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Color name
HEX #D51A1E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D51A1E it is the complementary color #2AE5E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D51A1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D51A1E shade: #DA1A19, #EB2C2C, #FC3E3F, #FF5052 and #FF6265

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D51A1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D51A1E shade: #D51A1E, #C4080B, #B30000, #A20000 and #910000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D51A1E shade: #D51A1E and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D51A1E shade: #D51A1E, #D51A50, #D51A83, #D51AB5 and #C21AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D51A1E shade matches the following richer shades: #D51A1E and #E8060B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D51A1E shade: #D51A1E, #C12D30, #AE4143, #9B5456 and #876768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D51A1E shade: #D51A84, #D51A52, #D51A20, #D5451A and #D5771A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D51A1E shade: #8B1113, #B01519, #D51A1E, #E53336 and #EA575A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D51A1E shade: #D51A1E, #B6D51A and #1A6BD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D51A1E shade: #D51A1E, #20D51A and #1A20D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D51A1E shade: #D51A1E, #B6D51A, #1AD5CF and #391AD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D51A1E shade: #D51A1E, #7ED51A, #1AD5CF and #711AD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

Complementary color

CMYK 82 / 0 / 2 / 10

HEX #2AE5E1

RGB 42 229 225

HSL 178.72, 0.78%, 0.53%

LAB 82.9, -43.74, -10.67

 

CMYK 0 / 88 / 89 / 15

HEX #DA1A19

RGB 218 26 25

HSL 0.31, 0.79%, 0.48%

LAB 46.6, 68.55, 51.85

 

CMYK 0 / 81 / 81 / 8

HEX #EB2C2C

RGB 235 44 44

HSL 0, 0.83%, 0.55%

LAB 51.43, 69.81, 48.17

 

CMYK 0 / 75 / 75 / 1

HEX #FC3E3F

RGB 252 62 63

HSL 359.68, 0.97%, 0.62%

LAB 56.58, 70.27, 44.35

 

CMYK 0 / 69 / 68 / 0

HEX #FF5052

RGB 255 80 82

HSL 359.31, 1%, 0.66%

LAB 59.53, 65.95, 37.34

 

CMYK 0 / 62 / 60 / 0

HEX #FF6265

RGB 255 98 101

HSL 358.85, 1%, 0.69%

LAB 62.45, 59.89, 30.26

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

CMYK 0 / 96 / 94 / 23

HEX #C4080B

RGB 196 8 11

HSL 359.04, 0.92%, 0.4%

LAB 41.11, 65.02, 51.47

 

CMYK 0 / 100 / 100 / 30

HEX #B30000

RGB 179 0 0

HSL 0, 1%, 0.35%

LAB 37.08, 61.42, 51.49

 

CMYK 0 / 100 / 100 / 36

HEX #A20000

RGB 162 0 0

HSL 0, 1%, 0.32%

LAB 33.31, 57.06, 47.46

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

CMYK 0 / 88 / 62 / 16

HEX #D51A50

RGB 213 26 80

HSL 342.67, 0.78%, 0.47%

LAB 46.26, 69.23, 20.13

 

CMYK 0 / 88 / 38 / 16

HEX #D51A83

RGB 213 26 131

HSL 326.31, 0.78%, 0.47%

LAB 47.65, 73.13, -9.33

 

CMYK 0 / 88 / 15 / 16

HEX #D51AB5

RGB 213 26 181

HSL 310.27, 0.78%, 0.47%

LAB 49.76, 78.8, -35.95

 

CMYK 9 / 88 / 0 / 16

HEX #C21AD5

RGB 194 26 213

HSL 293.9, 0.78%, 0.47%

LAB 48.28, 80.06, -57.07

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

CMYK 0 / 97 / 95 / 9

HEX #E8060B

RGB 232 6 11

HSL 358.67, 0.95%, 0.47%

LAB 48.65, 74.19, 59.61

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

CMYK 0 / 77 / 75 / 24

HEX #C12D30

RGB 193 45 48

HSL 358.78, 0.62%, 0.47%

LAB 43.4, 57.62, 35.1

 

CMYK 0 / 63 / 61 / 32

HEX #AE4143

RGB 174 65 67

HSL 358.9, 0.46%, 0.47%

LAB 43.04, 44.68, 22.51

 

CMYK 0 / 46 / 45 / 39

HEX #9B5456

RGB 155 84 86

HSL 358.31, 0.3%, 0.47%

LAB 44.21, 29.57, 11.99

 

CMYK 0 / 24 / 23 / 47

HEX #876768

RGB 135 103 104

HSL 358.13, 0.13%, 0.47%

LAB 46.78, 12.99, 4.39

 

CMYK 0 / 88 / 38 / 16

HEX #D51A84

RGB 213 26 132

HSL 325.99, 0.78%, 0.47%

LAB 47.69, 73.22, -9.89

 

CMYK 0 / 88 / 62 / 16

HEX #D51A52

RGB 213 26 82

HSL 342.03, 0.78%, 0.47%

LAB 46.3, 69.34, 18.94

 

CMYK 0 / 88 / 85 / 16

HEX #D51A20

RGB 213 26 32

HSL 358.07, 0.78%, 0.47%

LAB 45.62, 67.37, 47.35

 

CMYK 0 / 68 / 88 / 16

HEX #D5451A

RGB 213 69 26

HSL 13.8, 0.78%, 0.47%

LAB 50.07, 54.72, 53.67

 

CMYK 0 / 44 / 88 / 16

HEX #D5771A

RGB 213 119 26

HSL 29.84, 0.78%, 0.47%

LAB 59.36, 30.9, 60.96

 

CMYK 0 / 88 / 86 / 45

HEX #8B1113

RGB 139 17 19

HSL 359.02, 0.78%, 0.31%

LAB 29.25, 48.35, 33.71

 

CMYK 0 / 88 / 86 / 31

HEX #B01519

RGB 176 21 25

HSL 358.45, 0.79%, 0.39%

LAB 37.55, 58.16, 40.9

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

CMYK 0 / 78 / 76 / 10

HEX #E53336

RGB 229 51 54

HSL 358.99, 0.77%, 0.55%

LAB 51.03, 66.59, 42.02

 

CMYK 0 / 63 / 62 / 8

HEX #EA575A

RGB 234 87 90

HSL 358.78, 0.78%, 0.63%

LAB 57.12, 56.96, 29.02

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

CMYK 15 / 0 / 88 / 16

HEX #B6D51A

RGB 182 213 26

HSL 69.95, 0.78%, 0.47%

LAB 80.52, -31.39, 76.74

 

CMYK 88 / 50 / 0 / 16

HEX #1A6BD5

RGB 26 107 213

HSL 214.01, 0.78%, 0.47%

LAB 46.36, 16.69, -60.89

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

CMYK 85 / 0 / 88 / 16

HEX #20D51A

RGB 32 213 26

HSL 118.07, 0.78%, 0.47%

LAB 74.81, -72.87, 69.63

 

CMYK 88 / 85 / 0 / 16

HEX #1A20D5

RGB 26 32 213

HSL 238.07, 0.78%, 0.47%

LAB 29.56, 60.94, -88.5

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

CMYK 15 / 0 / 88 / 16

HEX #B6D51A

RGB 182 213 26

HSL 69.95, 0.78%, 0.47%

LAB 80.52, -31.39, 76.74

 

CMYK 88 / 0 / 3 / 16

HEX #1AD5CF

RGB 26 213 207

HSL 178.07, 0.78%, 0.47%

LAB 77.47, -42.86, -9.18

 

CMYK 73 / 88 / 0 / 16

HEX #391AD5

RGB 57 26 213

HSL 249.95, 0.78%, 0.47%

LAB 30.43, 64.35, -87

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1E

RGB 213 26 30

HSL 358.72, 0.78%, 0.47%

LAB 45.6, 67.33, 48.32

 

CMYK 41 / 0 / 88 / 16

HEX #7ED51A

RGB 126 213 26

HSL 87.91, 0.78%, 0.47%

LAB 77.34, -52.38, 72.8

 

CMYK 88 / 0 / 3 / 16

HEX #1AD5CF

RGB 26 213 207

HSL 178.07, 0.78%, 0.47%

LAB 77.47, -42.86, -9.18

 

CMYK 47 / 88 / 0 / 16

HEX #711AD5

RGB 113 26 213

HSL 267.91, 0.78%, 0.47%

LAB 36.09, 68.81, -77.45

 

Description

Color code: HEX #D51A1E | qconv.com Color code: HEX #D51A1E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 26 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 26 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 86% 16% C M Y K

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