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Color name
HEX #D5C4A8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5C4A8 it is the complementary color #2A3B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5C4A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5C4A8 shade: #DAC4A3, #EBD6B6, #FCE8C9, #FFFADC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5C4A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5C4A8 shade: #D5C4A8, #C4B295, #B3A082, #A28E6F and #917C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5C4A8 shade: #D5C4A8, #D5B8A8, #D5ACA8 and #D5A8A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5C4A8 shade: #D5C4A8, #D5D0A8, #CED5A8, #C2D5A8 and #B6D5A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5C4A8 shade matches the following richer shades: #D5C4A8, #DFC79E, #EAC994, #F4CC89 and #FECE7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5C4A8 shade: #D5C4A8, #CBC2B3, #C0BFBD, #B6BDC7 and #ACBAD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5C4A8 shade: #D5ACA8, #D5B8A8, #D5C4A8, #D5D0A8 and #CED5A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5C4A8 shade: #BA9E71, #C8B18D, #D5C4A8, #E2D7C4 and #F0EAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5C4A8 shade: #D5C4A8, #B1D5A8 and #B2A8D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5C4A8 shade: #D5C4A8, #A8D5C4 and #C4A8D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5C4A8 shade: #D5C4A8, #B1D5A8, #A8BAD5 and #CDA8D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5C4A8 shade: #D5C4A8, #A8D5AE, #A8BAD5 and #D5A8D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

Complementary color

CMYK 52 / 32 / 0 / 66

HEX #2A3B57

RGB 42 59 87

HSL 217.33, 0.35%, 0.25%

LAB 24.67, 2.03, -18.98

 

CMYK 0 / 10 / 25 / 15

HEX #DAC4A3

RGB 218 196 163

HSL 36, 0.43%, 0.75%

LAB 80.2, 2.68, 19.41

 

CMYK 0 / 9 / 23 / 8

HEX #EBD6B6

RGB 235 214 182

HSL 36.23, 0.57%, 0.82%

LAB 86.57, 2.33, 18.45

 

CMYK 0 / 8 / 20 / 1

HEX #FCE8C9

RGB 252 232 201

HSL 36.47, 0.89%, 0.89%

LAB 92.85, 2, 17.55

 

CMYK 0 / 2 / 14 / 0

HEX #FFFADC

RGB 255 250 220

HSL 51.43, 1%, 0.93%

LAB 97.95, -3.22, 14.99

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 0 / 9 / 24 / 23

HEX #C4B295

RGB 196 178 149

HSL 37.02, 0.28%, 0.68%

LAB 73.38, 1.85, 17.18

 

CMYK 0 / 11 / 27 / 30

HEX #B3A082

RGB 179 160 130

HSL 36.73, 0.24%, 0.61%

LAB 66.78, 2.24, 18.2

 

CMYK 0 / 12 / 31 / 36

HEX #A28E6F

RGB 162 142 111

HSL 36.47, 0.22%, 0.54%

LAB 60.05, 2.68, 19.29

 

CMYK 0 / 14 / 37 / 43

HEX #917C5C

RGB 145 124 92

HSL 36.23, 0.22%, 0.46%

LAB 53.18, 3.22, 20.48

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 0 / 14 / 21 / 16

HEX #D5B8A8

RGB 213 184 168

HSL 21.33, 0.35%, 0.75%

LAB 76.83, 7.88, 11.95

 

CMYK 0 / 19 / 21 / 16

HEX #D5ACA8

RGB 213 172 168

HSL 5.33, 0.35%, 0.75%

LAB 73.85, 14.32, 7.71

 

CMYK 0 / 21 / 21 / 16

HEX #D5A8A8

RGB 213 168 168

HSL 0, 0.35%, 0.75%

LAB 72.88, 16.49, 6.31

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 0 / 2 / 21 / 16

HEX #D5D0A8

RGB 213 208 168

HSL 53.33, 0.35%, 0.75%

LAB 82.96, -4.74, 20.52

 

CMYK 3 / 0 / 21 / 16

HEX #CED5A8

RGB 206 213 168

HSL 69.33, 0.35%, 0.75%

LAB 83.72, -9.89, 21.5

 

CMYK 9 / 0 / 21 / 16

HEX #C2D5A8

RGB 194 213 168

HSL 85.33, 0.35%, 0.75%

LAB 82.85, -14.26, 20.16

 

CMYK 15 / 0 / 21 / 16

HEX #B6D5A8

RGB 182 213 168

HSL 101.33, 0.35%, 0.75%

LAB 82.03, -18.52, 18.9

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 0 / 11 / 29 / 13

HEX #DFC79E

RGB 223 199 158

HSL 37.85, 0.5%, 0.75%

LAB 81.29, 2.34, 23.64

 

CMYK 0 / 14 / 37 / 8

HEX #EAC994

RGB 234 201 148

HSL 36.98, 0.67%, 0.75%

LAB 82.6, 4.33, 30.81

 

CMYK 0 / 16 / 44 / 4

HEX #F4CC89

RGB 244 204 137

HSL 37.57, 0.83%, 0.75%

LAB 84.08, 5.52, 38.59

 

CMYK 0 / 19 / 50 / 0

HEX #FECE7F

RGB 254 206 127

HSL 37.32, 0.98%, 0.75%

LAB 85.38, 7.53, 45.45

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 0 / 4 / 12 / 20

HEX #CBC2B3

RGB 203 194 179

HSL 37.5, 0.19%, 0.75%

LAB 78.77, 0.59, 8.66

 

CMYK 0 / 1 / 2 / 25

HEX #C0BFBD

RGB 192 191 189

HSL 40, 0.02%, 0.75%

LAB 77.37, -0.01, 1.12

 

CMYK 9 / 5 / 0 / 22

HEX #B6BDC7

RGB 182 189 199

HSL 215.29, 0.13%, 0.75%

LAB 76.35, -0.46, -5.87

 

CMYK 18 / 11 / 0 / 18

HEX #ACBAD2

RGB 172 186 210

HSL 217.89, 0.3%, 0.75%

LAB 75.17, 0.19, -13.69

 

CMYK 0 / 19 / 21 / 16

HEX #D5ACA8

RGB 213 172 168

HSL 5.33, 0.35%, 0.75%

LAB 73.85, 14.32, 7.71

 

CMYK 0 / 14 / 21 / 16

HEX #D5B8A8

RGB 213 184 168

HSL 21.33, 0.35%, 0.75%

LAB 76.83, 7.88, 11.95

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 0 / 2 / 21 / 16

HEX #D5D0A8

RGB 213 208 168

HSL 53.33, 0.35%, 0.75%

LAB 82.96, -4.74, 20.52

 

CMYK 3 / 0 / 21 / 16

HEX #CED5A8

RGB 206 213 168

HSL 69.33, 0.35%, 0.75%

LAB 83.72, -9.89, 21.5

 

CMYK 0 / 15 / 39 / 27

HEX #BA9E71

RGB 186 158 113

HSL 36.99, 0.35%, 0.59%

LAB 66.58, 3.97, 27.35

 

CMYK 0 / 12 / 30 / 22

HEX #C8B18D

RGB 200 177 141

HSL 36.61, 0.35%, 0.67%

LAB 73.32, 2.83, 21.48

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 0 / 5 / 13 / 11

HEX #E2D7C4

RGB 226 215 196

HSL 38, 0.34%, 0.83%

LAB 86.38, 0.63, 10.72

 

CMYK 0 / 3 / 7 / 6

HEX #F0EAE0

RGB 240 234 224

HSL 37.5, 0.35%, 0.91%

LAB 92.91, 0.32, 5.56

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 17 / 0 / 21 / 16

HEX #B1D5A8

RGB 177 213 168

HSL 108, 0.35%, 0.75%

LAB 81.71, -20.26, 18.39

 

CMYK 16 / 21 / 0 / 16

HEX #B2A8D5

RGB 178 168 213

HSL 253.33, 0.35%, 0.75%

LAB 71.06, 12.62, -21.5

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C4

RGB 168 213 196

HSL 157.33, 0.35%, 0.75%

LAB 81.78, -18.1, 3.58

 

CMYK 8 / 21 / 0 / 16

HEX #C4A8D5

RGB 196 168 213

HSL 277.33, 0.35%, 0.75%

LAB 72.59, 18.45, -19.03

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 17 / 0 / 21 / 16

HEX #B1D5A8

RGB 177 213 168

HSL 108, 0.35%, 0.75%

LAB 81.71, -20.26, 18.39

 

CMYK 21 / 13 / 0 / 16

HEX #A8BAD5

RGB 168 186 213

HSL 216, 0.35%, 0.75%

LAB 74.98, -0.4, -15.63

 

CMYK 4 / 21 / 0 / 16

HEX #CDA8D5

RGB 205 168 213

HSL 289.33, 0.35%, 0.75%

LAB 73.41, 21.42, -17.71

 

CMYK 0 / 8 / 21 / 16

HEX #D5C4A8

RGB 213 196 168

HSL 37.33, 0.35%, 0.75%

LAB 79.87, 1.51, 16.23

 

CMYK 21 / 0 / 18 / 16

HEX #A8D5AE

RGB 168 213 174

HSL 128, 0.35%, 0.75%

LAB 81.27, -22.27, 14.54

 

CMYK 21 / 13 / 0 / 16

HEX #A8BAD5

RGB 168 186 213

HSL 216, 0.35%, 0.75%

LAB 74.98, -0.4, -15.63

 

CMYK 0 / 21 / 2 / 16

HEX #D5A8D0

RGB 213 168 208

HSL 306.67, 0.35%, 0.75%

LAB 74, 23.16, -14.01

 

Description

Color code: HEX #D5C4A8 | qconv.com Color code: HEX #D5C4A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 196 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 196 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 21 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 21% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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