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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4C071 it is the complementary color #2B3F8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4C071. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4C071 shade: #D9C06C, #EAD27F, #FBE492, #FFF6A5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4C071. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4C071 shade: #D4C071, #C3AE5E, #B29C4B, #A18A38 and #907825

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4C071 shade: #D4C071, #D4A671, #D48B71 and #D47171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4C071 shade: #D4C071, #CED471, #B3D471, #98D471 and #7DD471

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4C071 shade matches the following richer shades: #D4C071, #E3C962 and #F2D253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4C071 shade: #D4C071, #C5B780, #B7AF8F, #A8A69E and #999DAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4C071 shade: #D48A71, #D4A471, #D4BF71, #CFD471 and #B5D471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4C071 shade: #BBA138, #CBB251, #D4C071, #DECE91 and #E7DCB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4C071 shade: #D4C071, #73D471 and #9771D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4C071 shade: #D4C071, #71D4BF and #BF71D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4C071 shade: #D4C071, #73D471, #7187D4 and #D371D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4C071 shade: #D4C071, #71D48D, #7187D4 and #D471B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

Complementary color

CMYK 70 / 56 / 0 / 44

HEX #2B3F8E

RGB 43 63 142

HSL 227.88, 0.54%, 0.36%

LAB 29.47, 19.96, -46.24

 

CMYK 0 / 12 / 50 / 15

HEX #D9C06C

RGB 217 192 108

HSL 46.24, 0.59%, 0.64%

LAB 78.19, -1.9, 45.26

 

CMYK 0 / 10 / 46 / 8

HEX #EAD27F

RGB 234 210 127

HSL 46.54, 0.72%, 0.71%

LAB 84.54, -2.54, 44.02

 

CMYK 0 / 9 / 42 / 2

HEX #FBE492

RGB 251 228 146

HSL 46.86, 0.93%, 0.78%

LAB 90.81, -3.1, 42.82

 

CMYK 0 / 4 / 35 / 0

HEX #FFF6A5

RGB 255 246 165

HSL 54, 1%, 0.82%

LAB 95.95, -8.53, 40.09

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 0 / 11 / 52 / 24

HEX #C3AE5E

RGB 195 174 94

HSL 47.52, 0.46%, 0.57%

LAB 71.34, -2.82, 43.45

 

CMYK 0 / 12 / 58 / 30

HEX #B29C4B

RGB 178 156 75

HSL 47.18, 0.41%, 0.5%

LAB 64.76, -2.04, 44.68

 

CMYK 0 / 14 / 65 / 37

HEX #A18A38

RGB 161 138 56

HSL 46.86, 0.48%, 0.43%

LAB 58.07, -1.08, 45.82

 

CMYK 0 / 17 / 74 / 44

HEX #907825

RGB 144 120 37

HSL 46.54, 0.59%, 0.35%

LAB 51.26, 0.11, 46.64

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 0 / 22 / 47 / 17

HEX #D4A671

RGB 212 166 113

HSL 32.12, 0.54%, 0.64%

LAB 71.19, 10.3, 33.84

 

CMYK 0 / 34 / 47 / 17

HEX #D48B71

RGB 212 139 113

HSL 15.76, 0.54%, 0.64%

LAB 64.69, 24.91, 25.34

 

CMYK 0 / 47 / 47 / 17

HEX #D47171

RGB 212 113 113

HSL 0, 0.54%, 0.64%

LAB 58.97, 38.72, 17.63

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 3 / 0 / 47 / 17

HEX #CED471

RGB 206 212 113

HSL 63.64, 0.54%, 0.64%

LAB 82.59, -16.09, 47.96

 

CMYK 16 / 0 / 47 / 17

HEX #B3D471

RGB 179 212 113

HSL 80, 0.54%, 0.64%

LAB 80.66, -26.62, 45.16

 

CMYK 28 / 0 / 47 / 17

HEX #98D471

RGB 152 212 113

HSL 96.36, 0.54%, 0.64%

LAB 79.02, -36.51, 42.76

 

CMYK 41 / 0 / 47 / 17

HEX #7DD471

RGB 125 212 113

HSL 112.73, 0.54%, 0.64%

LAB 77.66, -45.39, 40.77

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 0 / 11 / 57 / 11

HEX #E3C962

RGB 227 201 98

HSL 47.91, 0.7%, 0.64%

LAB 81.28, -3.25, 53.94

 

CMYK 0 / 13 / 66 / 5

HEX #F2D253

RGB 242 210 83

HSL 47.92, 0.86%, 0.64%

LAB 84.79, -2.62, 64.79

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 0 / 7 / 35 / 23

HEX #C5B780

RGB 197 183 128

HSL 47.83, 0.37%, 0.64%

LAB 74.38, -3.2, 29.8

 

CMYK 0 / 4 / 22 / 28

HEX #B7AF8F

RGB 183 175 143

HSL 48, 0.22%, 0.64%

LAB 71.36, -2.42, 17.46

 

CMYK 0 / 1 / 6 / 34

HEX #A8A69E

RGB 168 166 158

HSL 48, 0.05%, 0.64%

LAB 68.07, -0.75, 4.38

 

CMYK 12 / 9 / 0 / 32

HEX #999DAD

RGB 153 157 173

HSL 228, 0.11%, 0.64%

LAB 64.89, 1.84, -8.8

 

CMYK 0 / 35 / 47 / 17

HEX #D48A71

RGB 212 138 113

HSL 15.15, 0.54%, 0.64%

LAB 64.46, 25.45, 25.04

 

CMYK 0 / 23 / 47 / 17

HEX #D4A471

RGB 212 164 113

HSL 30.91, 0.54%, 0.64%

LAB 70.69, 11.38, 33.2

 

CMYK 0 / 10 / 47 / 17

HEX #D4BF71

RGB 212 191 113

HSL 47.27, 0.54%, 0.64%

LAB 77.55, -2.96, 41.88

 

CMYK 2 / 0 / 47 / 17

HEX #CFD471

RGB 207 212 113

HSL 63.03, 0.54%, 0.64%

LAB 82.67, -15.7, 48.07

 

CMYK 15 / 0 / 47 / 17

HEX #B5D471

RGB 181 212 113

HSL 78.79, 0.54%, 0.64%

LAB 80.8, -25.86, 45.35

 

CMYK 0 / 14 / 70 / 27

HEX #BBA138

RGB 187 161 56

HSL 48.09, 0.54%, 0.48%

LAB 66.78, -2.04, 55.71

 

CMYK 0 / 12 / 60 / 20

HEX #CBB251

RGB 203 178 81

HSL 47.7, 0.54%, 0.56%

LAB 72.98, -2.59, 51.8

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 0 / 7 / 35 / 13

HEX #DECE91

RGB 222 206 145

HSL 47.53, 0.54%, 0.72%

LAB 82.76, -3.3, 32.39

 

CMYK 0 / 5 / 23 / 9

HEX #E7DCB1

RGB 231 220 177

HSL 47.78, 0.53%, 0.8%

LAB 87.65, -2.94, 22.52

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 46 / 0 / 47 / 17

HEX #73D471

RGB 115 212 113

HSL 118.79, 0.54%, 0.64%

LAB 77.24, -48.36, 40.15

 

CMYK 29 / 47 / 0 / 17

HEX #9771D4

RGB 151 113 212

HSL 263.03, 0.54%, 0.64%

LAB 55.22, 35.53, -45.73

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 47 / 0 / 10 / 17

HEX #71D4BF

RGB 113 212 191

HSL 167.27, 0.54%, 0.64%

LAB 78.67, -34.13, 1.39

 

CMYK 10 / 47 / 0 / 17

HEX #BF71D4

RGB 191 113 212

HSL 287.27, 0.54%, 0.64%

LAB 59.56, 46.72, -38.6

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 46 / 0 / 47 / 17

HEX #73D471

RGB 115 212 113

HSL 118.79, 0.54%, 0.64%

LAB 77.24, -48.36, 40.15

 

CMYK 47 / 36 / 0 / 17

HEX #7187D4

RGB 113 135 212

HSL 226.67, 0.54%, 0.64%

LAB 57.65, 12.68, -42.1

 

CMYK 0 / 47 / 0 / 17

HEX #D371D4

RGB 211 113 212

HSL 299.39, 0.54%, 0.64%

LAB 62.01, 52.45, -34.6

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 47 / 0 / 33 / 17

HEX #71D48D

RGB 113 212 141

HSL 136.97, 0.54%, 0.64%

LAB 77.59, -44.48, 26.37

 

CMYK 47 / 36 / 0 / 17

HEX #7187D4

RGB 113 135 212

HSL 226.67, 0.54%, 0.64%

LAB 57.65, 12.68, -42.1

 

CMYK 0 / 47 / 13 / 17

HEX #D471B8

RGB 212 113 184

HSL 316.97, 0.54%, 0.64%

LAB 61.02, 47.98, -20.27

 

Description

Color code: HEX #D4C071 | qconv.com Color code: HEX #D4C071 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 192 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 192 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 47 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 47% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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