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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4E127 it is the complementary color #2B1ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4E127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4E127 shade: #D9E122, #EAF335, #FBFF48, #FFFF5B and #FFFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4E127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4E127 shade: #D4E127, #C3CF14, #B2BD01, #A1AB00 and #909900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4E127 shade: #D4E127, #E1BC27, #E18A27, #E15827 and #E12727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4E127 shade: #D4E127, #A2E127, #70E127, #3EE127 and #27E143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4E127 shade matches the following richer shades: #D4E127 and #E5F513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4E127 shade: #D4E127, #C3CD3B, #B2BA4F, #A1A662 and #909276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4E127 shade: #E18A27, #E1BC27, #D5E127, #A3E127 and #71E127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4E127 shade: #97A015, #B9C51A, #D4E127, #DBE64B and #E2EB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4E127 shade: #D4E127, #27E159 and #A327E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4E127 shade: #D4E127, #27D5E1 and #E127D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4E127 shade: #D4E127, #27E159, #3327E1 and #E127B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4E127 shade: #D4E127, #27E191, #3327E1 and #E12778

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

Complementary color

CMYK 80 / 86 / 0 / 15

HEX #2B1ED8

RGB 43 30 216

HSL 244.19, 0.76%, 0.48%

LAB 30.4, 63.14, -88.81

 

CMYK 4 / 0 / 85 / 12

HEX #D9E122

RGB 217 225 34

HSL 62.51, 0.76%, 0.51%

LAB 86.36, -22.48, 81.04

 

CMYK 4 / 0 / 78 / 5

HEX #EAF335

RGB 234 243 53

HSL 62.84, 0.89%, 0.58%

LAB 92.51, -23.55, 82.31

 

CMYK 2 / 0 / 72 / 0

HEX #FBFF48

RGB 251 255 72

HSL 61.31, 1%, 0.64%

LAB 97.02, -21.64, 81.29

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

CMYK 6 / 0 / 90 / 19

HEX #C3CF14

RGB 195 207 20

HSL 63.85, 0.82%, 0.45%

LAB 79.77, -23.27, 77.5

 

CMYK 6 / 0 / 99 / 26

HEX #B2BD01

RGB 178 189 1

HSL 63.51, 0.99%, 0.37%

LAB 73.46, -21.95, 74.29

 

CMYK 6 / 0 / 100 / 33

HEX #A1AB00

RGB 161 171 0

HSL 63.51, 1%, 0.34%

LAB 67.05, -20.38, 69.08

 

CMYK 6 / 0 / 100 / 40

HEX #909900

RGB 144 153 0

HSL 63.53, 1%, 0.3%

LAB 60.53, -18.76, 63.65

 

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

CMYK 0 / 16 / 83 / 12

HEX #E1BC27

RGB 225 188 39

HSL 48.06, 0.76%, 0.52%

LAB 77.35, -0.37, 72.64

 

CMYK 0 / 39 / 83 / 12

HEX #E18A27

RGB 225 138 39

HSL 31.94, 0.76%, 0.52%

LAB 65.22, 26.16, 62.23

 

CMYK 0 / 61 / 83 / 12

HEX #E15827

RGB 225 88 39

HSL 15.81, 0.76%, 0.52%

LAB 55.21, 51.13, 53.4

 

CMYK 0 / 83 / 83 / 12

HEX #E12727

RGB 225 39 39

HSL 0, 0.76%, 0.52%

LAB 49.01, 68.12, 47.76

 

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

CMYK 28 / 0 / 83 / 12

HEX #A2E127

RGB 162 225 39

HSL 80.32, 0.76%, 0.52%

LAB 82.74, -44.2, 75.43

 

CMYK 50 / 0 / 83 / 12

HEX #70E127

RGB 112 225 39

HSL 96.45, 0.76%, 0.52%

LAB 80.43, -60.79, 72.5

 

CMYK 72 / 0 / 83 / 12

HEX #3EE127

RGB 62 225 39

HSL 112.58, 0.76%, 0.52%

LAB 79.05, -72.03, 70.75

 

CMYK 83 / 0 / 70 / 12

HEX #27E143

RGB 39 225 67

HSL 129.03, 0.76%, 0.52%

LAB 78.86, -73.15, 61.78

 

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

CMYK 7 / 0 / 92 / 4

HEX #E5F513

RGB 229 245 19

HSL 64.25, 0.92%, 0.52%

LAB 92.58, -27.31, 88.68

 

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

CMYK 5 / 0 / 71 / 20

HEX #C3CD3B

RGB 195 205 59

HSL 64.11, 0.59%, 0.52%

LAB 79.37, -21.03, 67.27

 

CMYK 4 / 0 / 58 / 27

HEX #B2BA4F

RGB 178 186 79

HSL 64.49, 0.44%, 0.52%

LAB 72.99, -17.41, 52.14

 

CMYK 3 / 0 / 41 / 35

HEX #A1A662

RGB 161 166 98

HSL 64.41, 0.28%, 0.52%

LAB 66.31, -12.34, 34.56

 

CMYK 1 / 0 / 19 / 43

HEX #909276

RGB 144 146 118

HSL 64.29, 0.11%, 0.52%

LAB 59.7, -5.73, 14.63

 

CMYK 0 / 39 / 83 / 12

HEX #E18A27

RGB 225 138 39

HSL 31.94, 0.76%, 0.52%

LAB 65.22, 26.16, 62.23

 

CMYK 0 / 16 / 83 / 12

HEX #E1BC27

RGB 225 188 39

HSL 48.06, 0.76%, 0.52%

LAB 77.35, -0.37, 72.64

 

CMYK 5 / 0 / 83 / 12

HEX #D5E127

RGB 213 225 39

HSL 63.87, 0.76%, 0.52%

LAB 86.08, -24.01, 79.61

 

CMYK 28 / 0 / 83 / 12

HEX #A3E127

RGB 163 225 39

HSL 80, 0.76%, 0.52%

LAB 82.8, -43.82, 75.5

 

CMYK 50 / 0 / 83 / 12

HEX #71E127

RGB 113 225 39

HSL 96.13, 0.76%, 0.52%

LAB 80.46, -60.51, 72.55

 

CMYK 6 / 0 / 87 / 37

HEX #97A015

RGB 151 160 21

HSL 63.88, 0.77%, 0.35%

LAB 63.16, -18.84, 62.54

 

CMYK 6 / 0 / 87 / 23

HEX #B9C51A

RGB 185 197 26

HSL 64.21, 0.77%, 0.44%

LAB 76.27, -22.5, 73.36

 

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

CMYK 5 / 0 / 67 / 10

HEX #DBE64B

RGB 219 230 75

HSL 64.26, 0.76%, 0.6%

LAB 88.05, -22.48, 70.68

 

CMYK 4 / 0 / 52 / 8

HEX #E2EB70

RGB 226 235 112

HSL 64.39, 0.75%, 0.68%

LAB 90.21, -19.56, 57.82

 

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

CMYK 83 / 0 / 60 / 12

HEX #27E159

RGB 39 225 89

HSL 136.13, 0.76%, 0.52%

LAB 79.04, -70.89, 53.08

 

CMYK 28 / 83 / 0 / 12

HEX #A327E1

RGB 163 39 225

HSL 280, 0.76%, 0.52%

LAB 45.18, 74.5, -69.17

 

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

CMYK 83 / 5 / 0 / 12

HEX #27D5E1

RGB 39 213 225

HSL 183.87, 0.76%, 0.52%

LAB 78.14, -36.73, -17.81

 

CMYK 0 / 83 / 5 / 12

HEX #E127D5

RGB 225 39 213

HSL 303.87, 0.76%, 0.52%

LAB 54.3, 83.13, -47.14

 

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

CMYK 83 / 0 / 60 / 12

HEX #27E159

RGB 39 225 89

HSL 136.13, 0.76%, 0.52%

LAB 79.04, -70.89, 53.08

 

CMYK 77 / 83 / 0 / 12

HEX #3327E1

RGB 51 39 225

HSL 243.87, 0.76%, 0.52%

LAB 33.12, 62.52, -89.46

 

CMYK 0 / 83 / 22 / 12

HEX #E127B0

RGB 225 39 176

HSL 315.81, 0.76%, 0.52%

LAB 52.5, 78.22, -28.58

 

CMYK 6 / 0 / 83 / 12

HEX #D4E127

RGB 212 225 39

HSL 64.19, 0.76%, 0.52%

LAB 86, -24.43, 79.52

 

CMYK 83 / 0 / 36 / 12

HEX #27E191

RGB 39 225 145

HSL 154.19, 0.76%, 0.52%

LAB 79.8, -61.96, 26.97

 

CMYK 77 / 83 / 0 / 12

HEX #3327E1

RGB 51 39 225

HSL 243.87, 0.76%, 0.52%

LAB 33.12, 62.52, -89.46

 

CMYK 0 / 83 / 47 / 12

HEX #E12778

RGB 225 39 120

HSL 333.87, 0.76%, 0.52%

LAB 50.47, 72.44, 1.78

 

Description

Color code: HEX #D4E127 | qconv.com Color code: HEX #D4E127 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 225 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 225 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 83 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 83% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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