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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5ADB0 it is the complementary color #2A524F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5ADB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5ADB0 shade: #DAADAB, #EBBFBE, #FCD1D1, #FFE3E4 and #FFF5F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5ADB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5ADB0 shade: #D5ADB0, #C49B9D, #B3898A, #A27777 and #916564

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5ADB0 shade: #D5AEB1 and #D5AEAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5ADB0 shade: #D5AEB1, #D5AEBB, #D5AEC6, #D5AED0 and #CFAED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5ADB0 shade matches the following richer shades: #D5AEB1, #DFA4A8, #E99AA0, #F39097 and #FC868F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5ADB0 shade: #D5AEB1, #CBB8B9, #C1C2C1, #B7CBCA and #ADD5D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5ADB0 shade: #D5AEC6, #D5AEBB, #D5AEB1, #D5B5AE and #D5BFAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5ADB0 shade: #B9777C, #C79296, #D5AEB1, #E3C9CB and #F1E4E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5ADB0 shade: #D5ADB0, #D0D5AE and #AEC1D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5ADB0 shade: #D5ADB0, #B1D5AE and #AEB1D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5ADB0 shade: #D5ADB0, #D0D5AE, #AED5D2 and #B2AED5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5ADB0 shade: #D5ADB0, #C5D5AE, #AED5D2 and #BEAED5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 17 / 16

HEX #D5ADB0

RGB 213 173 176

HSL 355.5, 0.32%, 0.76%

LAB 74.3, 15.01, 3.97

 

Complementary color

CMYK 49 / 0 / 4 / 68

HEX #2A524F

RGB 42 82 79

HSL 175.5, 0.32%, 0.24%

LAB 32.01, -14.94, -2.63

 

CMYK 0 / 21 / 22 / 15

HEX #DAADAB

RGB 218 173 171

HSL 2.55, 0.39%, 0.76%

LAB 74.66, 16.09, 7.28

 

CMYK 0 / 19 / 19 / 8

HEX #EBBFBE

RGB 235 191 190

HSL 1.33, 0.53%, 0.83%

LAB 81.09, 15.56, 6.44

 

CMYK 0 / 17 / 17 / 1

HEX #FCD1D1

RGB 252 209 209

HSL 0, 0.88%, 0.9%

LAB 87.44, 15.07, 5.66

 

CMYK 0 / 11 / 11 / 0

HEX #FFE3E4

RGB 255 227 228

HSL 357.86, 1%, 0.95%

LAB 92.49, 9.75, 3.01

 

CMYK 0 / 4 / 3 / 0

HEX #FFF5F7

RGB 255 245 247

HSL 348, 1%, 0.98%

LAB 97.34, 3.68, 0.22

 

CMYK 0 / 19 / 17 / 16

HEX #D5ADB0

RGB 213 173 176

HSL 355.5, 0.32%, 0.76%

LAB 74.3, 15.01, 3.97

 

CMYK 0 / 21 / 20 / 23

HEX #C49B9D

RGB 196 155 157

HSL 357.07, 0.26%, 0.69%

LAB 67.73, 15.55, 4.78

 

CMYK 0 / 23 / 23 / 30

HEX #B3898A

RGB 179 137 138

HSL 358.57, 0.22%, 0.62%

LAB 61.05, 16.15, 5.66

 

CMYK 0 / 27 / 27 / 36

HEX #A27777

RGB 162 119 119

HSL 0, 0.19%, 0.55%

LAB 54.25, 16.83, 6.61

 

CMYK 0 / 30 / 31 / 43

HEX #916564

RGB 145 101 100

HSL 1.33, 0.18%, 0.48%

LAB 47.3, 17.62, 7.68

 

CMYK 0 / 18 / 17 / 16

HEX #D5AEB1

RGB 213 174 177

HSL 355.38, 0.32%, 0.76%

LAB 74.57, 14.63, 3.81

 

CMYK 0 / 18 / 18 / 16

HEX #D5AEAE

RGB 213 174 174

HSL 0, 0.32%, 0.76%

LAB 74.49, 14.16, 5.34

 

CMYK 0 / 18 / 17 / 16

HEX #D5AEB1

RGB 213 174 177

HSL 355.38, 0.32%, 0.76%

LAB 74.57, 14.63, 3.81

 

CMYK 0 / 18 / 12 / 16

HEX #D5AEBB

RGB 213 174 187

HSL 340, 0.32%, 0.76%

LAB 74.83, 16.24, -1.28

 

CMYK 0 / 18 / 7 / 16

HEX #D5AEC6

RGB 213 174 198

HSL 323.08, 0.32%, 0.76%

LAB 75.14, 18.12, -6.84

 

CMYK 0 / 18 / 2 / 16

HEX #D5AED0

RGB 213 174 208

HSL 307.69, 0.32%, 0.76%

LAB 75.43, 19.91, -11.86

 

CMYK 3 / 18 / 0 / 16

HEX #CFAED5

RGB 207 174 213

HSL 290.77, 0.32%, 0.76%

LAB 75.04, 18.82, -15.23

 

CMYK 0 / 18 / 17 / 16

HEX #D5AEB1

RGB 213 174 177

HSL 355.38, 0.32%, 0.76%

LAB 74.57, 14.63, 3.81

 

CMYK 0 / 26 / 25 / 13

HEX #DFA4A8

RGB 223 164 168

HSL 355.93, 0.48%, 0.76%

LAB 72.94, 22.36, 6.52

 

CMYK 0 / 34 / 31 / 9

HEX #E99AA0

RGB 233 154 160

HSL 355.44, 0.64%, 0.76%

LAB 71.54, 30.32, 9.09

 

CMYK 0 / 41 / 38 / 5

HEX #F39097

RGB 243 144 151

HSL 355.76, 0.8%, 0.76%

LAB 70.34, 38.14, 12.56

 

CMYK 0 / 47 / 43 / 1

HEX #FC868F

RGB 252 134 143

HSL 355.42, 0.95%, 0.76%

LAB 69.28, 45.59, 15.7

 

CMYK 0 / 18 / 17 / 16

HEX #D5AEB1

RGB 213 174 177

HSL 355.38, 0.32%, 0.76%

LAB 74.57, 14.63, 3.81

 

CMYK 0 / 9 / 9 / 20

HEX #CBB8B9

RGB 203 184 185

HSL 356.84, 0.15%, 0.76%

LAB 76.36, 6.92, 1.94

 

CMYK 1 / 0 / 1 / 24

HEX #C1C2C1

RGB 193 194 193

HSL 120, 0.01%, 0.76%

LAB 78.33, -0.53, 0.37

 

CMYK 10 / 0 / 0 / 20

HEX #B7CBCA

RGB 183 203 202

HSL 177, 0.16%, 0.76%

LAB 80.2, -6.93, -1.81

 

CMYK 19 / 0 / 1 / 16

HEX #ADD5D2

RGB 173 213 210

HSL 175.5, 0.32%, 0.76%

LAB 82.45, -13.67, -2.88

 

CMYK 0 / 18 / 7 / 16

HEX #D5AEC6

RGB 213 174 198

HSL 323.08, 0.32%, 0.76%

LAB 75.14, 18.12, -6.84

 

CMYK 0 / 18 / 12 / 16

HEX #D5AEBB

RGB 213 174 187

HSL 340, 0.32%, 0.76%

LAB 74.83, 16.24, -1.28

 

CMYK 0 / 18 / 17 / 16

HEX #D5AEB1

RGB 213 174 177

HSL 355.38, 0.32%, 0.76%

LAB 74.57, 14.63, 3.81

 

CMYK 0 / 15 / 18 / 16

HEX #D5B5AE

RGB 213 181 174

HSL 10.77, 0.32%, 0.76%

LAB 76.22, 10.39, 7.83

 

CMYK 0 / 10 / 18 / 16

HEX #D5BFAE

RGB 213 191 174

HSL 26.15, 0.32%, 0.76%

LAB 78.73, 5.05, 11.41

 

CMYK 0 / 36 / 33 / 27

HEX #B9777C

RGB 185 119 124

HSL 355.45, 0.32%, 0.6%

LAB 57.04, 26.52, 8.05

 

CMYK 0 / 27 / 25 / 22

HEX #C79296

RGB 199 146 150

HSL 355.47, 0.32%, 0.68%

LAB 65.67, 20.58, 5.77

 

CMYK 0 / 18 / 17 / 16

HEX #D5AEB1

RGB 213 174 177

HSL 355.38, 0.32%, 0.76%

LAB 74.57, 14.63, 3.81

 

CMYK 0 / 11 / 11 / 11

HEX #E3C9CB

RGB 227 201 203

HSL 355.38, 0.32%, 0.84%

LAB 83.13, 9.44, 2.34

 

CMYK 0 / 5 / 5 / 5

HEX #F1E4E5

RGB 241 228 229

HSL 355.38, 0.32%, 0.92%

LAB 91.62, 4.58, 1.09

 

CMYK 0 / 19 / 17 / 16

HEX #D5ADB0

RGB 213 173 176

HSL 355.5, 0.32%, 0.76%

LAB 74.3, 15.01, 3.97

 

CMYK 2 / 0 / 18 / 16

HEX #D0D5AE

RGB 208 213 174

HSL 67.69, 0.32%, 0.76%

LAB 83.99, -8.26, 18.74

 

CMYK 18 / 9 / 0 / 16

HEX #AEC1D5

RGB 174 193 213

HSL 210.77, 0.32%, 0.76%

LAB 77.25, -2.28, -12.19

 

CMYK 0 / 19 / 17 / 16

HEX #D5ADB0

RGB 213 173 176

HSL 355.5, 0.32%, 0.76%

LAB 74.3, 15.01, 3.97

 

CMYK 17 / 0 / 18 / 16

HEX #B1D5AE

RGB 177 213 174

HSL 115.38, 0.32%, 0.76%

LAB 81.83, -19.24, 15.4

 

CMYK 18 / 17 / 0 / 16

HEX #AEB1D5

RGB 174 177 213

HSL 235.38, 0.32%, 0.76%

LAB 73.05, 6.39, -18.5

 

CMYK 0 / 19 / 17 / 16

HEX #D5ADB0

RGB 213 173 176

HSL 355.5, 0.32%, 0.76%

LAB 74.3, 15.01, 3.97

 

CMYK 2 / 0 / 18 / 16

HEX #D0D5AE

RGB 208 213 174

HSL 67.69, 0.32%, 0.76%

LAB 83.99, -8.26, 18.74

 

CMYK 18 / 0 / 1 / 16

HEX #AED5D2

RGB 174 213 210

HSL 175.38, 0.32%, 0.76%

LAB 82.51, -13.36, -2.78

 

CMYK 16 / 18 / 0 / 16

HEX #B2AED5

RGB 178 174 213

HSL 246.15, 0.32%, 0.76%

LAB 72.59, 9.31, -19.17

 

CMYK 0 / 19 / 17 / 16

HEX #D5ADB0

RGB 213 173 176

HSL 355.5, 0.32%, 0.76%

LAB 74.3, 15.01, 3.97

 

CMYK 8 / 0 / 18 / 16

HEX #C5D5AE

RGB 197 213 174

HSL 84.62, 0.32%, 0.76%

LAB 83.19, -12.24, 17.5

 

CMYK 18 / 0 / 1 / 16

HEX #AED5D2

RGB 174 213 210

HSL 175.38, 0.32%, 0.76%

LAB 82.51, -13.36, -2.78

 

CMYK 11 / 18 / 0 / 16

HEX #BEAED5

RGB 190 174 213

HSL 264.62, 0.32%, 0.76%

LAB 73.56, 13.19, -17.61

 

Description

Color code: HEX #D5ADB0 | qconv.com Color code: HEX #D5ADB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 173 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 173 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 17 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 17% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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