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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5D88C it is the complementary color #2A2773. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5D88C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5D88C shade: #DAD887, #EBEA9A, #FCFCAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5D88C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5D88C shade: #D5D88C, #C4C679, #B3B466, #A2A253 and #919040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5D88C shade: #D5D78D, #D7C68D, #D7B28D, #D79E8D and #D78D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5D88C shade: #D5D78D, #C0D78D, #ACD78D, #98D78D and #8DD795

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5D88C shade matches the following richer shades: #D5D78D, #E0E480, #EBF074 and #F7FD67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5D88C shade: #D5D78D, #C9CB99, #BEBFA5, #B2B2B2 and #A7A6BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5D88C shade: #D7B28D, #D7C68D, #D5D78D, #C1D78D and #ADD78D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5D88C shade: #BEC24F, #C9CD6E, #D5D78D, #E0E2AB and #EBEDCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5D88C shade: #D5D88C, #8DD79E and #BC8DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5D88C shade: #D5D88C, #8DD5D7 and #D78DD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5D88C shade: #D5D88C, #8DD79E, #8F8DD7 and #D78DC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5D88C shade: #D5D88C, #8DD7B4, #8F8DD7 and #D78DB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 35 / 15

HEX #D5D88C

RGB 213 216 140

HSL 62.37, 0.49%, 0.7%

LAB 84.56, -12.48, 37.17

 

Complementary color

CMYK 63 / 66 / 0 / 55

HEX #2A2773

RGB 42 39 115

HSL 242.37, 0.49%, 0.3%

LAB 20.75, 26.07, -43.43

 

CMYK 0 / 1 / 38 / 15

HEX #DAD887

RGB 218 216 135

HSL 58.55, 0.53%, 0.69%

LAB 84.88, -11.1, 40.17

 

CMYK 0 / 0 / 34 / 8

HEX #EBEA9A

RGB 235 234 154

HSL 59.26, 0.67%, 0.76%

LAB 91.16, -11.41, 39.03

 

CMYK 0 / 0 / 31 / 1

HEX #FCFCAD

RGB 252 252 173

HSL 60, 0.93%, 0.83%

LAB 97.36, -11.68, 37.93

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 1 / 0 / 35 / 15

HEX #D5D88C

RGB 213 216 140

HSL 62.37, 0.49%, 0.7%

LAB 84.56, -12.48, 37.17

 

CMYK 1 / 0 / 39 / 22

HEX #C4C679

RGB 196 198 121

HSL 61.56, 0.4%, 0.63%

LAB 78.17, -12.19, 38.33

 

CMYK 1 / 0 / 43 / 29

HEX #B3B466

RGB 179 180 102

HSL 60.77, 0.34%, 0.55%

LAB 71.68, -11.83, 39.53

 

CMYK 0 / 0 / 49 / 36

HEX #A2A253

RGB 162 162 83

HSL 60, 0.32%, 0.48%

LAB 65.08, -11.4, 40.74

 

CMYK 0 / 1 / 56 / 43

HEX #919040

RGB 145 144 64

HSL 59.26, 0.39%, 0.41%

LAB 58.36, -10.85, 41.91

 

CMYK 1 / 0 / 34 / 16

HEX #D5D78D

RGB 213 215 141

HSL 61.62, 0.48%, 0.7%

LAB 84.31, -11.85, 36.34

 

CMYK 0 / 8 / 34 / 16

HEX #D7C68D

RGB 215 198 141

HSL 46.22, 0.48%, 0.7%

LAB 80.04, -2.37, 30.76

 

CMYK 0 / 17 / 34 / 16

HEX #D7B28D

RGB 215 178 141

HSL 30, 0.48%, 0.7%

LAB 74.96, 8.18, 23.94

 

CMYK 0 / 27 / 34 / 16

HEX #D79E8D

RGB 215 158 141

HSL 13.78, 0.48%, 0.7%

LAB 70.05, 18.95, 17.21

 

CMYK 0 / 34 / 34 / 16

HEX #D78D8D

RGB 215 141 141

HSL 0, 0.48%, 0.7%

LAB 66.07, 28.15, 11.65

 

CMYK 1 / 0 / 34 / 16

HEX #D5D78D

RGB 213 215 141

HSL 61.62, 0.48%, 0.7%

LAB 84.31, -11.85, 36.34

 

CMYK 11 / 0 / 34 / 16

HEX #C0D78D

RGB 192 215 141

HSL 78.65, 0.48%, 0.7%

LAB 82.77, -19.84, 34.03

 

CMYK 20 / 0 / 34 / 16

HEX #ACD78D

RGB 172 215 141

HSL 94.86, 0.48%, 0.7%

LAB 81.45, -27.15, 32.05

 

CMYK 29 / 0 / 34 / 16

HEX #98D78D

RGB 152 215 141

HSL 111.08, 0.48%, 0.7%

LAB 80.29, -34.04, 30.3

 

CMYK 34 / 0 / 31 / 16

HEX #8DD795

RGB 141 215 149

HSL 126.49, 0.48%, 0.7%

LAB 79.86, -36.29, 25.48

 

CMYK 1 / 0 / 34 / 16

HEX #D5D78D

RGB 213 215 141

HSL 61.62, 0.48%, 0.7%

LAB 84.31, -11.85, 36.34

 

CMYK 2 / 0 / 44 / 11

HEX #E0E480

RGB 224 228 128

HSL 62.4, 0.65%, 0.7%

LAB 88.4, -15.47, 48.13

 

CMYK 2 / 0 / 52 / 6

HEX #EBF074

RGB 235 240 116

HSL 62.42, 0.81%, 0.7%

LAB 92.24, -18.11, 58.55

 

CMYK 2 / 0 / 59 / 1

HEX #F7FD67

RGB 247 253 103

HSL 62.4, 0.97%, 0.7%

LAB 96.41, -20.59, 69.11

 

CMYK 1 / 0 / 34 / 16

HEX #D5D78D

RGB 213 215 141

HSL 61.62, 0.48%, 0.7%

LAB 84.31, -11.85, 36.34

 

CMYK 1 / 0 / 25 / 20

HEX #C9CB99

RGB 201 203 153

HSL 62.4, 0.32%, 0.7%

LAB 80.42, -8.79, 24.79

 

CMYK 1 / 0 / 14 / 25

HEX #BEBFA5

RGB 190 191 165

HSL 62.31, 0.17%, 0.7%

LAB 76.63, -4.86, 13.02

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 12 / 13 / 0 / 25

HEX #A7A6BE

RGB 167 166 190

HSL 242.5, 0.16%, 0.7%

LAB 68.9, 5.17, -12.16

 

CMYK 0 / 17 / 34 / 16

HEX #D7B28D

RGB 215 178 141

HSL 30, 0.48%, 0.7%

LAB 74.96, 8.18, 23.94

 

CMYK 0 / 8 / 34 / 16

HEX #D7C68D

RGB 215 198 141

HSL 46.22, 0.48%, 0.7%

LAB 80.04, -2.37, 30.76

 

CMYK 1 / 0 / 34 / 16

HEX #D5D78D

RGB 213 215 141

HSL 61.62, 0.48%, 0.7%

LAB 84.31, -11.85, 36.34

 

CMYK 10 / 0 / 34 / 16

HEX #C1D78D

RGB 193 215 141

HSL 77.84, 0.48%, 0.7%

LAB 82.84, -19.47, 34.14

 

CMYK 20 / 0 / 34 / 16

HEX #ADD78D

RGB 173 215 141

HSL 94.05, 0.48%, 0.7%

LAB 81.52, -26.79, 32.15

 

CMYK 2 / 0 / 59 / 24

HEX #BEC24F

RGB 190 194 79

HSL 62.09, 0.49%, 0.54%

LAB 76.13, -16.45, 55.88

 

CMYK 2 / 0 / 46 / 20

HEX #C9CD6E

RGB 201 205 110

HSL 62.53, 0.49%, 0.62%

LAB 80.3, -14.88, 46.53

 

CMYK 1 / 0 / 34 / 16

HEX #D5D78D

RGB 213 215 141

HSL 61.62, 0.48%, 0.7%

LAB 84.31, -11.85, 36.34

 

CMYK 1 / 0 / 24 / 11

HEX #E0E2AB

RGB 224 226 171

HSL 62.18, 0.49%, 0.78%

LAB 88.53, -9.41, 26.74

 

CMYK 1 / 0 / 15 / 7

HEX #EBEDCA

RGB 235 237 202

HSL 63.43, 0.49%, 0.86%

LAB 92.79, -6.47, 16.76

 

CMYK 1 / 0 / 35 / 15

HEX #D5D88C

RGB 213 216 140

HSL 62.37, 0.49%, 0.7%

LAB 84.56, -12.48, 37.17

 

CMYK 34 / 0 / 27 / 16

HEX #8DD79E

RGB 141 215 158

HSL 133.78, 0.48%, 0.7%

LAB 80.03, -34.73, 21.01

 

CMYK 13 / 34 / 0 / 16

HEX #BC8DD7

RGB 188 141 215

HSL 278.11, 0.48%, 0.7%

LAB 65.47, 31.25, -31.1

 

CMYK 1 / 0 / 35 / 15

HEX #D5D88C

RGB 213 216 140

HSL 62.37, 0.49%, 0.7%

LAB 84.56, -12.48, 37.17

 

CMYK 34 / 1 / 0 / 16

HEX #8DD5D7

RGB 141 213 215

HSL 181.62, 0.48%, 0.7%

LAB 80.83, -21.84, -8.13

 

CMYK 0 / 34 / 1 / 16

HEX #D78DD5

RGB 215 141 213

HSL 301.62, 0.48%, 0.7%

LAB 68.24, 39.33, -25.48

 

CMYK 1 / 0 / 35 / 15

HEX #D5D88C

RGB 213 216 140

HSL 62.37, 0.49%, 0.7%

LAB 84.56, -12.48, 37.17

 

CMYK 34 / 0 / 27 / 16

HEX #8DD79E

RGB 141 215 158

HSL 133.78, 0.48%, 0.7%

LAB 80.03, -34.73, 21.01

 

CMYK 33 / 34 / 0 / 16

HEX #8F8DD7

RGB 143 141 215

HSL 241.62, 0.48%, 0.7%

LAB 61.48, 17.89, -37.62

 

CMYK 0 / 34 / 8 / 16

HEX #D78DC6

RGB 215 141 198

HSL 313.78, 0.48%, 0.7%

LAB 67.71, 36.66, -17.96

 

CMYK 1 / 0 / 35 / 15

HEX #D5D88C

RGB 213 216 140

HSL 62.37, 0.49%, 0.7%

LAB 84.56, -12.48, 37.17

 

CMYK 34 / 0 / 16 / 16

HEX #8DD7B4

RGB 141 215 180

HSL 151.62, 0.48%, 0.7%

LAB 80.49, -30.53, 10.04

 

CMYK 33 / 34 / 0 / 16

HEX #8F8DD7

RGB 143 141 215

HSL 241.62, 0.48%, 0.7%

LAB 61.48, 17.89, -37.62

 

CMYK 0 / 34 / 18 / 16

HEX #D78DB0

RGB 215 141 176

HSL 331.62, 0.48%, 0.7%

LAB 67, 33.05, -6.7

 

Description

Color code: HEX #D5D88C | qconv.com Color code: HEX #D5D88C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 216 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 216 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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