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Color name
HEX #D5B67B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5B67B it is the complementary color #2A4984. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5B67B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5B67B shade: #DAB676, #EBC889, #FCDA9C, #FFECAF and #FFFEC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5B67B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5B67B shade: #D5B67B, #C4A468, #B39255, #A28042 and #916E2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5B67B shade: #D5B67B, #D59E7B, #D5857B and #D57B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5B67B shade: #D5B67B, #D5CE7B, #C3D57B, #ABD57B and #93D57B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5B67B shade matches the following richer shades: #D5B67B, #E3BA6D and #F1BF5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5B67B shade: #D5B67B, #C7B189, #B9AD97, #ABA9A5 and #9DA4B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5B67B shade: #D5857B, #D59D7B, #D5B57B, #D5CD7B and #C4D57B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5B67B shade: #C1933C, #CBA55B, #D5B67B, #DFC79A and #E9D8B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5B67B shade: #D5B67B, #88D57B and #917BD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5B67B shade: #D5B67B, #7BD5B5 and #B57BD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5B67B shade: #D5B67B, #88D57B, #7B9AD5 and #C77BD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5B67B shade: #D5B67B, #7BD588, #7B9AD5 and #D57BC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

Complementary color

CMYK 68 / 45 / 0 / 48

HEX #2A4984

RGB 42 73 132

HSL 219.33, 0.52%, 0.34%

LAB 31.63, 9.17, -36.59

 

CMYK 0 / 17 / 46 / 15

HEX #DAB676

RGB 218 182 118

HSL 38.4, 0.57%, 0.66%

LAB 75.87, 4.7, 37.33

 

CMYK 0 / 15 / 42 / 8

HEX #EBC889

RGB 235 200 137

HSL 38.57, 0.71%, 0.73%

LAB 82.26, 4.03, 36.07

 

CMYK 0 / 13 / 38 / 1

HEX #FCDA9C

RGB 252 218 156

HSL 38.75, 0.94%, 0.8%

LAB 88.56, 3.44, 34.88

 

CMYK 0 / 7 / 31 / 0

HEX #FFECAF

RGB 255 236 175

HSL 45.75, 1%, 0.84%

LAB 93.6, -2.36, 31.96

 

CMYK 0 / 0 / 24 / 0

HEX #FFFEC2

RGB 255 254 194

HSL 59.02, 1%, 0.88%

LAB 98.45, -8.92, 28.9

 

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

CMYK 0 / 16 / 47 / 23

HEX #C4A468

RGB 196 164 104

HSL 39.13, 0.44%, 0.59%

LAB 68.96, 3.88, 35.41

 

CMYK 0 / 18 / 53 / 30

HEX #B39255

RGB 179 146 85

HSL 38.94, 0.38%, 0.52%

LAB 62.34, 4.69, 36.76

 

CMYK 0 / 21 / 59 / 36

HEX #A28042

RGB 162 128 66

HSL 38.75, 0.42%, 0.45%

LAB 55.6, 5.67, 38.14

 

CMYK 0 / 24 / 68 / 43

HEX #916E2F

RGB 145 110 47

HSL 38.57, 0.51%, 0.38%

LAB 48.73, 6.87, 39.48

 

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

CMYK 0 / 26 / 42 / 16

HEX #D59E7B

RGB 213 158 123

HSL 23.33, 0.52%, 0.66%

LAB 69.49, 16.06, 26.27

 

CMYK 0 / 38 / 42 / 16

HEX #D5857B

RGB 213 133 123

HSL 6.67, 0.52%, 0.66%

LAB 63.63, 29.58, 18.35

 

CMYK 0 / 42 / 42 / 16

HEX #D57B7B

RGB 213 123 123

HSL 0, 0.52%, 0.66%

LAB 61.43, 34.91, 15.31

 

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

CMYK 0 / 3 / 42 / 16

HEX #D5CE7B

RGB 213 206 123

HSL 55.33, 0.52%, 0.66%

LAB 81.69, -9.29, 42.05

 

CMYK 8 / 0 / 42 / 16

HEX #C3D57B

RGB 195 213 123

HSL 72, 0.52%, 0.66%

LAB 82.17, -19.87, 42.37

 

CMYK 20 / 0 / 42 / 16

HEX #ABD57B

RGB 171 213 123

HSL 88, 0.52%, 0.66%

LAB 80.56, -28.93, 39.99

 

CMYK 31 / 0 / 42 / 16

HEX #93D57B

RGB 147 213 123

HSL 104, 0.52%, 0.66%

LAB 79.17, -37.39, 37.94

 

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

CMYK 0 / 18 / 52 / 11

HEX #E3BA6D

RGB 227 186 109

HSL 39.15, 0.68%, 0.66%

LAB 77.61, 5.44, 44.27

 

CMYK 0 / 21 / 61 / 5

HEX #F1BF5F

RGB 241 191 95

HSL 39.45, 0.84%, 0.66%

LAB 80.06, 7.52, 54.28

 

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

CMYK 0 / 11 / 31 / 22

HEX #C7B189

RGB 199 177 137

HSL 38.71, 0.36%, 0.66%

LAB 73.15, 1.91, 23.39

 

CMYK 0 / 6 / 18 / 27

HEX #B9AD97

RGB 185 173 151

HSL 38.82, 0.2%, 0.66%

LAB 71.17, 0.63, 12.86

 

CMYK 0 / 1 / 4 / 33

HEX #ABA9A5

RGB 171 169 165

HSL 40, 0.03%, 0.66%

LAB 69.29, -0.02, 2.3

 

CMYK 12 / 8 / 0 / 30

HEX #9DA4B3

RGB 157 164 179

HSL 220.91, 0.13%, 0.66%

LAB 67.26, 0.59, -8.59

 

CMYK 0 / 38 / 42 / 16

HEX #D5857B

RGB 213 133 123

HSL 6.67, 0.52%, 0.66%

LAB 63.63, 29.58, 18.35

 

CMYK 0 / 26 / 42 / 16

HEX #D59D7B

RGB 213 157 123

HSL 22.67, 0.52%, 0.66%

LAB 69.25, 16.6, 25.95

 

CMYK 0 / 15 / 42 / 16

HEX #D5B57B

RGB 213 181 123

HSL 38.67, 0.52%, 0.66%

LAB 75.22, 3.72, 33.8

 

CMYK 0 / 4 / 42 / 16

HEX #D5CD7B

RGB 213 205 123

HSL 54.67, 0.52%, 0.66%

LAB 81.42, -8.78, 41.72

 

CMYK 8 / 0 / 42 / 16

HEX #C4D57B

RGB 196 213 123

HSL 71.33, 0.52%, 0.66%

LAB 82.25, -19.49, 42.48

 

CMYK 0 / 24 / 69 / 24

HEX #C1933C

RGB 193 147 60

HSL 39.25, 0.53%, 0.5%

LAB 63.78, 8.4, 51.07

 

CMYK 0 / 19 / 55 / 20

HEX #CBA55B

RGB 203 165 91

HSL 39.64, 0.52%, 0.58%

LAB 69.73, 5.1, 43.19

 

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

CMYK 0 / 11 / 31 / 13

HEX #DFC79A

RGB 223 199 154

HSL 39.13, 0.52%, 0.74%

LAB 81.22, 1.83, 25.65

 

CMYK 0 / 7 / 21 / 9

HEX #E9D8B9

RGB 233 216 185

HSL 38.75, 0.52%, 0.82%

LAB 86.97, 0.98, 17.41

 

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

CMYK 36 / 0 / 42 / 16

HEX #88D57B

RGB 136 213 123

HSL 111.33, 0.52%, 0.66%

LAB 78.61, -41, 37.11

 

CMYK 32 / 42 / 0 / 16

HEX #917BD5

RGB 145 123 213

HSL 254.67, 0.52%, 0.66%

LAB 57.07, 28.38, -43.42

 

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

CMYK 42 / 0 / 15 / 16

HEX #7BD5B5

RGB 123 213 181

HSL 158.67, 0.52%, 0.66%

LAB 79.12, -34.36, 7.43

 

CMYK 15 / 42 / 0 / 16

HEX #B57BD5

RGB 181 123 213

HSL 278.67, 0.52%, 0.66%

LAB 60.6, 38.66, -37.62

 

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

CMYK 36 / 0 / 42 / 16

HEX #88D57B

RGB 136 213 123

HSL 111.33, 0.52%, 0.66%

LAB 78.61, -41, 37.11

 

CMYK 42 / 28 / 0 / 16

HEX #7B9AD5

RGB 123 154 213

HSL 219.33, 0.52%, 0.66%

LAB 63.45, 4.43, -33.54

 

CMYK 7 / 42 / 0 / 16

HEX #C77BD5

RGB 199 123 213

HSL 290.67, 0.52%, 0.66%

LAB 62.6, 43.98, -34.34

 

CMYK 0 / 15 / 42 / 16

HEX #D5B67B

RGB 213 182 123

HSL 39.33, 0.52%, 0.66%

LAB 75.47, 3.19, 34.13

 

CMYK 42 / 0 / 36 / 16

HEX #7BD588

RGB 123 213 136

HSL 128.67, 0.52%, 0.66%

LAB 78.21, -42.98, 29.86

 

CMYK 42 / 28 / 0 / 16

HEX #7B9AD5

RGB 123 154 213

HSL 219.33, 0.52%, 0.66%

LAB 63.45, 4.43, -33.54

 

CMYK 0 / 42 / 7 / 16

HEX #D57BC7

RGB 213 123 199

HSL 309.33, 0.52%, 0.66%

LAB 63.7, 45.67, -24.65

 

Description

Color code: HEX #D5B67B | qconv.com Color code: HEX #D5B67B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 182 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 182 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 42 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 42% 16% C M Y K

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Provide designers and agencies with accurate color values.

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