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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5107D it is the complementary color #2AEF82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5107D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5107D shade: #DA1078, #EB228B, #FC349E, #FF46B1 and #FF58C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5107D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5107D shade: #D5107D, #C4006A, #B30057, #A20044 and #910031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5107D shade: #D5107D, #D51048, #D51012 and #D51010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5107D shade: #D5107D, #D510B2, #C310D5, #8D10D5 and #5810D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5107D shade matches the following richer shades: #D5107D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5107D shade: #D5107D, #C2227B, #B03579, #9D4777 and #8B5A75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5107D shade: #C110D5, #D510B4, #D5107F, #D5104B and #D51016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5107D shade: #880A50, #AF0D66, #D5107D, #EE2092 and #F146A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5107D shade: #D5107D, #D58D10 and #10CED5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5107D shade: #D5107D, #7FD510 and #107FD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5107D shade: #D5107D, #D58D10, #10D565 and #1058D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5107D shade: #D5107D, #D5C810, #10D565 and #101DD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

Complementary color

CMYK 82 / 0 / 46 / 6

HEX #2AEF82

RGB 42 239 130

HSL 146.8, 0.86%, 0.55%

LAB 83.88, -69.26, 39.86

 

CMYK 0 / 93 / 45 / 15

HEX #DA1078

RGB 218 16 120

HSL 329.11, 0.86%, 0.46%

LAB 47.79, 74.63, -2.3

 

CMYK 0 / 86 / 41 / 8

HEX #EB228B

RGB 235 34 139

HSL 328.66, 0.83%, 0.53%

LAB 52.59, 77.47, -6.36

 

CMYK 0 / 79 / 37 / 1

HEX #FC349E

RGB 252 52 158

HSL 328.2, 0.97%, 0.6%

LAB 57.67, 79.35, -9.7

 

CMYK 0 / 73 / 31 / 0

HEX #FF46B1

RGB 255 70 177

HSL 325.3, 1%, 0.64%

LAB 60.62, 77.02, -16.27

 

CMYK 0 / 65 / 23 / 0

HEX #FF58C4

RGB 255 88 196

HSL 321.2, 1%, 0.67%

LAB 63.53, 73.09, -22.7

 

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

CMYK 0 / 100 / 46 / 23

HEX #C4006A

RGB 196 0 106

HSL 327.55, 1%, 0.38%

LAB 42.42, 70.09, -2.02

 

CMYK 0 / 100 / 51 / 30

HEX #B30057

RGB 179 0 87

HSL 330.84, 1%, 0.35%

LAB 38.33, 64.76, 3.64

 

CMYK 0 / 100 / 58 / 36

HEX #A20044

RGB 162 0 68

HSL 334.81, 1%, 0.32%

LAB 34.19, 59.43, 9.62

 

CMYK 0 / 100 / 66 / 43

HEX #910031

RGB 145 0 49

HSL 339.72, 1%, 0.28%

LAB 30.01, 54.1, 15.95

 

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

CMYK 0 / 92 / 66 / 16

HEX #D51048

RGB 213 16 72

HSL 342.94, 0.86%, 0.45%

LAB 45.61, 70.24, 24.23

 

CMYK 0 / 92 / 92 / 16

HEX #D51012

RGB 213 16 18

HSL 359.39, 0.86%, 0.45%

LAB 45.03, 68.6, 53.15

 

CMYK 0 / 92 / 92 / 16

HEX #D51010

RGB 213 16 16

HSL 0, 0.86%, 0.45%

LAB 45.02, 68.57, 53.89

 

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

CMYK 0 / 92 / 16 / 16

HEX #D510B2

RGB 213 16 178

HSL 310.66, 0.86%, 0.45%

LAB 49.17, 79.73, -35.13

 

CMYK 8 / 92 / 0 / 16

HEX #C310D5

RGB 195 16 213

HSL 294.52, 0.86%, 0.45%

LAB 47.98, 81.59, -57.54

 

CMYK 34 / 92 / 0 / 16

HEX #8D10D5

RGB 141 16 213

HSL 278.07, 0.86%, 0.45%

LAB 39.31, 74, -72.02

 

CMYK 59 / 92 / 0 / 16

HEX #5810D5

RGB 88 16 213

HSL 261.93, 0.86%, 0.45%

LAB 32.37, 68.85, -83.7

 

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

CMYK 0 / 82 / 37 / 24

HEX #C2227B

RGB 194 34 123

HSL 326.63, 0.7%, 0.45%

LAB 44.3, 66.32, -9.84

 

CMYK 0 / 70 / 31 / 31

HEX #B03579

RGB 176 53 121

HSL 326.83, 0.54%, 0.45%

LAB 43, 55.59, -10.89

 

CMYK 0 / 55 / 24 / 38

HEX #9D4777

RGB 157 71 119

HSL 326.51, 0.38%, 0.45%

LAB 42.77, 41.5, -10.3

 

CMYK 0 / 35 / 16 / 45

HEX #8B5A75

RGB 139 90 117

HSL 326.94, 0.21%, 0.45%

LAB 44.36, 24.37, -6.96

 

CMYK 9 / 92 / 0 / 16

HEX #C110D5

RGB 193 16 213

HSL 293.91, 0.86%, 0.45%

LAB 47.64, 81.28, -58.1

 

CMYK 0 / 92 / 15 / 16

HEX #D510B4

RGB 213 16 180

HSL 310.05, 0.86%, 0.45%

LAB 49.27, 79.98, -36.14

 

CMYK 0 / 92 / 40 / 16

HEX #D5107F

RGB 213 16 127

HSL 326.19, 0.86%, 0.45%

LAB 47.04, 74.14, -7.81

 

CMYK 0 / 92 / 65 / 16

HEX #D5104B

RGB 213 16 75

HSL 342.03, 0.86%, 0.45%

LAB 45.67, 70.39, 22.44

 

CMYK 0 / 92 / 90 / 16

HEX #D51016

RGB 213 16 22

HSL 358.17, 0.86%, 0.45%

LAB 45.05, 68.65, 51.54

 

CMYK 0 / 93 / 41 / 47

HEX #880A50

RGB 136 10 80

HSL 326.67, 0.86%, 0.29%

LAB 29.49, 52.72, -5.81

 

CMYK 0 / 93 / 42 / 31

HEX #AF0D66

RGB 175 13 102

HSL 327.04, 0.86%, 0.37%

LAB 38.48, 63.65, -5.8

 

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

CMYK 0 / 87 / 39 / 7

HEX #EE2092

RGB 238 32 146

HSL 326.8, 0.86%, 0.53%

LAB 53.26, 79.15, -9.48

 

CMYK 0 / 71 / 32 / 5

HEX #F146A5

RGB 241 70 165

HSL 326.67, 0.86%, 0.61%

LAB 57.84, 72.14, -13.73

 

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

CMYK 0 / 34 / 92 / 16

HEX #D58D10

RGB 213 141 16

HSL 38.07, 0.86%, 0.45%

LAB 64.35, 18.94, 67.15

 

CMYK 92 / 3 / 0 / 16

HEX #10CED5

RGB 16 206 213

HSL 182.13, 0.86%, 0.45%

LAB 75.49, -38.38, -15.38

 

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

CMYK 40 / 0 / 92 / 16

HEX #7FD510

RGB 127 213 16

HSL 86.19, 0.86%, 0.45%

LAB 77.36, -52.29, 74.39

 

CMYK 92 / 40 / 0 / 16

HEX #107FD5

RGB 16 127 213

HSL 206.19, 0.86%, 0.45%

LAB 51.94, 3.61, -51.94

 

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

CMYK 0 / 34 / 92 / 16

HEX #D58D10

RGB 213 141 16

HSL 38.07, 0.86%, 0.45%

LAB 64.35, 18.94, 67.15

 

CMYK 92 / 0 / 53 / 16

HEX #10D565

RGB 16 213 101

HSL 145.89, 0.86%, 0.45%

LAB 75.23, -67.16, 43.01

 

CMYK 92 / 59 / 0 / 16

HEX #1058D5

RGB 16 88 213

HSL 218.07, 0.86%, 0.45%

LAB 41.05, 28.53, -69.54

 

CMYK 0 / 92 / 41 / 16

HEX #D5107D

RGB 213 16 125

HSL 326.8, 0.86%, 0.45%

LAB 46.97, 73.95, -6.69

 

CMYK 0 / 6 / 92 / 16

HEX #D5C810

RGB 213 200 16

HSL 56.04, 0.86%, 0.45%

LAB 79.32, -12.19, 78.34

 

CMYK 92 / 0 / 53 / 16

HEX #10D565

RGB 16 213 101

HSL 145.89, 0.86%, 0.45%

LAB 75.23, -67.16, 43.01

 

CMYK 92 / 86 / 0 / 16

HEX #101DD5

RGB 16 29 213

HSL 236.04, 0.86%, 0.45%

LAB 28.88, 61.91, -89.62

 

Description

Color code: HEX #D5107D | qconv.com Color code: HEX #D5107D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 16 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 16 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 41 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 41% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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