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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5D5BE it is the complementary color #2A2A41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5D5BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5D5BE shade: #DAD5B9, #EBE7CC, #FCF9DF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5D5BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5D5BE shade: #D5D5BE, #C4C3AB, #B3B198, #A29F85 and #918D72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5D5BE shade: #D4D4BE, #D4CEBE, #D4C8BE, #D4C2BE and #D4BEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5D5BE shade: #D4D4BE, #CED4BE, #C8D4BE, #C2D4BE and #BED4BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5D5BE shade matches the following richer shades: #D4D4BE, #DDDDB5, #E6E6AC, #EEEEA4 and #F7F79B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5D5BE shade: #D4D4BE, #CCCCC6, #C3C3CF, #BABAD8 and #B2B2E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5D5BE shade: #D4C8BE, #D4CEBE, #D4D4BE, #CED4BE and #C8D4BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5D5BE shade: #B4B48C, #C4C4A5, #D4D4BE, #E4E4D7 and #F5F5F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5D5BE shade: #D5D5BE, #BED4C2 and #CBBED4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5D5BE shade: #D5D5BE, #BED4D4 and #D4BED4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5D5BE shade: #D5D5BE, #BED4C2, #BEBED4 and #D4BED0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5D5BE shade: #D5D5BE, #BED4C9, #BEBED4 and #D4BEC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 11 / 16

HEX #D5D5BE

RGB 213 213 190

HSL 60, 0.21%, 0.79%

LAB 84.72, -3.95, 11.38

 

Complementary color

CMYK 35 / 35 / 0 / 75

HEX #2A2A41

RGB 42 42 65

HSL 240, 0.21%, 0.21%

LAB 18.05, 6.47, -14.52

 

CMYK 0 / 2 / 15 / 15

HEX #DAD5B9

RGB 218 213 185

HSL 50.91, 0.31%, 0.79%

LAB 84.99, -2.94, 14.46

 

CMYK 0 / 2 / 13 / 8

HEX #EBE7CC

RGB 235 231 204

HSL 52.26, 0.44%, 0.86%

LAB 91.31, -3.13, 13.63

 

CMYK 0 / 1 / 12 / 1

HEX #FCF9DF

RGB 252 249 223

HSL 53.79, 0.83%, 0.93%

LAB 97.54, -3.3, 12.84

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 0 / 0 / 11 / 16

HEX #D5D5BE

RGB 213 213 190

HSL 60, 0.21%, 0.79%

LAB 84.72, -3.95, 11.38

 

CMYK 0 / 1 / 13 / 23

HEX #C4C3AB

RGB 196 195 171

HSL 57.6, 0.17%, 0.72%

LAB 78.29, -3.79, 12.2

 

CMYK 0 / 1 / 15 / 30

HEX #B3B198

RGB 179 177 152

HSL 55.56, 0.15%, 0.65%

LAB 71.75, -3.62, 13.06

 

CMYK 0 / 2 / 18 / 36

HEX #A29F85

RGB 162 159 133

HSL 53.79, 0.13%, 0.58%

LAB 65.1, -3.43, 13.98

 

CMYK 0 / 3 / 21 / 43

HEX #918D72

RGB 145 141 114

HSL 52.26, 0.12%, 0.51%

LAB 58.31, -3.21, 14.97

 

CMYK 0 / 0 / 10 / 17

HEX #D4D4BE

RGB 212 212 190

HSL 60, 0.2%, 0.79%

LAB 84.38, -3.79, 10.89

 

CMYK 0 / 3 / 10 / 17

HEX #D4CEBE

RGB 212 206 190

HSL 43.64, 0.2%, 0.79%

LAB 82.84, -0.67, 8.68

 

CMYK 0 / 6 / 10 / 17

HEX #D4C8BE

RGB 212 200 190

HSL 27.27, 0.2%, 0.79%

LAB 81.3, 2.48, 6.48

 

CMYK 0 / 8 / 10 / 17

HEX #D4C2BE

RGB 212 194 190

HSL 10.91, 0.2%, 0.79%

LAB 79.78, 5.65, 4.29

 

CMYK 0 / 10 / 10 / 17

HEX #D4BEBE

RGB 212 190 190

HSL 0, 0.2%, 0.79%

LAB 78.78, 7.78, 2.83

 

CMYK 0 / 0 / 10 / 17

HEX #D4D4BE

RGB 212 212 190

HSL 60, 0.2%, 0.79%

LAB 84.38, -3.79, 10.89

 

CMYK 3 / 0 / 10 / 17

HEX #CED4BE

RGB 206 212 190

HSL 76.36, 0.2%, 0.79%

LAB 83.93, -5.91, 10.18

 

CMYK 6 / 0 / 10 / 17

HEX #C8D4BE

RGB 200 212 190

HSL 92.73, 0.2%, 0.79%

LAB 83.49, -8.02, 9.49

 

CMYK 8 / 0 / 10 / 17

HEX #C2D4BE

RGB 194 212 190

HSL 109.09, 0.2%, 0.79%

LAB 83.06, -10.1, 8.82

 

CMYK 10 / 0 / 10 / 17

HEX #BED4BF

RGB 190 212 191

HSL 122.73, 0.2%, 0.79%

LAB 82.8, -11.3, 7.89

 

CMYK 0 / 0 / 10 / 17

HEX #D4D4BE

RGB 212 212 190

HSL 60, 0.2%, 0.79%

LAB 84.38, -3.79, 10.89

 

CMYK 0 / 0 / 18 / 13

HEX #DDDDB5

RGB 221 221 181

HSL 60, 0.37%, 0.79%

LAB 87.2, -6.56, 19.69

 

CMYK 0 / 0 / 25 / 10

HEX #E6E6AC

RGB 230 230 172

HSL 60, 0.54%, 0.79%

LAB 90.04, -9.06, 28.36

 

CMYK 0 / 0 / 31 / 7

HEX #EEEEA4

RGB 238 238 164

HSL 60, 0.69%, 0.79%

LAB 92.58, -11.09, 35.92

 

CMYK 0 / 0 / 37 / 3

HEX #F7F79B

RGB 247 247 155

HSL 60, 0.85%, 0.79%

LAB 95.44, -13.16, 44.23

 

CMYK 0 / 0 / 10 / 17

HEX #D4D4BE

RGB 212 212 190

HSL 60, 0.2%, 0.79%

LAB 84.38, -3.79, 10.89

 

CMYK 0 / 0 / 3 / 20

HEX #CCCCC6

RGB 204 204 198

HSL 60, 0.06%, 0.79%

LAB 81.89, -1.08, 2.98

 

CMYK 6 / 6 / 0 / 19

HEX #C3C3CF

RGB 195 195 207

HSL 240, 0.11%, 0.79%

LAB 79.12, 2.27, -6

 

CMYK 14 / 14 / 0 / 15

HEX #BABAD8

RGB 186 186 216

HSL 240, 0.28%, 0.79%

LAB 76.38, 5.97, -15.02

 

CMYK 21 / 21 / 0 / 12

HEX #B2B2E0

RGB 178 178 224

HSL 240, 0.43%, 0.79%

LAB 73.99, 9.55, -23.04

 

CMYK 0 / 6 / 10 / 17

HEX #D4C8BE

RGB 212 200 190

HSL 27.27, 0.2%, 0.79%

LAB 81.3, 2.48, 6.48

 

CMYK 0 / 3 / 10 / 17

HEX #D4CEBE

RGB 212 206 190

HSL 43.64, 0.2%, 0.79%

LAB 82.84, -0.67, 8.68

 

CMYK 0 / 0 / 10 / 17

HEX #D4D4BE

RGB 212 212 190

HSL 60, 0.2%, 0.79%

LAB 84.38, -3.79, 10.89

 

CMYK 3 / 0 / 10 / 17

HEX #CED4BE

RGB 206 212 190

HSL 76.36, 0.2%, 0.79%

LAB 83.93, -5.91, 10.18

 

CMYK 6 / 0 / 10 / 17

HEX #C8D4BE

RGB 200 212 190

HSL 92.73, 0.2%, 0.79%

LAB 83.49, -8.02, 9.49

 

CMYK 0 / 0 / 22 / 29

HEX #B4B48C

RGB 180 180 140

HSL 60, 0.21%, 0.63%

LAB 72.39, -6.67, 20.47

 

CMYK 0 / 0 / 16 / 23

HEX #C4C4A5

RGB 196 196 165

HSL 60, 0.21%, 0.71%

LAB 78.42, -5.27, 15.6

 

CMYK 0 / 0 / 10 / 17

HEX #D4D4BE

RGB 212 212 190

HSL 60, 0.2%, 0.79%

LAB 84.38, -3.79, 10.89

 

CMYK 0 / 0 / 6 / 11

HEX #E4E4D7

RGB 228 228 215

HSL 60, 0.19%, 0.87%

LAB 90.27, -2.26, 6.33

 

CMYK 0 / 0 / 2 / 4

HEX #F5F5F0

RGB 245 245 240

HSL 60, 0.2%, 0.95%

LAB 96.41, -0.87, 2.39

 

CMYK 0 / 0 / 11 / 16

HEX #D5D5BE

RGB 213 213 190

HSL 60, 0.21%, 0.79%

LAB 84.72, -3.95, 11.38

 

CMYK 10 / 0 / 8 / 17

HEX #BED4C2

RGB 190 212 194

HSL 130.91, 0.2%, 0.79%

LAB 82.88, -10.76, 6.4

 

CMYK 4 / 10 / 0 / 17

HEX #CBBED4

RGB 203 190 212

HSL 275.45, 0.2%, 0.79%

LAB 78.62, 8.61, -9.36

 

CMYK 0 / 0 / 11 / 16

HEX #D5D5BE

RGB 213 213 190

HSL 60, 0.21%, 0.79%

LAB 84.72, -3.95, 11.38

 

CMYK 10 / 0 / 0 / 17

HEX #BED4D4

RGB 190 212 212

HSL 180, 0.2%, 0.79%

LAB 83.33, -7.34, -2.51

HEX #BED4D4

CMYK 0 / 10 / 0 / 17

HEX #D4BED4

RGB 212 190 212

HSL 300, 0.2%, 0.79%

LAB 79.37, 11.66, -8.17

HEX #D4BED4

CMYK 0 / 0 / 11 / 16

HEX #D5D5BE

RGB 213 213 190

HSL 60, 0.21%, 0.79%

LAB 84.72, -3.95, 11.38

 

CMYK 10 / 0 / 8 / 17

HEX #BED4C2

RGB 190 212 194

HSL 130.91, 0.2%, 0.79%

LAB 82.88, -10.76, 6.4

 

CMYK 10 / 10 / 0 / 17

HEX #BEBED4

RGB 190 190 212

HSL 240, 0.2%, 0.79%

LAB 77.6, 4.28, -11

 

CMYK 0 / 10 / 2 / 17

HEX #D4BED0

RGB 212 190 208

HSL 310.91, 0.2%, 0.79%

LAB 79.26, 10.93, -6.18

 

CMYK 0 / 0 / 11 / 16

HEX #D5D5BE

RGB 213 213 190

HSL 60, 0.21%, 0.79%

LAB 84.72, -3.95, 11.38

 

CMYK 10 / 0 / 5 / 17

HEX #BED4C9

RGB 190 212 201

HSL 150, 0.2%, 0.79%

LAB 83.05, -9.46, 2.92

 

CMYK 10 / 10 / 0 / 17

HEX #BEBED4

RGB 190 190 212

HSL 240, 0.2%, 0.79%

LAB 77.6, 4.28, -11

 

CMYK 0 / 10 / 5 / 17

HEX #D4BEC9

RGB 212 190 201

HSL 330, 0.2%, 0.79%

LAB 79.06, 9.67, -2.69

 

Description

Color code: HEX #D5D5BE | qconv.com Color code: HEX #D5D5BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 213 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 213 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 11 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 11% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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