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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D530EC it is the complementary color #2ACF13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D530EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D530EC shade: #DA30E7, #EB42FA, #FC54FF, #FF66FF and #FF78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D530EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D530EC shade: #D530EC, #C41ED9, #B30CC6, #A200B3 and #9100A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D530EC shade: #D531EB, #EB31D0, #EB319E, #EB316C and #EB3139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D530EC shade: #D531EB, #A231EB, #7031EB, #3E31EB and #3131EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D530EC shade matches the following richer shades: #D531EB and #E21FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D530EC shade: #D531EB, #C743D9, #B955C7, #AC68B5 and #9E7AA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D530EC shade: #6F31EB, #A131EB, #D331EB, #EB31D3 and #EB31A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D530EC shade: #A511B9, #C614DF, #D531EB, #DC57EF and #E47DF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D530EC shade: #D530EC, #EB3E31 and #31EB88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D530EC shade: #D530EC, #EBD331 and #31EBD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D530EC shade: #D530EC, #EB3E31, #4AEB31 and #31DFEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D530EC shade: #D530EC, #EB7531, #4AEB31 and #31A7EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 80 / 0 / 7

HEX #D530EC

RGB 213 48 236

HSL 292.66, 0.83%, 0.56%

LAB 54.36, 82.45, -60.18

 

Complementary color

CMYK 80 / 0 / 91 / 19

HEX #2ACF13

RGB 42 207 19

HSL 112.66, 0.83%, 0.44%

LAB 73, -70.31, 69.33

 

CMYK 6 / 79 / 0 / 9

HEX #DA30E7

RGB 218 48 231

HSL 295.74, 0.79%, 0.55%

LAB 54.85, 82.54, -56.53

 

CMYK 6 / 74 / 0 / 2

HEX #EB42FA

RGB 235 66 250

HSL 295.11, 0.95%, 0.62%

LAB 60.3, 83.85, -58.28

 

CMYK 1 / 67 / 0 / 0

HEX #FC54FF

RGB 252 84 255

HSL 298.95, 1%, 0.66%

LAB 65.17, 82.3, -53.15

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 10 / 80 / 0 / 7

HEX #D530EC

RGB 213 48 236

HSL 292.66, 0.83%, 0.56%

LAB 54.36, 82.45, -60.18

 

CMYK 10 / 86 / 0 / 15

HEX #C41ED9

RGB 196 30 217

HSL 293.26, 0.76%, 0.48%

LAB 49.1, 80.34, -58.02

 

CMYK 10 / 94 / 0 / 22

HEX #B30CC6

RGB 179 12 198

HSL 293.87, 0.89%, 0.41%

LAB 44.12, 77.12, -55.22

 

CMYK 9 / 100 / 0 / 30

HEX #A200B3

RGB 162 0 179

HSL 294.3, 1%, 0.35%

LAB 39.47, 72.64, -51.71

 

CMYK 9 / 100 / 0 / 37

HEX #9100A0

RGB 145 0 160

HSL 294.38, 1%, 0.31%

LAB 35.12, 66.91, -47.5

 

CMYK 9 / 79 / 0 / 8

HEX #D531EB

RGB 213 49 235

HSL 292.9, 0.82%, 0.56%

LAB 54.39, 82.03, -59.58

 

CMYK 0 / 79 / 11 / 8

HEX #EB31D0

RGB 235 49 208

HSL 308.71, 0.82%, 0.56%

LAB 56.5, 82.17, -40.7

 

CMYK 0 / 79 / 33 / 8

HEX #EB319E

RGB 235 49 158

HSL 324.84, 0.82%, 0.56%

LAB 54.37, 76.08, -14.97

 

CMYK 0 / 79 / 54 / 8

HEX #EB316C

RGB 235 49 108

HSL 340.97, 0.82%, 0.56%

LAB 52.89, 71.64, 12.74

 

CMYK 0 / 79 / 76 / 8

HEX #EB3139

RGB 235 49 57

HSL 357.42, 0.82%, 0.56%

LAB 52.01, 68.94, 41.76

 

CMYK 9 / 79 / 0 / 8

HEX #D531EB

RGB 213 49 235

HSL 292.9, 0.82%, 0.56%

LAB 54.39, 82.03, -59.58

 

CMYK 31 / 79 / 0 / 8

HEX #A231EB

RGB 162 49 235

HSL 276.45, 0.82%, 0.56%

LAB 46.81, 73.41, -72.2

 

CMYK 52 / 79 / 0 / 8

HEX #7031EB

RGB 112 49 235

HSL 260.32, 0.82%, 0.56%

LAB 40.64, 66.44, -82.55

 

CMYK 74 / 79 / 0 / 8

HEX #3E31EB

RGB 62 49 235

HSL 244.19, 0.82%, 0.56%

LAB 36.4, 61.69, -89.69

 

CMYK 79 / 79 / 0 / 8

HEX #3131EB

RGB 49 49 235

HSL 240, 0.82%, 0.56%

LAB 35.69, 60.89, -90.89

 

CMYK 9 / 79 / 0 / 8

HEX #D531EB

RGB 213 49 235

HSL 292.9, 0.82%, 0.56%

LAB 54.39, 82.03, -59.58

 

CMYK 11 / 88 / 0 / 0

HEX #E21FFE

RGB 226 31 254

HSL 292.47, 0.99%, 0.56%

LAB 56.39, 90.9, -66.86

 

CMYK 9 / 79 / 0 / 8

HEX #D531EB

RGB 213 49 235

HSL 292.9, 0.82%, 0.56%

LAB 54.39, 82.03, -59.58

 

CMYK 8 / 69 / 0 / 15

HEX #C743D9

RGB 199 67 217

HSL 292.8, 0.66%, 0.56%

LAB 53.13, 70.64, -51.53

 

CMYK 7 / 57 / 0 / 22

HEX #B955C7

RGB 185 85 199

HSL 292.63, 0.5%, 0.56%

LAB 52.88, 56.53, -41.78

 

CMYK 5 / 43 / 0 / 29

HEX #AC68B5

RGB 172 104 181

HSL 292.99, 0.34%, 0.56%

LAB 54.03, 39.7, -29.72

 

CMYK 3 / 25 / 0 / 36

HEX #9E7AA3

RGB 158 122 163

HSL 292.68, 0.18%, 0.56%

LAB 55.92, 21.39, -16.55

 

CMYK 53 / 79 / 0 / 8

HEX #6F31EB

RGB 111 49 235

HSL 260, 0.82%, 0.56%

LAB 40.53, 66.32, -82.73

 

CMYK 31 / 79 / 0 / 8

HEX #A131EB

RGB 161 49 235

HSL 276.13, 0.82%, 0.56%

LAB 46.67, 73.26, -72.43

 

CMYK 10 / 79 / 0 / 8

HEX #D331EB

RGB 211 49 235

HSL 292.26, 0.82%, 0.56%

LAB 54.07, 81.67, -60.1

 

CMYK 0 / 79 / 10 / 8

HEX #EB31D3

RGB 235 49 211

HSL 307.74, 0.82%, 0.56%

LAB 56.65, 82.59, -42.18

 

CMYK 0 / 79 / 31 / 8

HEX #EB31A1

RGB 235 49 161

HSL 323.87, 0.82%, 0.56%

LAB 54.48, 76.41, -16.58

 

CMYK 11 / 91 / 0 / 27

HEX #A511B9

RGB 165 17 185

HSL 292.86, 0.83%, 0.4%

LAB 41.06, 72.14, -52.67

 

CMYK 11 / 91 / 0 / 13

HEX #C614DF

RGB 198 20 223

HSL 292.61, 0.84%, 0.48%

LAB 49.29, 83.18, -61.11

 

CMYK 9 / 79 / 0 / 8

HEX #D531EB

RGB 213 49 235

HSL 292.9, 0.82%, 0.56%

LAB 54.39, 82.03, -59.58

 

CMYK 8 / 64 / 0 / 6

HEX #DC57EF

RGB 220 87 239

HSL 292.5, 0.83%, 0.64%

LAB 60.13, 71.43, -52.58

 

CMYK 6 / 48 / 0 / 5

HEX #E47DF2

RGB 228 125 242

HSL 292.82, 0.82%, 0.72%

LAB 67.7, 56.76, -42.22

 

CMYK 10 / 80 / 0 / 7

HEX #D530EC

RGB 213 48 236

HSL 292.66, 0.83%, 0.56%

LAB 54.36, 82.45, -60.18

 

CMYK 0 / 74 / 79 / 8

HEX #EB3E31

RGB 235 62 49

HSL 4.19, 0.82%, 0.56%

LAB 53.31, 64.82, 47.42

 

CMYK 79 / 0 / 42 / 8

HEX #31EB88

RGB 49 235 136

HSL 148.06, 0.82%, 0.56%

LAB 82.83, -66.19, 35.57

 

CMYK 10 / 80 / 0 / 7

HEX #D530EC

RGB 213 48 236

HSL 292.66, 0.83%, 0.56%

LAB 54.36, 82.45, -60.18

 

CMYK 0 / 10 / 79 / 8

HEX #EBD331

RGB 235 211 49

HSL 52.26, 0.82%, 0.56%

LAB 84.21, -7.58, 76.13

 

CMYK 79 / 0 / 10 / 8

HEX #31EBD3

RGB 49 235 211

HSL 172.26, 0.82%, 0.56%

LAB 84.37, -49.57, -1.1

 

CMYK 10 / 80 / 0 / 7

HEX #D530EC

RGB 213 48 236

HSL 292.66, 0.83%, 0.56%

LAB 54.36, 82.45, -60.18

 

CMYK 0 / 74 / 79 / 8

HEX #EB3E31

RGB 235 62 49

HSL 4.19, 0.82%, 0.56%

LAB 53.31, 64.82, 47.42

 

CMYK 69 / 0 / 79 / 8

HEX #4AEB31

RGB 74 235 49

HSL 111.94, 0.82%, 0.56%

LAB 82.43, -72.54, 71.34

 

CMYK 79 / 5 / 0 / 8

HEX #31DFEB

RGB 49 223 235

HSL 183.87, 0.82%, 0.56%

LAB 81.53, -37.58, -18.02

 

CMYK 10 / 80 / 0 / 7

HEX #D530EC

RGB 213 48 236

HSL 292.66, 0.83%, 0.56%

LAB 54.36, 82.45, -60.18

 

CMYK 0 / 50 / 79 / 8

HEX #EB7531

RGB 235 117 49

HSL 21.94, 0.82%, 0.56%

LAB 62.17, 41.38, 56.05

 

CMYK 69 / 0 / 79 / 8

HEX #4AEB31

RGB 74 235 49

HSL 111.94, 0.82%, 0.56%

LAB 82.43, -72.54, 71.34

 

CMYK 79 / 29 / 0 / 8

HEX #31A7EB

RGB 49 167 235

HSL 201.94, 0.82%, 0.56%

LAB 65.19, -9.22, -43.18

 

Description

Color code: HEX #D530EC | qconv.com Color code: HEX #D530EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 48 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 48 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 80 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 80% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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