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Color name
HEX #D5BBC3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5BBC3 it is the complementary color #2A443C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5BBC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5BBC3 shade: #DABBBE, #EBCDD1, #FCDFE4 and #FFF1F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5BBC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5BBC3 shade: #D5BBC3, #C4A9B0, #B3979D, #A2858A and #917377

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5BBC3 shade: #D4B9C1, #D4B9BA and #D4B9B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5BBC3 shade: #D4B9C1, #D4B9C8, #D4B9D0, #D1B9D4 and #C9B9D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5BBC3 shade matches the following richer shades: #D4B9C1, #DDB0BE, #E6A7BA, #EF9EB7 and #F895B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5BBC3 shade: #D4B9C1, #CBC2C5, #C2CBC8, #B9D4CC and #B0DDCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5BBC3 shade: #D4B9D0, #D4B9C9, #D4B9C1, #D4B9BA and #D4BFB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5BBC3 shade: #B58694, #C49FAB, #D4B9C1, #E4D3D8 and #F3ECEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5BBC3 shade: #D5BBC3, #D4D1B9 and #B9CCD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5BBC3 shade: #D5BBC3, #C1D4B9 and #B9C1D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5BBC3 shade: #D5BBC3, #D4D1B9, #B9D4CB and #B9BCD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5BBC3 shade: #D5BBC3, #CFD4B9, #B9D4CB and #BEB9D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 8 / 16

HEX #D5BBC3

RGB 213 187 195

HSL 341.54, 0.24%, 0.78%

LAB 78.24, 10.59, -0.64

 

Complementary color

CMYK 38 / 0 / 12 / 73

HEX #2A443C

RGB 42 68 60

HSL 161.54, 0.24%, 0.22%

LAB 26.6, -12.09, 1.69

 

CMYK 0 / 14 / 13 / 15

HEX #DABBBE

RGB 218 187 190

HSL 354.19, 0.3%, 0.79%

LAB 78.56, 11.54, 2.58

 

CMYK 0 / 13 / 11 / 8

HEX #EBCDD1

RGB 235 205 209

HSL 352, 0.43%, 0.86%

LAB 84.96, 11.14, 1.88

 

CMYK 0 / 12 / 10 / 1

HEX #FCDFE4

RGB 252 223 228

HSL 349.66, 0.83%, 0.93%

LAB 91.27, 10.78, 1.21

 

CMYK 0 / 5 / 3 / 0

HEX #FFF1F7

RGB 255 241 247

HSL 334.29, 1%, 0.97%

LAB 96.36, 5.72, -1.21

 

CMYK 0 / 12 / 8 / 16

HEX #D5BBC3

RGB 213 187 195

HSL 341.54, 0.24%, 0.78%

LAB 78.24, 10.59, -0.64

 

CMYK 0 / 14 / 10 / 23

HEX #C4A9B0

RGB 196 169 176

HSL 344.44, 0.19%, 0.72%

LAB 71.72, 10.98, 0.03

 

CMYK 0 / 16 / 12 / 30

HEX #B3979D

RGB 179 151 157

HSL 347.14, 0.16%, 0.65%

LAB 65.08, 11.41, 0.73

 

CMYK 0 / 18 / 15 / 36

HEX #A2858A

RGB 162 133 138

HSL 349.66, 0.13%, 0.58%

LAB 58.31, 11.88, 1.47

 

CMYK 0 / 21 / 18 / 43

HEX #917377

RGB 145 115 119

HSL 352, 0.12%, 0.51%

LAB 51.4, 12.43, 2.28

 

CMYK 0 / 13 / 9 / 17

HEX #D4B9C1

RGB 212 185 193

HSL 342.22, 0.24%, 0.78%

LAB 77.61, 10.96, -0.5

 

CMYK 0 / 13 / 12 / 17

HEX #D4B9BA

RGB 212 185 186

HSL 357.78, 0.24%, 0.78%

LAB 77.42, 9.79, 3.04

 

CMYK 0 / 13 / 13 / 17

HEX #D4B9B9

RGB 212 185 185

HSL 0, 0.24%, 0.78%

LAB 77.4, 9.63, 3.54

 

CMYK 0 / 13 / 9 / 17

HEX #D4B9C1

RGB 212 185 193

HSL 342.22, 0.24%, 0.78%

LAB 77.61, 10.96, -0.5

 

CMYK 0 / 13 / 6 / 17

HEX #D4B9C8

RGB 212 185 200

HSL 326.67, 0.24%, 0.78%

LAB 77.8, 12.18, -4.01

 

CMYK 0 / 13 / 2 / 17

HEX #D4B9D0

RGB 212 185 208

HSL 308.89, 0.24%, 0.78%

LAB 78.02, 13.61, -8.01

 

CMYK 1 / 13 / 0 / 17

HEX #D1B9D4

RGB 209 185 212

HSL 293.33, 0.24%, 0.78%

LAB 77.88, 13.33, -10.42

 

CMYK 5 / 13 / 0 / 17

HEX #C9B9D4

RGB 201 185 212

HSL 275.56, 0.24%, 0.78%

LAB 77.2, 10.64, -11.5

 

CMYK 0 / 13 / 9 / 17

HEX #D4B9C1

RGB 212 185 193

HSL 342.22, 0.24%, 0.78%

LAB 77.61, 10.96, -0.5

 

CMYK 0 / 20 / 14 / 13

HEX #DDB0BE

RGB 221 176 190

HSL 341.33, 0.4%, 0.78%

LAB 76.16, 18.52, -0.89

 

CMYK 0 / 27 / 19 / 10

HEX #E6A7BA

RGB 230 167 186

HSL 341.9, 0.56%, 0.78%

LAB 74.83, 25.95, -0.53

 

CMYK 0 / 34 / 23 / 6

HEX #EF9EB7

RGB 239 158 183

HSL 341.48, 0.72%, 0.78%

LAB 73.69, 33.49, -0.43

 

CMYK 0 / 40 / 28 / 3

HEX #F895B3

RGB 248 149 179

HSL 341.82, 0.88%, 0.78%

LAB 72.7, 40.79, 0.46

 

CMYK 0 / 13 / 9 / 17

HEX #D4B9C1

RGB 212 185 193

HSL 342.22, 0.24%, 0.78%

LAB 77.61, 10.96, -0.5

 

CMYK 0 / 4 / 3 / 20

HEX #CBC2C5

RGB 203 194 197

HSL 340, 0.08%, 0.78%

LAB 79.22, 3.68, -0.39

 

CMYK 4 / 0 / 1 / 20

HEX #C2CBC8

RGB 194 203 200

HSL 160, 0.08%, 0.78%

LAB 80.93, -3.63, 0.42

 

CMYK 13 / 0 / 4 / 17

HEX #B9D4CC

RGB 185 212 204

HSL 162.22, 0.24%, 0.78%

LAB 82.79, -10.54, 0.91

 

CMYK 20 / 0 / 6 / 13

HEX #B0DDCF

RGB 176 221 207

HSL 161.33, 0.4%, 0.78%

LAB 84.71, -17.4, 2.05

 

CMYK 0 / 13 / 2 / 17

HEX #D4B9D0

RGB 212 185 208

HSL 308.89, 0.24%, 0.78%

LAB 78.02, 13.61, -8.01

 

CMYK 0 / 13 / 5 / 17

HEX #D4B9C9

RGB 212 185 201

HSL 324.44, 0.24%, 0.78%

LAB 77.82, 12.36, -4.51

 

CMYK 0 / 13 / 9 / 17

HEX #D4B9C1

RGB 212 185 193

HSL 342.22, 0.24%, 0.78%

LAB 77.61, 10.96, -0.5

 

CMYK 0 / 13 / 12 / 17

HEX #D4B9BA

RGB 212 185 186

HSL 357.78, 0.24%, 0.78%

LAB 77.42, 9.79, 3.04

 

CMYK 0 / 10 / 13 / 17

HEX #D4BFB9

RGB 212 191 185

HSL 13.33, 0.24%, 0.78%

LAB 78.9, 6.42, 5.71

 

CMYK 0 / 26 / 18 / 29

HEX #B58694

RGB 181 134 148

HSL 342.13, 0.24%, 0.62%

LAB 60.79, 20.16, -0.41

 

CMYK 0 / 19 / 13 / 23

HEX #C49FAB

RGB 196 159 171

HSL 340.54, 0.24%, 0.7%

LAB 69.09, 15.61, -1.05

 

CMYK 0 / 13 / 9 / 17

HEX #D4B9C1

RGB 212 185 193

HSL 342.22, 0.24%, 0.78%

LAB 77.61, 10.96, -0.5

 

CMYK 0 / 7 / 5 / 11

HEX #E4D3D8

RGB 228 211 216

HSL 342.35, 0.24%, 0.86%

LAB 86.03, 6.73, -0.35

 

CMYK 0 / 3 / 2 / 5

HEX #F3ECEE

RGB 243 236 238

HSL 342.86, 0.23%, 0.94%

LAB 93.98, 2.7, -0.14

 

CMYK 0 / 12 / 8 / 16

HEX #D5BBC3

RGB 213 187 195

HSL 341.54, 0.24%, 0.78%

LAB 78.24, 10.59, -0.64

 

CMYK 0 / 1 / 13 / 17

HEX #D4D1B9

RGB 212 209 185

HSL 53.33, 0.24%, 0.78%

LAB 83.5, -3.04, 12.28

 

CMYK 13 / 4 / 0 / 17

HEX #B9CCD4

RGB 185 204 212

HSL 197.78, 0.24%, 0.78%

LAB 80.88, -4.79, -6.16

 

CMYK 0 / 12 / 8 / 16

HEX #D5BBC3

RGB 213 187 195

HSL 341.54, 0.24%, 0.78%

LAB 78.24, 10.59, -0.64

 

CMYK 9 / 0 / 13 / 17

HEX #C1D4B9

RGB 193 212 185

HSL 102.22, 0.24%, 0.78%

LAB 82.87, -11.32, 11.2

 

CMYK 13 / 9 / 0 / 17

HEX #B9C1D4

RGB 185 193 212

HSL 222.22, 0.24%, 0.78%

LAB 78, 1.04, -10.44

 

CMYK 0 / 12 / 8 / 16

HEX #D5BBC3

RGB 213 187 195

HSL 341.54, 0.24%, 0.78%

LAB 78.24, 10.59, -0.64

 

CMYK 0 / 1 / 13 / 17

HEX #D4D1B9

RGB 212 209 185

HSL 53.33, 0.24%, 0.78%

LAB 83.5, -3.04, 12.28

 

CMYK 13 / 0 / 4 / 17

HEX #B9D4CB

RGB 185 212 203

HSL 160, 0.24%, 0.78%

LAB 82.76, -10.73, 1.4

 

CMYK 13 / 11 / 0 / 17

HEX #B9BCD4

RGB 185 188 212

HSL 233.33, 0.24%, 0.78%

LAB 76.7, 3.72, -12.38

 

CMYK 0 / 12 / 8 / 16

HEX #D5BBC3

RGB 213 187 195

HSL 341.54, 0.24%, 0.78%

LAB 78.24, 10.59, -0.64

 

CMYK 2 / 0 / 13 / 17

HEX #CFD4B9

RGB 207 212 185

HSL 71.11, 0.24%, 0.78%

LAB 83.89, -6.38, 12.78

 

CMYK 13 / 0 / 4 / 17

HEX #B9D4CB

RGB 185 212 203

HSL 160, 0.24%, 0.78%

LAB 82.76, -10.73, 1.4

 

CMYK 10 / 13 / 0 / 17

HEX #BEB9D4

RGB 190 185 212

HSL 251.11, 0.24%, 0.78%

LAB 76.31, 6.98, -12.92

 

Description

Color code: HEX #D5BBC3 | qconv.com Color code: HEX #D5BBC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 187 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 187 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 8 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 8% 16% C M Y K

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Provide designers and agencies with accurate color values.

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