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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D53DBC it is the complementary color #2AC243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D53DBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D53DBC shade: #DA3DB7, #EB4FCA, #FC61DD, #FF73F0 and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D53DBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D53DBC shade: #D53DBC, #C42BA9, #B31996, #A20783 and #910070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D53DBC shade: #D43EBC, #D43E93, #D43E6B, #D43E42 and #D43E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D53DBC shade: #D43EBC, #C43ED4, #9C3ED4, #743ED4 and #4B3ED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D53DBC shade matches the following richer shades: #D43EBC, #E72BC8 and #FA18D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D53DBC shade: #D43EBC, #C151AF, #AE64A2, #9B7795 and #888A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D53DBC shade: #9B3ED4, #C33ED4, #D43EBE, #D43E96 and #D43E6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D53DBC shade: #9E2289, #BF2AA7, #D43EBC, #DC60C7 and #E382D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D53DBC shade: #D53DBC, #D4733E and #3ED4AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D53DBC shade: #D53DBC, #BED43E and #3EBED4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D53DBC shade: #D53DBC, #D4733E, #3ED455 and #3EA0D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D53DBC shade: #D53DBC, #D4A03E, #3ED455 and #3E73D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 12 / 16

HEX #D53DBC

RGB 213 61 188

HSL 309.87, 0.64%, 0.54%

LAB 53.07, 71.21, -34.83

 

Complementary color

CMYK 78 / 0 / 65 / 24

HEX #2AC243

RGB 42 194 67

HSL 129.87, 0.64%, 0.46%

LAB 69.1, -63.29, 51.34

 

CMYK 0 / 72 / 16 / 15

HEX #DA3DB7

RGB 218 61 183

HSL 313.38, 0.68%, 0.55%

LAB 53.67, 71.67, -30.95

 

CMYK 0 / 66 / 14 / 8

HEX #EB4FCA

RGB 235 79 202

HSL 312.69, 0.8%, 0.62%

LAB 59.45, 72.17, -32.66

 

CMYK 0 / 62 / 12 / 1

HEX #FC61DD

RGB 252 97 221

HSL 312, 0.96%, 0.68%

LAB 65.33, 72.24, -34.04

 

CMYK 0 / 55 / 6 / 0

HEX #FF73F0

RGB 255 115 240

HSL 306.43, 1%, 0.73%

LAB 69.34, 68.35, -38.31

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 71 / 12 / 16

HEX #D53DBC

RGB 213 61 188

HSL 309.87, 0.64%, 0.54%

LAB 53.07, 71.21, -34.83

 

CMYK 0 / 78 / 14 / 23

HEX #C42BA9

RGB 196 43 169

HSL 310.59, 0.64%, 0.47%

LAB 47.4, 70.11, -32.8

 

CMYK 0 / 86 / 16 / 30

HEX #B31996

RGB 179 25 150

HSL 311.3, 0.75%, 0.4%

LAB 41.97, 68.09, -30.16

 

CMYK 0 / 96 / 19 / 36

HEX #A20783

RGB 162 7 131

HSL 312, 0.92%, 0.33%

LAB 36.88, 64.81, -26.71

 

CMYK 0 / 100 / 23 / 43

HEX #910070

RGB 145 0 112

HSL 313.66, 1%, 0.28%

LAB 32.23, 59.88, -22.26

 

CMYK 0 / 71 / 11 / 17

HEX #D43EBC

RGB 212 62 188

HSL 309.6, 0.64%, 0.54%

LAB 53.03, 70.64, -34.92

 

CMYK 0 / 71 / 31 / 17

HEX #D43E93

RGB 212 62 147

HSL 326, 0.64%, 0.54%

LAB 51.32, 65.24, -13.45

 

CMYK 0 / 71 / 50 / 17

HEX #D43E6B

RGB 212 62 107

HSL 342, 0.64%, 0.54%

LAB 50.1, 61.2, 8.83

 

CMYK 0 / 71 / 69 / 17

HEX #D43E42

RGB 212 62 66

HSL 358.4, 0.64%, 0.54%

LAB 49.3, 58.44, 32.37

 

CMYK 0 / 71 / 71 / 17

HEX #D43E3E

RGB 212 62 62

HSL 0, 0.64%, 0.54%

LAB 49.24, 58.25, 34.63

 

CMYK 0 / 71 / 11 / 17

HEX #D43EBC

RGB 212 62 188

HSL 309.6, 0.64%, 0.54%

LAB 53.03, 70.64, -34.92

 

CMYK 8 / 71 / 0 / 17

HEX #C43ED4

RGB 196 62 212

HSL 293.6, 0.64%, 0.54%

LAB 51.76, 70.92, -50.89

 

CMYK 26 / 71 / 0 / 17

HEX #9C3ED4

RGB 156 62 212

HSL 277.6, 0.64%, 0.54%

LAB 46, 62.73, -60.46

 

CMYK 45 / 71 / 0 / 17

HEX #743ED4

RGB 116 62 212

HSL 261.6, 0.64%, 0.54%

LAB 41.08, 55.34, -68.68

 

CMYK 65 / 71 / 0 / 17

HEX #4B3ED4

RGB 75 62 212

HSL 245.2, 0.64%, 0.54%

LAB 37.29, 49.28, -75.03

 

CMYK 0 / 71 / 11 / 17

HEX #D43EBC

RGB 212 62 188

HSL 309.6, 0.64%, 0.54%

LAB 53.03, 70.64, -34.92

 

CMYK 0 / 81 / 13 / 9

HEX #E72BC8

RGB 231 43 200

HSL 309.89, 0.8%, 0.54%

LAB 54.96, 81.66, -38.6

 

CMYK 0 / 90 / 15 / 2

HEX #FA18D5

RGB 250 24 213

HSL 309.82, 0.96%, 0.54%

LAB 57.83, 90.08, -41.28

 

CMYK 0 / 71 / 11 / 17

HEX #D43EBC

RGB 212 62 188

HSL 309.6, 0.64%, 0.54%

LAB 53.03, 70.64, -34.92

 

CMYK 0 / 58 / 9 / 24

HEX #C151AF

RGB 193 81 175

HSL 309.64, 0.47%, 0.54%

LAB 52.19, 56.31, -28.88

 

CMYK 0 / 43 / 7 / 32

HEX #AE64A2

RGB 174 100 162

HSL 309.73, 0.31%, 0.54%

LAB 52.64, 38.92, -20.81

 

CMYK 0 / 23 / 4 / 39

HEX #9B7795

RGB 155 119 149

HSL 310, 0.15%, 0.54%

LAB 54.38, 19.29, -10.79

 

CMYK 1 / 0 / 1 / 46

HEX #888A89

RGB 136 138 137

HSL 150, 0.01%, 0.54%

LAB 57.29, -0.93, 0.27

 

CMYK 27 / 71 / 0 / 17

HEX #9B3ED4

RGB 155 62 212

HSL 277.2, 0.64%, 0.54%

LAB 45.86, 62.54, -60.69

 

CMYK 8 / 71 / 0 / 17

HEX #C33ED4

RGB 195 62 212

HSL 293.2, 0.64%, 0.54%

LAB 51.61, 70.71, -51.14

 

CMYK 0 / 71 / 10 / 17

HEX #D43EBE

RGB 212 62 190

HSL 308.8, 0.64%, 0.54%

LAB 53.12, 70.94, -35.93

 

CMYK 0 / 71 / 29 / 17

HEX #D43E96

RGB 212 62 150

HSL 324.8, 0.64%, 0.54%

LAB 51.43, 65.59, -15.07

 

CMYK 0 / 71 / 48 / 17

HEX #D43E6E

RGB 212 62 110

HSL 340.8, 0.64%, 0.54%

LAB 50.18, 61.45, 7.12

 

CMYK 0 / 78 / 13 / 38

HEX #9E2289

RGB 158 34 137

HSL 310.16, 0.65%, 0.38%

LAB 38.23, 59.55, -28.35

 

CMYK 0 / 78 / 13 / 25

HEX #BF2AA7

RGB 191 42 167

HSL 309.66, 0.64%, 0.46%

LAB 46.34, 69.01, -33.34

 

CMYK 0 / 71 / 11 / 17

HEX #D43EBC

RGB 212 62 188

HSL 309.6, 0.64%, 0.54%

LAB 53.03, 70.64, -34.92

 

CMYK 0 / 56 / 10 / 14

HEX #DC60C7

RGB 220 96 199

HSL 310.16, 0.64%, 0.62%

LAB 59.62, 60.86, -30.86

 

CMYK 0 / 43 / 7 / 11

HEX #E382D3

RGB 227 130 211

HSL 309.9, 0.63%, 0.7%

LAB 67.28, 48.46, -25.73

 

CMYK 0 / 71 / 12 / 16

HEX #D53DBC

RGB 213 61 188

HSL 309.87, 0.64%, 0.54%

LAB 53.07, 71.21, -34.83

 

CMYK 0 / 46 / 71 / 17

HEX #D4733E

RGB 212 115 62

HSL 21.2, 0.64%, 0.54%

LAB 58.61, 33.88, 45.24

 

CMYK 71 / 0 / 17 / 17

HEX #3ED4AF

RGB 62 212 175

HSL 165.2, 0.64%, 0.54%

LAB 76.8, -47.65, 7.07

 

CMYK 0 / 71 / 12 / 16

HEX #D53DBC

RGB 213 61 188

HSL 309.87, 0.64%, 0.54%

LAB 53.07, 71.21, -34.83

 

CMYK 10 / 0 / 71 / 17

HEX #BED43E

RGB 190 212 62

HSL 68.8, 0.64%, 0.54%

LAB 80.95, -26.33, 67.62

 

CMYK 71 / 10 / 0 / 17

HEX #3EBED4

RGB 62 190 212

HSL 188.8, 0.64%, 0.54%

LAB 71.29, -27.37, -21.14

 

CMYK 0 / 71 / 12 / 16

HEX #D53DBC

RGB 213 61 188

HSL 309.87, 0.64%, 0.54%

LAB 53.07, 71.21, -34.83

 

CMYK 0 / 46 / 71 / 17

HEX #D4733E

RGB 212 115 62

HSL 21.2, 0.64%, 0.54%

LAB 58.61, 33.88, 45.24

 

CMYK 71 / 0 / 60 / 17

HEX #3ED455

RGB 62 212 85

HSL 129.2, 0.64%, 0.54%

LAB 75.31, -64.19, 50.63

 

CMYK 71 / 25 / 0 / 17

HEX #3EA0D4

RGB 62 160 212

HSL 200.8, 0.64%, 0.54%

LAB 62.44, -11.7, -34.75

 

CMYK 0 / 71 / 12 / 16

HEX #D53DBC

RGB 213 61 188

HSL 309.87, 0.64%, 0.54%

LAB 53.07, 71.21, -34.83

 

CMYK 0 / 25 / 71 / 17

HEX #D4A03E

RGB 212 160 62

HSL 39.2, 0.64%, 0.54%

LAB 69.1, 9.71, 56.37

 

CMYK 71 / 0 / 60 / 17

HEX #3ED455

RGB 62 212 85

HSL 129.2, 0.64%, 0.54%

LAB 75.31, -64.19, 50.63

 

CMYK 71 / 46 / 0 / 17

HEX #3E73D4

RGB 62 115 212

HSL 218.8, 0.64%, 0.54%

LAB 49.54, 14.89, -55.15

 

Description

Color code: HEX #D53DBC | qconv.com Color code: HEX #D53DBC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 61 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 61 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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