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Color name
HEX #D56B48

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D56B48 it is the complementary color #2A94B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D56B48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D56B48 shade: #DA6B43, #EB7D56, #FC8F69, #FFA17C and #FFB38F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D56B48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D56B48 shade: #D56B48, #C45935, #B34722, #A2350F and #912300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D56B48 shade: #D56B48 and #D54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D56B48 shade: #D56B48, #D59148, #D5B748, #CDD548 and #A7D548

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D56B48 shade matches the following richer shades: #D56B48, #E76235 and #F95823

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D56B48 shade: #D56B48, #C3745A, #B17D6C, #9F867E and #8C8F90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D56B48 shade: #D54872, #D5484C, #D56948, #D58E48 and #D5B448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D56B48 shade: #A54525, #C7532D, #D56B48, #DD8669 and #E4A18B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D56B48 shade: #D56B48, #98D548 and #485FD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D56B48 shade: #D56B48, #48D569 and #6948D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D56B48 shade: #D56B48, #98D548, #48B4D5 and #8548D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D56B48 shade: #D56B48, #6DD548, #48B4D5 and #AF48D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

Complementary color

CMYK 77 / 19 / 0 / 28

HEX #2A94B7

RGB 42 148 183

HSL 194.89, 0.63%, 0.44%

LAB 57.16, -17.51, -26.68

 

CMYK 0 / 51 / 69 / 15

HEX #DA6B43

RGB 218 107 67

HSL 15.89, 0.67%, 0.56%

LAB 57.87, 40.6, 42.09

 

CMYK 0 / 47 / 63 / 8

HEX #EB7D56

RGB 235 125 86

HSL 15.7, 0.79%, 0.63%

LAB 64.16, 39.13, 40

 

CMYK 0 / 43 / 58 / 1

HEX #FC8F69

RGB 252 143 105

HSL 15.51, 0.96%, 0.7%

LAB 70.43, 37.76, 38.08

 

CMYK 0 / 37 / 51 / 0

HEX #FFA17C

RGB 255 161 124

HSL 16.95, 1%, 0.74%

LAB 74.95, 31.13, 33.8

 

CMYK 0 / 30 / 44 / 0

HEX #FFB38F

RGB 255 179 143

HSL 19.29, 1%, 0.78%

LAB 79.32, 23.51, 29.44

 

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

CMYK 0 / 55 / 73 / 23

HEX #C45935

RGB 196 89 53

HSL 15.1, 0.57%, 0.49%

LAB 50.85, 40.47, 40.7

 

CMYK 0 / 60 / 81 / 30

HEX #B34722

RGB 179 71 34

HSL 15.31, 0.68%, 0.42%

LAB 44.53, 42.02, 43.01

 

CMYK 0 / 67 / 91 / 36

HEX #A2350F

RGB 162 53 15

HSL 15.51, 0.83%, 0.35%

LAB 38.31, 43.47, 44.9

 

CMYK 0 / 76 / 100 / 43

HEX #912300

RGB 145 35 0

HSL 14.48, 1%, 0.28%

LAB 32.31, 44.54, 45.02

 

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

CMYK 0 / 66 / 66 / 16

HEX #D54848

RGB 213 72 72

HSL 0, 0.63%, 0.56%

LAB 50.98, 55.21, 30.96

 

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

CMYK 0 / 32 / 66 / 16

HEX #D59148

RGB 213 145 72

HSL 31.06, 0.63%, 0.56%

LAB 65.64, 18.79, 48.13

 

CMYK 0 / 14 / 66 / 16

HEX #D5B748

RGB 213 183 72

HSL 47.23, 0.63%, 0.56%

LAB 75.13, -1.53, 58.41

 

CMYK 4 / 0 / 66 / 16

HEX #CDD548

RGB 205 213 72

HSL 63.4, 0.63%, 0.56%

LAB 82.4, -20.12, 65.74

 

CMYK 22 / 0 / 66 / 16

HEX #A7D548

RGB 167 213 72

HSL 79.57, 0.63%, 0.56%

LAB 79.77, -35.31, 62.2

 

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

CMYK 0 / 58 / 77 / 9

HEX #E76235

RGB 231 98 53

HSL 15.17, 0.79%, 0.56%

LAB 58.02, 49.18, 49.93

 

CMYK 0 / 65 / 86 / 2

HEX #F95823

RGB 249 88 35

HSL 14.86, 0.95%, 0.56%

LAB 59.2, 59.3, 60.05

 

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

CMYK 0 / 41 / 54 / 24

HEX #C3745A

RGB 195 116 90

HSL 14.86, 0.47%, 0.56%

LAB 56.91, 28.4, 27.6

 

CMYK 0 / 29 / 39 / 31

HEX #B17D6C

RGB 177 125 108

HSL 14.78, 0.31%, 0.56%

LAB 57.17, 17.98, 17.32

 

CMYK 0 / 16 / 21 / 38

HEX #9F867E

RGB 159 134 126

HSL 14.55, 0.15%, 0.56%

LAB 57.97, 8.18, 7.83

 

CMYK 3 / 1 / 0 / 44

HEX #8C8F90

RGB 140 143 144

HSL 195, 0.02%, 0.56%

LAB 59.19, -0.89, -0.92

 

CMYK 0 / 66 / 46 / 16

HEX #D54872

RGB 213 72 114

HSL 342.13, 0.63%, 0.56%

LAB 51.83, 58.31, 7.08

 

CMYK 0 / 66 / 64 / 16

HEX #D5484C

RGB 213 72 76

HSL 358.3, 0.63%, 0.56%

LAB 51.04, 55.44, 28.7

 

CMYK 0 / 51 / 66 / 16

HEX #D56948

RGB 213 105 72

HSL 14.04, 0.63%, 0.56%

LAB 56.8, 39.97, 37.98

 

CMYK 0 / 33 / 66 / 16

HEX #D58E48

RGB 213 142 72

HSL 29.79, 0.63%, 0.56%

LAB 64.93, 20.42, 47.33

 

CMYK 0 / 15 / 66 / 16

HEX #D5B448

RGB 213 180 72

HSL 45.96, 0.63%, 0.56%

LAB 74.35, 0.05, 57.59

 

CMYK 0 / 58 / 78 / 35

HEX #A54525

RGB 165 69 37

HSL 15, 0.63%, 0.4%

LAB 41.83, 37.76, 38.02

 

CMYK 0 / 58 / 77 / 22

HEX #C7532D

RGB 199 83 45

HSL 14.81, 0.63%, 0.48%

LAB 50.12, 44.18, 44.2

 

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

CMYK 0 / 39 / 52 / 13

HEX #DD8669

RGB 221 134 105

HSL 15, 0.63%, 0.64%

LAB 64.52, 30.41, 29.74

 

CMYK 0 / 29 / 39 / 11

HEX #E4A18B

RGB 228 161 139

HSL 14.83, 0.62%, 0.72%

LAB 72.13, 22.15, 21.39

 

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

CMYK 29 / 0 / 66 / 16

HEX #98D548

RGB 152 213 72

HSL 85.96, 0.63%, 0.56%

LAB 78.89, -40.93, 61

 

CMYK 66 / 55 / 0 / 16

HEX #485FD5

RGB 72 95 213

HSL 230.21, 0.63%, 0.56%

LAB 44.75, 29.33, -63.42

 

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

CMYK 66 / 0 / 51 / 16

HEX #48D569

RGB 72 213 105

HSL 134.04, 0.63%, 0.56%

LAB 76.06, -60.14, 42.29

 

CMYK 51 / 66 / 0 / 16

HEX #6948D5

RGB 105 72 213

HSL 254.04, 0.63%, 0.56%

LAB 41.91, 48.54, -67.94

 

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

CMYK 29 / 0 / 66 / 16

HEX #98D548

RGB 152 213 72

HSL 85.96, 0.63%, 0.56%

LAB 78.89, -40.93, 61

 

CMYK 66 / 15 / 0 / 16

HEX #48B4D5

RGB 72 180 213

HSL 194.04, 0.63%, 0.56%

LAB 68.62, -20.57, -25.73

 

CMYK 38 / 66 / 0 / 16

HEX #8548D5

RGB 133 72 213

HSL 265.96, 0.63%, 0.56%

LAB 44.84, 53.8, -63.05

 

CMYK 0 / 50 / 66 / 16

HEX #D56B48

RGB 213 107 72

HSL 14.89, 0.63%, 0.56%

LAB 57.2, 38.95, 38.46

 

CMYK 49 / 0 / 66 / 16

HEX #6DD548

RGB 109 213 72

HSL 104.26, 0.63%, 0.56%

LAB 76.86, -55.11, 58.25

 

CMYK 66 / 15 / 0 / 16

HEX #48B4D5

RGB 72 180 213

HSL 194.04, 0.63%, 0.56%

LAB 68.62, -20.57, -25.73

 

CMYK 18 / 66 / 0 / 16

HEX #AF48D5

RGB 175 72 213

HSL 283.83, 0.63%, 0.56%

LAB 50.16, 62.69, -54.2

 

Description

Color code: HEX #D56B48 | qconv.com Color code: HEX #D56B48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 107 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 107 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 66% 16% C M Y K

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Provide designers and agencies with accurate color values.

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