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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4DDA5 it is the complementary color #2B225A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4DDA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4DDA5 shade: #D9DDA0, #EAEFB3, #FBFFC6, #FFFFD9 and #FFFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4DDA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4DDA5 shade: #D4DDA5, #C3CB92, #B2B97F, #A1A76C and #909559

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4DDA5 shade: #D4DDA6, #DDD7A6, #DDC8A6, #DDB9A6 and #DDAAA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4DDA5 shade: #D4DDA6, #C5DDA6, #B6DDA6, #A7DDA6 and #A6DDB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4DDA5 shade matches the following richer shades: #D4DDA6, #DBE79C, #E1F192 and #E8FB88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4DDA5 shade: #D4DDA6, #CDD3B0, #C7C9BA, #C0BFC3 and #B9B5CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4DDA5 shade: #DDC8A6, #DDD6A6, #D5DDA6, #C6DDA6 and #B7DDA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4DDA5 shade: #B7C66A, #C6D188, #D4DDA6, #E2E8C4 and #F1F4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4DDA5 shade: #D4DDA5, #A6DDB9 and #CFA6DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4DDA5 shade: #D4DDA5, #A6D5DD and #DDA6D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4DDA5 shade: #D4DDA5, #A6DDB9, #AEA6DD and #DDA6CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4DDA5 shade: #D4DDA5, #A6DDCA, #AEA6DD and #DDA6B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 25 / 13

HEX #D4DDA5

RGB 212 221 165

HSL 69.64, 0.45%, 0.76%

LAB 86.22, -12.16, 26.55

 

Complementary color

CMYK 52 / 62 / 0 / 65

HEX #2B225A

RGB 43 34 90

HSL 249.64, 0.45%, 0.24%

LAB 17.44, 20.83, -32.44

 

CMYK 2 / 0 / 28 / 13

HEX #D9DDA0

RGB 217 221 160

HSL 63.93, 0.47%, 0.75%

LAB 86.51, -10.98, 29.58

 

CMYK 2 / 0 / 25 / 6

HEX #EAEFB3

RGB 234 239 179

HSL 65, 0.65%, 0.82%

LAB 92.79, -11.15, 28.55

 

CMYK 2 / 0 / 22 / 0

HEX #FBFFC6

RGB 251 255 198

HSL 64.21, 1%, 0.89%

LAB 98.47, -10.31, 26.87

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA5

RGB 212 221 165

HSL 69.64, 0.45%, 0.76%

LAB 86.22, -12.16, 26.55

 

CMYK 4 / 0 / 28 / 20

HEX #C3CB92

RGB 195 203 146

HSL 68.42, 0.35%, 0.68%

LAB 79.83, -12.03, 27.59

 

CMYK 4 / 0 / 31 / 27

HEX #B2B97F

RGB 178 185 127

HSL 67.24, 0.29%, 0.61%

LAB 73.35, -11.87, 28.68

 

CMYK 4 / 0 / 35 / 35

HEX #A1A76C

RGB 161 167 108

HSL 66.1, 0.25%, 0.54%

LAB 66.75, -11.67, 29.84

 

CMYK 3 / 0 / 40 / 42

HEX #909559

RGB 144 149 89

HSL 65, 0.25%, 0.47%

LAB 60.02, -11.41, 31.05

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA6

RGB 212 221 166

HSL 69.82, 0.45%, 0.76%

LAB 86.24, -12.02, 26.05

 

CMYK 0 / 3 / 25 / 13

HEX #DDD7A6

RGB 221 215 166

HSL 53.45, 0.45%, 0.76%

LAB 85.37, -5.63, 24.98

 

CMYK 0 / 10 / 25 / 13

HEX #DDC8A6

RGB 221 200 166

HSL 37.09, 0.45%, 0.76%

LAB 81.53, 2.14, 19.7

 

CMYK 0 / 16 / 25 / 13

HEX #DDB9A6

RGB 221 185 166

HSL 20.73, 0.45%, 0.76%

LAB 77.77, 10.06, 14.46

 

CMYK 0 / 23 / 25 / 13

HEX #DDAAA6

RGB 221 170 166

HSL 4.36, 0.45%, 0.76%

LAB 74.11, 18.1, 9.28

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA6

RGB 212 221 166

HSL 69.82, 0.45%, 0.76%

LAB 86.24, -12.02, 26.05

 

CMYK 11 / 0 / 25 / 13

HEX #C5DDA6

RGB 197 221 166

HSL 86.18, 0.45%, 0.76%

LAB 85.17, -17.49, 24.42

 

CMYK 18 / 0 / 25 / 13

HEX #B6DDA6

RGB 182 221 166

HSL 102.55, 0.45%, 0.76%

LAB 84.18, -22.79, 22.91

 

CMYK 24 / 0 / 25 / 13

HEX #A7DDA6

RGB 167 221 166

HSL 118.91, 0.45%, 0.76%

LAB 83.27, -27.88, 21.52

 

CMYK 25 / 0 / 19 / 13

HEX #A6DDB3

RGB 166 221 179

HSL 134.18, 0.45%, 0.76%

LAB 83.48, -25.93, 14.99

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA6

RGB 212 221 166

HSL 69.82, 0.45%, 0.76%

LAB 86.24, -12.02, 26.05

 

CMYK 5 / 0 / 32 / 9

HEX #DBE79C

RGB 219 231 156

HSL 69.6, 0.61%, 0.76%

LAB 89.21, -15.73, 35.24

 

CMYK 7 / 0 / 39 / 5

HEX #E1F192

RGB 225 241 146

HSL 70.11, 0.77%, 0.76%

LAB 92.13, -19.55, 44.08

 

CMYK 8 / 0 / 46 / 2

HEX #E8FB88

RGB 232 251 136

HSL 69.91, 0.93%, 0.76%

LAB 95.13, -22.75, 52.72

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA6

RGB 212 221 166

HSL 69.82, 0.45%, 0.76%

LAB 86.24, -12.02, 26.05

 

CMYK 3 / 0 / 17 / 17

HEX #CDD3B0

RGB 205 211 176

HSL 70.29, 0.28%, 0.76%

LAB 83.29, -8.02, 16.67

 

CMYK 1 / 0 / 7 / 21

HEX #C7C9BA

RGB 199 201 186

HSL 68, 0.12%, 0.76%

LAB 80.44, -3.36, 7.25

 

CMYK 2 / 2 / 0 / 24

HEX #C0BFC3

RGB 192 191 195

HSL 255, 0.03%, 0.76%

LAB 77.52, 1.09, -1.89

HEX #C0BFC3

CMYK 10 / 12 / 0 / 20

HEX #B9B5CD

RGB 185 181 205

HSL 250, 0.19%, 0.76%

LAB 74.68, 6.07, -11.6

HEX #B9B5CD

CMYK 0 / 10 / 25 / 13

HEX #DDC8A6

RGB 221 200 166

HSL 37.09, 0.45%, 0.76%

LAB 81.53, 2.14, 19.7

 

CMYK 0 / 3 / 25 / 13

HEX #DDD6A6

RGB 221 214 166

HSL 52.36, 0.45%, 0.76%

LAB 85.11, -5.12, 24.63

 

CMYK 4 / 0 / 25 / 13

HEX #D5DDA6

RGB 213 221 166

HSL 68.73, 0.45%, 0.76%

LAB 86.31, -11.65, 26.17

 

CMYK 10 / 0 / 25 / 13

HEX #C6DDA6

RGB 198 221 166

HSL 85.09, 0.45%, 0.76%

LAB 85.24, -17.13, 24.53

 

CMYK 17 / 0 / 25 / 13

HEX #B7DDA6

RGB 183 221 166

HSL 101.45, 0.45%, 0.76%

LAB 84.24, -22.44, 23

 

CMYK 8 / 0 / 46 / 22

HEX #B7C66A

RGB 183 198 106

HSL 69.78, 0.45%, 0.6%

LAB 76.98, -18.95, 44.13

 

CMYK 5 / 0 / 35 / 18

HEX #C6D188

RGB 198 209 136

HSL 69.04, 0.44%, 0.68%

LAB 81.5, -15.21, 35.01

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA6

RGB 212 221 166

HSL 69.82, 0.45%, 0.76%

LAB 86.24, -12.02, 26.05

 

CMYK 3 / 0 / 16 / 9

HEX #E2E8C4

RGB 226 232 196

HSL 70, 0.44%, 0.84%

LAB 90.72, -8.07, 16.85

 

CMYK 1 / 0 / 7 / 4

HEX #F1F4E2

RGB 241 244 226

HSL 70, 0.45%, 0.92%

LAB 95.54, -4.09, 8.32

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA5

RGB 212 221 165

HSL 69.64, 0.45%, 0.76%

LAB 86.22, -12.16, 26.55

 

CMYK 25 / 0 / 16 / 13

HEX #A6DDB9

RGB 166 221 185

HSL 140.73, 0.45%, 0.76%

LAB 83.61, -24.82, 12.01

 

CMYK 6 / 25 / 0 / 13

HEX #CFA6DD

RGB 207 166 221

HSL 284.73, 0.45%, 0.76%

LAB 73.39, 24.74, -22.1

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA5

RGB 212 221 165

HSL 69.64, 0.45%, 0.76%

LAB 86.22, -12.16, 26.55

 

CMYK 25 / 4 / 0 / 13

HEX #A6D5DD

RGB 166 213 221

HSL 188.73, 0.45%, 0.76%

LAB 82.33, -13.42, -8.95

 

CMYK 0 / 25 / 4 / 13

HEX #DDA6D5

RGB 221 166 213

HSL 308.73, 0.45%, 0.76%

LAB 74.48, 27.85, -15.95

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA5

RGB 212 221 165

HSL 69.64, 0.45%, 0.76%

LAB 86.22, -12.16, 26.55

 

CMYK 25 / 0 / 16 / 13

HEX #A6DDB9

RGB 166 221 185

HSL 140.73, 0.45%, 0.76%

LAB 83.61, -24.82, 12.01

 

CMYK 21 / 25 / 0 / 13

HEX #AEA6DD

RGB 174 166 221

HSL 248.73, 0.45%, 0.76%

LAB 70.52, 14.28, -26.74

 

CMYK 0 / 25 / 9 / 13

HEX #DDA6CA

RGB 221 166 202

HSL 320.73, 0.45%, 0.76%

LAB 74.13, 25.91, -10.44

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA5

RGB 212 221 165

HSL 69.64, 0.45%, 0.76%

LAB 86.22, -12.16, 26.55

 

CMYK 25 / 0 / 9 / 13

HEX #A6DDCA

RGB 166 221 202

HSL 159.27, 0.45%, 0.76%

LAB 84.01, -21.5, 3.6

 

CMYK 21 / 25 / 0 / 13

HEX #AEA6DD

RGB 174 166 221

HSL 248.73, 0.45%, 0.76%

LAB 70.52, 14.28, -26.74

 

CMYK 0 / 25 / 16 / 13

HEX #DDA6B9

RGB 221 166 185

HSL 339.27, 0.45%, 0.76%

LAB 73.64, 23.11, -1.83

 

Description

Color code: HEX #D4DDA5 | qconv.com Color code: HEX #D4DDA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 221 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 221 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 25 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 25% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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