfront.net

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