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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D567BB it is the complementary color #2A9844. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D567BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D567BB shade: #DA67B6, #EB79C9, #FC8BDC, #FF9DEF and #FFAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D567BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D567BB shade: #D567BB, #C455A8, #B34395, #A23182 and #911F6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D567BB shade: #D566BB, #D5669D, #D5667F and #D56666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D567BB shade: #D566BB, #D166D5, #B366D5, #9666D5 and #7866D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D567BB shade matches the following richer shades: #D566BB, #E557C3 and #F447CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D567BB shade: #D566BB, #C576B2, #B586AA, #A695A2 and #96A59A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D567BB shade: #B466D5, #D166D5, #D566BB, #D5669E and #D56680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D567BB shade: #B73297, #CC46AC, #D566BB, #DE87C9 and #E7A7D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D567BB shade: #D567BB, #D59666 and #66D5C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D567BB shade: #D567BB, #BBD566 and #66BBD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D567BB shade: #D567BB, #D59666, #66D580 and #66A5D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D567BB shade: #D567BB, #D5B766, #66D580 and #6684D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 12 / 16

HEX #D567BB

RGB 213 103 187

HSL 314.18, 0.57%, 0.62%

LAB 59.37, 53.7, -24.48

 

Complementary color

CMYK 72 / 0 / 55 / 40

HEX #2A9844

RGB 42 152 68

HSL 134.18, 0.57%, 0.38%

LAB 55.45, -48.86, 35.16

 

CMYK 0 / 53 / 17 / 15

HEX #DA67B6

RGB 218 103 182

HSL 318.78, 0.61%, 0.63%

LAB 59.87, 54.42, -20.8

 

CMYK 0 / 49 / 14 / 8

HEX #EB79C9

RGB 235 121 201

HSL 317.89, 0.74%, 0.7%

LAB 66.18, 53.78, -21.73

 

CMYK 0 / 45 / 13 / 1

HEX #FC8BDC

RGB 252 139 220

HSL 316.99, 0.95%, 0.77%

LAB 72.45, 53.08, -22.54

 

CMYK 0 / 38 / 6 / 0

HEX #FF9DEF

RGB 255 157 239

HSL 309.8, 1%, 0.81%

LAB 77.04, 48.05, -25.87

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 52 / 12 / 16

HEX #D567BB

RGB 213 103 187

HSL 314.18, 0.57%, 0.62%

LAB 59.37, 53.7, -24.48

 

CMYK 0 / 57 / 14 / 23

HEX #C455A8

RGB 196 85 168

HSL 315.14, 0.48%, 0.55%

LAB 53.02, 54.23, -23.49

 

CMYK 0 / 63 / 17 / 30

HEX #B34395

RGB 179 67 149

HSL 316.07, 0.46%, 0.48%

LAB 46.67, 54.54, -22.25

 

CMYK 0 / 70 / 20 / 36

HEX #A23182

RGB 162 49 130

HSL 316.99, 0.54%, 0.41%

LAB 40.39, 54.46, -20.63

 

CMYK 0 / 79 / 23 / 43

HEX #911F6F

RGB 145 31 111

HSL 317.89, 0.65%, 0.35%

LAB 34.29, 53.66, -18.44

 

CMYK 0 / 52 / 12 / 16

HEX #D566BB

RGB 213 102 187

HSL 314.05, 0.57%, 0.62%

LAB 59.19, 54.18, -24.76

 

CMYK 0 / 52 / 26 / 16

HEX #D5669D

RGB 213 102 157

HSL 330.27, 0.57%, 0.62%

LAB 58.12, 49.77, -9.11

 

CMYK 0 / 52 / 40 / 16

HEX #D5667F

RGB 213 102 127

HSL 346.49, 0.57%, 0.62%

LAB 57.25, 46.1, 7.11

 

CMYK 0 / 52 / 52 / 16

HEX #D56666

RGB 213 102 102

HSL 0, 0.57%, 0.62%

LAB 56.69, 43.65, 20.91

 

CMYK 0 / 52 / 12 / 16

HEX #D566BB

RGB 213 102 187

HSL 314.05, 0.57%, 0.62%

LAB 59.19, 54.18, -24.76

 

CMYK 2 / 52 / 0 / 16

HEX #D166D5

RGB 209 102 213

HSL 297.84, 0.57%, 0.62%

LAB 59.76, 57.43, -38.68

 

CMYK 16 / 52 / 0 / 16

HEX #B366D5

RGB 179 102 213

HSL 281.62, 0.57%, 0.62%

LAB 55.98, 49.33, -44.9

 

CMYK 30 / 52 / 0 / 16

HEX #9666D5

RGB 150 102 213

HSL 265.95, 0.57%, 0.62%

LAB 52.72, 41.71, -50.28

 

CMYK 44 / 52 / 0 / 16

HEX #7866D5

RGB 120 102 213

HSL 249.73, 0.57%, 0.62%

LAB 49.86, 34.37, -55.02

 

CMYK 0 / 52 / 12 / 16

HEX #D566BB

RGB 213 102 187

HSL 314.05, 0.57%, 0.62%

LAB 59.19, 54.18, -24.76

 

CMYK 0 / 62 / 15 / 10

HEX #E557C3

RGB 229 87 195

HSL 314.37, 0.73%, 0.62%

LAB 59.36, 66.53, -28.89

 

CMYK 0 / 71 / 17 / 4

HEX #F447CB

RGB 244 71 203

HSL 314.22, 0.89%, 0.62%

LAB 59.94, 77.24, -32.37

 

CMYK 0 / 52 / 12 / 16

HEX #D566BB

RGB 213 102 187

HSL 314.05, 0.57%, 0.62%

LAB 59.19, 54.18, -24.76

 

CMYK 0 / 40 / 10 / 23

HEX #C576B2

RGB 197 118 178

HSL 314.43, 0.41%, 0.62%

LAB 59.93, 39.58, -18.68

 

CMYK 0 / 26 / 6 / 29

HEX #B586AA

RGB 181 134 170

HSL 314.04, 0.24%, 0.62%

LAB 61.46, 23.94, -11.97

 

CMYK 0 / 10 / 2 / 35

HEX #A695A2

RGB 166 149 162

HSL 314.12, 0.09%, 0.62%

LAB 63.52, 8.66, -4.53

 

CMYK 9 / 0 / 7 / 35

HEX #96A59A

RGB 150 165 154

HSL 136, 0.08%, 0.62%

LAB 66.31, -7.44, 3.89

 

CMYK 15 / 52 / 0 / 16

HEX #B466D5

RGB 180 102 213

HSL 282.16, 0.57%, 0.62%

LAB 56.1, 49.6, -44.71

 

CMYK 2 / 52 / 0 / 16

HEX #D166D5

RGB 209 102 213

HSL 297.84, 0.57%, 0.62%

LAB 59.76, 57.43, -38.68

 

CMYK 0 / 52 / 12 / 16

HEX #D566BB

RGB 213 102 187

HSL 314.05, 0.57%, 0.62%

LAB 59.19, 54.18, -24.76

 

CMYK 0 / 52 / 26 / 16

HEX #D5669E

RGB 213 102 158

HSL 329.73, 0.57%, 0.62%

LAB 58.15, 49.91, -9.64

 

CMYK 0 / 52 / 40 / 16

HEX #D56680

RGB 213 102 128

HSL 345.95, 0.57%, 0.62%

LAB 57.28, 46.21, 6.57

 

CMYK 0 / 73 / 17 / 28

HEX #B73297

RGB 183 50 151

HSL 314.44, 0.57%, 0.46%

LAB 45.06, 62.45, -25.89

 

CMYK 0 / 66 / 16 / 20

HEX #CC46AC

RGB 204 70 172

HSL 314.33, 0.57%, 0.54%

LAB 52.06, 63.44, -27.21

 

CMYK 0 / 52 / 12 / 16

HEX #D566BB

RGB 213 102 187

HSL 314.05, 0.57%, 0.62%

LAB 59.19, 54.18, -24.76

 

CMYK 0 / 39 / 9 / 13

HEX #DE87C9

RGB 222 135 201

HSL 314.48, 0.57%, 0.7%

LAB 67.33, 42.62, -20.12

 

CMYK 0 / 28 / 6 / 9

HEX #E7A7D8

RGB 231 167 216

HSL 314.06, 0.57%, 0.78%

LAB 75.81, 31.18, -15.47

 

CMYK 0 / 52 / 12 / 16

HEX #D567BB

RGB 213 103 187

HSL 314.18, 0.57%, 0.62%

LAB 59.37, 53.7, -24.48

 

CMYK 0 / 30 / 52 / 16

HEX #D59666

RGB 213 150 102

HSL 25.95, 0.57%, 0.62%

LAB 67.22, 18.32, 34.63

 

CMYK 52 / 0 / 9 / 16

HEX #66D5C2

RGB 102 213 194

HSL 169.73, 0.57%, 0.62%

LAB 78.64, -36.35, -0.31

 

CMYK 0 / 52 / 12 / 16

HEX #D567BB

RGB 213 103 187

HSL 314.18, 0.57%, 0.62%

LAB 59.37, 53.7, -24.48

 

CMYK 12 / 0 / 52 / 16

HEX #BBD566

RGB 187 213 102

HSL 74.05, 0.57%, 0.62%

LAB 81.35, -25.12, 51.35

 

CMYK 52 / 12 / 0 / 16

HEX #66BBD5

RGB 102 187 213

HSL 194.05, 0.57%, 0.62%

LAB 71.67, -18.62, -20.99

 

CMYK 0 / 52 / 12 / 16

HEX #D567BB

RGB 213 103 187

HSL 314.18, 0.57%, 0.62%

LAB 59.37, 53.7, -24.48

 

CMYK 0 / 30 / 52 / 16

HEX #D59666

RGB 213 150 102

HSL 25.95, 0.57%, 0.62%

LAB 67.22, 18.32, 34.63

 

CMYK 52 / 0 / 40 / 16

HEX #66D580

RGB 102 213 128

HSL 134.05, 0.57%, 0.62%

LAB 77.26, -49.98, 32.56

 

CMYK 52 / 23 / 0 / 16

HEX #66A5D5

RGB 102 165 213

HSL 205.95, 0.57%, 0.62%

LAB 65.39, -6.84, -30.62

 

CMYK 0 / 52 / 12 / 16

HEX #D567BB

RGB 213 103 187

HSL 314.18, 0.57%, 0.62%

LAB 59.37, 53.7, -24.48

 

CMYK 0 / 14 / 52 / 16

HEX #D5B766

RGB 213 183 102

HSL 43.78, 0.57%, 0.62%

LAB 75.43, 0.64, 44.8

 

CMYK 52 / 0 / 40 / 16

HEX #66D580

RGB 102 213 128

HSL 134.05, 0.57%, 0.62%

LAB 77.26, -49.98, 32.56

 

CMYK 52 / 38 / 0 / 16

HEX #6684D5

RGB 102 132 213

HSL 223.78, 0.57%, 0.62%

LAB 56.22, 12.2, -44.96

 

Description

Color code: HEX #D567BB | qconv.com Color code: HEX #D567BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 103 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 103 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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