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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D52ECE it is the complementary color #2AD131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D52ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D52ECE shade: #DA2EC9, #EB40DC, #FC52EF, #FF64FF and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D52ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D52ECE shade: #D52ECE, #C41CBB, #B30AA8, #A20095 and #910082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D52ECE shade: #D52ECE, #D52EA1, #D52E74, #D52E47 and #D52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D52ECE shade: #D52ECE, #AF2ED5, #822ED5, #552ED5 and #2E2ED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D52ECE shade matches the following richer shades: #D52ECE, #E91AE1 and #FE05F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D52ECE shade: #D52ECE, #C142BC, #AD56A9, #996A97 and #847F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D52ECE shade: #822ED5, #AE2ED5, #D52ED0, #D52EA3 and #D52E76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D52ECE shade: #941D8F, #B624B0, #D52ECE, #DC50D6 and #E373DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D52ECE shade: #D52ECE, #D5552E and #2ED598

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D52ECE shade: #D52ECE, #D0D52E and #2ED0D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D52ECE shade: #D52ECE, #D5552E, #2ED533 and #2EAED5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D52ECE shade: #D52ECE, #D5872E, #2ED533 and #2E7CD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

Complementary color

CMYK 80 / 0 / 77 / 18

HEX #2AD131

RGB 42 209 49

HSL 122.51, 0.67%, 0.49%

LAB 73.75, -69.47, 62.84

 

CMYK 0 / 79 / 8 / 15

HEX #DA2EC9

RGB 218 46 201

HSL 305.93, 0.7%, 0.52%

LAB 53.03, 78.49, -42.35

 

CMYK 0 / 73 / 6 / 8

HEX #EB40DC

RGB 235 64 220

HSL 305.26, 0.81%, 0.59%

LAB 58.51, 79.81, -44.35

 

CMYK 0 / 67 / 5 / 1

HEX #FC52EF

RGB 252 82 239

HSL 304.59, 0.97%, 0.65%

LAB 64.13, 80.51, -45.95

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

CMYK 0 / 86 / 5 / 23

HEX #C41CBB

RGB 196 28 187

HSL 303.21, 0.75%, 0.44%

LAB 47.18, 76.07, -43.75

 

CMYK 0 / 94 / 6 / 30

HEX #B30AA8

RGB 179 10 168

HSL 303.91, 0.89%, 0.37%

LAB 42.2, 72.75, -40.63

 

CMYK 0 / 100 / 8 / 36

HEX #A20095

RGB 162 0 149

HSL 304.81, 1%, 0.32%

LAB 37.57, 68.07, -36.7

 

CMYK 0 / 100 / 10 / 43

HEX #910082

RGB 145 0 130

HSL 306.21, 1%, 0.28%

LAB 33.2, 62.29, -32.11

 

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

CMYK 0 / 78 / 24 / 16

HEX #D52EA1

RGB 213 46 161

HSL 318.68, 0.67%, 0.51%

LAB 50.3, 72.08, -23.32

 

CMYK 0 / 78 / 46 / 16

HEX #D52E74

RGB 213 46 116

HSL 334.85, 0.67%, 0.51%

LAB 48.71, 67.34, 1.38

 

CMYK 0 / 78 / 67 / 16

HEX #D52E47

RGB 213 46 71

HSL 351.02, 0.67%, 0.51%

LAB 47.69, 64.2, 27.47

 

CMYK 0 / 78 / 78 / 16

HEX #D52E2E

RGB 213 46 46

HSL 0, 0.67%, 0.51%

LAB 47.36, 63.15, 41.63

 

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

CMYK 18 / 78 / 0 / 16

HEX #AF2ED5

RGB 175 46 213

HSL 286.35, 0.67%, 0.51%

LAB 46.81, 72.22, -59.59

 

CMYK 39 / 78 / 0 / 16

HEX #822ED5

RGB 130 46 213

HSL 270.18, 0.67%, 0.51%

LAB 40.42, 64.72, -70.27

 

CMYK 60 / 78 / 0 / 16

HEX #552ED5

RGB 85 46 213

HSL 254.01, 0.67%, 0.51%

LAB 35.38, 58.77, -78.73

 

CMYK 78 / 78 / 0 / 16

HEX #2E2ED5

RGB 46 46 213

HSL 240, 0.67%, 0.51%

LAB 32.57, 55.44, -83.47

 

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

CMYK 0 / 89 / 3 / 9

HEX #E91AE1

RGB 233 26 225

HSL 302.32, 0.82%, 0.51%

LAB 55.58, 88.42, -51.84

 

CMYK 0 / 98 / 4 / 0

HEX #FE05F3

RGB 254 5 243

HSL 302.65, 0.99%, 0.51%

LAB 59.57, 96.17, -55.38

 

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

CMYK 0 / 66 / 3 / 24

HEX #C142BC

RGB 193 66 188

HSL 302.36, 0.51%, 0.51%

LAB 50.53, 64.72, -39.06

 

CMYK 0 / 50 / 2 / 32

HEX #AD56A9

RGB 173 86 169

HSL 302.76, 0.35%, 0.51%

LAB 49.98, 47.18, -29.03

 

CMYK 0 / 31 / 1 / 40

HEX #996A97

RGB 153 106 151

HSL 302.55, 0.19%, 0.51%

LAB 51.05, 26.46, -17.01

 

CMYK 0 / 4 / 0 / 48

HEX #847F84

RGB 132 127 132

HSL 300, 0.02%, 0.51%

LAB 53.76, 2.87, -2.04

 

CMYK 39 / 78 / 0 / 16

HEX #822ED5

RGB 130 46 213

HSL 270.18, 0.67%, 0.51%

LAB 40.42, 64.72, -70.27

 

CMYK 18 / 78 / 0 / 16

HEX #AE2ED5

RGB 174 46 213

HSL 285.99, 0.67%, 0.51%

LAB 46.65, 72.04, -59.85

 

CMYK 0 / 78 / 2 / 16

HEX #D52ED0

RGB 213 46 208

HSL 301.8, 0.67%, 0.51%

LAB 52.57, 78.52, -47.16

 

CMYK 0 / 78 / 23 / 16

HEX #D52EA3

RGB 213 46 163

HSL 317.96, 0.67%, 0.51%

LAB 50.39, 72.33, -24.37

 

CMYK 0 / 78 / 45 / 16

HEX #D52E76

RGB 213 46 118

HSL 334.13, 0.67%, 0.51%

LAB 48.77, 67.52, 0.25

 

CMYK 0 / 80 / 3 / 42

HEX #941D8F

RGB 148 29 143

HSL 302.52, 0.67%, 0.35%

LAB 36.29, 59.67, -35.23

 

CMYK 0 / 80 / 3 / 29

HEX #B624B0

RGB 182 36 176

HSL 302.47, 0.67%, 0.43%

LAB 44.72, 70.02, -41.34

 

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

CMYK 0 / 64 / 3 / 14

HEX #DC50D6

RGB 220 80 214

HSL 302.57, 0.67%, 0.59%

LAB 57.85, 69.97, -42.14

 

CMYK 0 / 49 / 2 / 11

HEX #E373DE

RGB 227 115 222

HSL 302.68, 0.67%, 0.67%

LAB 64.86, 57.77, -35.6

 

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

CMYK 0 / 60 / 78 / 16

HEX #D5552E

RGB 213 85 46

HSL 14.01, 0.67%, 0.51%

LAB 52.77, 48.41, 47.13

 

CMYK 78 / 0 / 29 / 16

HEX #2ED598

RGB 46 213 152

HSL 158.08, 0.67%, 0.51%

LAB 76.34, -55.36, 18.6

 

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

CMYK 2 / 0 / 78 / 16

HEX #D0D52E

RGB 208 213 46

HSL 61.8, 0.67%, 0.51%

LAB 82.48, -20.07, 74.59

 

CMYK 78 / 2 / 0 / 16

HEX #2ED0D5

RGB 46 208 213

HSL 181.8, 0.67%, 0.51%

LAB 76.37, -37.43, -14.02

 

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

CMYK 0 / 60 / 78 / 16

HEX #D5552E

RGB 213 85 46

HSL 14.01, 0.67%, 0.51%

LAB 52.77, 48.41, 47.13

 

CMYK 78 / 0 / 76 / 16

HEX #2ED533

RGB 46 213 51

HSL 121.8, 0.67%, 0.51%

LAB 75.08, -70.03, 63.52

 

CMYK 78 / 18 / 0 / 16

HEX #2EAED5

RGB 46 174 213

HSL 194.01, 0.67%, 0.51%

LAB 66.26, -20.79, -29.42

 

CMYK 0 / 78 / 3 / 16

HEX #D52ECE

RGB 213 46 206

HSL 302.51, 0.67%, 0.51%

LAB 52.46, 78.22, -46.18

 

CMYK 0 / 37 / 78 / 16

HEX #D5872E

RGB 213 135 46

HSL 31.98, 0.67%, 0.51%

LAB 63.07, 22.93, 57.1

 

CMYK 78 / 0 / 76 / 16

HEX #2ED533

RGB 46 213 51

HSL 121.8, 0.67%, 0.51%

LAB 75.08, -70.03, 63.52

 

CMYK 78 / 42 / 0 / 16

HEX #2E7CD5

RGB 46 124 213

HSL 211.98, 0.67%, 0.51%

LAB 51.61, 7.67, -52.43

 

Description

Color code: HEX #D52ECE | qconv.com Color code: HEX #D52ECE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 46 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 46 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 3 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 3% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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