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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5638C it is the complementary color #2A9C73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5638C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5638C shade: #DA6387, #EB759A, #FC87AD, #FF99C0 and #FFABD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5638C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5638C shade: #D5638C, #C45179, #B33F66, #A22D53 and #911B40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5638C shade: #D5618B, #D5616C and #D56161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5638C shade: #D5618B, #D561AA, #D561C9, #C161D5 and #A261D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5638C shade matches the following richer shades: #D5618B, #E55186 and #F54182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5638C shade: #D5618B, #C5718F, #B58294, #A49298 and #94A29D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5638C shade: #D561C9, #D561AA, #D5618C, #D5616D and #D57561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5638C shade: #B4305F, #CC4173, #D5618B, #DD82A3 and #E6A3BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5638C shade: #D5638C, #D5C261 and #61BAD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5638C shade: #D5638C, #8CD561 and #618CD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5638C shade: #D5638C, #D5C261, #61D5AA and #6175D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5638C shade: #D5638C, #C5D561, #61D5AA and #7161D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 34 / 16

HEX #D5638C

RGB 213 99 140

HSL 338.42, 0.58%, 0.61%

LAB 57.04, 49.06, -0.79

 

Complementary color

CMYK 73 / 0 / 26 / 39

HEX #2A9C73

RGB 42 156 115

HSL 158.42, 0.58%, 0.39%

LAB 57.57, -41.38, 12.58

 

CMYK 0 / 55 / 38 / 15

HEX #DA6387

RGB 218 99 135

HSL 341.85, 0.62%, 0.62%

LAB 57.63, 50.14, 3.08

 

CMYK 0 / 50 / 34 / 8

HEX #EB759A

RGB 235 117 154

HSL 341.19, 0.75%, 0.69%

LAB 63.93, 49.32, 1.55

 

CMYK 0 / 46 / 31 / 1

HEX #FC87AD

RGB 252 135 173

HSL 340.51, 0.95%, 0.76%

LAB 70.2, 48.47, 0.22

 

CMYK 0 / 40 / 25 / 0

HEX #FF99C0

RGB 255 153 192

HSL 337.06, 1%, 0.8%

LAB 74.73, 42.9, -3.65

 

CMYK 0 / 33 / 17 / 0

HEX #FFABD3

RGB 255 171 211

HSL 331.43, 1%, 0.84%

LAB 79.09, 36.35, -7.59

 

CMYK 0 / 54 / 34 / 16

HEX #D5638C

RGB 213 99 140

HSL 338.42, 0.58%, 0.61%

LAB 57.04, 49.06, -0.79

 

CMYK 0 / 59 / 38 / 23

HEX #C45179

RGB 196 81 121

HSL 339.13, 0.49%, 0.54%

LAB 50.69, 49.77, 0.88

 

CMYK 0 / 65 / 43 / 30

HEX #B33F66

RGB 179 63 102

HSL 339.83, 0.48%, 0.47%

LAB 44.37, 50.29, 2.93

 

CMYK 0 / 72 / 49 / 36

HEX #A22D53

RGB 162 45 83

HSL 340.51, 0.57%, 0.41%

LAB 38.17, 50.42, 5.53

 

CMYK 0 / 81 / 56 / 43

HEX #911B40

RGB 145 27 64

HSL 341.19, 0.69%, 0.34%

LAB 32.2, 49.82, 8.95

 

CMYK 0 / 54 / 35 / 16

HEX #D5618B

RGB 213 97 139

HSL 338.28, 0.58%, 0.61%

LAB 56.64, 49.9, -0.79

 

CMYK 0 / 54 / 49 / 16

HEX #D5616C

RGB 213 97 108

HSL 354.31, 0.58%, 0.61%

LAB 55.87, 46.64, 16.29

 

CMYK 0 / 54 / 54 / 16

HEX #D56161

RGB 213 97 97

HSL 0, 0.58%, 0.61%

LAB 55.64, 45.69, 22.41

 

CMYK 0 / 54 / 35 / 16

HEX #D5618B

RGB 213 97 139

HSL 338.28, 0.58%, 0.61%

LAB 56.64, 49.9, -0.79

 

CMYK 0 / 54 / 20 / 16

HEX #D561AA

RGB 213 97 170

HSL 322.24, 0.58%, 0.61%

LAB 57.65, 53.98, -17.34

 

CMYK 0 / 54 / 6 / 16

HEX #D561C9

RGB 213 97 201

HSL 306.21, 0.58%, 0.61%

LAB 58.89, 58.8, -33.21

 

CMYK 9 / 54 / 0 / 16

HEX #C161D5

RGB 193 97 213

HSL 289.66, 0.58%, 0.61%

LAB 56.77, 55.56, -43.53

 

CMYK 24 / 54 / 0 / 16

HEX #A261D5

RGB 162 97 213

HSL 273.62, 0.58%, 0.61%

LAB 52.99, 47.5, -49.77

 

CMYK 0 / 54 / 35 / 16

HEX #D5618B

RGB 213 97 139

HSL 338.28, 0.58%, 0.61%

LAB 56.64, 49.9, -0.79

 

CMYK 0 / 65 / 41 / 10

HEX #E55186

RGB 229 81 134

HSL 338.51, 0.74%, 0.61%

LAB 56.35, 61.45, 2.03

 

CMYK 0 / 73 / 47 / 4

HEX #F54182

RGB 245 65 130

HSL 338.33, 0.9%, 0.61%

LAB 56.88, 71.38, 5.51

 

CMYK 0 / 54 / 35 / 16

HEX #D5618B

RGB 213 97 139

HSL 338.28, 0.58%, 0.61%

LAB 56.64, 49.9, -0.79

 

CMYK 0 / 43 / 27 / 23

HEX #C5718F

RGB 197 113 143

HSL 338.57, 0.42%, 0.61%

LAB 57.72, 36.81, -1.81

 

CMYK 0 / 28 / 18 / 29

HEX #B58294

RGB 181 130 148

HSL 338.82, 0.26%, 0.61%

LAB 59.82, 22.4, -1.83

 

CMYK 0 / 11 / 7 / 36

HEX #A49298

RGB 164 146 152

HSL 340, 0.09%, 0.61%

LAB 62.27, 7.76, -0.72

 

CMYK 9 / 0 / 3 / 36

HEX #94A29D

RGB 148 162 157

HSL 158.57, 0.07%, 0.61%

LAB 65.41, -5.94, 0.9

 

CMYK 0 / 54 / 6 / 16

HEX #D561C9

RGB 213 97 201

HSL 306.21, 0.58%, 0.61%

LAB 58.89, 58.8, -33.21

 

CMYK 0 / 54 / 20 / 16

HEX #D561AA

RGB 213 97 170

HSL 322.24, 0.58%, 0.61%

LAB 57.65, 53.98, -17.34

 

CMYK 0 / 54 / 34 / 16

HEX #D5618C

RGB 213 97 140

HSL 337.76, 0.58%, 0.61%

LAB 56.67, 50.02, -1.33

 

CMYK 0 / 54 / 49 / 16

HEX #D5616D

RGB 213 97 109

HSL 353.79, 0.58%, 0.61%

LAB 55.89, 46.73, 15.73

 

CMYK 0 / 45 / 54 / 16

HEX #D57561

RGB 213 117 97

HSL 10.34, 0.58%, 0.61%

LAB 59.65, 35.57, 27.67

 

CMYK 0 / 73 / 47 / 29

HEX #B4305F

RGB 180 48 95

HSL 338.64, 0.58%, 0.45%

LAB 42.22, 55.79, 4.2

 

CMYK 0 / 68 / 44 / 20

HEX #CC4173

RGB 204 65 115

HSL 338.42, 0.58%, 0.53%

LAB 49.32, 58.45, 2.67

 

CMYK 0 / 54 / 35 / 16

HEX #D5618B

RGB 213 97 139

HSL 338.28, 0.58%, 0.61%

LAB 56.64, 49.9, -0.79

 

CMYK 0 / 41 / 26 / 13

HEX #DD82A3

RGB 221 130 163

HSL 338.24, 0.57%, 0.69%

LAB 64.95, 39.08, -2.31

 

CMYK 0 / 29 / 19 / 10

HEX #E6A3BB

RGB 230 163 187

HSL 338.51, 0.57%, 0.77%

LAB 73.94, 28.24, -2.39

 

CMYK 0 / 54 / 34 / 16

HEX #D5638C

RGB 213 99 140

HSL 338.42, 0.58%, 0.61%

LAB 57.04, 49.06, -0.79

 

CMYK 0 / 9 / 54 / 16

HEX #D5C261

RGB 213 194 97

HSL 50.17, 0.58%, 0.61%

LAB 78.22, -5.52, 50.54

 

CMYK 54 / 13 / 0 / 16

HEX #61BAD5

RGB 97 186 213

HSL 193.97, 0.58%, 0.61%

LAB 71.19, -19.15, -21.73

 

CMYK 0 / 54 / 34 / 16

HEX #D5638C

RGB 213 99 140

HSL 338.42, 0.58%, 0.61%

LAB 57.04, 49.06, -0.79

 

CMYK 34 / 0 / 54 / 16

HEX #8CD561

RGB 140 213 97

HSL 97.76, 0.58%, 0.61%

LAB 78.48, -42.92, 49.58

 

CMYK 54 / 34 / 0 / 16

HEX #618CD5

RGB 97 140 213

HSL 217.76, 0.58%, 0.61%

LAB 58.13, 6.35, -41.96

 

CMYK 0 / 54 / 34 / 16

HEX #D5638C

RGB 213 99 140

HSL 338.42, 0.58%, 0.61%

LAB 57.04, 49.06, -0.79

 

CMYK 0 / 9 / 54 / 16

HEX #D5C261

RGB 213 194 97

HSL 50.17, 0.58%, 0.61%

LAB 78.22, -5.52, 50.54

 

CMYK 54 / 0 / 20 / 16

HEX #61D5AA

RGB 97 213 170

HSL 157.76, 0.58%, 0.61%

LAB 77.89, -43.02, 11.41

 

CMYK 54 / 45 / 0 / 16

HEX #6175D5

RGB 97 117 213

HSL 229.66, 0.58%, 0.61%

LAB 51.91, 20.2, -51.82

 

CMYK 0 / 54 / 34 / 16

HEX #D5638C

RGB 213 99 140

HSL 338.42, 0.58%, 0.61%

LAB 57.04, 49.06, -0.79

 

CMYK 8 / 0 / 54 / 16

HEX #C5D561

RGB 197 213 97

HSL 68.28, 0.58%, 0.61%

LAB 82.01, -21.61, 54.6

 

CMYK 54 / 0 / 20 / 16

HEX #61D5AA

RGB 97 213 170

HSL 157.76, 0.58%, 0.61%

LAB 77.89, -43.02, 11.41

 

CMYK 47 / 54 / 0 / 16

HEX #7161D5

RGB 113 97 213

HSL 248.28, 0.58%, 0.61%

LAB 48.09, 35.76, -57.9

 

Description

Color code: HEX #D5638C | qconv.com Color code: HEX #D5638C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 99 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 99 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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