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Color name
HEX #D5C79A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5C79A it is the complementary color #2A3865. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5C79A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5C79A shade: #DAC795, #EBD9A8, #FCEBBB, #FFFDCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5C79A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5C79A shade: #D5C79A, #C4B587, #B3A374, #A29161 and #917F4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5C79A shade: #D4C69A, #D4B79A, #D4A79A and #D49A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5C79A shade: #D4C69A, #D2D49A, #C3D49A, #B3D49A and #A3D49A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5C79A shade matches the following richer shades: #D4C69A, #E0CD8E, #EBD383 and #F7D977

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5C79A shade: #D4C69A, #C9C0A5, #BDBAB1, #B2B4BC and #A6AEC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5C79A shade: #D4A79A, #D4B69A, #D4C69A, #D3D49A and #C4D49A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5C79A shade: #BCA660, #C8B67D, #D4C69A, #E1D7B7 and #EDE7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5C79A shade: #D5C79A, #9DD49A and #AE9AD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5C79A shade: #D5C79A, #9AD4C6 and #C69AD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5C79A shade: #D5C79A, #9DD49A, #9AA8D4 and #D19AD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5C79A shade: #D5C79A, #9AD4A8, #9AA8D4 and #D49AC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 28 / 16

HEX #D5C79A

RGB 213 199 154

HSL 45.76, 0.41%, 0.72%

LAB 80.36, -2.02, 24.34

 

Complementary color

CMYK 58 / 45 / 0 / 60

HEX #2A3865

RGB 42 56 101

HSL 225.76, 0.41%, 0.28%

LAB 24.51, 9.13, -28.34

 

CMYK 0 / 9 / 32 / 15

HEX #DAC795

RGB 218 199 149

HSL 43.48, 0.48%, 0.72%

LAB 80.7, -0.74, 27.49

 

CMYK 0 / 8 / 29 / 8

HEX #EBD9A8

RGB 235 217 168

HSL 43.88, 0.63%, 0.79%

LAB 87.05, -1.11, 26.43

 

CMYK 0 / 7 / 26 / 1

HEX #FCEBBB

RGB 252 235 187

HSL 44.31, 0.92%, 0.86%

LAB 93.32, -1.45, 25.42

 

CMYK 0 / 1 / 19 / 0

HEX #FFFDCE

RGB 255 253 206

HSL 57.55, 1%, 0.9%

LAB 98.42, -6.78, 22.79

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 7 / 28 / 16

HEX #D5C79A

RGB 213 199 154

HSL 45.76, 0.41%, 0.72%

LAB 80.36, -2.02, 24.34

 

CMYK 0 / 8 / 31 / 23

HEX #C4B587

RGB 196 181 135

HSL 45.25, 0.34%, 0.65%

LAB 73.89, -1.66, 25.42

 

CMYK 0 / 9 / 35 / 30

HEX #B3A374

RGB 179 163 116

HSL 44.76, 0.29%, 0.58%

LAB 67.31, -1.24, 26.56

 

CMYK 0 / 10 / 40 / 36

HEX #A29161

RGB 162 145 97

HSL 44.31, 0.26%, 0.51%

LAB 60.6, -0.75, 27.79

 

CMYK 0 / 12 / 46 / 43

HEX #917F4E

RGB 145 127 78

HSL 43.88, 0.3%, 0.44%

LAB 53.76, -0.14, 29.09

 

CMYK 0 / 7 / 27 / 17

HEX #D4C69A

RGB 212 198 154

HSL 45.52, 0.4%, 0.72%

LAB 80.02, -1.88, 23.86

 

CMYK 0 / 14 / 27 / 17

HEX #D4B79A

RGB 212 183 154

HSL 30, 0.4%, 0.72%

LAB 76.19, 6.03, 18.6

 

CMYK 0 / 21 / 27 / 17

HEX #D4A79A

RGB 212 167 154

HSL 13.45, 0.4%, 0.72%

LAB 72.21, 14.63, 13.03

 

CMYK 0 / 27 / 27 / 17

HEX #D49A9A

RGB 212 154 154

HSL 0, 0.4%, 0.72%

LAB 69.07, 21.68, 8.58

 

CMYK 0 / 7 / 27 / 17

HEX #D4C69A

RGB 212 198 154

HSL 45.52, 0.4%, 0.72%

LAB 80.02, -1.88, 23.86

 

CMYK 1 / 0 / 27 / 17

HEX #D2D49A

RGB 210 212 154

HSL 62.07, 0.4%, 0.72%

LAB 83.51, -9.85, 28.55

 

CMYK 8 / 0 / 27 / 17

HEX #C3D49A

RGB 195 212 154

HSL 77.59, 0.4%, 0.72%

LAB 82.39, -15.47, 26.86

 

CMYK 16 / 0 / 27 / 17

HEX #B3D49A

RGB 179 212 154

HSL 94.14, 0.4%, 0.72%

LAB 81.29, -21.29, 25.19

 

CMYK 23 / 0 / 27 / 17

HEX #A3D49A

RGB 163 212 154

HSL 110.69, 0.4%, 0.72%

LAB 80.3, -26.88, 23.66

 

CMYK 0 / 7 / 27 / 17

HEX #D4C69A

RGB 212 198 154

HSL 45.52, 0.4%, 0.72%

LAB 80.02, -1.88, 23.86

 

CMYK 0 / 8 / 37 / 12

HEX #E0CD8E

RGB 224 205 142

HSL 46.1, 0.57%, 0.72%

LAB 82.63, -2.35, 33.8

 

CMYK 0 / 10 / 44 / 8

HEX #EBD383

RGB 235 211 131

HSL 46.15, 0.72%, 0.72%

LAB 84.94, -2.27, 42.55

 

CMYK 0 / 12 / 52 / 3

HEX #F7D977

RGB 247 217 119

HSL 45.94, 0.89%, 0.72%

LAB 87.35, -1.61, 51.62

 

CMYK 0 / 7 / 27 / 17

HEX #D4C69A

RGB 212 198 154

HSL 45.52, 0.4%, 0.72%

LAB 80.02, -1.88, 23.86

 

CMYK 0 / 4 / 18 / 21

HEX #C9C0A5

RGB 201 192 165

HSL 45, 0.25%, 0.72%

LAB 77.78, -1.31, 14.75

 

CMYK 0 / 2 / 6 / 26

HEX #BDBAB1

RGB 189 186 177

HSL 45, 0.08%, 0.72%

LAB 75.52, -0.56, 4.92

 

CMYK 5 / 4 / 0 / 26

HEX #B2B4BC

RGB 178 180 188

HSL 228, 0.07%, 0.72%

LAB 73.38, 0.84, -4.31

 

CMYK 17 / 13 / 0 / 22

HEX #A6AEC8

RGB 166 174 200

HSL 225.88, 0.24%, 0.72%

LAB 71.25, 2.6, -14.16

 

CMYK 0 / 21 / 27 / 17

HEX #D4A79A

RGB 212 167 154

HSL 13.45, 0.4%, 0.72%

LAB 72.21, 14.63, 13.03

 

CMYK 0 / 14 / 27 / 17

HEX #D4B69A

RGB 212 182 154

HSL 28.97, 0.4%, 0.72%

LAB 75.94, 6.57, 18.25

 

CMYK 0 / 7 / 27 / 17

HEX #D4C69A

RGB 212 198 154

HSL 45.52, 0.4%, 0.72%

LAB 80.02, -1.88, 23.86

 

CMYK 0 / 0 / 27 / 17

HEX #D3D49A

RGB 211 212 154

HSL 61.03, 0.4%, 0.72%

LAB 83.58, -9.48, 28.67

 

CMYK 8 / 0 / 27 / 17

HEX #C4D49A

RGB 196 212 154

HSL 76.55, 0.4%, 0.72%

LAB 82.46, -15.1, 26.97

 

CMYK 0 / 12 / 49 / 26

HEX #BCA660

RGB 188 166 96

HSL 45.65, 0.41%, 0.56%

LAB 68.61, -1.32, 38.97

 

CMYK 0 / 9 / 38 / 22

HEX #C8B67D

RGB 200 182 125

HSL 45.6, 0.41%, 0.64%

LAB 74.33, -1.83, 31.37

 

CMYK 0 / 7 / 27 / 17

HEX #D4C69A

RGB 212 198 154

HSL 45.52, 0.4%, 0.72%

LAB 80.02, -1.88, 23.86

 

CMYK 0 / 4 / 19 / 12

HEX #E1D7B7

RGB 225 215 183

HSL 45.71, 0.41%, 0.8%

LAB 86.02, -1.73, 17.04

 

CMYK 0 / 3 / 11 / 7

HEX #EDE7D4

RGB 237 231 212

HSL 45.6, 0.41%, 0.88%

LAB 91.64, -1.16, 9.96

 

CMYK 0 / 7 / 28 / 16

HEX #D5C79A

RGB 213 199 154

HSL 45.76, 0.41%, 0.72%

LAB 80.36, -2.02, 24.34

 

CMYK 26 / 0 / 27 / 17

HEX #9DD49A

RGB 157 212 154

HSL 116.9, 0.4%, 0.72%

LAB 79.95, -28.9, 23.13

 

CMYK 18 / 27 / 0 / 17

HEX #AE9AD4

RGB 174 154 212

HSL 260.69, 0.4%, 0.72%

LAB 67.17, 18.96, -26.92

 

CMYK 0 / 7 / 28 / 16

HEX #D5C79A

RGB 213 199 154

HSL 45.76, 0.41%, 0.72%

LAB 80.36, -2.02, 24.34

 

CMYK 27 / 0 / 7 / 17

HEX #9AD4C6

RGB 154 212 198

HSL 165.52, 0.4%, 0.72%

LAB 80.76, -21.5, 0.92

 

CMYK 7 / 27 / 0 / 17

HEX #C69AD4

RGB 198 154 212

HSL 285.52, 0.4%, 0.72%

LAB 69.38, 26.62, -23.35

 

CMYK 0 / 7 / 28 / 16

HEX #D5C79A

RGB 213 199 154

HSL 45.76, 0.41%, 0.72%

LAB 80.36, -2.02, 24.34

 

CMYK 26 / 0 / 27 / 17

HEX #9DD49A

RGB 157 212 154

HSL 116.9, 0.4%, 0.72%

LAB 79.95, -28.9, 23.13

 

CMYK 27 / 21 / 0 / 17

HEX #9AA8D4

RGB 154 168 212

HSL 225.52, 0.4%, 0.72%

LAB 69.2, 4.96, -23.94

 

CMYK 1 / 27 / 0 / 17

HEX #D19AD4

RGB 209 154 212

HSL 296.9, 0.4%, 0.72%

LAB 70.47, 30.2, -21.58

 

CMYK 0 / 7 / 28 / 16

HEX #D5C79A

RGB 213 199 154

HSL 45.76, 0.41%, 0.72%

LAB 80.36, -2.02, 24.34

 

CMYK 27 / 0 / 21 / 17

HEX #9AD4A8

RGB 154 212 168

HSL 134.48, 0.4%, 0.72%

LAB 80.06, -27.44, 15.88

 

CMYK 27 / 21 / 0 / 17

HEX #9AA8D4

RGB 154 168 212

HSL 225.52, 0.4%, 0.72%

LAB 69.2, 4.96, -23.94

 

CMYK 0 / 27 / 7 / 17

HEX #D49AC6

RGB 212 154 198

HSL 314.48, 0.4%, 0.72%

LAB 70.31, 28.64, -14.06

 

Description

Color code: HEX #D5C79A | qconv.com Color code: HEX #D5C79A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 199 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 199 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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