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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D56539 it is the complementary color #2A9AC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D56539. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D56539 shade: #DA6534, #EB7747, #FC895A, #FF9B6D and #FFAD80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D56539. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D56539 shade: #D56539, #C45326, #B34113, #A22F00 and #911D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D56539 shade: #D56539, #D53B39 and #D53939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D56539 shade: #D56539, #D58F39, #D5B939, #C6D539 and #9CD539

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D56539 shade matches the following richer shades: #D56539, #E85C25 and #FB5412

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D56539 shade: #D56539, #C16D4C, #AE7660, #9A7E73 and #878786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D56539 shade: #D53962, #D53939, #D56239, #D58C39 and #D5B539

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D56539 shade: #9A4320, #BC5228, #D56539, #DC7F5B and #E39A7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D56539 shade: #D56539, #8CD539 and #394ED5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D56539 shade: #D56539, #39D562 and #6239D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D56539 shade: #D56539, #8CD539, #39ABD5 and #8139D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D56539 shade: #D56539, #5DD539, #39ABD5 and #B039D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

Complementary color

CMYK 79 / 22 / 0 / 22

HEX #2A9AC6

RGB 42 154 198

HSL 196.92, 0.65%, 0.47%

LAB 59.6, -15.63, -31.38

 

CMYK 0 / 54 / 76 / 15

HEX #DA6534

RGB 218 101 52

HSL 17.71, 0.69%, 0.53%

LAB 56.55, 42.89, 48.27

 

CMYK 0 / 49 / 70 / 8

HEX #EB7747

RGB 235 119 71

HSL 17.56, 0.8%, 0.6%

LAB 62.77, 41.3, 46.21

 

CMYK 0 / 46 / 64 / 1

HEX #FC895A

RGB 252 137 90

HSL 17.41, 0.96%, 0.67%

LAB 68.99, 39.81, 44.21

 

CMYK 0 / 39 / 57 / 0

HEX #FF9B6D

RGB 255 155 109

HSL 18.9, 1%, 0.71%

LAB 73.42, 33.04, 39.78

 

CMYK 0 / 32 / 50 / 0

HEX #FFAD80

RGB 255 173 128

HSL 21.26, 1%, 0.75%

LAB 77.7, 25.23, 35.24

 

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

CMYK 0 / 58 / 81 / 23

HEX #C45326

RGB 196 83 38

HSL 17.09, 0.68%, 0.46%

LAB 49.57, 42.8, 46.91

 

CMYK 0 / 64 / 89 / 30

HEX #B34113

RGB 179 65 19

HSL 17.25, 0.81%, 0.39%

LAB 43.38, 44.4, 48.58

 

CMYK 0 / 71 / 100 / 36

HEX #A22F00

RGB 162 47 0

HSL 17.41, 1%, 0.32%

LAB 37.32, 45.75, 49.56

 

CMYK 0 / 80 / 100 / 43

HEX #911D00

RGB 145 29 0

HSL 12, 1%, 0.28%

LAB 31.57, 46.58, 44.53

 

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

CMYK 0 / 72 / 73 / 16

HEX #D53B39

RGB 213 59 57

HSL 0.77, 0.65%, 0.53%

LAB 48.97, 59.42, 37.22

 

CMYK 0 / 73 / 73 / 16

HEX #D53939

RGB 213 57 57

HSL 0, 0.65%, 0.53%

LAB 48.72, 60.11, 36.94

 

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

CMYK 0 / 33 / 73 / 16

HEX #D58F39

RGB 213 143 57

HSL 33.08, 0.65%, 0.53%

LAB 65.03, 19.08, 54.41

 

CMYK 0 / 13 / 73 / 16

HEX #D5B939

RGB 213 185 57

HSL 49.23, 0.65%, 0.53%

LAB 75.54, -3.34, 64.8

 

CMYK 7 / 0 / 73 / 16

HEX #C6D539

RGB 198 213 57

HSL 65.77, 0.65%, 0.53%

LAB 81.78, -23.78, 70.33

 

CMYK 27 / 0 / 73 / 16

HEX #9CD539

RGB 156 213 57

HSL 81.92, 0.65%, 0.53%

LAB 79.01, -40.41, 66.71

 

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

CMYK 0 / 60 / 84 / 9

HEX #E85C25

RGB 232 92 37

HSL 16.92, 0.81%, 0.53%

LAB 57.02, 51.78, 56.28

 

CMYK 0 / 67 / 93 / 2

HEX #FB5412

RGB 251 84 18

HSL 17, 0.97%, 0.53%

LAB 58.88, 61.28, 65.54

 

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

CMYK 0 / 44 / 61 / 24

HEX #C16D4C

RGB 193 109 76

HSL 16.92, 0.49%, 0.53%

LAB 54.86, 30.26, 32.79

 

CMYK 0 / 32 / 45 / 32

HEX #AE7660

RGB 174 118 96

HSL 16.92, 0.33%, 0.53%

LAB 54.87, 19.31, 21.01

 

CMYK 0 / 18 / 25 / 40

HEX #9A7E73

RGB 154 126 115

HSL 16.92, 0.16%, 0.53%

LAB 55.1, 9.03, 10.04

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 0 / 73 / 54 / 16

HEX #D53962

RGB 213 57 98

HSL 344.23, 0.65%, 0.53%

LAB 49.44, 62.5, 13.39

 

CMYK 0 / 73 / 73 / 16

HEX #D53939

RGB 213 57 57

HSL 0, 0.65%, 0.53%

LAB 48.72, 60.11, 36.94

 

CMYK 0 / 54 / 73 / 16

HEX #D56239

RGB 213 98 57

HSL 15.77, 0.65%, 0.53%

LAB 55.25, 42.68, 44.17

 

CMYK 0 / 34 / 73 / 16

HEX #D58C39

RGB 213 140 57

HSL 31.92, 0.65%, 0.53%

LAB 64.32, 20.7, 53.69

 

CMYK 0 / 15 / 73 / 16

HEX #D5B539

RGB 213 181 57

HSL 47.69, 0.65%, 0.53%

LAB 74.5, -1.25, 63.8

 

CMYK 0 / 56 / 79 / 40

HEX #9A4320

RGB 154 67 32

HSL 17.21, 0.66%, 0.36%

LAB 39.56, 34.24, 37.72

 

CMYK 0 / 56 / 79 / 26

HEX #BC5228

RGB 188 82 40

HSL 17.03, 0.65%, 0.45%

LAB 48.11, 40.31, 44.08

 

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

CMYK 0 / 42 / 59 / 14

HEX #DC7F5B

RGB 220 127 91

HSL 16.74, 0.65%, 0.61%

LAB 62.63, 32.58, 34.98

 

CMYK 0 / 32 / 45 / 11

HEX #E39A7D

RGB 227 154 125

HSL 17.06, 0.65%, 0.69%

LAB 70.12, 23.99, 26.3

 

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

CMYK 34 / 0 / 73 / 16

HEX #8CD539

RGB 140 213 57

HSL 88.08, 0.65%, 0.53%

LAB 78.15, -46.23, 65.57

 

CMYK 73 / 63 / 0 / 16

HEX #394ED5

RGB 57 78 213

HSL 231.92, 0.65%, 0.53%

LAB 39.79, 38.02, -71.55

 

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

CMYK 73 / 0 / 54 / 16

HEX #39D562

RGB 57 213 98

HSL 135.77, 0.65%, 0.53%

LAB 75.66, -63.65, 45.07

 

CMYK 54 / 73 / 0 / 16

HEX #6239D5

RGB 98 57 213

HSL 255.77, 0.65%, 0.53%

LAB 38.42, 55.24, -73.67

 

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

CMYK 34 / 0 / 73 / 16

HEX #8CD539

RGB 140 213 57

HSL 88.08, 0.65%, 0.53%

LAB 78.15, -46.23, 65.57

 

CMYK 73 / 20 / 0 / 16

HEX #39ABD5

RGB 57 171 213

HSL 196.15, 0.65%, 0.53%

LAB 65.59, -17.97, -30.43

 

CMYK 39 / 73 / 0 / 16

HEX #8139D5

RGB 129 57 213

HSL 267.69, 0.65%, 0.53%

LAB 41.84, 60.11, -67.94

 

CMYK 0 / 53 / 73 / 16

HEX #D56539

RGB 213 101 57

HSL 16.92, 0.65%, 0.53%

LAB 55.84, 41.19, 44.8

 

CMYK 56 / 0 / 73 / 16

HEX #5DD539

RGB 93 213 57

HSL 106.15, 0.65%, 0.53%

LAB 76.2, -60.62, 62.99

 

CMYK 73 / 20 / 0 / 16

HEX #39ABD5

RGB 57 171 213

HSL 196.15, 0.65%, 0.53%

LAB 65.59, -17.97, -30.43

 

CMYK 17 / 73 / 0 / 16

HEX #B039D5

RGB 176 57 213

HSL 285.77, 0.65%, 0.53%

LAB 48.21, 68.8, -57.32

 

Description

Color code: HEX #D56539 | qconv.com Color code: HEX #D56539 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 101 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 101 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 73 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 73% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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