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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4FF72 it is the complementary color #2B008D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4FF72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4FF72 shade: #D9FF6D, #EAFF80, #FBFF93, #FFFFA6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4FF72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4FF72 shade: #D4FF72, #C3ED5F, #B2DB4C, #A1C939 and #90B726

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4FF72 shade: #D3FF70, #F9FF70, #FFDD70, #FFB770 and #FF9070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4FF72 shade: #D3FF70, #ACFF70, #86FF70, #70FF80 and #70FFA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4FF72 shade matches the following richer shades: #D3FF70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4FF72 shade: #D3FF70, #CEF37B, #CAE787, #C5DC92 and #C1D09E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4FF72 shade: #FFDD70, #FAFF70, #D4FF70, #AEFF70 and #88FF70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4FF72 shade: #BAFF1D, #C6FF46, #D3FF70, #E0FF99 and #ECFFC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4FF72 shade: #D4FF72, #70FFB7 and #F070FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4FF72 shade: #D4FF72, #70D4FF and #FF70D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4FF72 shade: #D4FF72, #70FFB7, #9B70FF and #FF70B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4FF72 shade: #D4FF72, #70FFE2, #9B70FF and #FF708C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 55 / 0

HEX #D4FF72

RGB 212 255 114

HSL 78.3, 1%, 0.72%

LAB 94.62, -34.18, 61.78

 

Complementary color

CMYK 70 / 100 / 0 / 45

HEX #2B008D

RGB 43 0 141

HSL 258.3, 1%, 0.28%

LAB 17.63, 51.94, -65.08

 

CMYK 15 / 0 / 57 / 0

HEX #D9FF6D

RGB 217 255 109

HSL 75.62, 1%, 0.71%

LAB 94.9, -32.72, 64.33

 

CMYK 8 / 0 / 50 / 0

HEX #EAFF80

RGB 234 255 128

HSL 69.92, 1%, 0.75%

LAB 96.23, -24.64, 57.79

 

CMYK 2 / 0 / 42 / 0

HEX #FBFF93

RGB 251 255 147

HSL 62.22, 1%, 0.79%

LAB 97.69, -16.36, 50.99

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 17 / 0 / 55 / 0

HEX #D4FF72

RGB 212 255 114

HSL 78.3, 1%, 0.72%

LAB 94.62, -34.18, 61.78

 

CMYK 18 / 0 / 60 / 7

HEX #C3ED5F

RGB 195 237 95

HSL 77.75, 0.8%, 0.65%

LAB 88.45, -33.91, 62.68

 

CMYK 19 / 0 / 65 / 14

HEX #B2DB4C

RGB 178 219 76

HSL 77.2, 0.67%, 0.58%

LAB 82.19, -33.55, 63.38

 

CMYK 20 / 0 / 72 / 21

HEX #A1C939

RGB 161 201 57

HSL 76.67, 0.57%, 0.51%

LAB 75.85, -33.07, 63.72

 

CMYK 21 / 0 / 79 / 28

HEX #90B726

RGB 144 183 38

HSL 76.14, 0.66%, 0.43%

LAB 69.42, -32.43, 63.43

 

CMYK 17 / 0 / 56 / 0

HEX #D3FF70

RGB 211 255 112

HSL 78.46, 1%, 0.72%

LAB 94.54, -34.72, 62.54

 

CMYK 2 / 0 / 56 / 0

HEX #F9FF70

RGB 249 255 112

HSL 62.52, 1%, 0.72%

LAB 97.16, -20.13, 66.2

 

CMYK 0 / 13 / 56 / 0

HEX #FFDD70

RGB 255 221 112

HSL 45.73, 1%, 0.72%

LAB 88.99, -0.96, 57.02

 

CMYK 0 / 28 / 56 / 0

HEX #FFB770

RGB 255 183 112

HSL 29.79, 1%, 0.72%

LAB 79.78, 18.66, 46.07

 

CMYK 0 / 44 / 56 / 0

HEX #FF9070

RGB 255 144 112

HSL 13.43, 1%, 0.72%

LAB 71.13, 38.91, 35.31

 

CMYK 17 / 0 / 56 / 0

HEX #D3FF70

RGB 211 255 112

HSL 78.46, 1%, 0.72%

LAB 94.54, -34.72, 62.54

 

CMYK 33 / 0 / 56 / 0

HEX #ACFF70

RGB 172 255 112

HSL 94.83, 1%, 0.72%

LAB 92.34, -48.56, 59.43

 

CMYK 47 / 0 / 56 / 0

HEX #86FF70

RGB 134 255 112

HSL 110.77, 1%, 0.72%

LAB 90.67, -60.19, 57.06

 

CMYK 56 / 0 / 50 / 0

HEX #70FF80

RGB 112 255 128

HSL 126.71, 1%, 0.72%

LAB 90.1, -63.81, 48.93

 

CMYK 56 / 0 / 35 / 0

HEX #70FFA6

RGB 112 255 166

HSL 142.66, 1%, 0.72%

LAB 90.65, -57.9, 31.16

 

CMYK 17 / 0 / 56 / 0

HEX #D3FF70

RGB 211 255 112

HSL 78.46, 1%, 0.72%

LAB 94.54, -34.72, 62.54

 

CMYK 17 / 0 / 56 / 0

HEX #D3FF70

RGB 211 255 112

HSL 78.46, 1%, 0.72%

LAB 94.54, -34.72, 62.54

 

CMYK 15 / 0 / 49 / 5

HEX #CEF37B

RGB 206 243 123

HSL 78.5, 0.83%, 0.72%

LAB 91.08, -30.06, 53.47

 

CMYK 13 / 0 / 42 / 9

HEX #CAE787

RGB 202 231 135

HSL 78.13, 0.67%, 0.72%

LAB 87.71, -24.61, 43.53

 

CMYK 10 / 0 / 34 / 14

HEX #C5DC92

RGB 197 220 146

HSL 78.65, 0.51%, 0.72%

LAB 84.55, -19.79, 33.89

 

CMYK 7 / 0 / 24 / 18

HEX #C1D09E

RGB 193 208 158

HSL 78, 0.35%, 0.72%

LAB 81.25, -13.61, 23.19

 

CMYK 0 / 13 / 56 / 0

HEX #FFDD70

RGB 255 221 112

HSL 45.73, 1%, 0.72%

LAB 88.99, -0.96, 57.02

 

CMYK 2 / 0 / 56 / 0

HEX #FAFF70

RGB 250 255 112

HSL 62.1, 1%, 0.72%

LAB 97.23, -19.74, 66.31

 

CMYK 17 / 0 / 56 / 0

HEX #D4FF70

RGB 212 255 112

HSL 78.04, 1%, 0.72%

LAB 94.61, -34.35, 62.63

 

CMYK 32 / 0 / 56 / 0

HEX #AEFF70

RGB 174 255 112

HSL 93.99, 1%, 0.72%

LAB 92.44, -47.89, 59.57

 

CMYK 47 / 0 / 56 / 0

HEX #88FF70

RGB 136 255 112

HSL 109.93, 1%, 0.72%

LAB 90.75, -59.63, 57.17

 

CMYK 27 / 0 / 89 / 0

HEX #BAFF1D

RGB 186 255 29

HSL 78.32, 1%, 0.56%

LAB 92.6, -48.34, 86.2

 

CMYK 22 / 0 / 73 / 0

HEX #C6FF46

RGB 198 255 70

HSL 78.49, 1%, 0.64%

LAB 93.44, -42.42, 77.25

 

CMYK 17 / 0 / 56 / 0

HEX #D3FF70

RGB 211 255 112

HSL 78.46, 1%, 0.72%

LAB 94.54, -34.72, 62.54

 

CMYK 12 / 0 / 40 / 0

HEX #E0FF99

RGB 224 255 153

HSL 78.24, 1%, 0.8%

LAB 95.86, -25.83, 45.4

 

CMYK 7 / 0 / 24 / 0

HEX #ECFFC2

RGB 236 255 194

HSL 78.69, 1%, 0.88%

LAB 97.33, -16.22, 27.15

 

CMYK 17 / 0 / 55 / 0

HEX #D4FF72

RGB 212 255 114

HSL 78.3, 1%, 0.72%

LAB 94.62, -34.18, 61.78

 

CMYK 56 / 0 / 28 / 0

HEX #70FFB7

RGB 112 255 183

HSL 149.79, 1%, 0.72%

LAB 90.95, -54.74, 22.99

 

CMYK 6 / 56 / 0 / 0

HEX #F070FF

RGB 240 112 255

HSL 293.71, 1%, 0.72%

LAB 67.53, 68.36, -49.52

 

CMYK 17 / 0 / 55 / 0

HEX #D4FF72

RGB 212 255 114

HSL 78.3, 1%, 0.72%

LAB 94.62, -34.18, 61.78

 

CMYK 56 / 17 / 0 / 0

HEX #70D4FF

RGB 112 212 255

HSL 198.04, 1%, 0.72%

LAB 80.6, -17.45, -29.91

 

CMYK 0 / 56 / 17 / 0

HEX #FF70D4

RGB 255 112 212

HSL 318.04, 1%, 0.72%

LAB 67.73, 65.44, -25.28

 

CMYK 17 / 0 / 55 / 0

HEX #D4FF72

RGB 212 255 114

HSL 78.3, 1%, 0.72%

LAB 94.62, -34.18, 61.78

 

CMYK 56 / 0 / 28 / 0

HEX #70FFB7

RGB 112 255 183

HSL 149.79, 1%, 0.72%

LAB 90.95, -54.74, 22.99

 

CMYK 39 / 56 / 0 / 0

HEX #9B70FF

RGB 155 112 255

HSL 258.04, 1%, 0.72%

LAB 57.82, 48.06, -65.56

 

CMYK 0 / 56 / 28 / 0

HEX #FF70B7

RGB 255 112 183

HSL 330.21, 1%, 0.72%

LAB 66.72, 61.55, -10.5

 

CMYK 17 / 0 / 55 / 0

HEX #D4FF72

RGB 212 255 114

HSL 78.3, 1%, 0.72%

LAB 94.62, -34.18, 61.78

 

CMYK 56 / 0 / 11 / 0

HEX #70FFE2

RGB 112 255 226

HSL 167.83, 1%, 0.72%

LAB 91.89, -45.45, 2.21

 

CMYK 39 / 56 / 0 / 0

HEX #9B70FF

RGB 155 112 255

HSL 258.04, 1%, 0.72%

LAB 57.82, 48.06, -65.56

 

CMYK 0 / 56 / 45 / 0

HEX #FF708C

RGB 255 112 140

HSL 348.25, 1%, 0.72%

LAB 65.55, 56.83, 12.23

 

Description

Color code: HEX #D4FF72 | qconv.com Color code: HEX #D4FF72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 255 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 255 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 55 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 55% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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