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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D50BBF it is the complementary color #2AF440. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D50BBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D50BBF shade: #DA0BBA, #EB1DCD, #FC2FE0, #FF41F3 and #FF53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D50BBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D50BBF shade: #D50BBF, #C400AC, #B30099, #A20086 and #910073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D50BBF shade: #D50BBF, #D50B88, #D50B52, #D50B1B and #D50B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D50BBF shade: #D50BBF, #B40BD5, #7E0BD5, #470BD5 and #110BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D50BBF shade matches the following richer shades: #D50BBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D50BBF shade: #D50BBF, #C31DB0, #B02FA2, #9E4194 and #8C5386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D50BBF shade: #7D0BD5, #B30BD5, #D50BC0, #D50B8B and #D50B55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D50BBF shade: #860778, #AD099C, #D50BBF, #F216DA and #F43EE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D50BBF shade: #D50BBF, #D5470B and #0BD598

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D50BBF shade: #D50BBF, #C0D50B and #0BC0D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D50BBF shade: #D50BBF, #D5470B, #0BD51F and #0B98D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D50BBF shade: #D50BBF, #D5840B, #0BD51F and #0B5CD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

Complementary color

CMYK 83 / 0 / 74 / 4

HEX #2AF440

RGB 42 244 64

HSL 126.53, 0.9%, 0.56%

LAB 84.77, -78.63, 68.87

 

CMYK 0 / 95 / 15 / 15

HEX #DA0BBA

RGB 218 11 186

HSL 309.28, 0.9%, 0.45%

LAB 50.32, 82.13, -37.93

 

CMYK 0 / 88 / 13 / 8

HEX #EB1DCD

RGB 235 29 205

HSL 308.74, 0.84%, 0.52%

LAB 55.02, 85.65, -41.32

 

CMYK 0 / 81 / 11 / 1

HEX #FC2FE0

RGB 252 47 224

HSL 308.2, 0.97%, 0.59%

LAB 59.99, 88.15, -44.09

 

CMYK 0 / 75 / 5 / 0

HEX #FF41F3

RGB 255 65 243

HSL 303.79, 1%, 0.63%

LAB 62.94, 87.02, -50.02

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

CMYK 0 / 100 / 12 / 23

HEX #C400AC

RGB 196 0 172

HSL 307.35, 1%, 0.38%

LAB 45.24, 77.26, -37.98

 

CMYK 0 / 100 / 15 / 30

HEX #B30099

RGB 179 0 153

HSL 308.72, 1%, 0.35%

LAB 41.03, 71.69, -33.45

 

CMYK 0 / 100 / 17 / 36

HEX #A20086

RGB 162 0 134

HSL 310.37, 1%, 0.32%

LAB 36.75, 66.03, -28.78

 

CMYK 0 / 100 / 21 / 43

HEX #910073

RGB 145 0 115

HSL 312.41, 1%, 0.28%

LAB 32.39, 60.26, -23.94

 

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

CMYK 0 / 95 / 36 / 16

HEX #D50B88

RGB 213 11 136

HSL 322.87, 0.9%, 0.44%

LAB 47.19, 75.49, -13.07

 

CMYK 0 / 95 / 62 / 16

HEX #D50B52

RGB 213 11 82

HSL 338.91, 0.9%, 0.44%

LAB 45.63, 71.3, 18.04

 

CMYK 0 / 95 / 87 / 16

HEX #D50B1B

RGB 213 11 27

HSL 355.25, 0.9%, 0.44%

LAB 44.89, 69.27, 49.18

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

CMYK 15 / 95 / 0 / 16

HEX #B40BD5

RGB 180 11 213

HSL 290.2, 0.9%, 0.44%

LAB 45.29, 79.84, -62.01

 

CMYK 41 / 95 / 0 / 16

HEX #7E0BD5

RGB 126 11 213

HSL 274.16, 0.9%, 0.44%

LAB 36.89, 73.01, -76.07

 

CMYK 67 / 95 / 0 / 16

HEX #470BD5

RGB 71 11 213

HSL 257.82, 0.9%, 0.44%

LAB 30.36, 68.74, -87.09

 

CMYK 92 / 95 / 0 / 16

HEX #110BD5

RGB 17 11 213

HSL 241.78, 0.9%, 0.44%

LAB 27.19, 67.15, -92.45

 

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

CMYK 0 / 85 / 10 / 24

HEX #C31DB0

RGB 195 29 176

HSL 306.87, 0.74%, 0.44%

LAB 46.47, 74.11, -38.43

 

CMYK 0 / 73 / 8 / 31

HEX #B02FA2

RGB 176 47 162

HSL 306.51, 0.58%, 0.44%

LAB 44.05, 63.41, -34.15

 

CMYK 0 / 59 / 6 / 38

HEX #9E4194

RGB 158 65 148

HSL 306.45, 0.42%, 0.44%

LAB 43.04, 49.37, -27.52

 

CMYK 0 / 41 / 4 / 45

HEX #8C5386

RGB 140 83 134

HSL 306.32, 0.26%, 0.44%

LAB 43.48, 31.86, -18.59

 

CMYK 41 / 95 / 0 / 16

HEX #7D0BD5

RGB 125 11 213

HSL 273.86, 0.9%, 0.44%

LAB 36.75, 72.91, -76.31

 

CMYK 16 / 95 / 0 / 16

HEX #B30BD5

RGB 179 11 213

HSL 289.9, 0.9%, 0.44%

LAB 45.12, 79.69, -62.29

 

CMYK 0 / 95 / 10 / 16

HEX #D50BC0

RGB 213 11 192

HSL 306.24, 0.9%, 0.44%

LAB 49.73, 82.02, -42.43

 

CMYK 0 / 95 / 35 / 16

HEX #D50B8B

RGB 213 11 139

HSL 321.98, 0.9%, 0.44%

LAB 47.3, 75.79, -14.73

 

CMYK 0 / 95 / 60 / 16

HEX #D50B55

RGB 213 11 85

HSL 338.02, 0.9%, 0.44%

LAB 45.69, 71.47, 16.25

 

CMYK 0 / 95 / 10 / 47

HEX #860778

RGB 134 7 120

HSL 306.61, 0.9%, 0.28%

LAB 30.82, 57.75, -29.72

 

CMYK 0 / 95 / 10 / 32

HEX #AD099C

RGB 173 9 156

HSL 306.22, 0.9%, 0.36%

LAB 40.38, 70.06, -36.37

 

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

CMYK 0 / 91 / 10 / 5

HEX #F216DA

RGB 242 22 218

HSL 306.55, 0.89%, 0.52%

LAB 56.6, 89.52, -46.16

 

CMYK 0 / 75 / 8 / 4

HEX #F43EE0

RGB 244 62 224

HSL 306.59, 0.89%, 0.6%

LAB 59.94, 82.87, -44.25

 

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

CMYK 0 / 67 / 95 / 16

HEX #D5470B

RGB 213 71 11

HSL 17.82, 0.9%, 0.44%

LAB 50.31, 53.69, 58.61

 

CMYK 95 / 0 / 29 / 16

HEX #0BD598

RGB 11 213 152

HSL 161.88, 0.9%, 0.44%

LAB 76.02, -57.74, 18.12

 

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

CMYK 10 / 0 / 95 / 16

HEX #C0D50B

RGB 192 213 11

HSL 66.24, 0.9%, 0.44%

LAB 81.19, -27.53, 79.6

 

CMYK 95 / 10 / 0 / 16

HEX #0BC0D5

RGB 11 192 213

HSL 186.24, 0.9%, 0.44%

LAB 71.27, -31.98, -21.77

 

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

CMYK 0 / 67 / 95 / 16

HEX #D5470B

RGB 213 71 11

HSL 17.82, 0.9%, 0.44%

LAB 50.31, 53.69, 58.61

 

CMYK 95 / 0 / 85 / 16

HEX #0BD51F

RGB 11 213 31

HSL 125.94, 0.9%, 0.44%

LAB 74.67, -74.01, 68.44

 

CMYK 95 / 29 / 0 / 16

HEX #0B98D5

RGB 11 152 213

HSL 198.12, 0.9%, 0.44%

LAB 59.28, -11.21, -40.31

 

CMYK 0 / 95 / 10 / 16

HEX #D50BBF

RGB 213 11 191

HSL 306.53, 0.9%, 0.44%

LAB 49.67, 81.89, -41.93

 

CMYK 0 / 38 / 95 / 16

HEX #D5840B

RGB 213 132 11

HSL 35.94, 0.9%, 0.44%

LAB 62.23, 23.73, 66.49

 

CMYK 95 / 0 / 85 / 16

HEX #0BD51F

RGB 11 213 31

HSL 125.94, 0.9%, 0.44%

LAB 74.67, -74.01, 68.44

 

CMYK 95 / 57 / 0 / 16

HEX #0B5CD5

RGB 11 92 213

HSL 215.94, 0.9%, 0.44%

LAB 42.05, 25.74, -67.91

 

Description

Color code: HEX #D50BBF | qconv.com Color code: HEX #D50BBF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 11 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 11 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 10% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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