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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4CCC4 it is the complementary color #2B333B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4CCC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4CCC4 shade: #D9CCBF, #EADED2, #FBF0E5 and #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4CCC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4CCC4 shade: #D4CCC4, #C3BAB1, #B2A89E, #A1968B and #908478

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4CCC4 shade: #D4CCC3, #D4C7C3 and #D4C3C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4CCC4 shade: #D4CCC3, #D4D0C3, #D3D4C3, #CFD4C3 and #CAD4C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4CCC4 shade matches the following richer shades: #D4CCC3, #DCCCBB, #E4CCB3, #ECCCAB and #F5CCA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4CCC4 shade: #D4CCC3, #CBCCCC, #C3CCD4, #BBCCDC and #B3CCE4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4CCC4 shade: #D4C3C4, #D4C7C3, #D4CCC3, #D4D0C3 and #D3D4C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4CCC4 shade: #B1A293, #C2B7AB, #D4CCC3, #E5E0DB and #F6F5F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4CCC4 shade: #D4CCC4, #C8D4C3 and #C5C3D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4CCC4 shade: #D4CCC4, #C3D4CC and #CCC3D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4CCC4 shade: #D4CCC4, #C8D4C3, #C3CCD4 and #CFC3D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4CCC4 shade: #D4CCC4, #C3D4C3, #C3CCD4 and #D4C3D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 8 / 17

HEX #D4CCC4

RGB 212 204 196

HSL 30, 0.16%, 0.8%

LAB 82.47, 1.38, 4.96

 

Complementary color

CMYK 27 / 14 / 0 / 77

HEX #2B333B

RGB 43 51 59

HSL 210, 0.16%, 0.2%

LAB 20.82, -1.21, -6.17

 

CMYK 0 / 6 / 12 / 15

HEX #D9CCBF

RGB 217 204 191

HSL 30, 0.25%, 0.8%

LAB 82.75, 2.33, 8.08

 

CMYK 0 / 5 / 10 / 8

HEX #EADED2

RGB 234 222 210

HSL 30, 0.36%, 0.87%

LAB 89.11, 2.09, 7.34

 

CMYK 0 / 4 / 9 / 2

HEX #FBF0E5

RGB 251 240 229

HSL 30, 0.73%, 0.94%

LAB 95.37, 1.86, 6.62

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 4 / 8 / 17

HEX #D4CCC4

RGB 212 204 196

HSL 30, 0.16%, 0.8%

LAB 82.47, 1.38, 4.96

 

CMYK 0 / 5 / 9 / 24

HEX #C3BAB1

RGB 195 186 177

HSL 30, 0.13%, 0.73%

LAB 76, 1.6, 5.68

 

CMYK 0 / 6 / 11 / 30

HEX #B2A89E

RGB 178 168 158

HSL 30, 0.11%, 0.66%

LAB 69.43, 1.85, 6.44

 

CMYK 0 / 7 / 14 / 37

HEX #A1968B

RGB 161 150 139

HSL 30, 0.1%, 0.59%

LAB 62.72, 2.11, 7.25

 

CMYK 0 / 8 / 17 / 44

HEX #908478

RGB 144 132 120

HSL 30, 0.1%, 0.52%

LAB 55.87, 2.42, 8.11

 

CMYK 0 / 4 / 8 / 17

HEX #D4CCC3

RGB 212 204 195

HSL 31.76, 0.17%, 0.8%

LAB 82.44, 1.21, 5.46

HEX #D4CCC3

CMYK 0 / 6 / 8 / 17

HEX #D4C7C3

RGB 212 199 195

HSL 14.12, 0.17%, 0.8%

LAB 81.17, 3.84, 3.62

HEX #D4C7C3

CMYK 0 / 8 / 8 / 17

HEX #D4C3C3

RGB 212 195 195

HSL 0, 0.17%, 0.8%

LAB 80.16, 5.96, 2.15

HEX #D4C3C3

CMYK 0 / 4 / 8 / 17

HEX #D4CCC3

RGB 212 204 195

HSL 31.76, 0.17%, 0.8%

LAB 82.44, 1.21, 5.46

HEX #D4CCC3

CMYK 0 / 2 / 8 / 17

HEX #D4D0C3

RGB 212 208 195

HSL 45.88, 0.17%, 0.8%

LAB 83.47, -0.88, 6.93

HEX #D4D0C3

CMYK 0 / 0 / 8 / 17

HEX #D3D4C3

RGB 211 212 195

HSL 63.53, 0.17%, 0.8%

LAB 84.42, -3.31, 8.28

HEX #D3D4C3

CMYK 2 / 0 / 8 / 17

HEX #CFD4C3

RGB 207 212 195

HSL 77.65, 0.17%, 0.8%

LAB 84.12, -4.72, 7.81

HEX #CFD4C3

CMYK 5 / 0 / 8 / 17

HEX #CAD4C3

RGB 202 212 195

HSL 95.29, 0.17%, 0.8%

LAB 83.75, -6.46, 7.23

HEX #CAD4C3

CMYK 0 / 4 / 8 / 17

HEX #D4CCC3

RGB 212 204 195

HSL 31.76, 0.17%, 0.8%

LAB 82.44, 1.21, 5.46

HEX #D4CCC3

CMYK 0 / 7 / 15 / 14

HEX #DCCCBB

RGB 220 204 187

HSL 30.91, 0.32%, 0.8%

LAB 82.91, 2.78, 10.47

HEX #DCCCBB

CMYK 0 / 11 / 21 / 11

HEX #E4CCB3

RGB 228 204 179

HSL 30.61, 0.48%, 0.8%

LAB 83.41, 4.51, 15.52

HEX #E4CCB3

CMYK 0 / 14 / 28 / 7

HEX #ECCCAB

RGB 236 204 171

HSL 30.46, 0.63%, 0.8%

LAB 83.94, 6.39, 20.61

HEX #ECCCAB

CMYK 0 / 17 / 34 / 4

HEX #F5CCA2

RGB 245 204 162

HSL 30.36, 0.81%, 0.8%

LAB 84.59, 8.67, 26.35

HEX #F5CCA2

CMYK 0 / 4 / 8 / 17

HEX #D4CCC3

RGB 212 204 195

HSL 31.76, 0.17%, 0.8%

LAB 82.44, 1.21, 5.46

HEX #D4CCC3

CMYK 0 / 0 / 0 / 20

HEX #CBCCCC

RGB 203 204 204

HSL 180, 0.01%, 0.8%

LAB 81.97, -0.34, -0.13

HEX #CBCCCC

CMYK 8 / 4 / 0 / 17

HEX #C3CCD4

RGB 195 204 212

HSL 208.24, 0.17%, 0.8%

LAB 81.59, -1.52, -5.04

HEX #C3CCD4

CMYK 15 / 7 / 0 / 14

HEX #BBCCDC

RGB 187 204 220

HSL 209.09, 0.32%, 0.8%

LAB 81.25, -2.5, -9.89

HEX #BBCCDC

CMYK 21 / 11 / 0 / 11

HEX #B3CCE4

RGB 179 204 228

HSL 209.39, 0.48%, 0.8%

LAB 80.94, -3.27, -14.68

HEX #B3CCE4

CMYK 0 / 8 / 8 / 17

HEX #D4C3C4

RGB 212 195 196

HSL 356.47, 0.17%, 0.8%

LAB 80.19, 6.14, 1.65

 

CMYK 0 / 6 / 8 / 17

HEX #D4C7C3

RGB 212 199 195

HSL 14.12, 0.17%, 0.8%

LAB 81.17, 3.84, 3.62

 

CMYK 0 / 4 / 8 / 17

HEX #D4CCC3

RGB 212 204 195

HSL 31.76, 0.17%, 0.8%

LAB 82.44, 1.21, 5.46

HEX #D4CCC3

CMYK 0 / 2 / 8 / 17

HEX #D4D0C3

RGB 212 208 195

HSL 45.88, 0.17%, 0.8%

LAB 83.47, -0.88, 6.93

HEX #D4D0C3

CMYK 0 / 0 / 8 / 17

HEX #D3D4C3

RGB 211 212 195

HSL 63.53, 0.17%, 0.8%

LAB 84.42, -3.31, 8.28

HEX #D3D4C3

CMYK 0 / 8 / 17 / 31

HEX #B1A293

RGB 177 162 147

HSL 30, 0.16%, 0.64%

LAB 67.5, 2.92, 9.77

 

CMYK 0 / 6 / 12 / 24

HEX #C2B7AB

RGB 194 183 171

HSL 31.3, 0.16%, 0.72%

LAB 75, 1.83, 7.49

 

CMYK 0 / 4 / 8 / 17

HEX #D4CCC3

RGB 212 204 195

HSL 31.76, 0.17%, 0.8%

LAB 82.44, 1.21, 5.46

HEX #D4CCC3

CMYK 0 / 2 / 4 / 10

HEX #E5E0DB

RGB 229 224 219

HSL 30, 0.16%, 0.88%

LAB 89.43, 0.83, 3.03

HEX #E5E0DB

CMYK 0 / 0 / 1 / 4

HEX #F6F5F3

RGB 246 245 243

HSL 40, 0.14%, 0.96%

LAB 96.56, -0.01, 1.07

HEX #F6F5F3

CMYK 0 / 4 / 8 / 17

HEX #D4CCC4

RGB 212 204 196

HSL 30, 0.16%, 0.8%

LAB 82.47, 1.38, 4.96

 

CMYK 6 / 0 / 8 / 17

HEX #C8D4C3

RGB 200 212 195

HSL 102.35, 0.17%, 0.8%

LAB 83.6, -7.15, 7.01

 

CMYK 7 / 8 / 0 / 17

HEX #C5C3D4

RGB 197 195 212

HSL 247.06, 0.17%, 0.8%

LAB 79.42, 3.92, -8.24

 

CMYK 0 / 4 / 8 / 17

HEX #D4CCC4

RGB 212 204 196

HSL 30, 0.16%, 0.8%

LAB 82.47, 1.38, 4.96

 

CMYK 8 / 0 / 4 / 17

HEX #C3D4CC

RGB 195 212 204

HSL 151.76, 0.17%, 0.8%

LAB 83.47, -7.22, 1.98

 

CMYK 4 / 8 / 0 / 17

HEX #CCC3D4

RGB 204 195 212

HSL 271.76, 0.17%, 0.8%

LAB 79.97, 6.27, -7.36

 

CMYK 0 / 4 / 8 / 17

HEX #D4CCC4

RGB 212 204 196

HSL 30, 0.16%, 0.8%

LAB 82.47, 1.38, 4.96

 

CMYK 6 / 0 / 8 / 17

HEX #C8D4C3

RGB 200 212 195

HSL 102.35, 0.17%, 0.8%

LAB 83.6, -7.15, 7.01

 

CMYK 8 / 4 / 0 / 17

HEX #C3CCD4

RGB 195 204 212

HSL 208.24, 0.17%, 0.8%

LAB 81.59, -1.52, -5.04

 

CMYK 2 / 8 / 0 / 17

HEX #CFC3D4

RGB 207 195 212

HSL 282.35, 0.17%, 0.8%

LAB 80.21, 7.28, -6.98

 

CMYK 0 / 4 / 8 / 17

HEX #D4CCC4

RGB 212 204 196

HSL 30, 0.16%, 0.8%

LAB 82.47, 1.38, 4.96

 

CMYK 8 / 0 / 8 / 17

HEX #C3D4C3

RGB 195 212 195

HSL 120, 0.17%, 0.8%

LAB 83.25, -8.87, 6.45

 

CMYK 8 / 4 / 0 / 17

HEX #C3CCD4

RGB 195 204 212

HSL 208.24, 0.17%, 0.8%

LAB 81.59, -1.52, -5.04

 

CMYK 0 / 8 / 0 / 17

HEX #D4C3D4

RGB 212 195 212

HSL 300, 0.17%, 0.8%

LAB 80.62, 8.98, -6.32

 

Description

Color code: HEX #D4CCC4 | qconv.com Color code: HEX #D4CCC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 204 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 204 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 8 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 8% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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