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Color name
HEX #D54885

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D54885 it is the complementary color #2AB77A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D54885. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D54885 shade: #DA4880, #EB5A93, #FC6CA6, #FF7EB9 and #FF90CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D54885. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D54885 shade: #D54885, #C43672, #B3245F, #A2124C and #910039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D54885 shade: #D54885, #D5485F and #D54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D54885 shade: #D54885, #D548AB, #D548D1, #B348D5 and #8D48D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D54885 shade matches the following richer shades: #D54885, #E73582 and #F92380

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D54885 shade: #D54885, #C35A87, #B16C8A, #9F7E8C and #8C908F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D54885 shade: #D548D0, #D548AB, #D54885, #D5485F and #D55648

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D54885 shade: #A5255C, #C72D6F, #D54885, #DD699B and #E48BB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D54885 shade: #D54885, #D5B448 and #48BDD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D54885 shade: #D54885, #85D548 and #4885D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D54885 shade: #D54885, #D5B448, #48D598 and #4869D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D54885 shade: #D54885, #CCD548, #48D598 and #5148D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

Complementary color

CMYK 77 / 0 / 33 / 28

HEX #2AB77A

RGB 42 183 122

HSL 154.04, 0.63%, 0.44%

LAB 66.34, -50.73, 20.84

 

CMYK 0 / 67 / 41 / 15

HEX #DA4880

RGB 218 72 128

HSL 336.99, 0.66%, 0.57%

LAB 53.06, 61.15, 0.57

 

CMYK 0 / 62 / 37 / 8

HEX #EB5A93

RGB 235 90 147

HSL 336.41, 0.78%, 0.64%

LAB 59.05, 60.89, -1.54

 

CMYK 0 / 57 / 34 / 1

HEX #FC6CA6

RGB 252 108 166

HSL 335.83, 0.96%, 0.71%

LAB 65.1, 60.39, -3.31

 

CMYK 0 / 51 / 27 / 0

HEX #FF7EB9

RGB 255 126 185

HSL 332.56, 1%, 0.75%

LAB 69.24, 55.34, -7.87

 

CMYK 0 / 44 / 20 / 0

HEX #FF90CC

RGB 255 144 204

HSL 327.57, 1%, 0.78%

LAB 73.26, 49.14, -12.44

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 0 / 72 / 42 / 23

HEX #C43672

RGB 196 54 114

HSL 334.65, 0.57%, 0.49%

LAB 46.43, 60.08, -1.1

 

CMYK 0 / 80 / 47 / 30

HEX #B3245F

RGB 179 36 95

HSL 335.24, 0.67%, 0.42%

LAB 40.69, 59.29, 1.96

 

CMYK 0 / 89 / 53 / 36

HEX #A2124C

RGB 162 18 76

HSL 335.83, 0.8%, 0.35%

LAB 35.27, 57.47, 5.92

 

CMYK 0 / 100 / 61 / 43

HEX #910039

RGB 145 0 57

HSL 336.41, 1%, 0.28%

LAB 30.19, 54.58, 10.83

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 0 / 66 / 55 / 16

HEX #D5485F

RGB 213 72 95

HSL 350.21, 0.63%, 0.56%

LAB 51.39, 56.72, 17.88

 

CMYK 0 / 66 / 66 / 16

HEX #D54848

RGB 213 72 72

HSL 0, 0.63%, 0.56%

LAB 50.98, 55.21, 30.96

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 0 / 66 / 20 / 16

HEX #D548AB

RGB 213 72 171

HSL 317.87, 0.63%, 0.56%

LAB 53.73, 64.88, -23.92

 

CMYK 0 / 66 / 2 / 16

HEX #D548D1

RGB 213 72 209

HSL 301.7, 0.63%, 0.56%

LAB 55.47, 70.57, -43.14

 

CMYK 16 / 66 / 0 / 16

HEX #B348D5

RGB 179 72 213

HSL 285.53, 0.63%, 0.56%

LAB 50.71, 63.57, -53.28

 

CMYK 34 / 66 / 0 / 16

HEX #8D48D5

RGB 141 72 213

HSL 269.36, 0.63%, 0.56%

LAB 45.77, 55.42, -61.49

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 0 / 77 / 44 / 9

HEX #E73582

RGB 231 53 130

HSL 334.04, 0.79%, 0.56%

LAB 53.11, 71.28, -0.27

 

CMYK 0 / 86 / 49 / 2

HEX #F92380

RGB 249 35 128

HSL 333.93, 0.95%, 0.56%

LAB 54.97, 79.61, 4.04

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 0 / 54 / 31 / 24

HEX #C35A87

RGB 195 90 135

HSL 334.29, 0.47%, 0.56%

LAB 52.58, 46.84, -4.72

 

CMYK 0 / 39 / 22 / 31

HEX #B16C8A

RGB 177 108 138

HSL 333.91, 0.31%, 0.56%

LAB 53.93, 31.6, -4.76

 

CMYK 0 / 21 / 12 / 38

HEX #9F7E8C

RGB 159 126 140

HSL 334.55, 0.15%, 0.56%

LAB 56.27, 15.09, -2.7

 

CMYK 3 / 0 / 1 / 44

HEX #8C908F

RGB 140 144 143

HSL 165, 0.02%, 0.56%

LAB 59.44, -1.65, 0.01

 

CMYK 0 / 66 / 2 / 16

HEX #D548D0

RGB 213 72 208

HSL 302.13, 0.63%, 0.56%

LAB 55.42, 70.4, -42.65

 

CMYK 0 / 66 / 20 / 16

HEX #D548AB

RGB 213 72 171

HSL 317.87, 0.63%, 0.56%

LAB 53.73, 64.88, -23.92

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 0 / 66 / 55 / 16

HEX #D5485F

RGB 213 72 95

HSL 350.21, 0.63%, 0.56%

LAB 51.39, 56.72, 17.88

 

CMYK 0 / 60 / 66 / 16

HEX #D55648

RGB 213 86 72

HSL 5.96, 0.63%, 0.56%

LAB 53.24, 49.15, 33.73

 

CMYK 0 / 78 / 44 / 35

HEX #A5255C

RGB 165 37 92

HSL 334.22, 0.63%, 0.4%

LAB 38.01, 54.9, -0.36

 

CMYK 0 / 77 / 44 / 22

HEX #C72D6F

RGB 199 45 111

HSL 334.29, 0.63%, 0.48%

LAB 45.86, 63.5, -0.02

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 0 / 52 / 30 / 13

HEX #DD699B

RGB 221 105 155

HSL 334.14, 0.63%, 0.64%

LAB 59.75, 50.65, -5.4

 

CMYK 0 / 39 / 22 / 11

HEX #E48BB2

RGB 228 139 178

HSL 333.71, 0.62%, 0.72%

LAB 68.15, 38.93, -5.95

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 0 / 15 / 66 / 16

HEX #D5B448

RGB 213 180 72

HSL 45.96, 0.63%, 0.56%

LAB 74.35, 0.05, 57.59

 

CMYK 66 / 11 / 0 / 16

HEX #48BDD5

RGB 72 189 213

HSL 190.21, 0.63%, 0.56%

LAB 71.27, -25.15, -21.69

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 38 / 0 / 66 / 16

HEX #85D548

RGB 133 213 72

HSL 94.04, 0.63%, 0.56%

LAB 77.9, -47.6, 59.66

 

CMYK 66 / 38 / 0 / 16

HEX #4885D5

RGB 72 133 213

HSL 214.04, 0.63%, 0.56%

LAB 55.03, 5.74, -46.94

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 0 / 15 / 66 / 16

HEX #D5B448

RGB 213 180 72

HSL 45.96, 0.63%, 0.56%

LAB 74.35, 0.05, 57.59

 

CMYK 66 / 0 / 29 / 16

HEX #48D598

RGB 72 213 152

HSL 154.04, 0.63%, 0.56%

LAB 76.82, -51.77, 19.35

 

CMYK 66 / 51 / 0 / 16

HEX #4869D5

RGB 72 105 213

HSL 225.96, 0.63%, 0.56%

LAB 47.35, 23.03, -59.23

 

CMYK 0 / 66 / 38 / 16

HEX #D54885

RGB 213 72 133

HSL 334.04, 0.63%, 0.56%

LAB 52.37, 60.21, -3.52

 

CMYK 4 / 0 / 66 / 16

HEX #CCD548

RGB 204 213 72

HSL 63.83, 0.63%, 0.56%

LAB 82.32, -20.53, 65.64

 

CMYK 66 / 0 / 29 / 16

HEX #48D598

RGB 72 213 152

HSL 154.04, 0.63%, 0.56%

LAB 76.82, -51.77, 19.35

 

CMYK 62 / 66 / 0 / 16

HEX #5148D5

RGB 81 72 213

HSL 243.83, 0.63%, 0.56%

LAB 39.9, 44.71, -71.32

 

Description

Color code: HEX #D54885 | qconv.com Color code: HEX #D54885 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 72 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 72 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 38 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 38% 16% C M Y K

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Provide designers and agencies with accurate color values.

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