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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D543C0 it is the complementary color #2ABC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D543C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D543C0 shade: #DA43BB, #EB55CE, #FC67E1, #FF79F4 and #FF8BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D543C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D543C0 shade: #D543C0, #C431AD, #B31F9A, #A20D87 and #910074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D543C0 shade: #D443BF, #D44398, #D44371, #D4434A and #D44343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D543C0 shade: #D443BF, #C243D4, #9B43D4, #7443D4 and #4D43D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D543C0 shade matches the following richer shades: #D443BF, #E731CC and #F91EDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D543C0 shade: #D443BF, #C156B2, #AF69A5, #9C7B98 and #8A8E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D543C0 shade: #9A43D4, #C143D4, #D443C1, #D4439A and #D44374

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D543C0 shade: #A1248F, #C22CAD, #D443BF, #DC65CB and #E387D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D543C0 shade: #D543C0, #D47443 and #43D4AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D543C0 shade: #D543C0, #C1D443 and #43C1D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D543C0 shade: #D543C0, #D47443, #43D457 and #43A4D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D543C0 shade: #D543C0, #D49F43, #43D457 and #4378D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 10 / 16

HEX #D543C0

RGB 213 67 192

HSL 308.63, 0.63%, 0.55%

LAB 53.99, 69.74, -35.71

 

Complementary color

CMYK 78 / 0 / 66 / 26

HEX #2ABC3F

RGB 42 188 63

HSL 128.63, 0.63%, 0.45%

LAB 67.14, -61.79, 50.87

 

CMYK 0 / 69 / 14 / 15

HEX #DA43BB

RGB 218 67 187

HSL 312.32, 0.67%, 0.56%

LAB 54.56, 70.21, -31.87

 

CMYK 0 / 64 / 12 / 8

HEX #EB55CE

RGB 235 85 206

HSL 311.6, 0.79%, 0.63%

LAB 60.44, 70.48, -33.4

 

CMYK 0 / 59 / 11 / 1

HEX #FC67E1

RGB 252 103 225

HSL 310.87, 0.96%, 0.7%

LAB 66.39, 70.39, -34.62

 

CMYK 0 / 53 / 4 / 0

HEX #FF79F4

RGB 255 121 244

HSL 304.93, 1%, 0.74%

LAB 70.5, 66.32, -38.69

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 69 / 10 / 16

HEX #D543C0

RGB 213 67 192

HSL 308.63, 0.63%, 0.55%

LAB 53.99, 69.74, -35.71

 

CMYK 0 / 75 / 12 / 23

HEX #C431AD

RGB 196 49 173

HSL 309.39, 0.6%, 0.48%

LAB 48.2, 68.96, -33.92

 

CMYK 0 / 83 / 14 / 30

HEX #B31F9A

RGB 179 31 154

HSL 310.14, 0.7%, 0.41%

LAB 42.61, 67.37, -31.58

 

CMYK 0 / 92 / 17 / 36

HEX #A20D87

RGB 162 13 135

HSL 310.87, 0.85%, 0.34%

LAB 37.33, 64.6, -28.48

 

CMYK 0 / 100 / 20 / 43

HEX #910074

RGB 145 0 116

HSL 312, 1%, 0.28%

LAB 32.44, 60.39, -24.49

 

CMYK 0 / 68 / 10 / 17

HEX #D443BF

RGB 212 67 191

HSL 308.69, 0.63%, 0.55%

LAB 53.79, 69.35, -35.47

 

CMYK 0 / 68 / 28 / 17

HEX #D44398

RGB 212 67 152

HSL 324.83, 0.63%, 0.55%

LAB 52.15, 64.04, -15.17

 

CMYK 0 / 68 / 47 / 17

HEX #D44371

RGB 212 67 113

HSL 340.97, 0.63%, 0.55%

LAB 50.92, 59.87, 6.37

 

CMYK 0 / 68 / 65 / 17

HEX #D4434A

RGB 212 67 74

HSL 357.1, 0.63%, 0.55%

LAB 50.1, 56.99, 28.67

 

CMYK 0 / 68 / 68 / 17

HEX #D44343

RGB 212 67 67

HSL 0, 0.63%, 0.55%

LAB 50, 56.61, 32.63

 

CMYK 0 / 68 / 10 / 17

HEX #D443BF

RGB 212 67 191

HSL 308.69, 0.63%, 0.55%

LAB 53.79, 69.35, -35.47

 

CMYK 8 / 68 / 0 / 17

HEX #C243D4

RGB 194 67 212

HSL 292.55, 0.63%, 0.55%

LAB 52.1, 68.68, -50.36

 

CMYK 27 / 68 / 0 / 17

HEX #9B43D4

RGB 155 67 212

HSL 276.41, 0.63%, 0.55%

LAB 46.63, 60.39, -59.45

 

CMYK 45 / 68 / 0 / 17

HEX #7443D4

RGB 116 67 212

HSL 260.28, 0.63%, 0.55%

LAB 41.97, 52.85, -67.22

 

CMYK 64 / 68 / 0 / 17

HEX #4D43D4

RGB 77 67 212

HSL 244.14, 0.63%, 0.55%

LAB 38.46, 46.72, -73.11

 

CMYK 0 / 68 / 10 / 17

HEX #D443BF

RGB 212 67 191

HSL 308.69, 0.63%, 0.55%

LAB 53.79, 69.35, -35.47

 

CMYK 0 / 79 / 12 / 9

HEX #E731CC

RGB 231 49 204

HSL 308.9, 0.79%, 0.55%

LAB 55.63, 80.81, -39.83

 

CMYK 0 / 88 / 12 / 2

HEX #F91EDA

RGB 249 30 218

HSL 308.49, 0.95%, 0.55%

LAB 58.16, 89.77, -43.61

 

CMYK 0 / 68 / 10 / 17

HEX #D443BF

RGB 212 67 191

HSL 308.69, 0.63%, 0.55%

LAB 53.79, 69.35, -35.47

 

CMYK 0 / 55 / 8 / 24

HEX #C156B2

RGB 193 86 178

HSL 308.41, 0.46%, 0.55%

LAB 53.18, 54.51, -29.1

 

CMYK 0 / 40 / 6 / 31

HEX #AF69A5

RGB 175 105 165

HSL 308.57, 0.3%, 0.55%

LAB 53.96, 37.08, -20.54

 

CMYK 0 / 21 / 3 / 39

HEX #9C7B98

RGB 156 123 152

HSL 307.27, 0.14%, 0.55%

LAB 55.58, 17.93, -10.71

 

CMYK 3 / 0 / 3 / 44

HEX #8A8E8A

RGB 138 142 138

HSL 120, 0.02%, 0.55%

LAB 58.59, -2.25, 1.61

 

CMYK 27 / 68 / 0 / 17

HEX #9A43D4

RGB 154 67 212

HSL 276, 0.63%, 0.55%

LAB 46.5, 60.19, -59.67

 

CMYK 9 / 68 / 0 / 17

HEX #C143D4

RGB 193 67 212

HSL 292.14, 0.63%, 0.55%

LAB 51.96, 68.46, -50.61

 

CMYK 0 / 68 / 9 / 17

HEX #D443C1

RGB 212 67 193

HSL 307.86, 0.63%, 0.55%

LAB 53.88, 69.65, -36.47

 

CMYK 0 / 68 / 27 / 17

HEX #D4439A

RGB 212 67 154

HSL 324, 0.63%, 0.55%

LAB 52.22, 64.28, -16.24

 

CMYK 0 / 68 / 45 / 17

HEX #D44374

RGB 212 67 116

HSL 339.72, 0.63%, 0.55%

LAB 51, 60.15, 4.67

 

CMYK 0 / 78 / 11 / 37

HEX #A1248F

RGB 161 36 143

HSL 308.64, 0.63%, 0.39%

LAB 39.28, 60.54, -30.35

 

CMYK 0 / 77 / 11 / 24

HEX #C22CAD

RGB 194 44 173

HSL 308.4, 0.63%, 0.47%

LAB 47.35, 69.97, -35.27

 

CMYK 0 / 68 / 10 / 17

HEX #D443BF

RGB 212 67 191

HSL 308.69, 0.63%, 0.55%

LAB 53.79, 69.35, -35.47

 

CMYK 0 / 54 / 8 / 14

HEX #DC65CB

RGB 220 101 203

HSL 308.57, 0.63%, 0.63%

LAB 60.64, 59.22, -31.56

 

CMYK 0 / 41 / 6 / 11

HEX #E387D6

RGB 227 135 214

HSL 308.48, 0.62%, 0.71%

LAB 68.4, 46.41, -25.68

 

CMYK 0 / 69 / 10 / 16

HEX #D543C0

RGB 213 67 192

HSL 308.63, 0.63%, 0.55%

LAB 53.99, 69.74, -35.71

 

CMYK 0 / 45 / 68 / 17

HEX #D47443

RGB 212 116 67

HSL 20.28, 0.63%, 0.55%

LAB 58.88, 33.62, 42.99

 

CMYK 68 / 0 / 18 / 17

HEX #43D4AD

RGB 67 212 173

HSL 163.86, 0.63%, 0.55%

LAB 76.86, -47.41, 8.23

 

CMYK 0 / 69 / 10 / 16

HEX #D543C0

RGB 213 67 192

HSL 308.63, 0.63%, 0.55%

LAB 53.99, 69.74, -35.71

 

CMYK 9 / 0 / 68 / 17

HEX #C1D443

RGB 193 212 67

HSL 67.86, 0.63%, 0.55%

LAB 81.2, -24.84, 66.13

 

CMYK 68 / 9 / 0 / 17

HEX #43C1D4

RGB 67 193 212

HSL 187.86, 0.63%, 0.55%

LAB 72.29, -28.17, -19.61

 

CMYK 0 / 69 / 10 / 16

HEX #D543C0

RGB 213 67 192

HSL 308.63, 0.63%, 0.55%

LAB 53.99, 69.74, -35.71

 

CMYK 0 / 45 / 68 / 17

HEX #D47443

RGB 212 116 67

HSL 20.28, 0.63%, 0.55%

LAB 58.88, 33.62, 42.99

 

CMYK 68 / 0 / 59 / 17

HEX #43D457

RGB 67 212 87

HSL 128.28, 0.63%, 0.55%

LAB 75.43, -63.09, 49.91

 

CMYK 68 / 23 / 0 / 17

HEX #43A4D4

RGB 67 164 212

HSL 199.86, 0.63%, 0.55%

LAB 63.75, -13.16, -32.7

 

CMYK 0 / 69 / 10 / 16

HEX #D543C0

RGB 213 67 192

HSL 308.63, 0.63%, 0.55%

LAB 53.99, 69.74, -35.71

 

CMYK 0 / 25 / 68 / 17

HEX #D49F43

RGB 212 159 67

HSL 38.07, 0.63%, 0.55%

LAB 68.89, 10.52, 53.97

 

CMYK 68 / 0 / 59 / 17

HEX #43D457

RGB 67 212 87

HSL 128.28, 0.63%, 0.55%

LAB 75.43, -63.09, 49.91

 

CMYK 68 / 43 / 0 / 17

HEX #4378D4

RGB 67 120 212

HSL 218.07, 0.63%, 0.55%

LAB 51.13, 12.52, -52.6

 

Description

Color code: HEX #D543C0 | qconv.com Color code: HEX #D543C0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 67 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 67 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 10% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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