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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5DA57 it is the complementary color #2A25A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5DA57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5DA57 shade: #DADA52, #EBEC65, #FCFE78, #FFFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5DA57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5DA57 shade: #D5DA57, #C4C844, #B3B631, #A2A41E and #91920B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5DA57 shade: #D5DA57, #DABC57, #DA9857, #DA7557 and #DA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5DA57 shade: #D5DA57, #B2DA57, #8EDA57, #6BDA57 and #57DA66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5DA57 shade matches the following richer shades: #D5DA57, #E4EA47 and #F3FB36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5DA57 shade: #D5DA57, #C6C968, #B6B978, #A7A889 and #989899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5DA57 shade: #DA9957, #DABB57, #D5DA57, #B3DA57 and #90DA57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5DA57 shade: #B1B728, #CCD235, #D5DA57, #DDE179 and #E6E99B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5DA57 shade: #D5DA57, #57DA76 and #AA57DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5DA57 shade: #D5DA57, #57D5DA and #DA57D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5DA57 shade: #D5DA57, #57DA76, #5C57DA and #DA57BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5DA57 shade: #D5DA57, #57DA9D, #5C57DA and #DA5794

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

Complementary color

CMYK 75 / 78 / 0 / 34

HEX #2A25A8

RGB 42 37 168

HSL 242.29, 0.64%, 0.4%

LAB 25.69, 45.5, -68.29

 

CMYK 0 / 0 / 62 / 15

HEX #DADA52

RGB 218 218 82

HSL 60, 0.65%, 0.59%

LAB 84.82, -16.64, 64.62

 

CMYK 0 / 0 / 57 / 7

HEX #EBEC65

RGB 235 236 101

HSL 60.44, 0.78%, 0.66%

LAB 91.05, -17.31, 63.8

 

CMYK 1 / 0 / 53 / 0

HEX #FCFE78

RGB 252 254 120

HSL 60.9, 0.99%, 0.73%

LAB 97.2, -17.87, 62.84

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 2 / 0 / 66 / 22

HEX #C4C844

RGB 196 200 68

HSL 61.82, 0.55%, 0.53%

LAB 78.15, -17.66, 62.73

 

CMYK 2 / 0 / 73 / 29

HEX #B3B631

RGB 179 182 49

HSL 61.35, 0.58%, 0.45%

LAB 71.73, -16.82, 62.98

 

CMYK 1 / 0 / 82 / 36

HEX #A2A41E

RGB 162 164 30

HSL 60.9, 0.69%, 0.38%

LAB 65.22, -15.78, 62.45

 

CMYK 1 / 0 / 92 / 43

HEX #91920B

RGB 145 146 11

HSL 60.44, 0.86%, 0.31%

LAB 58.6, -14.5, 60.57

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 0 / 14 / 60 / 15

HEX #DABC57

RGB 218 188 87

HSL 46.26, 0.64%, 0.6%

LAB 77.02, -1.06, 53.95

 

CMYK 0 / 30 / 60 / 15

HEX #DA9857

RGB 218 152 87

HSL 29.77, 0.64%, 0.6%

LAB 68.06, 18.1, 43.61

 

CMYK 0 / 46 / 60 / 15

HEX #DA7557

RGB 218 117 87

HSL 13.74, 0.64%, 0.6%

LAB 60.17, 36.73, 34.05

 

CMYK 0 / 60 / 60 / 15

HEX #DA5757

RGB 218 87 87

HSL 0, 0.64%, 0.6%

LAB 54.46, 51.38, 26.81

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 18 / 0 / 60 / 15

HEX #B2DA57

RGB 178 218 87

HSL 78.32, 0.64%, 0.6%

LAB 82, -32.27, 58.64

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 51 / 0 / 60 / 15

HEX #6BDA57

RGB 107 218 87

HSL 110.84, 0.64%, 0.6%

LAB 78.44, -56.15, 53.67

 

CMYK 60 / 0 / 53 / 15

HEX #57DA66

RGB 87 218 102

HSL 126.87, 0.64%, 0.6%

LAB 77.95, -59.31, 46.12

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 3 / 0 / 70 / 8

HEX #E4EA47

RGB 228 234 71

HSL 62.21, 0.8%, 0.6%

LAB 89.76, -20.96, 74.04

 

CMYK 3 / 0 / 78 / 2

HEX #F3FB36

RGB 243 251 54

HSL 62.44, 0.96%, 0.6%

LAB 95.29, -23.66, 84.75

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 1 / 0 / 48 / 21

HEX #C6C968

RGB 198 201 104

HSL 61.86, 0.47%, 0.6%

LAB 78.91, -14.64, 47.71

 

CMYK 2 / 0 / 35 / 27

HEX #B6B978

RGB 182 185 120

HSL 62.77, 0.32%, 0.6%

LAB 73.54, -11.18, 32.68

 

CMYK 1 / 0 / 18 / 34

HEX #A7A889

RGB 167 168 137

HSL 61.94, 0.15%, 0.6%

LAB 68.04, -5.73, 15.94

 

CMYK 1 / 1 / 0 / 40

HEX #989899

RGB 152 152 153

HSL 240, 0%, 0.6%

LAB 62.87, 0.2, -0.53

 

CMYK 0 / 30 / 60 / 15

HEX #DA9957

RGB 218 153 87

HSL 30.23, 0.64%, 0.6%

LAB 68.3, 17.57, 43.89

 

CMYK 0 / 14 / 60 / 15

HEX #DABB57

RGB 218 187 87

HSL 45.8, 0.64%, 0.6%

LAB 76.76, -0.54, 53.66

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 18 / 0 / 60 / 15

HEX #B3DA57

RGB 179 218 87

HSL 77.86, 0.64%, 0.6%

LAB 82.06, -31.89, 58.73

 

CMYK 34 / 0 / 60 / 15

HEX #90DA57

RGB 144 218 87

HSL 93.89, 0.64%, 0.6%

LAB 80.04, -44.7, 55.92

 

CMYK 3 / 0 / 78 / 28

HEX #B1B728

RGB 177 183 40

HSL 62.52, 0.64%, 0.44%

LAB 71.8, -18.56, 65.88

 

CMYK 3 / 0 / 75 / 18

HEX #CCD235

RGB 204 210 53

HSL 62.29, 0.64%, 0.52%

LAB 81.39, -20, 71.42

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 2 / 0 / 46 / 12

HEX #DDE179

RGB 221 225 121

HSL 62.31, 0.63%, 0.68%

LAB 87.29, -15.84, 50.09

 

CMYK 1 / 0 / 33 / 9

HEX #E6E99B

RGB 230 233 155

HSL 62.31, 0.64%, 0.76%

LAB 90.54, -12.7, 37.64

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 60 / 0 / 46 / 15

HEX #57DA76

RGB 87 218 118

HSL 134.2, 0.64%, 0.6%

LAB 78.16, -57.03, 38.64

 

CMYK 22 / 60 / 0 / 15

HEX #AA57DA

RGB 170 87 218

HSL 278.02, 0.64%, 0.6%

LAB 52.31, 55.69, -53.63

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 60 / 2 / 0 / 15

HEX #57D5DA

RGB 87 213 218

HSL 182.29, 0.64%, 0.6%

LAB 78.85, -32.98, -12.89

 

CMYK 0 / 60 / 2 / 15

HEX #DA57D5

RGB 218 87 213

HSL 302.29, 0.64%, 0.6%

LAB 58.53, 66.5, -40.53

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 60 / 0 / 46 / 15

HEX #57DA76

RGB 87 218 118

HSL 134.2, 0.64%, 0.6%

LAB 78.16, -57.03, 38.64

 

CMYK 58 / 60 / 0 / 15

HEX #5C57DA

RGB 92 87 218

HSL 242.29, 0.64%, 0.6%

LAB 44.45, 39.17, -66.71

 

CMYK 0 / 60 / 14 / 15

HEX #DA57BB

RGB 218 87 187

HSL 314.2, 0.64%, 0.6%

LAB 57.38, 62.41, -27.5

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 60 / 0 / 28 / 15

HEX #57DA9D

RGB 87 218 157

HSL 152.06, 0.64%, 0.6%

LAB 78.81, -49.99, 19.53

 

CMYK 58 / 60 / 0 / 15

HEX #5C57DA

RGB 92 87 218

HSL 242.29, 0.64%, 0.6%

LAB 44.45, 39.17, -66.71

 

CMYK 0 / 60 / 32 / 15

HEX #DA5794

RGB 218 87 148

HSL 332.06, 0.64%, 0.6%

LAB 55.95, 57.15, -7.01

 

Description

Color code: HEX #D5DA57 | qconv.com Color code: HEX #D5DA57 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 218 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 218 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 60 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 60% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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