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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D58BBA it is the complementary color #2A7445. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D58BBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D58BBA shade: #DA8BB5, #EB9DC8, #FCAFDB, #FFC1EE and #FFD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D58BBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D58BBA shade: #D58BBA, #C479A7, #B36794, #A25581 and #91436E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D58BBA shade: #D58AB9, #D58AA5, #D58A91 and #D58A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D58BBA shade: #D58AB9, #D58ACE, #C88AD5, #B48AD5 and #A08AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D58BBA shade matches the following richer shades: #D58AB9, #E17EBD, #EE71C0 and #FB64C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D58BBA shade: #D58AB9, #C897B6, #BBA4B3, #AEB1AF and #A1BDAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D58BBA shade: #C78AD5, #D58ACE, #D58ABB, #D58AA7 and #D58A93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D58BBA shade: #BF4E95, #CA6CA7, #D58AB9, #E0A9CC and #EAC7DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D58BBA shade: #D58BBA, #D5B38A and #8AD5D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D58BBA shade: #D58BBA, #BBD58A and #8ABBD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D58BBA shade: #D58BBA, #D5B38A, #8AD5A4 and #8AACD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D58BBA shade: #D58BBA, #D5C98A, #8AD5A4 and #8A95D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 13 / 16

HEX #D58BBA

RGB 213 139 186

HSL 321.89, 0.47%, 0.69%

LAB 66.64, 35.04, -12.87

 

Complementary color

CMYK 64 / 0 / 41 / 55

HEX #2A7445

RGB 42 116 69

HSL 141.89, 0.47%, 0.31%

LAB 43.38, -34.34, 19.37

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB5

RGB 218 139 181

HSL 328.1, 0.52%, 0.7%

LAB 67.06, 35.94, -9.38

 

CMYK 0 / 33 / 15 / 8

HEX #EB9DC8

RGB 235 157 200

HSL 326.92, 0.66%, 0.77%

LAB 73.51, 35.19, -10.11

 

CMYK 0 / 31 / 13 / 1

HEX #FCAFDB

RGB 252 175 219

HSL 325.71, 0.93%, 0.84%

LAB 79.88, 34.48, -10.78

 

CMYK 0 / 24 / 7 / 0

HEX #FFC1EE

RGB 255 193 238

HSL 316.45, 1%, 0.88%

LAB 84.78, 29.17, -13.63

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 35 / 13 / 16

HEX #D58BBA

RGB 213 139 186

HSL 321.89, 0.47%, 0.69%

LAB 66.64, 35.04, -12.87

 

CMYK 0 / 38 / 15 / 23

HEX #C479A7

RGB 196 121 167

HSL 323.2, 0.39%, 0.62%

LAB 60.07, 35.8, -12.17

 

CMYK 0 / 42 / 17 / 30

HEX #B36794

RGB 179 103 148

HSL 324.47, 0.33%, 0.55%

LAB 53.41, 36.6, -11.38

 

CMYK 0 / 48 / 20 / 36

HEX #A25581

RGB 162 85 129

HSL 325.71, 0.31%, 0.48%

LAB 46.66, 37.41, -10.46

 

CMYK 0 / 54 / 24 / 43

HEX #91436E

RGB 145 67 110

HSL 326.92, 0.37%, 0.42%

LAB 39.85, 38.19, -9.33

 

CMYK 0 / 35 / 13 / 16

HEX #D58AB9

RGB 213 138 185

HSL 322.4, 0.47%, 0.69%

LAB 66.39, 35.41, -12.69

 

CMYK 0 / 35 / 23 / 16

HEX #D58AA5

RGB 213 138 165

HSL 338.4, 0.47%, 0.69%

LAB 65.78, 32.29, -2.33

 

CMYK 0 / 35 / 32 / 16

HEX #D58A91

RGB 213 138 145

HSL 354.4, 0.47%, 0.69%

LAB 65.25, 29.52, 8.2

 

CMYK 0 / 35 / 35 / 16

HEX #D58A8A

RGB 213 138 138

HSL 0, 0.47%, 0.69%

LAB 65.09, 28.63, 11.91

 

CMYK 0 / 35 / 13 / 16

HEX #D58AB9

RGB 213 138 185

HSL 322.4, 0.47%, 0.69%

LAB 66.39, 35.41, -12.69

 

CMYK 0 / 35 / 3 / 16

HEX #D58ACE

RGB 213 138 206

HSL 305.6, 0.47%, 0.69%

LAB 67.11, 39.02, -23.34

 

CMYK 6 / 35 / 0 / 16

HEX #C88AD5

RGB 200 138 213

HSL 289.6, 0.47%, 0.69%

LAB 65.95, 36.22, -29.15

 

CMYK 15 / 35 / 0 / 16

HEX #B48AD5

RGB 180 138 213

HSL 273.6, 0.47%, 0.69%

LAB 63.9, 30.03, -32.48

 

CMYK 25 / 35 / 0 / 16

HEX #A08AD5

RGB 160 138 213

HSL 257.6, 0.47%, 0.69%

LAB 62.04, 24.01, -35.51

 

CMYK 0 / 35 / 13 / 16

HEX #D58AB9

RGB 213 138 185

HSL 322.4, 0.47%, 0.69%

LAB 66.39, 35.41, -12.69

 

CMYK 0 / 44 / 16 / 12

HEX #E17EBD

RGB 225 126 189

HSL 321.82, 0.62%, 0.69%

LAB 65.44, 46.31, -16.23

 

CMYK 0 / 53 / 19 / 7

HEX #EE71C0

RGB 238 113 192

HSL 322.08, 0.79%, 0.69%

LAB 64.8, 57.18, -18.73

 

CMYK 0 / 60 / 22 / 2

HEX #FB64C4

RGB 251 100 196

HSL 321.85, 0.95%, 0.69%

LAB 64.65, 67.26, -21.04

 

CMYK 0 / 35 / 13 / 16

HEX #D58AB9

RGB 213 138 185

HSL 322.4, 0.47%, 0.69%

LAB 66.39, 35.41, -12.69

 

CMYK 0 / 25 / 9 / 22

HEX #C897B6

RGB 200 151 182

HSL 322.04, 0.31%, 0.69%

LAB 67.87, 23.33, -8.95

 

CMYK 0 / 12 / 4 / 27

HEX #BBA4B3

RGB 187 164 179

HSL 320.87, 0.14%, 0.69%

LAB 69.73, 11.02, -4.64

 

CMYK 2 / 0 / 1 / 31

HEX #AEB1AF

RGB 174 177 175

HSL 140, 0.02%, 0.69%

LAB 71.92, -1.43, 0.64

 

CMYK 15 / 0 / 9 / 26

HEX #A1BDAC

RGB 161 189 172

HSL 143.57, 0.18%, 0.69%

LAB 74.16, -12.85, 5.41

 

CMYK 7 / 35 / 0 / 16

HEX #C78AD5

RGB 199 138 213

HSL 288.8, 0.47%, 0.69%

LAB 65.84, 35.91, -29.32

 

CMYK 0 / 35 / 3 / 16

HEX #D58ACE

RGB 213 138 206

HSL 305.6, 0.47%, 0.69%

LAB 67.11, 39.02, -23.34

 

CMYK 0 / 35 / 12 / 16

HEX #D58ABB

RGB 213 138 187

HSL 320.8, 0.47%, 0.69%

LAB 66.45, 35.74, -13.72

 

CMYK 0 / 35 / 22 / 16

HEX #D58AA7

RGB 213 138 167

HSL 336.8, 0.47%, 0.69%

LAB 65.84, 32.59, -3.38

 

CMYK 0 / 35 / 31 / 16

HEX #D58A93

RGB 213 138 147

HSL 352.8, 0.47%, 0.69%

LAB 65.3, 29.78, 7.14

 

CMYK 0 / 59 / 22 / 25

HEX #BF4E95

RGB 191 78 149

HSL 322.3, 0.47%, 0.53%

LAB 50.33, 53.15, -16.47

 

CMYK 0 / 47 / 17 / 21

HEX #CA6CA7

RGB 202 108 167

HSL 322.34, 0.47%, 0.61%

LAB 58.11, 44.66, -15.06

 

CMYK 0 / 35 / 13 / 16

HEX #D58AB9

RGB 213 138 185

HSL 322.4, 0.47%, 0.69%

LAB 66.39, 35.41, -12.69

 

CMYK 0 / 25 / 9 / 12

HEX #E0A9CC

RGB 224 169 204

HSL 321.82, 0.47%, 0.77%

LAB 75.19, 25.67, -9.92

 

CMYK 0 / 15 / 5 / 8

HEX #EAC7DE

RGB 234 199 222

HSL 320.57, 0.45%, 0.85%

LAB 83.76, 16.16, -6.81

 

CMYK 0 / 35 / 13 / 16

HEX #D58BBA

RGB 213 139 186

HSL 321.89, 0.47%, 0.69%

LAB 66.64, 35.04, -12.87

 

CMYK 0 / 16 / 35 / 16

HEX #D5B38A

RGB 213 179 138

HSL 32.8, 0.47%, 0.69%

LAB 74.96, 6.49, 25.53

 

CMYK 35 / 0 / 2 / 16

HEX #8AD5D1

RGB 138 213 209

HSL 176.8, 0.47%, 0.69%

LAB 80.51, -24.06, -5.41

 

CMYK 0 / 35 / 13 / 16

HEX #D58BBA

RGB 213 139 186

HSL 321.89, 0.47%, 0.69%

LAB 66.64, 35.04, -12.87

 

CMYK 12 / 0 / 35 / 16

HEX #BBD58A

RGB 187 213 138

HSL 80.8, 0.47%, 0.69%

LAB 81.83, -21.11, 34.27

 

CMYK 35 / 12 / 0 / 16

HEX #8ABBD5

RGB 138 187 213

HSL 200.8, 0.47%, 0.69%

LAB 73.38, -9.76, -18.23

 

CMYK 0 / 35 / 13 / 16

HEX #D58BBA

RGB 213 139 186

HSL 321.89, 0.47%, 0.69%

LAB 66.64, 35.04, -12.87

 

CMYK 0 / 16 / 35 / 16

HEX #D5B38A

RGB 213 179 138

HSL 32.8, 0.47%, 0.69%

LAB 74.96, 6.49, 25.53

 

CMYK 35 / 0 / 23 / 16

HEX #8AD5A4

RGB 138 213 164

HSL 140.8, 0.47%, 0.69%

LAB 79.43, -33.6, 16.99

 

CMYK 35 / 19 / 0 / 16

HEX #8AACD5

RGB 138 172 213

HSL 212.8, 0.47%, 0.69%

LAB 69.26, -1.63, -24.49

 

CMYK 0 / 35 / 13 / 16

HEX #D58BBA

RGB 213 139 186

HSL 321.89, 0.47%, 0.69%

LAB 66.64, 35.04, -12.87

 

CMYK 0 / 6 / 35 / 16

HEX #D5C98A

RGB 213 201 138

HSL 50.4, 0.47%, 0.69%

LAB 80.6, -5.07, 33.03

 

CMYK 35 / 0 / 23 / 16

HEX #8AD5A4

RGB 138 213 164

HSL 140.8, 0.47%, 0.69%

LAB 79.43, -33.6, 16.99

 

CMYK 35 / 30 / 0 / 16

HEX #8A95D5

RGB 138 149 213

HSL 231.2, 0.47%, 0.69%

LAB 63.1, 11.34, -34.01

 

Description

Color code: HEX #D58BBA | qconv.com Color code: HEX #D58BBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 139 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 139 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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