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Color name
HEX #D5A05D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5A05D it is the complementary color #2A5FA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5A05D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5A05D shade: #DAA058, #EBB26B, #FCC47E, #FFD691 and #FFE8A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5A05D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5A05D shade: #D5A05D, #C48E4A, #B37C37, #A26A24 and #915811

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5A05D shade: #D5A05C, #D57F5C, #D55F5C and #D55C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5A05D shade: #D5A05C, #D5C05C, #C9D55C, #A8D55C and #88D55C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5A05D shade matches the following richer shades: #D5A05C, #E5A14C and #F6A33B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5A05D shade: #D5A05C, #C49E6D, #B49C7D, #A39A8E and #93989E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5A05D shade: #D55E5C, #D57E5C, #D59F5C, #D5BF5C and #CBD55C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5A05D shade: #B1772D, #CC8C3C, #D5A05C, #DDB37D and #E6C69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5A05D shade: #D5A05D, #7AD55C and #6E5CD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5A05D shade: #D5A05D, #5CD59F and #9F5CD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5A05D shade: #D5A05D, #7AD55C, #5C92D5 and #B75CD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5A05D shade: #D5A05D, #5CD562, #5C92D5 and #D55CCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 56 / 16

HEX #D5A05D

RGB 213 160 93

HSL 33.5, 0.59%, 0.6%

LAB 69.53, 12.16, 42.18

 

Complementary color

CMYK 74 / 41 / 0 / 36

HEX #2A5FA2

RGB 42 95 162

HSL 213.5, 0.59%, 0.4%

LAB 40.06, 6.17, -41.33

 

CMYK 0 / 27 / 60 / 15

HEX #DAA058

RGB 218 160 88

HSL 33.23, 0.64%, 0.6%

LAB 70, 13.87, 45.4

 

CMYK 0 / 24 / 54 / 8

HEX #EBB26B

RGB 235 178 107

HSL 33.28, 0.76%, 0.67%

LAB 76.41, 12.78, 43.99

 

CMYK 0 / 22 / 50 / 1

HEX #FCC47E

RGB 252 196 126

HSL 33.33, 0.95%, 0.74%

LAB 82.74, 11.83, 42.63

 

CMYK 0 / 16 / 43 / 0

HEX #FFD691

RGB 255 214 145

HSL 37.64, 1%, 0.78%

LAB 87.68, 5.5, 39.37

 

CMYK 0 / 9 / 36 / 0

HEX #FFE8A4

RGB 255 232 164

HSL 44.84, 1%, 0.82%

LAB 92.42, -1.64, 35.96

 

CMYK 0 / 25 / 56 / 16

HEX #D5A05D

RGB 213 160 93

HSL 33.5, 0.59%, 0.6%

LAB 69.53, 12.16, 42.18

 

CMYK 0 / 28 / 62 / 23

HEX #C48E4A

RGB 196 142 74

HSL 33.44, 0.51%, 0.53%

LAB 62.99, 13.32, 43.62

 

CMYK 0 / 31 / 69 / 30

HEX #B37C37

RGB 179 124 55

HSL 33.39, 0.53%, 0.46%

LAB 56.36, 14.69, 45.01

 

CMYK 0 / 35 / 78 / 36

HEX #A26A24

RGB 162 106 36

HSL 33.33, 0.64%, 0.39%

LAB 49.64, 16.31, 46.18

 

CMYK 0 / 39 / 88 / 43

HEX #915811

RGB 145 88 17

HSL 33.28, 0.79%, 0.32%

LAB 42.82, 18.25, 46.6

 

CMYK 0 / 25 / 57 / 16

HEX #D5A05C

RGB 213 160 92

HSL 33.72, 0.59%, 0.6%

LAB 69.51, 12.08, 42.68

 

CMYK 0 / 40 / 57 / 16

HEX #D57F5C

RGB 213 127 92

HSL 17.36, 0.59%, 0.6%

LAB 61.74, 29.88, 33.12

 

CMYK 0 / 55 / 57 / 16

HEX #D55F5C

RGB 213 95 92

HSL 1.49, 0.59%, 0.6%

LAB 55.18, 46.26, 24.69

 

CMYK 0 / 57 / 57 / 16

HEX #D55C5C

RGB 213 92 92

HSL 0, 0.59%, 0.6%

LAB 54.63, 47.69, 23.97

 

CMYK 0 / 25 / 57 / 16

HEX #D5A05C

RGB 213 160 92

HSL 33.72, 0.59%, 0.6%

LAB 69.51, 12.08, 42.68

 

CMYK 0 / 10 / 57 / 16

HEX #D5C05C

RGB 213 192 92

HSL 49.59, 0.59%, 0.6%

LAB 77.65, -4.87, 52.23

 

CMYK 6 / 0 / 57 / 16

HEX #C9D55C

RGB 201 213 92

HSL 65.95, 0.59%, 0.6%

LAB 82.26, -20.41, 57.2

 

CMYK 21 / 0 / 57 / 16

HEX #A8D55C

RGB 168 213 92

HSL 82.31, 0.59%, 0.6%

LAB 80, -33.35, 54.04

 

CMYK 36 / 0 / 57 / 16

HEX #88D55C

RGB 136 213 92

HSL 98.18, 0.59%, 0.6%

LAB 78.23, -44.78, 51.53

 

CMYK 0 / 25 / 57 / 16

HEX #D5A05C

RGB 213 160 92

HSL 33.72, 0.59%, 0.6%

LAB 69.51, 12.08, 42.68

 

CMYK 0 / 30 / 67 / 10

HEX #E5A14C

RGB 229 161 76

HSL 33.33, 0.75%, 0.6%

LAB 71.33, 17.17, 53.03

 

CMYK 0 / 34 / 76 / 4

HEX #F6A33B

RGB 246 163 59

HSL 33.37, 0.91%, 0.6%

LAB 73.61, 22.4, 63.37

 

CMYK 0 / 25 / 57 / 16

HEX #D5A05C

RGB 213 160 92

HSL 33.72, 0.59%, 0.6%

LAB 69.51, 12.08, 42.68

 

CMYK 0 / 19 / 44 / 23

HEX #C49E6D

RGB 196 158 109

HSL 33.79, 0.42%, 0.6%

LAB 67.5, 7.64, 30.89

 

CMYK 0 / 13 / 31 / 29

HEX #B49C7D

RGB 180 156 125

HSL 33.82, 0.27%, 0.6%

LAB 65.72, 4.13, 19.52

 

CMYK 0 / 6 / 13 / 36

HEX #A39A8E

RGB 163 154 142

HSL 34.29, 0.1%, 0.6%

LAB 64.04, 1.17, 7.47

 

CMYK 7 / 4 / 0 / 38

HEX #93989E

RGB 147 152 158

HSL 212.73, 0.05%, 0.6%

LAB 62.62, -0.59, -3.78

 

CMYK 0 / 56 / 57 / 16

HEX #D55E5C

RGB 213 94 92

HSL 0.99, 0.59%, 0.6%

LAB 54.99, 46.74, 24.45

 

CMYK 0 / 41 / 57 / 16

HEX #D57E5C

RGB 213 126 92

HSL 16.86, 0.59%, 0.6%

LAB 61.52, 30.41, 32.84

 

CMYK 0 / 25 / 57 / 16

HEX #D59F5C

RGB 213 159 92

HSL 33.22, 0.59%, 0.6%

LAB 69.27, 12.62, 42.38

 

CMYK 0 / 10 / 57 / 16

HEX #D5BF5C

RGB 213 191 92

HSL 49.09, 0.59%, 0.6%

LAB 77.39, -4.36, 51.93

 

CMYK 5 / 0 / 57 / 16

HEX #CBD55C

RGB 203 213 92

HSL 64.96, 0.59%, 0.6%

LAB 82.41, -19.6, 57.41

 

CMYK 0 / 33 / 75 / 31

HEX #B1772D

RGB 177 119 45

HSL 33.64, 0.59%, 0.44%

LAB 54.79, 16.08, 47.94

 

CMYK 0 / 31 / 71 / 20

HEX #CC8C3C

RGB 204 140 60

HSL 33.33, 0.59%, 0.52%

LAB 63.28, 17, 50.92

 

CMYK 0 / 25 / 57 / 16

HEX #D5A05C

RGB 213 160 92

HSL 33.72, 0.59%, 0.6%

LAB 69.51, 12.08, 42.68

 

CMYK 0 / 19 / 43 / 13

HEX #DDB37D

RGB 221 179 125

HSL 33.75, 0.59%, 0.68%

LAB 75.51, 8.22, 33.28

 

CMYK 0 / 14 / 31 / 10

HEX #E6C69E

RGB 230 198 158

HSL 33.33, 0.59%, 0.76%

LAB 81.66, 5.55, 24.25

 

CMYK 0 / 25 / 56 / 16

HEX #D5A05D

RGB 213 160 93

HSL 33.5, 0.59%, 0.6%

LAB 69.53, 12.16, 42.18

 

CMYK 43 / 0 / 57 / 16

HEX #7AD55C

RGB 122 213 92

HSL 105.12, 0.59%, 0.6%

LAB 77.58, -49.28, 50.61

 

CMYK 48 / 57 / 0 / 16

HEX #6E5CD5

RGB 110 92 213

HSL 248.93, 0.59%, 0.6%

LAB 46.68, 38.08, -60.19

 

CMYK 0 / 25 / 56 / 16

HEX #D5A05D

RGB 213 160 93

HSL 33.5, 0.59%, 0.6%

LAB 69.53, 12.16, 42.18

 

CMYK 57 / 0 / 25 / 16

HEX #5CD59F

RGB 92 213 159

HSL 153.22, 0.59%, 0.6%

LAB 77.5, -46.47, 16.67

 

CMYK 25 / 57 / 0 / 16

HEX #9F5CD5

RGB 159 92 213

HSL 273.22, 0.59%, 0.6%

LAB 51.64, 49.38, -51.94

 

CMYK 0 / 25 / 56 / 16

HEX #D5A05D

RGB 213 160 93

HSL 33.5, 0.59%, 0.6%

LAB 69.53, 12.16, 42.18

 

CMYK 43 / 0 / 57 / 16

HEX #7AD55C

RGB 122 213 92

HSL 105.12, 0.59%, 0.6%

LAB 77.58, -49.28, 50.61

 

CMYK 57 / 31 / 0 / 16

HEX #5C92D5

RGB 92 146 213

HSL 213.22, 0.59%, 0.6%

LAB 59.56, 1.79, -39.73

 

CMYK 14 / 57 / 0 / 16

HEX #B75CD5

RGB 183 92 213

HSL 285.12, 0.59%, 0.6%

LAB 54.58, 55.4, -47.09

 

CMYK 0 / 25 / 56 / 16

HEX #D5A05D

RGB 213 160 93

HSL 33.5, 0.59%, 0.6%

LAB 69.53, 12.16, 42.18

 

CMYK 57 / 0 / 54 / 16

HEX #5CD562

RGB 92 213 98

HSL 122.98, 0.59%, 0.6%

LAB 76.52, -56.83, 46.32

 

CMYK 57 / 31 / 0 / 16

HEX #5C92D5

RGB 92 146 213

HSL 213.22, 0.59%, 0.6%

LAB 59.56, 1.79, -39.73

 

CMYK 0 / 57 / 3 / 16

HEX #D55CCF

RGB 213 92 207

HSL 302.98, 0.59%, 0.6%

LAB 58.33, 62.06, -37.5

 

Description

Color code: HEX #D5A05D | qconv.com Color code: HEX #D5A05D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 160 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 160 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 56% 16% C M Y K

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Provide designers and agencies with accurate color values.

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