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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5B43E it is the complementary color #2A4BC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5B43E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5B43E shade: #DAB439, #EBC64C, #FCD85F, #FFEA72 and #FFFC85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5B43E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5B43E shade: #D5B43E, #C4A22B, #B39018, #A27E05 and #916C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5B43E shade: #D4B33E, #D48B3E, #D4623E and #D43E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5B43E shade: #D4B33E, #CDD43E, #A4D43E, #7CD43E and #53D43E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5B43E shade matches the following richer shades: #D4B33E, #E7BE2B and #FAC918

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5B43E shade: #D4B33E, #C1A951, #AE9E64, #9B9377 and #88898A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5B43E shade: #D4613E, #D4893E, #D4B13E, #CFD43E and #A7D43E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5B43E shade: #9E8322, #BF9F2A, #D4B33E, #DCC160 and #E3CE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5B43E shade: #D5B43E, #43D43E and #753ED4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5B43E shade: #D5B43E, #3ED4B1 and #B13ED4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5B43E shade: #D5B43E, #43D43E, #3E61D4 and #CF3ED4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5B43E shade: #D5B43E, #3ED466, #3E61D4 and #D43EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 71 / 16

HEX #D5B43E

RGB 213 180 62

HSL 46.89, 0.64%, 0.54%

LAB 74.28, -0.49, 61.65

 

Complementary color

CMYK 78 / 61 / 0 / 24

HEX #2A4BC1

RGB 42 75 193

HSL 226.89, 0.64%, 0.46%

LAB 36.7, 31.11, -65.05

 

CMYK 0 / 17 / 74 / 15

HEX #DAB439

RGB 218 180 57

HSL 45.84, 0.69%, 0.54%

LAB 74.73, 1.43, 64.18

 

CMYK 0 / 16 / 68 / 8

HEX #EBC64C

RGB 235 198 76

HSL 46.04, 0.8%, 0.61%

LAB 81.06, 0.22, 63.58

 

CMYK 0 / 14 / 62 / 1

HEX #FCD85F

RGB 252 216 95

HSL 46.24, 0.96%, 0.68%

LAB 87.31, -0.82, 62.67

 

CMYK 0 / 8 / 55 / 0

HEX #FFEA72

RGB 255 234 114

HSL 51.06, 1%, 0.72%

LAB 92.27, -7.35, 59.9

 

CMYK 0 / 1 / 48 / 0

HEX #FFFC85

RGB 255 252 133

HSL 58.52, 1%, 0.76%

LAB 97.05, -14.66, 56.85

 

CMYK 0 / 15 / 71 / 16

HEX #D5B43E

RGB 213 180 62

HSL 46.89, 0.64%, 0.54%

LAB 74.28, -0.49, 61.65

 

CMYK 0 / 17 / 78 / 23

HEX #C4A22B

RGB 196 162 43

HSL 46.67, 0.64%, 0.47%

LAB 67.84, 0.8, 61.95

 

CMYK 0 / 20 / 87 / 30

HEX #B39018

RGB 179 144 24

HSL 46.45, 0.76%, 0.4%

LAB 61.3, 2.35, 61.37

 

CMYK 0 / 22 / 97 / 36

HEX #A27E05

RGB 162 126 5

HSL 46.24, 0.94%, 0.33%

LAB 54.67, 4.17, 59.31

 

CMYK 0 / 26 / 100 / 43

HEX #916C00

RGB 145 108 0

HSL 44.69, 1%, 0.28%

LAB 47.94, 6.34, 54.68

 

CMYK 0 / 16 / 71 / 17

HEX #D4B33E

RGB 212 179 62

HSL 46.8, 0.64%, 0.54%

LAB 73.92, -0.4, 61.27

 

CMYK 0 / 34 / 71 / 17

HEX #D48B3E

RGB 212 139 62

HSL 30.8, 0.64%, 0.54%

LAB 64.01, 21.06, 51.06

 

CMYK 0 / 54 / 71 / 17

HEX #D4623E

RGB 212 98 62

HSL 14.4, 0.64%, 0.54%

LAB 55.15, 42.54, 41.41

 

CMYK 0 / 71 / 71 / 17

HEX #D43E3E

RGB 212 62 62

HSL 0, 0.64%, 0.54%

LAB 49.24, 58.25, 34.63

 

CMYK 0 / 16 / 71 / 17

HEX #D4B33E

RGB 212 179 62

HSL 46.8, 0.64%, 0.54%

LAB 73.92, -0.4, 61.27

 

CMYK 3 / 0 / 71 / 17

HEX #CDD43E

RGB 205 212 62

HSL 62.8, 0.64%, 0.54%

LAB 82.06, -20.16, 69.09

 

CMYK 23 / 0 / 71 / 17

HEX #A4D43E

RGB 164 212 62

HSL 79.2, 0.64%, 0.54%

LAB 79.23, -36.64, 65.35

 

CMYK 42 / 0 / 71 / 17

HEX #7CD43E

RGB 124 212 62

HSL 95.2, 0.64%, 0.54%

LAB 77.11, -50.91, 62.53

 

CMYK 61 / 0 / 71 / 17

HEX #53D43E

RGB 83 212 62

HSL 111.6, 0.64%, 0.54%

LAB 75.62, -62.31, 60.52

 

CMYK 0 / 16 / 71 / 17

HEX #D4B33E

RGB 212 179 62

HSL 46.8, 0.64%, 0.54%

LAB 73.92, -0.4, 61.27

 

CMYK 0 / 18 / 81 / 9

HEX #E7BE2B

RGB 231 190 43

HSL 46.91, 0.8%, 0.54%

LAB 78.46, 1.29, 72.69

 

CMYK 0 / 20 / 90 / 2

HEX #FAC918

RGB 250 201 24

HSL 46.99, 0.96%, 0.54%

LAB 83, 3.32, 81.44

 

CMYK 0 / 16 / 71 / 17

HEX #D4B33E

RGB 212 179 62

HSL 46.8, 0.64%, 0.54%

LAB 73.92, -0.4, 61.27

 

CMYK 0 / 12 / 58 / 24

HEX #C1A951

RGB 193 169 81

HSL 47.14, 0.47%, 0.54%

LAB 69.69, -2.09, 47.81

 

CMYK 0 / 9 / 43 / 32

HEX #AE9E64

RGB 174 158 100

HSL 47.03, 0.31%, 0.54%

LAB 65.26, -2.47, 32.39

 

CMYK 0 / 5 / 23 / 39

HEX #9B9377

RGB 155 147 119

HSL 46.67, 0.15%, 0.54%

LAB 60.93, -1.77, 15.91

 

CMYK 1 / 1 / 0 / 46

HEX #88898A

RGB 136 137 138

HSL 210, 0.01%, 0.54%

LAB 57.04, -0.17, -0.67

 

CMYK 0 / 54 / 71 / 17

HEX #D4613E

RGB 212 97 62

HSL 14, 0.64%, 0.54%

LAB 54.96, 43.03, 41.2

 

CMYK 0 / 35 / 71 / 17

HEX #D4893E

RGB 212 137 62

HSL 30, 0.64%, 0.54%

LAB 63.54, 22.14, 50.56

 

CMYK 0 / 17 / 71 / 17

HEX #D4B13E

RGB 212 177 62

HSL 46, 0.64%, 0.54%

LAB 73.41, 0.65, 60.75

 

CMYK 2 / 0 / 71 / 17

HEX #CFD43E

RGB 207 212 62

HSL 62, 0.64%, 0.54%

LAB 82.22, -19.33, 69.29

 

CMYK 21 / 0 / 71 / 17

HEX #A7D43E

RGB 167 212 62

HSL 78, 0.64%, 0.54%

LAB 79.41, -35.49, 65.59

 

CMYK 0 / 17 / 78 / 38

HEX #9E8322

RGB 158 131 34

HSL 46.94, 0.65%, 0.38%

LAB 55.7, 0.27, 52.55

 

CMYK 0 / 17 / 78 / 25

HEX #BF9F2A

RGB 191 159 42

HSL 47.11, 0.64%, 0.46%

LAB 66.55, 0.16, 60.93

 

CMYK 0 / 16 / 71 / 17

HEX #D4B33E

RGB 212 179 62

HSL 46.8, 0.64%, 0.54%

LAB 73.92, -0.4, 61.27

 

CMYK 0 / 12 / 56 / 14

HEX #DCC160

RGB 220 193 96

HSL 46.94, 0.64%, 0.62%

LAB 78.58, -2.17, 51.59

 

CMYK 0 / 9 / 43 / 11

HEX #E3CE82

RGB 227 206 130

HSL 47.01, 0.63%, 0.7%

LAB 82.96, -2.99, 40.39

 

CMYK 0 / 15 / 71 / 16

HEX #D5B43E

RGB 213 180 62

HSL 46.89, 0.64%, 0.54%

LAB 74.28, -0.49, 61.65

 

CMYK 68 / 0 / 71 / 17

HEX #43D43E

RGB 67 212 62

HSL 118, 0.64%, 0.54%

LAB 75.22, -65.61, 59.98

 

CMYK 45 / 71 / 0 / 17

HEX #753ED4

RGB 117 62 212

HSL 262, 0.64%, 0.54%

LAB 41.19, 55.51, -68.5

 

CMYK 0 / 15 / 71 / 16

HEX #D5B43E

RGB 213 180 62

HSL 46.89, 0.64%, 0.54%

LAB 74.28, -0.49, 61.65

 

CMYK 71 / 0 / 17 / 17

HEX #3ED4B1

RGB 62 212 177

HSL 166, 0.64%, 0.54%

LAB 76.85, -47.15, 6.07

 

CMYK 17 / 71 / 0 / 17

HEX #B13ED4

RGB 177 62 212

HSL 286, 0.64%, 0.54%

LAB 48.94, 66.97, -55.57

 

CMYK 0 / 15 / 71 / 16

HEX #D5B43E

RGB 213 180 62

HSL 46.89, 0.64%, 0.54%

LAB 74.28, -0.49, 61.65

 

CMYK 68 / 0 / 71 / 17

HEX #43D43E

RGB 67 212 62

HSL 118, 0.64%, 0.54%

LAB 75.22, -65.61, 59.98

 

CMYK 71 / 54 / 0 / 17

HEX #3E61D4

RGB 62 97 212

HSL 226, 0.64%, 0.54%

LAB 44.7, 26.27, -62.97

 

CMYK 2 / 71 / 0 / 17

HEX #CF3ED4

RGB 207 62 212

HSL 298, 0.64%, 0.54%

LAB 53.45, 73.25, -48.1

 

CMYK 0 / 15 / 71 / 16

HEX #D5B43E

RGB 213 180 62

HSL 46.89, 0.64%, 0.54%

LAB 74.28, -0.49, 61.65

 

CMYK 71 / 0 / 52 / 17

HEX #3ED466

RGB 62 212 102

HSL 136, 0.64%, 0.54%

LAB 75.5, -61.97, 42.99

 

CMYK 71 / 54 / 0 / 17

HEX #3E61D4

RGB 62 97 212

HSL 226, 0.64%, 0.54%

LAB 44.7, 26.27, -62.97

 

CMYK 0 / 71 / 19 / 17

HEX #D43EAC

RGB 212 62 172

HSL 316, 0.64%, 0.54%

LAB 52.31, 68.39, -26.72

 

Description

Color code: HEX #D5B43E | qconv.com Color code: HEX #D5B43E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 180 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 180 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 71 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 71% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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