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Color name
HEX #D5A870

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5A870 it is the complementary color #2A578F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5A870. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5A870 shade: #DAA86B, #EBBA7E, #FCCC91, #FFDEA4 and #FFF0B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5A870. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5A870 shade: #D5A870, #C4965D, #B3844A, #A27237 and #916024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5A870 shade: #D5A870, #D58D70, #D57270 and #D57070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5A870 shade: #D5A870, #D5C370, #CCD570, #B0D570 and #95D570

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5A870 shade matches the following richer shades: #D5A870, #E4AA61 and #F3AB53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5A870 shade: #D5A870, #C6A77F, #B7A58E, #A9A39D and #9AA2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5A870 shade: #D57270, #D58D70, #D5A870, #D5C370 and #CDD570

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5A870 shade: #BD8136, #CC9550, #D5A870, #DEBC90 and #E8CFB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5A870 shade: #D5A870, #89D570 and #7F70D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5A870 shade: #D5A870, #70D5A8 and #A870D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5A870 shade: #D5A870, #89D570, #709ED5 and #BC70D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5A870 shade: #D5A870, #70D575, #709ED5 and #D570D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

Complementary color

CMYK 71 / 39 / 0 / 44

HEX #2A578F

RGB 42 87 143

HSL 213.27, 0.55%, 0.36%

LAB 36.54, 4.11, -35.51

 

CMYK 0 / 23 / 51 / 15

HEX #DAA86B

RGB 218 168 107

HSL 32.97, 0.6%, 0.64%

LAB 72.21, 11.12, 38.41

 

CMYK 0 / 21 / 46 / 8

HEX #EBBA7E

RGB 235 186 126

HSL 33.03, 0.73%, 0.71%

LAB 78.63, 10.25, 37.06

 

CMYK 0 / 19 / 42 / 1

HEX #FCCC91

RGB 252 204 145

HSL 33.08, 0.95%, 0.78%

LAB 84.96, 9.49, 35.78

 

CMYK 0 / 13 / 36 / 0

HEX #FFDEA4

RGB 255 222 164

HSL 38.24, 1%, 0.82%

LAB 89.94, 3.45, 32.68

 

CMYK 0 / 6 / 28 / 0

HEX #FFF0B7

RGB 255 240 183

HSL 47.5, 1%, 0.86%

LAB 94.74, -3.38, 29.43

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 0 / 23 / 53 / 23

HEX #C4965D

RGB 196 150 93

HSL 33.2, 0.47%, 0.57%

LAB 65.23, 10.45, 36.52

 

CMYK 0 / 26 / 59 / 30

HEX #B3844A

RGB 179 132 74

HSL 33.14, 0.42%, 0.5%

LAB 58.58, 11.52, 37.97

 

CMYK 0 / 30 / 66 / 36

HEX #A27237

RGB 162 114 55

HSL 33.08, 0.49%, 0.43%

LAB 51.83, 12.79, 39.45

 

CMYK 0 / 34 / 75 / 43

HEX #916024

RGB 145 96 36

HSL 33.03, 0.6%, 0.35%

LAB 44.96, 14.34, 40.81

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 0 / 34 / 47 / 16

HEX #D58D70

RGB 213 141 112

HSL 17.23, 0.55%, 0.64%

LAB 65.25, 24.13, 26.67

 

CMYK 0 / 46 / 47 / 16

HEX #D57270

RGB 213 114 112

HSL 1.19, 0.55%, 0.64%

LAB 59.3, 38.48, 18.67

 

CMYK 0 / 47 / 47 / 16

HEX #D57070

RGB 213 112 112

HSL 0, 0.55%, 0.64%

LAB 58.89, 39.51, 18.11

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 0 / 8 / 47 / 16

HEX #D5C370

RGB 213 195 112

HSL 49.31, 0.55%, 0.64%

LAB 78.66, -4.73, 43.77

 

CMYK 4 / 0 / 47 / 16

HEX #CCD570

RGB 204 213 112

HSL 65.35, 0.55%, 0.64%

LAB 82.7, -17.48, 48.53

 

CMYK 17 / 0 / 47 / 16

HEX #B0D570

RGB 176 213 112

HSL 81.98, 0.55%, 0.64%

LAB 80.73, -28.34, 45.68

 

CMYK 30 / 0 / 47 / 16

HEX #95D570

RGB 149 213 112

HSL 98.02, 0.55%, 0.64%

LAB 79.13, -38.12, 43.35

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 0 / 25 / 57 / 11

HEX #E4AA61

RGB 228 170 97

HSL 33.44, 0.71%, 0.64%

LAB 73.61, 13.36, 45.46

 

CMYK 0 / 30 / 66 / 5

HEX #F3AB53

RGB 243 171 83

HSL 33, 0.87%, 0.64%

LAB 75.33, 18.1, 54.62

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 0 / 16 / 36 / 22

HEX #C6A77F

RGB 198 167 127

HSL 33.8, 0.38%, 0.64%

LAB 70.3, 5.62, 24.92

 

CMYK 0 / 10 / 22 / 28

HEX #B7A58E

RGB 183 165 142

HSL 33.66, 0.22%, 0.64%

LAB 68.7, 2.82, 14.31

 

CMYK 0 / 4 / 7 / 34

HEX #A9A39D

RGB 169 163 157

HSL 30, 0.07%, 0.64%

LAB 67.32, 1.07, 3.87

 

CMYK 10 / 6 / 0 / 33

HEX #9AA2AC

RGB 154 162 172

HSL 213.33, 0.1%, 0.64%

LAB 66.28, -0.8, -6.16

 

CMYK 0 / 46 / 47 / 16

HEX #D57270

RGB 213 114 112

HSL 1.19, 0.55%, 0.64%

LAB 59.3, 38.48, 18.67

 

CMYK 0 / 34 / 47 / 16

HEX #D58D70

RGB 213 141 112

HSL 17.23, 0.55%, 0.64%

LAB 65.25, 24.13, 26.67

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 0 / 8 / 47 / 16

HEX #D5C370

RGB 213 195 112

HSL 49.31, 0.55%, 0.64%

LAB 78.66, -4.73, 43.77

 

CMYK 4 / 0 / 47 / 16

HEX #CDD570

RGB 205 213 112

HSL 64.75, 0.55%, 0.64%

LAB 82.77, -17.08, 48.64

 

CMYK 0 / 32 / 71 / 26

HEX #BD8136

RGB 189 129 54

HSL 33.33, 0.56%, 0.48%

LAB 58.78, 16.23, 48.4

 

CMYK 0 / 27 / 61 / 20

HEX #CC9550

RGB 204 149 80

HSL 33.39, 0.55%, 0.56%

LAB 65.68, 13.33, 43.95

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 0 / 15 / 35 / 13

HEX #DEBC90

RGB 222 188 144

HSL 33.85, 0.54%, 0.72%

LAB 78.17, 5.98, 26.8

 

CMYK 0 / 11 / 24 / 9

HEX #E8CFB0

RGB 232 207 176

HSL 33.21, 0.55%, 0.8%

LAB 84.44, 4, 18.6

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 36 / 0 / 47 / 16

HEX #89D570

RGB 137 213 112

HSL 105.15, 0.55%, 0.64%

LAB 78.51, -42.16, 42.44

 

CMYK 40 / 47 / 0 / 16

HEX #7F70D5

RGB 127 112 213

HSL 248.91, 0.55%, 0.64%

LAB 52.84, 30.13, -50.21

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 47 / 0 / 21 / 16

HEX #70D5A8

RGB 112 213 168

HSL 153.27, 0.55%, 0.64%

LAB 78.38, -39.95, 13.24

 

CMYK 21 / 47 / 0 / 16

HEX #A870D5

RGB 168 112 213

HSL 273.27, 0.55%, 0.64%

LAB 56.8, 40.98, -43.69

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 36 / 0 / 47 / 16

HEX #89D570

RGB 137 213 112

HSL 105.15, 0.55%, 0.64%

LAB 78.51, -42.16, 42.44

 

CMYK 47 / 26 / 0 / 16

HEX #709ED5

RGB 112 158 213

HSL 212.67, 0.55%, 0.64%

LAB 63.92, -0.61, -32.85

 

CMYK 12 / 47 / 0 / 16

HEX #BC70D5

RGB 188 112 213

HSL 285.15, 0.55%, 0.64%

LAB 59.05, 46.59, -39.99

 

CMYK 0 / 21 / 47 / 16

HEX #D5A870

RGB 213 168 112

HSL 33.27, 0.55%, 0.64%

LAB 71.77, 9.53, 35.14

 

CMYK 47 / 0 / 45 / 16

HEX #70D575

RGB 112 213 117

HSL 122.97, 0.55%, 0.64%

LAB 77.47, -49.05, 38.44

 

CMYK 47 / 26 / 0 / 16

HEX #709ED5

RGB 112 158 213

HSL 212.67, 0.55%, 0.64%

LAB 63.92, -0.61, -32.85

 

CMYK 0 / 47 / 2 / 16

HEX #D570D0

RGB 213 112 208

HSL 302.97, 0.55%, 0.64%

LAB 61.9, 52.81, -32.49

 

Description

Color code: HEX #D5A870 | qconv.com Color code: HEX #D5A870 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 168 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 168 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 47% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - 特定商取引法に関する表示
Link: http://www.noasista.jp

12% - 特定商取引法に関する表示
Link: http://noasista.jp

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