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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D557DA it is the complementary color #2AA825. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D557DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D557DA shade: #DA57D5, #EB69E8, #FC7BFB, #FF8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D557DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D557DA shade: #D557DA, #C445C7, #B333B4, #A221A1 and #910F8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D557DA shade: #D557DA, #DA57BC, #DA5798, #DA5775 and #DA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D557DA shade: #D557DA, #B257DA, #8E57DA, #6B57DA and #5757DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D557DA shade matches the following richer shades: #D557DA, #E447EA and #F336FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D557DA shade: #D557DA, #C668C9, #B678B9, #A789A8 and #989998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D557DA shade: #8E57DA, #B057DA, #D357DA, #DA57BD and #DA579B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D557DA shade: #B128B7, #CC35D2, #D557DA, #DD79E1 and #E69BE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D557DA shade: #D557DA, #DA6B57 and #57DA9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D557DA shade: #D557DA, #DAD357 and #57DAD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D557DA shade: #D557DA, #DA6B57, #5EDA57 and #57C6DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D557DA shade: #D557DA, #DA9257, #5EDA57 and #579FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

Complementary color

CMYK 75 / 0 / 78 / 34

HEX #2AA825

RGB 42 168 37

HSL 117.71, 0.64%, 0.4%

LAB 60.45, -57.61, 53.77

 

CMYK 0 / 60 / 2 / 15

HEX #DA57D5

RGB 218 87 213

HSL 302.29, 0.64%, 0.6%

LAB 58.53, 66.5, -40.53

 

CMYK 0 / 55 / 1 / 8

HEX #EB69E8

RGB 235 105 232

HSL 301.38, 0.76%, 0.67%

LAB 64.64, 66.23, -41.43

 

CMYK 0 / 51 / 0 / 1

HEX #FC7BFB

RGB 252 123 251

HSL 300.47, 0.96%, 0.74%

LAB 70.75, 65.78, -42.16

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

CMYK 2 / 65 / 0 / 22

HEX #C445C7

RGB 196 69 199

HSL 298.62, 0.54%, 0.53%

LAB 51.97, 66.11, -43.11

 

CMYK 1 / 72 / 0 / 29

HEX #B333B4

RGB 179 51 180

HSL 299.53, 0.56%, 0.45%

LAB 45.97, 65.63, -41.74

 

CMYK 0 / 80 / 1 / 36

HEX #A221A1

RGB 162 33 161

HSL 300.47, 0.66%, 0.38%

LAB 40.15, 64.39, -39.87

 

CMYK 0 / 90 / 2 / 43

HEX #910F8E

RGB 145 15 142

HSL 301.38, 0.81%, 0.31%

LAB 34.63, 61.99, -37.29

 

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

CMYK 0 / 60 / 14 / 15

HEX #DA57BC

RGB 218 87 188

HSL 313.74, 0.64%, 0.6%

LAB 57.42, 62.56, -28.01

 

CMYK 0 / 60 / 30 / 15

HEX #DA5798

RGB 218 87 152

HSL 330.23, 0.64%, 0.6%

LAB 56.08, 57.63, -9.16

 

CMYK 0 / 60 / 46 / 15

HEX #DA5775

RGB 218 87 117

HSL 346.26, 0.64%, 0.6%

LAB 55.08, 53.82, 10.01

 

CMYK 0 / 60 / 60 / 15

HEX #DA5757

RGB 218 87 87

HSL 0, 0.64%, 0.6%

LAB 54.46, 51.38, 26.81

 

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

CMYK 18 / 60 / 0 / 15

HEX #B257DA

RGB 178 87 218

HSL 281.68, 0.64%, 0.6%

LAB 53.32, 57.6, -51.96

 

CMYK 35 / 60 / 0 / 15

HEX #8E57DA

RGB 142 87 218

HSL 265.19, 0.64%, 0.6%

LAB 49.04, 49.21, -59.06

 

CMYK 51 / 60 / 0 / 15

HEX #6B57DA

RGB 107 87 218

HSL 249.16, 0.64%, 0.6%

LAB 45.64, 41.89, -64.73

 

CMYK 60 / 60 / 0 / 15

HEX #5757DA

RGB 87 87 218

HSL 240, 0.64%, 0.6%

LAB 44.1, 38.33, -67.31

 

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

CMYK 3 / 70 / 0 / 8

HEX #E447EA

RGB 228 71 234

HSL 297.79, 0.8%, 0.6%

LAB 58.92, 78.26, -51.64

 

CMYK 3 / 78 / 0 / 2

HEX #F336FB

RGB 243 54 251

HSL 297.56, 0.96%, 0.6%

LAB 60.48, 88.75, -58.49

 

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

CMYK 1 / 48 / 0 / 21

HEX #C668C9

RGB 198 104 201

HSL 298.14, 0.47%, 0.6%

LAB 58.15, 51.22, -34.51

 

CMYK 2 / 35 / 0 / 27

HEX #B678B9

RGB 182 120 185

HSL 297.23, 0.32%, 0.6%

LAB 58.86, 34.89, -24.45

 

CMYK 1 / 18 / 0 / 34

HEX #A789A8

RGB 167 137 168

HSL 298.06, 0.15%, 0.6%

LAB 60.72, 16.95, -12.08

 

CMYK 1 / 0 / 1 / 40

HEX #989998

RGB 152 153 152

HSL 120, 0%, 0.6%

LAB 63.11, -0.55, 0.39

 

CMYK 35 / 60 / 0 / 15

HEX #8E57DA

RGB 142 87 218

HSL 265.19, 0.64%, 0.6%

LAB 49.04, 49.21, -59.06

 

CMYK 19 / 60 / 0 / 15

HEX #B057DA

RGB 176 87 218

HSL 280.76, 0.64%, 0.6%

LAB 53.07, 57.12, -52.38

 

CMYK 3 / 60 / 0 / 15

HEX #D357DA

RGB 211 87 218

HSL 296.79, 0.64%, 0.6%

LAB 57.78, 65.61, -44.61

 

CMYK 0 / 60 / 13 / 15

HEX #DA57BD

RGB 218 87 189

HSL 313.28, 0.64%, 0.6%

LAB 57.46, 62.71, -28.52

 

CMYK 0 / 60 / 29 / 15

HEX #DA579B

RGB 218 87 155

HSL 328.85, 0.64%, 0.6%

LAB 56.18, 58.01, -10.77

 

CMYK 3 / 78 / 0 / 28

HEX #B128B7

RGB 177 40 183

HSL 297.48, 0.64%, 0.44%

LAB 44.64, 69.08, -45.64

 

CMYK 3 / 75 / 0 / 18

HEX #CC35D2

RGB 204 53 210

HSL 297.71, 0.64%, 0.52%

LAB 51.88, 75.14, -49.49

 

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

CMYK 2 / 46 / 0 / 12

HEX #DD79E1

RGB 221 121 225

HSL 297.69, 0.63%, 0.68%

LAB 65.34, 53.67, -36.57

 

CMYK 1 / 33 / 0 / 9

HEX #E69BE9

RGB 230 155 233

HSL 297.69, 0.64%, 0.76%

LAB 73.64, 40.28, -28.06

 

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

CMYK 0 / 51 / 60 / 15

HEX #DA6B57

RGB 218 107 87

HSL 9.16, 0.64%, 0.6%

LAB 58.14, 41.83, 31.5

 

CMYK 60 / 0 / 27 / 15

HEX #57DA9F

RGB 87 218 159

HSL 152.98, 0.64%, 0.6%

LAB 78.85, -49.58, 18.54

 

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

CMYK 0 / 3 / 60 / 15

HEX #DAD357

RGB 218 211 87

HSL 56.79, 0.64%, 0.6%

LAB 83.01, -12.84, 60.58

 

CMYK 60 / 0 / 3 / 15

HEX #57DAD3

RGB 87 218 211

HSL 176.79, 0.64%, 0.6%

LAB 80.11, -37.21, -7.29

 

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

CMYK 0 / 51 / 60 / 15

HEX #DA6B57

RGB 218 107 87

HSL 9.16, 0.64%, 0.6%

LAB 58.14, 41.83, 31.5

 

CMYK 57 / 0 / 60 / 15

HEX #5EDA57

RGB 94 218 87

HSL 116.79, 0.64%, 0.6%

LAB 78, -59.49, 53.05

 

CMYK 60 / 9 / 0 / 15

HEX #57C6DA

RGB 87 198 218

HSL 189.16, 0.64%, 0.6%

LAB 74.49, -25.7, -19.46

 

CMYK 2 / 60 / 0 / 15

HEX #D557DA

RGB 213 87 218

HSL 297.71, 0.64%, 0.6%

LAB 58.06, 66.1, -44.15

 

CMYK 0 / 33 / 60 / 15

HEX #DA9257

RGB 218 146 87

HSL 27.02, 0.64%, 0.6%

LAB 66.64, 21.34, 41.92

 

CMYK 57 / 0 / 60 / 15

HEX #5EDA57

RGB 94 218 87

HSL 116.79, 0.64%, 0.6%

LAB 78, -59.49, 53.05

 

CMYK 60 / 27 / 0 / 15

HEX #579FDA

RGB 87 159 218

HSL 207.02, 0.64%, 0.6%

LAB 63.25, -5.04, -36.76

 

Description

Color code: HEX #D557DA | qconv.com Color code: HEX #D557DA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 87 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 87 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 60 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 60% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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