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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5CCB8 it is the complementary color #2A3347. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5CCB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5CCB8 shade: #DACCB3, #EBDEC6, #FCF0D9, #FFFFEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5CCB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5CCB8 shade: #D5CCB8, #C4BAA5, #B3A892, #A2967F and #91846C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5CCB8 shade: #D5CCB8, #D5C4B8, #D5BCB8 and #D5B8B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5CCB8 shade: #D5CCB8, #D5D4B8, #CED5B8, #C6D5B8 and #BFD5B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5CCB8 shade matches the following richer shades: #D5CCB8, #DECFAF, #E7D3A6, #F0D69D and #F9DA94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5CCB8 shade: #D5CCB8, #CCC8C1, #C3C5CA, #BAC2D3 and #B1BEDC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5CCB8 shade: #D5BCB8, #D5C4B8, #D5CCB8, #D5D4B8 and #CFD5B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5CCB8 shade: #B6A784, #C6B99E, #D5CCB8, #E4DFD2 and #F4F1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5CCB8 shade: #D5CCB8, #BBD5B8 and #C0B8D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5CCB8 shade: #D5CCB8, #B8D5CC and #CCB8D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5CCB8 shade: #D5CCB8, #BBD5B8, #B8C1D5 and #D2B8D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5CCB8 shade: #D5CCB8, #B8D5BD, #B8C1D5 and #D5B8D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

Complementary color

CMYK 41 / 28 / 0 / 72

HEX #2A3347

RGB 42 51 71

HSL 221.38, 0.26%, 0.22%

LAB 21.26, 2.1, -13.63

 

CMYK 0 / 6 / 18 / 15

HEX #DACCB3

RGB 218 204 179

HSL 38.46, 0.35%, 0.78%

LAB 82.56, 0.81, 14.21

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC6

RGB 235 222 198

HSL 38.92, 0.48%, 0.85%

LAB 88.91, 0.55, 13.36

 

CMYK 0 / 5 / 14 / 1

HEX #FCF0D9

RGB 252 240 217

HSL 39.43, 0.85%, 0.92%

LAB 95.17, 0.31, 12.55

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 0 / 5 / 16 / 23

HEX #C4BAA5

RGB 196 186 165

HSL 40.65, 0.21%, 0.71%

LAB 75.8, 0, 11.91

 

CMYK 0 / 6 / 18 / 30

HEX #B3A892

RGB 179 168 146

HSL 40, 0.18%, 0.64%

LAB 69.23, 0.26, 12.8

 

CMYK 0 / 7 / 22 / 36

HEX #A2967F

RGB 162 150 127

HSL 39.43, 0.16%, 0.57%

LAB 62.53, 0.56, 13.74

 

CMYK 0 / 9 / 26 / 43

HEX #91846C

RGB 145 132 108

HSL 38.92, 0.15%, 0.5%

LAB 55.69, 0.91, 14.76

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 0 / 8 / 14 / 16

HEX #D5C4B8

RGB 213 196 184

HSL 24.83, 0.26%, 0.78%

LAB 80.23, 3.97, 8.17

 

CMYK 0 / 12 / 14 / 16

HEX #D5BCB8

RGB 213 188 184

HSL 8.28, 0.26%, 0.78%

LAB 78.21, 8.22, 5.27

 

CMYK 0 / 14 / 14 / 16

HEX #D5B8B8

RGB 213 184 184

HSL 0, 0.26%, 0.78%

LAB 77.21, 10.36, 3.83

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 0 / 0 / 14 / 16

HEX #D5D4B8

RGB 213 212 184

HSL 57.93, 0.26%, 0.78%

LAB 84.33, -4.39, 13.99

 

CMYK 3 / 0 / 14 / 16

HEX #CED5B8

RGB 206 213 184

HSL 74.48, 0.26%, 0.78%

LAB 84.05, -7.42, 13.53

 

CMYK 7 / 0 / 14 / 16

HEX #C6D5B8

RGB 198 213 184

HSL 91.03, 0.26%, 0.78%

LAB 83.47, -10.25, 12.63

 

CMYK 10 / 0 / 14 / 16

HEX #BFD5B8

RGB 191 213 184

HSL 105.52, 0.26%, 0.78%

LAB 82.98, -12.7, 11.86

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 0 / 7 / 21 / 13

HEX #DECFAF

RGB 222 207 175

HSL 40.85, 0.42%, 0.78%

LAB 83.57, 0.14, 17.8

 

CMYK 0 / 9 / 28 / 9

HEX #E7D3A6

RGB 231 211 166

HSL 41.54, 0.58%, 0.78%

LAB 85.16, 0.2, 24.84

 

CMYK 0 / 11 / 35 / 6

HEX #F0D69D

RGB 240 214 157

HSL 41.2, 0.73%, 0.78%

LAB 86.53, 0.97, 31.48

 

CMYK 0 / 12 / 41 / 2

HEX #F9DA94

RGB 249 218 148

HSL 41.58, 0.89%, 0.78%

LAB 88.17, 1.41, 38.38

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 0 / 2 / 5 / 20

HEX #CCC8C1

RGB 204 200 193

HSL 38.18, 0.1%, 0.78%

LAB 80.74, 0.15, 3.98

 

CMYK 3 / 2 / 0 / 21

HEX #C3C5CA

RGB 195 197 202

HSL 222.86, 0.06%, 0.78%

LAB 79.5, 0.25, -2.75

 

CMYK 12 / 8 / 0 / 17

HEX #BAC2D3

RGB 186 194 211

HSL 220.8, 0.22%, 0.78%

LAB 78.3, 0.62, -9.44

 

CMYK 20 / 14 / 0 / 14

HEX #B1BEDC

RGB 177 190 220

HSL 221.86, 0.38%, 0.78%

LAB 76.89, 1.81, -16.49

 

CMYK 0 / 12 / 14 / 16

HEX #D5BCB8

RGB 213 188 184

HSL 8.28, 0.26%, 0.78%

LAB 78.21, 8.22, 5.27

 

CMYK 0 / 8 / 14 / 16

HEX #D5C4B8

RGB 213 196 184

HSL 24.83, 0.26%, 0.78%

LAB 80.23, 3.97, 8.17

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 0 / 0 / 14 / 16

HEX #D5D4B8

RGB 213 212 184

HSL 57.93, 0.26%, 0.78%

LAB 84.33, -4.39, 13.99

 

CMYK 3 / 0 / 14 / 16

HEX #CFD5B8

RGB 207 213 184

HSL 72.41, 0.26%, 0.78%

LAB 84.13, -7.06, 13.65

 

CMYK 0 / 8 / 27 / 29

HEX #B6A784

RGB 182 167 132

HSL 42, 0.26%, 0.62%

LAB 68.93, -0.1, 20.1

 

CMYK 0 / 7 / 20 / 22

HEX #C6B99E

RGB 198 185 158

HSL 40.5, 0.26%, 0.7%

LAB 75.56, 0.2, 15.37

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 0 / 2 / 8 / 11

HEX #E4DFD2

RGB 228 223 210

HSL 43.33, 0.25%, 0.86%

LAB 88.89, -0.53, 6.96

 

CMYK 0 / 1 / 3 / 4

HEX #F4F1EC

RGB 244 241 236

HSL 37.5, 0.27%, 0.94%

LAB 95.25, 0.14, 2.75

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 12 / 0 / 14 / 16

HEX #BBD5B8

RGB 187 213 184

HSL 113.79, 0.26%, 0.78%

LAB 82.71, -14.08, 11.44

 

CMYK 10 / 14 / 0 / 16

HEX #C0B8D5

RGB 192 184 213

HSL 256.55, 0.26%, 0.78%

LAB 76.25, 8.39, -13.55

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 14 / 0 / 4 / 16

HEX #B8D5CC

RGB 184 213 204

HSL 161.38, 0.26%, 0.78%

LAB 82.99, -11.38, 1.19

 

CMYK 4 / 14 / 0 / 16

HEX #CCB8D5

RGB 204 184 213

HSL 281.38, 0.26%, 0.78%

LAB 77.23, 12.38, -11.97

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 12 / 0 / 14 / 16

HEX #BBD5B8

RGB 187 213 184

HSL 113.79, 0.26%, 0.78%

LAB 82.71, -14.08, 11.44

 

CMYK 14 / 9 / 0 / 16

HEX #B8C1D5

RGB 184 193 213

HSL 221.38, 0.26%, 0.78%

LAB 77.95, 0.92, -11.06

 

CMYK 1 / 14 / 0 / 16

HEX #D2B8D5

RGB 210 184 213

HSL 293.79, 0.26%, 0.78%

LAB 77.75, 14.4, -11.14

 

CMYK 0 / 4 / 14 / 16

HEX #D5CCB8

RGB 213 204 184

HSL 41.38, 0.26%, 0.78%

LAB 82.27, -0.24, 11.08

 

CMYK 14 / 0 / 11 / 16

HEX #B8D5BD

RGB 184 213 189

HSL 130.34, 0.26%, 0.78%

LAB 82.62, -14.21, 8.64

 

CMYK 14 / 9 / 0 / 16

HEX #B8C1D5

RGB 184 193 213

HSL 221.38, 0.26%, 0.78%

LAB 77.95, 0.92, -11.06

 

CMYK 0 / 14 / 2 / 16

HEX #D5B8D0

RGB 213 184 208

HSL 310.34, 0.26%, 0.78%

LAB 77.86, 14.5, -8.24

 

Description

Color code: HEX #D5CCB8 | qconv.com Color code: HEX #D5CCB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 204 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 204 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 14 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 14% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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