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Color name
HEX #D5A052

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5A052 it is the complementary color #2A5FAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5A052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5A052 shade: #DAA04D, #EBB260, #FCC473, #FFD686 and #FFE899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5A052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5A052 shade: #D5A052, #C48E3F, #B37C2C, #A26A19 and #915806

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5A052 shade: #D5A052, #D57D52, #D55952 and #D55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5A052 shade: #D5A052, #D5C352, #C3D552, #A0D552 and #7DD552

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5A052 shade matches the following richer shades: #D5A052, #E6A341 and #F7A62F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5A052 shade: #D5A052, #C39D63, #B29975, #A19686 and #8F9397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5A052 shade: #D55952, #D57B52, #D59E52, #D5C152 and #C5D552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5A052 shade: #AB7729, #CC8E31, #D5A052, #DDB273 and #E5C494

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5A052 shade: #D5A052, #6ED552 and #6A52D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5A052 shade: #D5A052, #52D59E and #9E52D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5A052 shade: #D5A052, #6ED552, #5289D5 and #B852D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5A052 shade: #D5A052, #52D55D, #5289D5 and #D552CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

Complementary color

CMYK 76 / 45 / 0 / 32

HEX #2A5FAD

RGB 42 95 173

HSL 215.73, 0.61%, 0.42%

LAB 40.73, 10.37, -46.77

 

CMYK 0 / 27 / 65 / 15

HEX #DAA04D

RGB 218 160 77

HSL 35.32, 0.66%, 0.58%

LAB 69.88, 13.13, 50.62

 

CMYK 0 / 24 / 59 / 8

HEX #EBB260

RGB 235 178 96

HSL 35.4, 0.78%, 0.65%

LAB 76.28, 11.94, 49.28

 

CMYK 0 / 22 / 54 / 1

HEX #FCC473

RGB 252 196 115

HSL 35.47, 0.96%, 0.72%

LAB 82.6, 10.9, 47.94

 

CMYK 0 / 16 / 47 / 0

HEX #FFD686

RGB 255 214 134

HSL 39.67, 1%, 0.76%

LAB 87.52, 4.44, 44.68

 

CMYK 0 / 9 / 40 / 0

HEX #FFE899

RGB 255 232 153

HSL 46.47, 1%, 0.8%

LAB 92.25, -2.84, 41.26

 

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

CMYK 0 / 28 / 68 / 23

HEX #C48E3F

RGB 196 142 63

HSL 35.64, 0.53%, 0.51%

LAB 62.88, 12.62, 48.83

 

CMYK 0 / 31 / 75 / 30

HEX #B37C2C

RGB 179 124 44

HSL 35.56, 0.61%, 0.44%

LAB 56.27, 14.12, 49.93

 

CMYK 0 / 35 / 85 / 36

HEX #A26A19

RGB 162 106 25

HSL 35.47, 0.73%, 0.37%

LAB 49.57, 15.91, 50.45

 

CMYK 0 / 39 / 96 / 43

HEX #915806

RGB 145 88 6

HSL 35.4, 0.92%, 0.3%

LAB 42.78, 18.02, 49.63

 

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

CMYK 0 / 41 / 62 / 16

HEX #D57D52

RGB 213 125 82

HSL 19.69, 0.61%, 0.58%

LAB 61.15, 30.2, 37.81

 

CMYK 0 / 58 / 62 / 16

HEX #D55952

RGB 213 89 82

HSL 3.21, 0.61%, 0.58%

LAB 53.92, 48.38, 28.85

 

CMYK 0 / 62 / 62 / 16

HEX #D55252

RGB 213 82 82

HSL 0, 0.61%, 0.58%

LAB 52.72, 51.56, 27.32

 

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

CMYK 0 / 8 / 62 / 16

HEX #D5C352

RGB 213 195 82

HSL 51.76, 0.61%, 0.58%

LAB 78.34, -7.13, 57.53

 

CMYK 8 / 0 / 62 / 16

HEX #C3D552

RGB 195 213 82

HSL 68.24, 0.61%, 0.58%

LAB 81.73, -23.56, 60.79

 

CMYK 25 / 0 / 62 / 16

HEX #A0D552

RGB 160 213 82

HSL 84.27, 0.61%, 0.58%

LAB 79.43, -37.21, 57.62

 

CMYK 41 / 0 / 62 / 16

HEX #7DD552

RGB 125 213 82

HSL 100.31, 0.61%, 0.58%

LAB 77.61, -49.35, 55.1

 

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

CMYK 0 / 29 / 72 / 10

HEX #E6A341

RGB 230 163 65

HSL 35.64, 0.77%, 0.58%

LAB 71.82, 15.94, 58.51

 

CMYK 0 / 33 / 81 / 3

HEX #F7A62F

RGB 247 166 47

HSL 35.7, 0.93%, 0.58%

LAB 74.35, 20.82, 68.52

 

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

CMYK 0 / 19 / 49 / 24

HEX #C39D63

RGB 195 157 99

HSL 36.25, 0.44%, 0.58%

LAB 66.99, 6.76, 35.53

 

CMYK 0 / 14 / 34 / 30

HEX #B29975

RGB 178 153 117

HSL 35.41, 0.28%, 0.58%

LAB 64.59, 3.92, 22.37

 

CMYK 0 / 7 / 17 / 37

HEX #A19686

RGB 161 150 134

HSL 35.56, 0.13%, 0.58%

LAB 62.6, 1.28, 9.9

 

CMYK 5 / 3 / 0 / 41

HEX #8F9397

RGB 143 147 151

HSL 210, 0.04%, 0.58%

LAB 60.73, -0.65, -2.62

 

CMYK 0 / 58 / 62 / 16

HEX #D55952

RGB 213 89 82

HSL 3.21, 0.61%, 0.58%

LAB 53.92, 48.38, 28.85

 

CMYK 0 / 42 / 62 / 16

HEX #D57B52

RGB 213 123 82

HSL 18.78, 0.61%, 0.58%

LAB 60.71, 31.26, 37.27

 

CMYK 0 / 26 / 62 / 16

HEX #D59E52

RGB 213 158 82

HSL 34.81, 0.61%, 0.58%

LAB 68.9, 12.42, 46.95

 

CMYK 0 / 9 / 62 / 16

HEX #D5C152

RGB 213 193 82

HSL 50.84, 0.61%, 0.58%

LAB 77.81, -6.1, 56.96

 

CMYK 8 / 0 / 62 / 16

HEX #C5D552

RGB 197 213 82

HSL 67.33, 0.61%, 0.58%

LAB 81.88, -22.76, 60.99

 

CMYK 0 / 30 / 76 / 33

HEX #AB7729

RGB 171 119 41

HSL 36, 0.61%, 0.42%

LAB 54.04, 13.22, 48.7

 

CMYK 0 / 30 / 76 / 20

HEX #CC8E31

RGB 204 142 49

HSL 36, 0.61%, 0.5%

LAB 63.68, 15.39, 56.09

 

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

CMYK 0 / 19 / 48 / 13

HEX #DDB273

RGB 221 178 115

HSL 35.66, 0.61%, 0.66%

LAB 75.11, 7.76, 37.98

 

CMYK 0 / 14 / 35 / 10

HEX #E5C494

RGB 229 196 148

HSL 35.56, 0.61%, 0.74%

LAB 80.89, 4.99, 28.45

 

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

CMYK 48 / 0 / 62 / 16

HEX #6ED552

RGB 110 213 82

HSL 107.18, 0.61%, 0.58%

LAB 76.99, -53.89, 54.23

 

CMYK 50 / 62 / 0 / 16

HEX #6A52D5

RGB 106 82 213

HSL 250.99, 0.61%, 0.58%

LAB 44.09, 43.11, -64.39

 

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

CMYK 62 / 0 / 26 / 16

HEX #52D59E

RGB 82 213 158

HSL 154.81, 0.61%, 0.58%

LAB 77.19, -48.69, 16.73

 

CMYK 26 / 62 / 0 / 16

HEX #9E52D5

RGB 158 82 213

HSL 274.81, 0.61%, 0.58%

LAB 49.63, 54.23, -55.18

 

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

CMYK 48 / 0 / 62 / 16

HEX #6ED552

RGB 110 213 82

HSL 107.18, 0.61%, 0.58%

LAB 76.99, -53.89, 54.23

 

CMYK 62 / 36 / 0 / 16

HEX #5289D5

RGB 82 137 213

HSL 214.81, 0.61%, 0.58%

LAB 56.57, 5.11, -44.47

 

CMYK 14 / 62 / 0 / 16

HEX #B852D5

RGB 184 82 213

HSL 286.72, 0.61%, 0.58%

LAB 52.98, 60.35, -49.62

 

CMYK 0 / 25 / 62 / 16

HEX #D5A052

RGB 213 160 82

HSL 35.73, 0.61%, 0.58%

LAB 69.4, 11.34, 47.52

 

CMYK 62 / 0 / 56 / 16

HEX #52D55D

RGB 82 213 93

HSL 125.04, 0.61%, 0.58%

LAB 76.18, -59.74, 48.15

 

CMYK 62 / 36 / 0 / 16

HEX #5289D5

RGB 82 137 213

HSL 214.81, 0.61%, 0.58%

LAB 56.57, 5.11, -44.47

 

CMYK 0 / 62 / 5 / 16

HEX #D552CA

RGB 213 82 202

HSL 305.04, 0.61%, 0.58%

LAB 56.53, 65.52, -37.47

 

Description

Color code: HEX #D5A052 | qconv.com Color code: HEX #D5A052 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 160 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 160 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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