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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5988F it is the complementary color #2A6770. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5988F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5988F shade: #DA988A, #EBAA9D, #FCBCB0, #FFCEC3 and #FFE0D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5988F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5988F shade: #D5988F, #C4867C, #B37469, #A26256 and #915043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5988F shade: #D49890 and #D49090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5988F shade: #D49890, #D4AB90, #D4BE90, #D4D090 and #C6D490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5988F shade matches the following richer shades: #D49890, #E18F83, #ED8677 and #FA7D6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5988F shade: #D49890, #C8A29C, #BCABA8, #AFB4B5 and #A3BDC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5988F shade: #D490AC, #D4909A, #D49890, #D4AA90 and #D4BC90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5988F shade: #BE6154, #C97D72, #D49890, #E0B4AD and #EBCFCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5988F shade: #D5988F, #BFD490 and #90A3D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5988F shade: #D5988F, #90D498 and #9890D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5988F shade: #D5988F, #BFD490, #90CCD4 and #A590D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5988F shade: #D5988F, #AAD490, #90CCD4 and #BA90D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 33 / 16

HEX #D5988F

RGB 213 152 143

HSL 7.71, 0.45%, 0.7%

LAB 68.45, 21.68, 13.84

 

Complementary color

CMYK 63 / 8 / 0 / 56

HEX #2A6770

RGB 42 103 112

HSL 187.71, 0.45%, 0.3%

LAB 40.18, -16.58, -10.96

 

CMYK 0 / 30 / 37 / 15

HEX #DA988A

RGB 218 152 138

HSL 10.5, 0.52%, 0.7%

LAB 68.89, 22.99, 17.32

 

CMYK 0 / 28 / 33 / 8

HEX #EBAA9D

RGB 235 170 157

HSL 10, 0.66%, 0.77%

LAB 75.36, 22.18, 16.15

 

CMYK 0 / 25 / 30 / 1

HEX #FCBCB0

RGB 252 188 176

HSL 9.47, 0.93%, 0.84%

LAB 81.73, 21.45, 15.09

 

CMYK 0 / 19 / 24 / 0

HEX #FFCEC3

RGB 255 206 195

HSL 11, 1%, 0.88%

LAB 86.67, 15.67, 12.01

 

CMYK 0 / 12 / 16 / 0

HEX #FFE0D6

RGB 255 224 214

HSL 14.63, 1%, 0.92%

LAB 91.43, 9.1, 8.8

 

CMYK 0 / 29 / 33 / 16

HEX #D5988F

RGB 213 152 143

HSL 7.71, 0.45%, 0.7%

LAB 68.45, 21.68, 13.84

 

CMYK 0 / 32 / 37 / 23

HEX #C4867C

RGB 196 134 124

HSL 8.33, 0.38%, 0.63%

LAB 61.86, 22.53, 15.02

 

CMYK 0 / 35 / 41 / 30

HEX #B37469

RGB 179 116 105

HSL 8.92, 0.33%, 0.56%

LAB 55.17, 23.48, 16.34

 

CMYK 0 / 40 / 47 / 36

HEX #A26256

RGB 162 98 86

HSL 9.47, 0.31%, 0.49%

LAB 48.37, 24.56, 17.84

 

CMYK 0 / 45 / 54 / 43

HEX #915043

RGB 145 80 67

HSL 10, 0.37%, 0.42%

LAB 41.47, 25.79, 19.59

 

CMYK 0 / 28 / 32 / 17

HEX #D49890

RGB 212 152 144

HSL 7.06, 0.44%, 0.7%

LAB 68.36, 21.43, 13.15

 

CMYK 0 / 32 / 32 / 17

HEX #D49090

RGB 212 144 144

HSL 0, 0.44%, 0.7%

LAB 66.49, 25.77, 10.5

 

CMYK 0 / 28 / 32 / 17

HEX #D49890

RGB 212 152 144

HSL 7.06, 0.44%, 0.7%

LAB 68.36, 21.43, 13.15

 

CMYK 0 / 19 / 32 / 17

HEX #D4AB90

RGB 212 171 144

HSL 23.82, 0.44%, 0.7%

LAB 72.98, 11.14, 19.57

 

CMYK 0 / 10 / 32 / 17

HEX #D4BE90

RGB 212 190 144

HSL 40.59, 0.44%, 0.7%

LAB 77.78, 1.01, 26.11

 

CMYK 0 / 2 / 32 / 17

HEX #D4D090

RGB 212 208 144

HSL 56.47, 0.44%, 0.7%

LAB 82.44, -8.33, 32.34

 

CMYK 7 / 0 / 32 / 17

HEX #C6D490

RGB 198 212 144

HSL 72.35, 0.44%, 0.7%

LAB 82.44, -15.7, 32.13

 

CMYK 0 / 28 / 32 / 17

HEX #D49890

RGB 212 152 144

HSL 7.06, 0.44%, 0.7%

LAB 68.36, 21.43, 13.15

 

CMYK 0 / 36 / 42 / 12

HEX #E18F83

RGB 225 143 131

HSL 7.66, 0.61%, 0.7%

LAB 67.49, 29.72, 19.4

 

CMYK 0 / 43 / 50 / 7

HEX #ED8677

RGB 237 134 119

HSL 7.63, 0.77%, 0.7%

LAB 66.81, 37.81, 25.41

 

CMYK 0 / 50 / 58 / 2

HEX #FA7D6A

RGB 250 125 106

HSL 7.92, 0.94%, 0.7%

LAB 66.54, 46.1, 32.57

 

CMYK 0 / 28 / 32 / 17

HEX #D49890

RGB 212 152 144

HSL 7.06, 0.44%, 0.7%

LAB 68.36, 21.43, 13.15

 

CMYK 0 / 19 / 22 / 22

HEX #C8A29C

RGB 200 162 156

HSL 8.18, 0.29%, 0.7%

LAB 69.84, 13.07, 8.41

 

CMYK 0 / 9 / 11 / 26

HEX #BCABA8

RGB 188 171 168

HSL 9, 0.13%, 0.7%

LAB 71.31, 5.6, 3.75

 

CMYK 3 / 1 / 0 / 29

HEX #AFB4B5

RGB 175 180 181

HSL 190, 0.04%, 0.7%

LAB 72.95, -1.55, -1.13

 

CMYK 16 / 2 / 0 / 24

HEX #A3BDC1

RGB 163 189 193

HSL 188, 0.19%, 0.7%

LAB 74.85, -7.95, -4.99

 

CMYK 0 / 32 / 19 / 17

HEX #D490AC

RGB 212 144 172

HSL 335.29, 0.44%, 0.7%

LAB 67.22, 29.75, -4.17

 

CMYK 0 / 32 / 27 / 17

HEX #D4909A

RGB 212 144 154

HSL 351.18, 0.44%, 0.7%

LAB 66.73, 27.11, 5.23

 

CMYK 0 / 28 / 32 / 17

HEX #D49890

RGB 212 152 144

HSL 7.06, 0.44%, 0.7%

LAB 68.36, 21.43, 13.15

 

CMYK 0 / 20 / 32 / 17

HEX #D4AA90

RGB 212 170 144

HSL 22.94, 0.44%, 0.7%

LAB 72.73, 11.68, 19.23

 

CMYK 0 / 11 / 32 / 17

HEX #D4BC90

RGB 212 188 144

HSL 38.82, 0.44%, 0.7%

LAB 77.27, 2.07, 25.42

 

CMYK 0 / 49 / 56 / 25

HEX #BE6154

RGB 190 97 84

HSL 7.36, 0.45%, 0.54%

LAB 51.99, 36.06, 24.52

 

CMYK 0 / 38 / 43 / 21

HEX #C97D72

RGB 201 125 114

HSL 7.59, 0.45%, 0.62%

LAB 60.16, 28.25, 18.45

 

CMYK 0 / 28 / 32 / 17

HEX #D49890

RGB 212 152 144

HSL 7.06, 0.44%, 0.7%

LAB 68.36, 21.43, 13.15

 

CMYK 0 / 20 / 23 / 12

HEX #E0B4AD

RGB 224 180 173

HSL 8.24, 0.45%, 0.78%

LAB 76.99, 14.86, 9.6

 

CMYK 0 / 12 / 14 / 8

HEX #EBCFCB

RGB 235 207 203

HSL 7.5, 0.44%, 0.86%

LAB 85.3, 9.13, 5.56

 

CMYK 0 / 29 / 33 / 16

HEX #D5988F

RGB 213 152 143

HSL 7.71, 0.45%, 0.7%

LAB 68.45, 21.68, 13.84

 

CMYK 10 / 0 / 32 / 17

HEX #BFD490

RGB 191 212 144

HSL 78.53, 0.44%, 0.7%

LAB 81.93, -18.33, 31.38

 

CMYK 32 / 23 / 0 / 17

HEX #90A3D4

RGB 144 163 212

HSL 223.24, 0.44%, 0.7%

LAB 67.18, 4.82, -27.1

 

CMYK 0 / 29 / 33 / 16

HEX #D5988F

RGB 213 152 143

HSL 7.71, 0.45%, 0.7%

LAB 68.45, 21.68, 13.84

 

CMYK 32 / 0 / 28 / 17

HEX #90D498

RGB 144 212 152

HSL 127.06, 0.44%, 0.7%

LAB 79.2, -33.46, 23.05

 

CMYK 28 / 32 / 0 / 17

HEX #9890D4

RGB 152 144 212

HSL 247.06, 0.44%, 0.7%

LAB 62.82, 17.96, -33.79

 

CMYK 0 / 29 / 33 / 16

HEX #D5988F

RGB 213 152 143

HSL 7.71, 0.45%, 0.7%

LAB 68.45, 21.68, 13.84

 

CMYK 10 / 0 / 32 / 17

HEX #BFD490

RGB 191 212 144

HSL 78.53, 0.44%, 0.7%

LAB 81.93, -18.33, 31.38

 

CMYK 32 / 4 / 0 / 17

HEX #90CCD4

RGB 144 204 212

HSL 187.06, 0.44%, 0.7%

LAB 78.38, -17.2, -10.14

 

CMYK 22 / 32 / 0 / 17

HEX #A590D4

RGB 165 144 212

HSL 258.53, 0.44%, 0.7%

LAB 63.92, 21.84, -32.01

 

CMYK 0 / 29 / 33 / 16

HEX #D5988F

RGB 213 152 143

HSL 7.71, 0.45%, 0.7%

LAB 68.45, 21.68, 13.84

 

CMYK 20 / 0 / 32 / 17

HEX #AAD490

RGB 170 212 144

HSL 97.06, 0.44%, 0.7%

LAB 80.54, -25.98, 29.28

 

CMYK 32 / 4 / 0 / 17

HEX #90CCD4

RGB 144 204 212

HSL 187.06, 0.44%, 0.7%

LAB 78.38, -17.2, -10.14

 

CMYK 12 / 32 / 0 / 17

HEX #BA90D4

RGB 186 144 212

HSL 277.06, 0.44%, 0.7%

LAB 65.86, 28.33, -28.85

 

Description

Color code: HEX #D5988F | qconv.com Color code: HEX #D5988F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 152 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 152 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 33 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 33% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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