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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5BDA6 it is the complementary color #2A4259. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5BDA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5BDA6 shade: #DABDA1, #EBCFB4, #FCE1C7, #FFF3DA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5BDA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5BDA6 shade: #D5BDA6, #C4AB93, #B39980, #A2876D and #91755A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5BDA6 shade: #D4BCA4, #D4AFA4 and #D4A4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5BDA6 shade: #D4BCA4, #D4C9A4, #D3D4A4, #C6D4A4 and #B9D4A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5BDA6 shade matches the following richer shades: #D4BCA4, #DFBB9A, #EABB8F and #F4BB84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5BDA6 shade: #D4BCA4, #C9BCAF, #BFBCBA, #B4BCC5 and #A9BDCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5BDA6 shade: #D4A4A7, #D4AFA4, #D4BBA4, #D4C8A4 and #D3D4A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5BDA6 shade: #BA926C, #C7A788, #D4BCA4, #E1D0C0 and #EEE5DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5BDA6 shade: #D5BDA6, #B3D4A4 and #A8A4D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5BDA6 shade: #D5BDA6, #A4D4BB and #BBA4D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5BDA6 shade: #D5BDA6, #B3D4A4, #A4BDD4 and #C5A4D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5BDA6 shade: #D5BDA6, #A5D4A4, #A4BDD4 and #D3A4D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 22 / 16

HEX #D5BDA6

RGB 213 189 166

HSL 29.36, 0.36%, 0.74%

LAB 78.05, 4.92, 14.74

 

Complementary color

CMYK 53 / 26 / 0 / 65

HEX #2A4259

RGB 42 66 89

HSL 209.36, 0.36%, 0.26%

LAB 27.05, -1.94, -16.58

 

CMYK 0 / 13 / 26 / 15

HEX #DABDA1

RGB 218 189 161

HSL 29.47, 0.44%, 0.74%

LAB 78.39, 6.1, 17.97

 

CMYK 0 / 12 / 23 / 8

HEX #EBCFB4

RGB 235 207 180

HSL 29.45, 0.58%, 0.81%

LAB 84.78, 5.68, 17.01

 

CMYK 0 / 11 / 21 / 1

HEX #FCE1C7

RGB 252 225 199

HSL 29.43, 0.9%, 0.88%

LAB 91.08, 5.3, 16.11

 

CMYK 0 / 5 / 15 / 0

HEX #FFF3DA

RGB 255 243 218

HSL 40.54, 1%, 0.93%

LAB 96.17, 0, 13.49

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 11 / 22 / 16

HEX #D5BDA6

RGB 213 189 166

HSL 29.36, 0.36%, 0.74%

LAB 78.05, 4.92, 14.74

 

CMYK 0 / 13 / 25 / 23

HEX #C4AB93

RGB 196 171 147

HSL 29.39, 0.29%, 0.67%

LAB 71.53, 5.33, 15.7

 

CMYK 0 / 15 / 28 / 30

HEX #B39980

RGB 179 153 128

HSL 29.41, 0.25%, 0.6%

LAB 64.9, 5.79, 16.72

 

CMYK 0 / 17 / 33 / 36

HEX #A2876D

RGB 162 135 109

HSL 29.43, 0.22%, 0.53%

LAB 58.14, 6.33, 17.82

 

CMYK 0 / 19 / 38 / 43

HEX #91755A

RGB 145 117 90

HSL 29.45, 0.23%, 0.46%

LAB 51.24, 6.97, 19.04

 

CMYK 0 / 11 / 23 / 17

HEX #D4BCA4

RGB 212 188 164

HSL 30, 0.36%, 0.74%

LAB 77.66, 4.78, 15.27

 

CMYK 0 / 17 / 23 / 17

HEX #D4AFA4

RGB 212 175 164

HSL 13.75, 0.36%, 0.74%

LAB 74.41, 11.74, 10.67

 

CMYK 0 / 23 / 23 / 17

HEX #D4A4A4

RGB 212 164 164

HSL 0, 0.36%, 0.74%

LAB 71.71, 17.69, 6.82

 

CMYK 0 / 11 / 23 / 17

HEX #D4BCA4

RGB 212 188 164

HSL 30, 0.36%, 0.74%

LAB 77.66, 4.78, 15.27

 

CMYK 0 / 5 / 23 / 17

HEX #D4C9A4

RGB 212 201 164

HSL 46.25, 0.36%, 0.74%

LAB 80.99, -2.06, 19.9

 

CMYK 0 / 0 / 23 / 17

HEX #D3D4A4

RGB 211 212 164

HSL 61.25, 0.36%, 0.74%

LAB 83.77, -8.11, 23.71

 

CMYK 7 / 0 / 23 / 17

HEX #C6D4A4

RGB 198 212 164

HSL 77.5, 0.36%, 0.74%

LAB 82.79, -12.91, 22.22

 

CMYK 13 / 0 / 23 / 17

HEX #B9D4A4

RGB 185 212 164

HSL 93.75, 0.36%, 0.74%

LAB 81.88, -17.6, 20.82

 

CMYK 0 / 11 / 23 / 17

HEX #D4BCA4

RGB 212 188 164

HSL 30, 0.36%, 0.74%

LAB 77.66, 4.78, 15.27

 

CMYK 0 / 16 / 31 / 13

HEX #DFBB9A

RGB 223 187 154

HSL 28.7, 0.52%, 0.74%

LAB 78.21, 8.15, 21.53

 

CMYK 0 / 20 / 39 / 8

HEX #EABB8F

RGB 234 187 143

HSL 29.01, 0.68%, 0.74%

LAB 79.05, 11.11, 28.7

 

CMYK 0 / 23 / 46 / 4

HEX #F4BB84

RGB 244 187 132

HSL 29.46, 0.84%, 0.74%

LAB 79.86, 13.9, 35.72

 

CMYK 0 / 11 / 23 / 17

HEX #D4BCA4

RGB 212 188 164

HSL 30, 0.36%, 0.74%

LAB 77.66, 4.78, 15.27

 

CMYK 0 / 6 / 13 / 21

HEX #C9BCAF

RGB 201 188 175

HSL 30, 0.19%, 0.74%

LAB 76.97, 2.39, 8.21

 

CMYK 0 / 2 / 3 / 25

HEX #BFBCBA

RGB 191 188 186

HSL 24, 0.04%, 0.74%

LAB 76.43, 0.69, 1.37

 

CMYK 9 / 5 / 0 / 23

HEX #B4BCC5

RGB 180 188 197

HSL 211.76, 0.13%, 0.74%

LAB 75.89, -1, -5.5

 

CMYK 18 / 9 / 0 / 19

HEX #A9BDCF

RGB 169 189 207

HSL 208.42, 0.28%, 0.74%

LAB 75.66, -3.03, -11.35

 

CMYK 0 / 23 / 21 / 17

HEX #D4A4A7

RGB 212 164 167

HSL 356.25, 0.36%, 0.74%

LAB 71.78, 18.13, 5.27

 

CMYK 0 / 17 / 23 / 17

HEX #D4AFA4

RGB 212 175 164

HSL 13.75, 0.36%, 0.74%

LAB 74.41, 11.74, 10.67

 

CMYK 0 / 12 / 23 / 17

HEX #D4BBA4

RGB 212 187 164

HSL 28.75, 0.36%, 0.74%

LAB 77.41, 5.31, 14.91

 

CMYK 0 / 6 / 23 / 17

HEX #D4C8A4

RGB 212 200 164

HSL 45, 0.36%, 0.74%

LAB 80.73, -1.54, 19.54

 

CMYK 0 / 0 / 23 / 17

HEX #D3D4A4

RGB 211 212 164

HSL 61.25, 0.36%, 0.74%

LAB 83.77, -8.11, 23.71

 

CMYK 0 / 22 / 42 / 27

HEX #BA926C

RGB 186 146 108

HSL 29.23, 0.36%, 0.58%

LAB 63.41, 9.98, 25.88

 

CMYK 0 / 16 / 32 / 22

HEX #C7A788

RGB 199 167 136

HSL 29.52, 0.36%, 0.66%

LAB 70.56, 7.16, 20.41

 

CMYK 0 / 11 / 23 / 17

HEX #D4BCA4

RGB 212 188 164

HSL 30, 0.36%, 0.74%

LAB 77.66, 4.78, 15.27

 

CMYK 0 / 8 / 15 / 12

HEX #E1D0C0

RGB 225 208 192

HSL 29.09, 0.35%, 0.82%

LAB 84.45, 3.28, 10.06

 

CMYK 0 / 4 / 8 / 7

HEX #EEE5DC

RGB 238 229 220

HSL 30, 0.35%, 0.9%

LAB 91.41, 1.52, 5.46

 

CMYK 0 / 11 / 22 / 16

HEX #D5BDA6

RGB 213 189 166

HSL 29.36, 0.36%, 0.74%

LAB 78.05, 4.92, 14.74

 

CMYK 16 / 0 / 23 / 17

HEX #B3D4A4

RGB 179 212 164

HSL 101.25, 0.36%, 0.74%

LAB 81.48, -19.72, 20.21

 

CMYK 21 / 23 / 0 / 17

HEX #A8A4D4

RGB 168 164 212

HSL 245, 0.36%, 0.74%

LAB 69.2, 11.47, -23.85

 

CMYK 0 / 11 / 22 / 16

HEX #D5BDA6

RGB 213 189 166

HSL 29.36, 0.36%, 0.74%

LAB 78.05, 4.92, 14.74

 

CMYK 23 / 0 / 12 / 17

HEX #A4D4BB

RGB 164 212 187

HSL 148.75, 0.36%, 0.74%

LAB 81.05, -20.65, 7.29

 

CMYK 12 / 23 / 0 / 17

HEX #BBA4D4

RGB 187 164 212

HSL 268.75, 0.36%, 0.74%

LAB 70.78, 17.52, -21.3

 

CMYK 0 / 11 / 22 / 16

HEX #D5BDA6

RGB 213 189 166

HSL 29.36, 0.36%, 0.74%

LAB 78.05, 4.92, 14.74

 

CMYK 16 / 0 / 23 / 17

HEX #B3D4A4

RGB 179 212 164

HSL 101.25, 0.36%, 0.74%

LAB 81.48, -19.72, 20.21

 

CMYK 23 / 11 / 0 / 17

HEX #A4BDD4

RGB 164 189 212

HSL 208.75, 0.36%, 0.74%

LAB 75.48, -3.47, -14.37

 

CMYK 7 / 23 / 0 / 17

HEX #C5A4D4

RGB 197 164 212

HSL 281.25, 0.36%, 0.74%

LAB 71.67, 20.78, -19.86

 

CMYK 0 / 11 / 22 / 16

HEX #D5BDA6

RGB 213 189 166

HSL 29.36, 0.36%, 0.74%

LAB 78.05, 4.92, 14.74

 

CMYK 22 / 0 / 23 / 17

HEX #A5D4A4

RGB 165 212 164

HSL 118.75, 0.36%, 0.74%

LAB 80.61, -24.53, 18.86

 

CMYK 23 / 11 / 0 / 17

HEX #A4BDD4

RGB 164 189 212

HSL 208.75, 0.36%, 0.74%

LAB 75.48, -3.47, -14.37

 

CMYK 0 / 23 / 0 / 17

HEX #D3A4D4

RGB 211 164 212

HSL 298.75, 0.36%, 0.74%

LAB 72.99, 25.41, -17.74

 

Description

Color code: HEX #D5BDA6 | qconv.com Color code: HEX #D5BDA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 189 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 189 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 22 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 22% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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