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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D52862 it is the complementary color #2AD79D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D52862. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D52862 shade: #DA285D, #EB3A70, #FC4C83, #FF5E96 and #FF70A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D52862. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D52862 shade: #D52862, #C4164F, #B3043C, #A20029 and #910016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D52862 shade: #D62862, #D62834 and #D62828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D52862 shade: #D62862, #D62891, #D628C0, #BD28D6 and #8E28D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D52862 shade matches the following richer shades: #D62862 and #EA145C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D52862 shade: #D62862, #C13D69, #AC5270, #986677 and #837B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D52862 shade: #D628C1, #D62893, #D62865, #D62837 and #D64828

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D52862 shade: #901B42, #B32252, #D62862, #DC4B7C and #E36E95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D52862 shade: #D52862, #D6BC28 and #28AAD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D52862 shade: #D52862, #65D628 and #2865D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D52862 shade: #D52862, #D6BC28, #28D699 and #2842D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D52862 shade: #D52862, #BCD628, #28D699 and #4228D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 54 / 16

HEX #D52862

RGB 213 40 98

HSL 339.88, 0.68%, 0.5%

LAB 47.68, 67.46, 10.95

 

Complementary color

CMYK 80 / 0 / 27 / 16

HEX #2AD79D

RGB 42 215 157

HSL 159.88, 0.68%, 0.5%

LAB 77, -55.42, 16.87

 

CMYK 0 / 82 / 57 / 15

HEX #DA285D

RGB 218 40 93

HSL 342.13, 0.71%, 0.51%

LAB 48.53, 68.42, 15.34

 

CMYK 0 / 75 / 52 / 8

HEX #EB3A70

RGB 235 58 112

HSL 341.69, 0.82%, 0.57%

LAB 53.88, 69.4, 11.72

 

CMYK 0 / 70 / 48 / 1

HEX #FC4C83

RGB 252 76 131

HSL 341.25, 0.97%, 0.64%

LAB 59.44, 69.74, 8.73

 

CMYK 0 / 63 / 41 / 0

HEX #FF5E96

RGB 255 94 150

HSL 339.13, 1%, 0.68%

LAB 62.9, 65.54, 2.71

 

CMYK 0 / 56 / 34 / 0

HEX #FF70A9

RGB 255 112 169

HSL 336.08, 1%, 0.72%

LAB 66.3, 59.87, -3.2

 

CMYK 0 / 81 / 54 / 16

HEX #D52862

RGB 213 40 98

HSL 339.88, 0.68%, 0.5%

LAB 47.68, 67.46, 10.95

 

CMYK 0 / 89 / 60 / 23

HEX #C4164F

RGB 196 22 79

HSL 340.34, 0.8%, 0.43%

LAB 42.57, 65.58, 15.2

 

CMYK 0 / 98 / 66 / 30

HEX #B3043C

RGB 179 4 60

HSL 340.8, 0.96%, 0.36%

LAB 37.84, 62.59, 20.36

 

CMYK 0 / 100 / 75 / 36

HEX #A20029

RGB 162 0 41

HSL 344.81, 1%, 0.32%

LAB 33.65, 57.98, 26.54

 

CMYK 0 / 100 / 85 / 43

HEX #910016

RGB 145 0 22

HSL 350.9, 1%, 0.28%

LAB 29.61, 53, 32.82

 

CMYK 0 / 81 / 54 / 16

HEX #D62862

RGB 214 40 98

HSL 340, 0.69%, 0.5%

LAB 47.87, 67.72, 11.24

 

CMYK 0 / 81 / 76 / 16

HEX #D62834

RGB 214 40 52

HSL 355.86, 0.69%, 0.5%

LAB 47.06, 65.24, 37.99

 

CMYK 0 / 81 / 81 / 16

HEX #D62828

RGB 214 40 40

HSL 0, 0.69%, 0.5%

LAB 46.93, 64.86, 44.5

 

CMYK 0 / 81 / 54 / 16

HEX #D62862

RGB 214 40 98

HSL 340, 0.69%, 0.5%

LAB 47.87, 67.72, 11.24

 

CMYK 0 / 81 / 32 / 16

HEX #D62891

RGB 214 40 145

HSL 323.79, 0.69%, 0.5%

LAB 49.32, 71.98, -15.26

 

CMYK 0 / 81 / 10 / 16

HEX #D628C0

RGB 214 40 192

HSL 307.59, 0.69%, 0.5%

LAB 51.4, 77.82, -39.77

 

CMYK 12 / 81 / 0 / 16

HEX #BD28D6

RGB 189 40 214

HSL 291.38, 0.69%, 0.5%

LAB 48.5, 76.51, -57.32

 

CMYK 34 / 81 / 0 / 16

HEX #8E28D6

RGB 142 40 214

HSL 275.17, 0.69%, 0.5%

LAB 41.41, 68.79, -69.15

 

CMYK 0 / 81 / 54 / 16

HEX #D62862

RGB 214 40 98

HSL 340, 0.69%, 0.5%

LAB 47.87, 67.72, 11.24

 

CMYK 0 / 91 / 61 / 8

HEX #EA145C

RGB 234 20 92

HSL 339.81, 0.84%, 0.5%

LAB 50.41, 75.89, 19.03

 

CMYK 0 / 81 / 54 / 16

HEX #D62862

RGB 214 40 98

HSL 340, 0.69%, 0.5%

LAB 47.87, 67.72, 11.24

 

CMYK 0 / 68 / 46 / 24

HEX #C13D69

RGB 193 61 105

HSL 340, 0.52%, 0.5%

LAB 46.57, 55.74, 4.56

 

CMYK 0 / 52 / 35 / 33

HEX #AC5270

RGB 172 82 112

HSL 340, 0.35%, 0.5%

LAB 46.94, 40.07, 0.4

 

CMYK 0 / 33 / 22 / 40

HEX #986677

RGB 152 102 119

HSL 339.6, 0.2%, 0.5%

LAB 48.9, 22.69, -1.27

 

CMYK 0 / 6 / 4 / 49

HEX #837B7E

RGB 131 123 126

HSL 337.5, 0.03%, 0.5%

LAB 52.4, 3.62, -0.55

 

CMYK 0 / 81 / 10 / 16

HEX #D628C1

RGB 214 40 193

HSL 307.24, 0.69%, 0.5%

LAB 51.46, 77.96, -40.27

 

CMYK 0 / 81 / 31 / 16

HEX #D62893

RGB 214 40 147

HSL 323.1, 0.69%, 0.5%

LAB 49.4, 72.19, -16.34

 

CMYK 0 / 81 / 53 / 16

HEX #D62865

RGB 214 40 101

HSL 338.97, 0.69%, 0.5%

LAB 47.95, 67.94, 9.5

 

CMYK 0 / 81 / 74 / 16

HEX #D62837

RGB 214 40 55

HSL 354.83, 0.69%, 0.5%

LAB 47.09, 65.35, 36.3

 

CMYK 0 / 66 / 81 / 16

HEX #D64828

RGB 214 72 40

HSL 11.03, 0.69%, 0.5%

LAB 50.79, 54.19, 48.18

 

CMYK 0 / 81 / 54 / 44

HEX #901B42

RGB 144 27 66

HSL 340, 0.68%, 0.34%

LAB 32.05, 49.7, 7.39

 

CMYK 0 / 81 / 54 / 30

HEX #B32252

RGB 179 34 82

HSL 340.14, 0.68%, 0.42%

LAB 40.14, 58.76, 9.42

 

CMYK 0 / 81 / 54 / 16

HEX #D62862

RGB 214 40 98

HSL 340, 0.69%, 0.5%

LAB 47.87, 67.72, 11.24

 

CMYK 0 / 66 / 44 / 14

HEX #DC4B7C

RGB 220 75 124

HSL 339.72, 0.67%, 0.58%

LAB 53.71, 60.18, 3.95

 

CMYK 0 / 52 / 34 / 11

HEX #E36E95

RGB 227 110 149

HSL 340, 0.68%, 0.66%

LAB 61.35, 49.46, 0.52

 

CMYK 0 / 81 / 54 / 16

HEX #D52862

RGB 213 40 98

HSL 339.88, 0.68%, 0.5%

LAB 47.68, 67.46, 10.95

 

CMYK 0 / 12 / 81 / 16

HEX #D6BC28

RGB 214 188 40

HSL 51.03, 0.69%, 0.5%

LAB 76.32, -5.11, 71.07

 

CMYK 81 / 21 / 0 / 16

HEX #28AAD6

RGB 40 170 214

HSL 195.17, 0.69%, 0.5%

LAB 65.01, -18.92, -31.91

 

CMYK 0 / 81 / 54 / 16

HEX #D52862

RGB 213 40 98

HSL 339.88, 0.68%, 0.5%

LAB 47.68, 67.46, 10.95

 

CMYK 53 / 0 / 81 / 16

HEX #65D628

RGB 101 214 40

HSL 98.97, 0.69%, 0.5%

LAB 76.69, -59.85, 68.72

 

CMYK 81 / 53 / 0 / 16

HEX #2865D6

RGB 40 101 214

HSL 218.97, 0.69%, 0.5%

LAB 45.1, 21.98, -63.49

 

CMYK 0 / 81 / 54 / 16

HEX #D52862

RGB 213 40 98

HSL 339.88, 0.68%, 0.5%

LAB 47.68, 67.46, 10.95

 

CMYK 0 / 12 / 81 / 16

HEX #D6BC28

RGB 214 188 40

HSL 51.03, 0.69%, 0.5%

LAB 76.32, -5.11, 71.07

 

CMYK 81 / 0 / 29 / 16

HEX #28D699

RGB 40 214 153

HSL 158.97, 0.69%, 0.5%

LAB 76.58, -56.12, 18.41

 

CMYK 81 / 69 / 0 / 16

HEX #2842D6

RGB 40 66 214

HSL 231.03, 0.69%, 0.5%

LAB 36.37, 44.23, -77.77

 

CMYK 0 / 81 / 54 / 16

HEX #D52862

RGB 213 40 98

HSL 339.88, 0.68%, 0.5%

LAB 47.68, 67.46, 10.95

 

CMYK 12 / 0 / 81 / 16

HEX #BCD628

RGB 188 214 40

HSL 68.97, 0.69%, 0.5%

LAB 81.26, -29.03, 74.53

 

CMYK 81 / 0 / 29 / 16

HEX #28D699

RGB 40 214 153

HSL 158.97, 0.69%, 0.5%

LAB 76.58, -56.12, 18.41

 

CMYK 69 / 81 / 0 / 16

HEX #4228D6

RGB 66 40 214

HSL 248.97, 0.69%, 0.5%

LAB 32.99, 59.91, -83.31

 

Description

Color code: HEX #D52862 | qconv.com Color code: HEX #D52862 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 40 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 40 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 54 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 54% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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