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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5C294 it is the complementary color #2A3D6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5C294. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5C294 shade: #DAC28F, #EBD4A2, #FCE6B5, #FFF8C8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5C294. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5C294 shade: #D5C294, #C4B081, #B39E6E, #A28C5B and #917A48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5C294 shade: #D5C294, #D5B194, #D59F94 and #D59494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5C294 shade: #D5C294, #D5D494, #C5D594, #B3D594 and #A2D594

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5C294 shade matches the following richer shades: #D5C294, #E1C788, #EDCC7C and #F9D170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5C294 shade: #D5C294, #C9BDA0, #BDB8AC, #B1B3B8 and #A5AEC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5C294 shade: #D59F94, #D5B094, #D5C294, #D5D394 and #C6D594

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5C294 shade: #BEA059, #CAB176, #D5C294, #E1D3B2 and #ECE4CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5C294 shade: #D5C294, #9BD594 and #A894D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5C294 shade: #D5C294, #94D5C2 and #C294D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5C294 shade: #D5C294, #9BD594, #94A8D5 and #CF94D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5C294 shade: #D5C294, #94D5A1, #94A8D5 and #D594C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

Complementary color

CMYK 61 / 43 / 0 / 58

HEX #2A3D6B

RGB 42 61 107

HSL 222.46, 0.44%, 0.29%

LAB 26.42, 7.89, -29.17

 

CMYK 0 / 11 / 34 / 15

HEX #DAC28F

RGB 218 194 143

HSL 40.8, 0.5%, 0.71%

LAB 79.31, 1.14, 28.79

 

CMYK 0 / 10 / 31 / 8

HEX #EBD4A2

RGB 235 212 162

HSL 41.1, 0.65%, 0.78%

LAB 85.68, 0.69, 27.69

 

CMYK 0 / 9 / 28 / 1

HEX #FCE6B5

RGB 252 230 181

HSL 41.41, 0.92%, 0.85%

LAB 91.96, 0.3, 26.64

 

CMYK 0 / 3 / 22 / 0

HEX #FFF8C8

RGB 255 248 200

HSL 52.36, 1%, 0.89%

LAB 97.05, -5.13, 23.95

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 0 / 10 / 34 / 23

HEX #C4B081

RGB 196 176 129

HSL 42.09, 0.36%, 0.64%

LAB 72.48, 0.24, 26.73

 

CMYK 0 / 12 / 39 / 30

HEX #B39E6E

RGB 179 158 110

HSL 41.74, 0.31%, 0.57%

LAB 65.88, 0.74, 27.92

 

CMYK 0 / 14 / 44 / 36

HEX #A28C5B

RGB 162 140 91

HSL 41.41, 0.28%, 0.5%

LAB 59.15, 1.33, 29.19

 

CMYK 0 / 16 / 50 / 43

HEX #917A48

RGB 145 122 72

HSL 41.1, 0.34%, 0.43%

LAB 52.29, 2.06, 30.54

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 0 / 17 / 31 / 16

HEX #D5B194

RGB 213 177 148

HSL 26.77, 0.44%, 0.71%

LAB 74.65, 8.82, 19.72

 

CMYK 0 / 25 / 31 / 16

HEX #D59F94

RGB 213 159 148

HSL 10.15, 0.44%, 0.71%

LAB 70.23, 18.54, 13.57

 

CMYK 0 / 31 / 31 / 16

HEX #D59494

RGB 213 148 148

HSL 0, 0.44%, 0.71%

LAB 67.62, 24.5, 9.89

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 0 / 0 / 31 / 16

HEX #D5D494

RGB 213 212 148

HSL 59.08, 0.44%, 0.71%

LAB 83.64, -9.48, 31.87

 

CMYK 8 / 0 / 31 / 16

HEX #C5D594

RGB 197 213 148

HSL 74.77, 0.44%, 0.71%

LAB 82.7, -16.05, 30.41

 

CMYK 16 / 0 / 31 / 16

HEX #B3D594

RGB 179 213 148

HSL 91.38, 0.44%, 0.71%

LAB 81.46, -22.67, 28.54

 

CMYK 24 / 0 / 31 / 16

HEX #A2D594

RGB 162 213 148

HSL 107.08, 0.44%, 0.71%

LAB 80.41, -28.65, 26.94

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 0 / 12 / 40 / 12

HEX #E1C788

RGB 225 199 136

HSL 42.47, 0.6%, 0.71%

LAB 81.09, 0.48, 34.89

 

CMYK 0 / 14 / 48 / 7

HEX #EDCC7C

RGB 237 204 124

HSL 42.48, 0.76%, 0.71%

LAB 83.26, 1.46, 43.96

 

CMYK 0 / 16 / 55 / 2

HEX #F9D170

RGB 249 209 112

HSL 42.48, 0.92%, 0.71%

LAB 85.46, 2.72, 52.74

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 0 / 6 / 20 / 21

HEX #C9BDA0

RGB 201 189 160

HSL 42.44, 0.28%, 0.71%

LAB 76.89, -0.49, 16.2

 

CMYK 0 / 3 / 9 / 26

HEX #BDB8AC

RGB 189 184 172

HSL 42.35, 0.11%, 0.71%

LAB 74.87, -0.35, 6.71

 

CMYK 4 / 3 / 0 / 28

HEX #B1B3B8

RGB 177 179 184

HSL 222.86, 0.05%, 0.71%

LAB 72.92, 0.26, -2.79

 

CMYK 16 / 11 / 0 / 23

HEX #A5AEC4

RGB 165 174 196

HSL 222.58, 0.21%, 0.71%

LAB 71.05, 1.41, -12.27

 

CMYK 0 / 25 / 31 / 16

HEX #D59F94

RGB 213 159 148

HSL 10.15, 0.44%, 0.71%

LAB 70.23, 18.54, 13.57

 

CMYK 0 / 17 / 31 / 16

HEX #D5B094

RGB 213 176 148

HSL 25.85, 0.44%, 0.71%

LAB 74.4, 9.36, 19.38

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 0 / 1 / 31 / 16

HEX #D5D394

RGB 213 211 148

HSL 58.15, 0.44%, 0.71%

LAB 83.38, -8.98, 31.52

 

CMYK 7 / 0 / 31 / 16

HEX #C6D594

RGB 198 213 148

HSL 73.85, 0.44%, 0.71%

LAB 82.77, -15.68, 30.52

 

CMYK 0 / 16 / 53 / 25

HEX #BEA059

RGB 190 160 89

HSL 42.18, 0.44%, 0.55%

LAB 67.13, 2.11, 40.78

 

CMYK 0 / 12 / 42 / 21

HEX #CAB176

RGB 202 177 118

HSL 42.14, 0.44%, 0.63%

LAB 73.09, 0.84, 33.47

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 0 / 6 / 21 / 12

HEX #E1D3B2

RGB 225 211 178

HSL 42.13, 0.44%, 0.79%

LAB 84.9, -0.39, 18.1

 

CMYK 0 / 3 / 12 / 7

HEX #ECE4CF

RGB 236 228 207

HSL 43.45, 0.43%, 0.87%

LAB 90.7, -0.77, 11.21

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 27 / 0 / 31 / 16

HEX #9BD594

RGB 155 213 148

HSL 113.54, 0.44%, 0.71%

LAB 80.01, -31.01, 26.33

 

CMYK 21 / 31 / 0 / 16

HEX #A894D5

RGB 168 148 213

HSL 258.46, 0.44%, 0.71%

LAB 65.21, 20.72, -30.55

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 31 / 0 / 9 / 16

HEX #94D5C2

RGB 148 213 194

HSL 162.46, 0.44%, 0.71%

LAB 80.62, -24.61, 2.81

 

CMYK 9 / 31 / 0 / 16

HEX #C294D5

RGB 194 148 213

HSL 282.46, 0.44%, 0.71%

LAB 67.62, 28.85, -26.64

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 27 / 0 / 31 / 16

HEX #9BD594

RGB 155 213 148

HSL 113.54, 0.44%, 0.71%

LAB 80.01, -31.01, 26.33

 

CMYK 31 / 21 / 0 / 16

HEX #94A8D5

RGB 148 168 213

HSL 221.54, 0.44%, 0.71%

LAB 68.83, 3.43, -25.1

 

CMYK 3 / 31 / 0 / 16

HEX #CF94D5

RGB 207 148 213

HSL 294.46, 0.44%, 0.71%

LAB 68.93, 33, -24.5

 

CMYK 0 / 9 / 31 / 16

HEX #D5C294

RGB 213 194 148

HSL 42.46, 0.44%, 0.71%

LAB 78.97, -0.19, 25.61

 

CMYK 31 / 0 / 24 / 16

HEX #94D5A1

RGB 148 213 161

HSL 132, 0.44%, 0.71%

LAB 79.87, -31.08, 19.27

 

CMYK 31 / 21 / 0 / 16

HEX #94A8D5

RGB 148 168 213

HSL 221.54, 0.44%, 0.71%

LAB 68.83, 3.43, -25.1

 

CMYK 0 / 31 / 6 / 16

HEX #D594C8

RGB 213 148 200

HSL 312, 0.44%, 0.71%

LAB 69.11, 32.58, -16.97

 

Description

Color code: HEX #D5C294 | qconv.com Color code: HEX #D5C294 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 194 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 194 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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