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Color name
HEX #D528BF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D528BF it is the complementary color #2AD740. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D528BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D528BF shade: #DA28BA, #EB3ACD, #FC4CE0, #FF5EF3 and #FF70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D528BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D528BF shade: #D528BF, #C416AC, #B30499, #A20086 and #910073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D528BF shade: #D628C0, #D62891, #D62862, #D62833 and #D62828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D528BF shade: #D628C0, #BD28D6, #8E28D6, #5F28D6 and #3128D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D528BF shade matches the following richer shades: #D628C0 and #EA14CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D528BF shade: #D628C0, #C13DB0, #AC52A1, #986692 and #837B82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D528BF shade: #8D28D6, #BC28D6, #D628C1, #D62893 and #D62865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D528BF shade: #901B81, #B322A1, #D628C0, #DC4BCA and #E36ED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D528BF shade: #D528BF, #D65F28 and #28D6A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D528BF shade: #D528BF, #C1D628 and #28C1D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D528BF shade: #D528BF, #D65F28, #28D63D and #289FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D528BF shade: #D528BF, #D69328, #28D63D and #286BD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 10 / 16

HEX #D528BF

RGB 213 40 191

HSL 307.63, 0.68%, 0.5%

LAB 51.18, 77.48, -39.55

 

Complementary color

CMYK 80 / 0 / 70 / 16

HEX #2AD740

RGB 42 215 64

HSL 127.63, 0.68%, 0.5%

LAB 75.74, -70.1, 59.64

 

CMYK 0 / 82 / 15 / 15

HEX #DA28BA

RGB 218 40 186

HSL 310.79, 0.71%, 0.51%

LAB 51.8, 77.82, -35.61

 

CMYK 0 / 75 / 13 / 8

HEX #EB3ACD

RGB 235 58 205

HSL 310.17, 0.82%, 0.57%

LAB 57.17, 79.42, -37.94

 

CMYK 0 / 70 / 11 / 1

HEX #FC4CE0

RGB 252 76 224

HSL 309.55, 0.97%, 0.64%

LAB 62.71, 80.34, -39.8

 

CMYK 0 / 63 / 5 / 0

HEX #FF5EF3

RGB 255 94 243

HSL 304.47, 1%, 0.68%

LAB 66.32, 77.46, -44.69

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 81 / 10 / 16

HEX #D528BF

RGB 213 40 191

HSL 307.63, 0.68%, 0.5%

LAB 51.18, 77.48, -39.55

 

CMYK 0 / 89 / 12 / 23

HEX #C416AC

RGB 196 22 172

HSL 308.28, 0.8%, 0.43%

LAB 46.03, 74.95, -36.74

 

CMYK 0 / 98 / 15 / 30

HEX #B30499

RGB 179 4 153

HSL 308.91, 0.96%, 0.36%

LAB 41.17, 71.29, -33.23

 

CMYK 0 / 100 / 17 / 36

HEX #A20086

RGB 162 0 134

HSL 310.37, 1%, 0.32%

LAB 36.75, 66.03, -28.78

 

CMYK 0 / 100 / 21 / 43

HEX #910073

RGB 145 0 115

HSL 312.41, 1%, 0.28%

LAB 32.39, 60.26, -23.94

 

CMYK 0 / 81 / 10 / 16

HEX #D628C0

RGB 214 40 192

HSL 307.59, 0.69%, 0.5%

LAB 51.4, 77.82, -39.77

 

CMYK 0 / 81 / 32 / 16

HEX #D62891

RGB 214 40 145

HSL 323.79, 0.69%, 0.5%

LAB 49.32, 71.98, -15.26

 

CMYK 0 / 81 / 54 / 16

HEX #D62862

RGB 214 40 98

HSL 340, 0.69%, 0.5%

LAB 47.87, 67.72, 11.24

 

CMYK 0 / 81 / 76 / 16

HEX #D62833

RGB 214 40 51

HSL 356.21, 0.69%, 0.5%

LAB 47.04, 65.21, 38.55

 

CMYK 0 / 81 / 81 / 16

HEX #D62828

RGB 214 40 40

HSL 0, 0.69%, 0.5%

LAB 46.93, 64.86, 44.5

 

CMYK 0 / 81 / 10 / 16

HEX #D628C0

RGB 214 40 192

HSL 307.59, 0.69%, 0.5%

LAB 51.4, 77.82, -39.77

 

CMYK 12 / 81 / 0 / 16

HEX #BD28D6

RGB 189 40 214

HSL 291.38, 0.69%, 0.5%

LAB 48.5, 76.51, -57.32

 

CMYK 34 / 81 / 0 / 16

HEX #8E28D6

RGB 142 40 214

HSL 275.17, 0.69%, 0.5%

LAB 41.41, 68.79, -69.15

 

CMYK 56 / 81 / 0 / 16

HEX #5F28D6

RGB 95 40 214

HSL 258.97, 0.69%, 0.5%

LAB 35.61, 62.63, -78.9

 

CMYK 77 / 81 / 0 / 16

HEX #3128D6

RGB 49 40 214

HSL 243.1, 0.69%, 0.5%

LAB 31.87, 58.76, -85.21

 

CMYK 0 / 81 / 10 / 16

HEX #D628C0

RGB 214 40 192

HSL 307.59, 0.69%, 0.5%

LAB 51.4, 77.82, -39.77

 

CMYK 0 / 91 / 12 / 8

HEX #EA14CF

RGB 234 20 207

HSL 307.57, 0.84%, 0.5%

LAB 54.55, 86.88, -43.22

 

CMYK 0 / 81 / 10 / 16

HEX #D628C0

RGB 214 40 192

HSL 307.59, 0.69%, 0.5%

LAB 51.4, 77.82, -39.77

 

CMYK 0 / 68 / 9 / 24

HEX #C13DB0

RGB 193 61 176

HSL 307.73, 0.52%, 0.5%

LAB 49.26, 64.69, -34.04

 

CMYK 0 / 52 / 6 / 33

HEX #AC52A1

RGB 172 82 161

HSL 307.33, 0.35%, 0.5%

LAB 48.73, 47.47, -26.27

 

CMYK 0 / 33 / 4 / 40

HEX #986692

RGB 152 102 146

HSL 307.2, 0.2%, 0.5%

LAB 49.8, 27.44, -15.98

 

CMYK 0 / 6 / 1 / 49

HEX #837B82

RGB 131 123 130

HSL 307.5, 0.03%, 0.5%

LAB 52.51, 4.41, -2.72

 

CMYK 34 / 81 / 0 / 16

HEX #8D28D6

RGB 141 40 214

HSL 274.83, 0.69%, 0.5%

LAB 41.27, 68.64, -69.38

 

CMYK 12 / 81 / 0 / 16

HEX #BC28D6

RGB 188 40 214

HSL 291.03, 0.69%, 0.5%

LAB 48.34, 76.33, -57.59

 

CMYK 0 / 81 / 10 / 16

HEX #D628C1

RGB 214 40 193

HSL 307.24, 0.69%, 0.5%

LAB 51.46, 77.96, -40.27

 

CMYK 0 / 81 / 31 / 16

HEX #D62893

RGB 214 40 147

HSL 323.1, 0.69%, 0.5%

LAB 49.4, 72.19, -16.34

 

CMYK 0 / 81 / 53 / 16

HEX #D62865

RGB 214 40 101

HSL 338.97, 0.69%, 0.5%

LAB 47.95, 67.94, 9.5

 

CMYK 0 / 81 / 10 / 44

HEX #901B81

RGB 144 27 129

HSL 307.69, 0.68%, 0.34%

LAB 34.6, 57.16, -29.29

 

CMYK 0 / 81 / 10 / 30

HEX #B322A1

RGB 179 34 161

HSL 307.45, 0.68%, 0.42%

LAB 43.21, 67.65, -34.83

 

CMYK 0 / 81 / 10 / 16

HEX #D628C0

RGB 214 40 192

HSL 307.59, 0.69%, 0.5%

LAB 51.4, 77.82, -39.77

 

CMYK 0 / 66 / 8 / 14

HEX #DC4BCA

RGB 220 75 202

HSL 307.45, 0.67%, 0.58%

LAB 56.6, 70, -37.29

 

CMYK 0 / 52 / 7 / 11

HEX #E36ED4

RGB 227 110 212

HSL 307.69, 0.68%, 0.66%

LAB 63.54, 58.46, -32.06

 

CMYK 0 / 81 / 10 / 16

HEX #D528BF

RGB 213 40 191

HSL 307.63, 0.68%, 0.5%

LAB 51.18, 77.48, -39.55

 

CMYK 0 / 56 / 81 / 16

HEX #D65F28

RGB 214 95 40

HSL 18.97, 0.69%, 0.5%

LAB 54.69, 43.87, 51.83

 

CMYK 81 / 0 / 23 / 16

HEX #28D6A5

RGB 40 214 165

HSL 163.1, 0.69%, 0.5%

LAB 76.84, -53.37, 12.4

 

CMYK 0 / 81 / 10 / 16

HEX #D528BF

RGB 213 40 191

HSL 307.63, 0.68%, 0.5%

LAB 51.18, 77.48, -39.55

 

CMYK 10 / 0 / 81 / 16

HEX #C1D628

RGB 193 214 40

HSL 67.24, 0.69%, 0.5%

LAB 81.61, -26.98, 74.97

 

CMYK 81 / 10 / 0 / 16

HEX #28C1D6

RGB 40 193 214

HSL 187.24, 0.69%, 0.5%

LAB 71.86, -30.56, -21.39

 

CMYK 0 / 81 / 10 / 16

HEX #D528BF

RGB 213 40 191

HSL 307.63, 0.68%, 0.5%

LAB 51.18, 77.48, -39.55

 

CMYK 0 / 56 / 81 / 16

HEX #D65F28

RGB 214 95 40

HSL 18.97, 0.69%, 0.5%

LAB 54.69, 43.87, 51.83

 

CMYK 81 / 0 / 71 / 16

HEX #28D63D

RGB 40 214 61

HSL 127.24, 0.69%, 0.5%

LAB 75.38, -70.28, 60.36

 

CMYK 81 / 26 / 0 / 16

HEX #289FD6

RGB 40 159 214

HSL 198.97, 0.69%, 0.5%

LAB 61.74, -12.99, -36.99

 

CMYK 0 / 81 / 10 / 16

HEX #D528BF

RGB 213 40 191

HSL 307.63, 0.68%, 0.5%

LAB 51.18, 77.48, -39.55

 

CMYK 0 / 31 / 81 / 16

HEX #D69328

RGB 214 147 40

HSL 36.9, 0.69%, 0.5%

LAB 65.99, 16.68, 62.05

 

CMYK 81 / 0 / 71 / 16

HEX #28D63D

RGB 40 214 61

HSL 127.24, 0.69%, 0.5%

LAB 75.38, -70.28, 60.36

 

CMYK 81 / 50 / 0 / 16

HEX #286BD6

RGB 40 107 214

HSL 216.9, 0.69%, 0.5%

LAB 46.74, 18.13, -60.84

 

Description

Color code: HEX #D528BF | qconv.com Color code: HEX #D528BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 40 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 40 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 10% 16% C M Y K

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Provide designers and agencies with accurate color values.

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