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Color name
HEX #D4CB58

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4CB58 it is the complementary color #2B34A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4CB58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4CB58 shade: #D9CB53, #EADD66, #FBEF79, #FFFF8C and #FFFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4CB58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4CB58 shade: #D4CB58, #C3B945, #B2A732, #A1951F and #90830C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4CB58 shade: #D4CB58, #D4A958, #D48858, #D46758 and #D45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4CB58 shade: #D4CB58, #BBD458, #9AD458, #79D458 and #58D459

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4CB58 shade matches the following richer shades: #D4CB58, #E5D947 and #F5E836

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4CB58 shade: #D4CB58, #C3BC69, #B2AE7A, #A19F8B and #90919C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4CB58 shade: #D48858, #D4A858, #D4C958, #BDD458 and #9CD458

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4CB58 shade: #ADA42C, #CBC037, #D4CB58, #DCD579 and #E5DF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4CB58 shade: #D4CB58, #58D467 and #9858D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4CB58 shade: #D4CB58, #58D4C9 and #C958D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4CB58 shade: #D4CB58, #58D467, #5863D4 and #D458C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4CB58 shade: #D4CB58, #58D48C, #5863D4 and #D458A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

Complementary color

CMYK 74 / 69 / 0 / 35

HEX #2B34A7

RGB 43 52 167

HSL 235.65, 0.59%, 0.41%

LAB 28.8, 36.47, -62.56

 

CMYK 0 / 6 / 62 / 15

HEX #D9CB53

RGB 217 203 83

HSL 53.73, 0.64%, 0.59%

LAB 80.79, -9.48, 59.86

 

CMYK 0 / 6 / 56 / 8

HEX #EADD66

RGB 234 221 102

HSL 54.09, 0.76%, 0.66%

LAB 87.08, -10.23, 58.89

 

CMYK 0 / 5 / 52 / 2

HEX #FBEF79

RGB 251 239 121

HSL 54.46, 0.94%, 0.73%

LAB 93.29, -10.88, 57.82

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 0 / 5 / 65 / 24

HEX #C3B945

RGB 195 185 69

HSL 55.24, 0.51%, 0.52%

LAB 74.02, -10.43, 58.02

 

CMYK 0 / 6 / 72 / 30

HEX #B2A732

RGB 178 167 50

HSL 54.84, 0.56%, 0.45%

LAB 67.53, -9.48, 58.54

 

CMYK 0 / 7 / 81 / 37

HEX #A1951F

RGB 161 149 31

HSL 54.46, 0.68%, 0.38%

LAB 60.93, -8.31, 58.39

 

CMYK 0 / 9 / 92 / 44

HEX #90830C

RGB 144 131 12

HSL 54.09, 0.85%, 0.31%

LAB 54.23, -6.88, 56.93

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 0 / 20 / 58 / 17

HEX #D4A958

RGB 212 169 88

HSL 39.19, 0.59%, 0.59%

LAB 71.61, 6.52, 47.12

 

CMYK 0 / 36 / 58 / 17

HEX #D48858

RGB 212 136 88

HSL 23.23, 0.59%, 0.59%

LAB 63.6, 24.33, 37.56

 

CMYK 0 / 51 / 58 / 17

HEX #D46758

RGB 212 103 88

HSL 7.26, 0.59%, 0.59%

LAB 56.49, 41.66, 28.66

 

CMYK 0 / 58 / 58 / 17

HEX #D45858

RGB 212 88 88

HSL 0, 0.59%, 0.59%

LAB 53.69, 48.91, 25.04

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 12 / 0 / 58 / 17

HEX #BBD458

RGB 187 212 88

HSL 72.1, 0.59%, 0.59%

LAB 80.94, -25.84, 57.2

 

CMYK 27 / 0 / 58 / 17

HEX #9AD458

RGB 154 212 88

HSL 88.06, 0.59%, 0.59%

LAB 78.85, -38.45, 54.28

 

CMYK 43 / 0 / 58 / 17

HEX #79D458

RGB 121 212 88

HSL 104.03, 0.59%, 0.59%

LAB 77.19, -49.61, 51.96

 

CMYK 58 / 0 / 58 / 17

HEX #58D459

RGB 88 212 89

HSL 120.48, 0.59%, 0.59%

LAB 76, -58.5, 49.81

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 0 / 5 / 69 / 10

HEX #E5D947

RGB 229 217 71

HSL 55.44, 0.75%, 0.59%

LAB 85.37, -12.21, 69.74

 

CMYK 0 / 5 / 78 / 4

HEX #F5E836

RGB 245 232 54

HSL 55.92, 0.91%, 0.59%

LAB 90.5, -13.68, 80.59

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 0 / 4 / 46 / 24

HEX #C3BC69

RGB 195 188 105

HSL 55.33, 0.43%, 0.59%

LAB 75.19, -9.13, 42.65

 

CMYK 0 / 2 / 31 / 30

HEX #B2AE7A

RGB 178 174 122

HSL 55.71, 0.27%, 0.59%

LAB 70.28, -6.76, 27.27

 

CMYK 0 / 1 / 14 / 37

HEX #A19F8B

RGB 161 159 139

HSL 54.55, 0.1%, 0.59%

LAB 65.15, -2.84, 10.7

 

CMYK 8 / 7 / 0 / 39

HEX #90919C

RGB 144 145 156

HSL 235, 0.06%, 0.59%

LAB 60.41, 1.86, -5.93

 

CMYK 0 / 36 / 58 / 17

HEX #D48858

RGB 212 136 88

HSL 23.23, 0.59%, 0.59%

LAB 63.6, 24.33, 37.56

 

CMYK 0 / 21 / 58 / 17

HEX #D4A858

RGB 212 168 88

HSL 38.71, 0.59%, 0.59%

LAB 71.36, 7.05, 46.83

 

CMYK 0 / 5 / 58 / 17

HEX #D4C958

RGB 212 201 88

HSL 54.68, 0.59%, 0.59%

LAB 79.88, -10.2, 56.56

 

CMYK 11 / 0 / 58 / 17

HEX #BDD458

RGB 189 212 88

HSL 71.13, 0.59%, 0.59%

LAB 81.08, -25.05, 57.39

 

CMYK 26 / 0 / 58 / 17

HEX #9CD458

RGB 156 212 88

HSL 87.1, 0.59%, 0.59%

LAB 78.96, -37.72, 54.44

 

CMYK 0 / 5 / 75 / 32

HEX #ADA42C

RGB 173 164 44

HSL 55.81, 0.59%, 0.43%

LAB 66.23, -10.38, 59.33

 

CMYK 0 / 5 / 73 / 20

HEX #CBC037

RGB 203 192 55

HSL 55.54, 0.59%, 0.51%

LAB 76.48, -11.34, 66.11

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 0 / 3 / 45 / 14

HEX #DCD579

RGB 220 213 121

HSL 55.76, 0.59%, 0.67%

LAB 84.06, -10.25, 46.12

 

CMYK 0 / 3 / 33 / 10

HEX #E5DF9A

RGB 229 223 154

HSL 55.2, 0.59%, 0.75%

LAB 87.86, -8.2, 34.61

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 58 / 0 / 51 / 17

HEX #58D467

RGB 88 212 103

HSL 127.26, 0.59%, 0.59%

LAB 76.16, -56.73, 43.47

 

CMYK 28 / 58 / 0 / 17

HEX #9858D4

RGB 152 88 212

HSL 270.97, 0.59%, 0.59%

LAB 49.99, 49.53, -54.07

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 58 / 0 / 5 / 17

HEX #58D4C9

RGB 88 212 201

HSL 174.68, 0.59%, 0.59%

LAB 78.1, -36.9, -4.9

 

CMYK 5 / 58 / 0 / 17

HEX #C958D4

RGB 201 88 212

HSL 294.68, 0.59%, 0.59%

LAB 56.24, 61.63, -43.74

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 58 / 0 / 51 / 17

HEX #58D467

RGB 88 212 103

HSL 127.26, 0.59%, 0.59%

LAB 76.16, -56.73, 43.47

 

CMYK 58 / 53 / 0 / 17

HEX #5863D4

RGB 88 99 212

HSL 234.68, 0.59%, 0.59%

LAB 46.65, 29.19, -59.74

 

CMYK 0 / 58 / 7 / 17

HEX #D458C5

RGB 212 88 197

HSL 307.26, 0.59%, 0.59%

LAB 57.08, 61.91, -33.76

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 58 / 0 / 34 / 17

HEX #58D48C

RGB 88 212 140

HSL 145.16, 0.59%, 0.59%

LAB 76.71, -50.7, 25.56

 

CMYK 58 / 53 / 0 / 17

HEX #5863D4

RGB 88 99 212

HSL 234.68, 0.59%, 0.59%

LAB 46.65, 29.19, -59.74

 

CMYK 0 / 58 / 25 / 17

HEX #D458A0

RGB 212 88 160

HSL 325.16, 0.59%, 0.59%

LAB 55.6, 56.42, -14.65

 

Description

Color code: HEX #D4CB58 | qconv.com Color code: HEX #D4CB58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 203 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 203 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 58% 17% C M Y K

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Provide designers and agencies with accurate color values.

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