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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5DE86 it is the complementary color #2A2179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5DE86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5DE86 shade: #DADE81, #EBF094, #FCFFA7, #FFFFBA and #FFFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5DE86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5DE86 shade: #D5DE86, #C4CC73, #B3BA60, #A2A84D and #91963A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5DE86 shade: #D5DE86, #DECF86, #DEB786, #DEA086 and #DE8886

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5DE86 shade: #D5DE86, #BDDE86, #A6DE86, #8EDE86 and #86DE96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5DE86 shade matches the following richer shades: #D5DE86, #DFEA7A and #E8F66E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5DE86 shade: #D5DE86, #CBD193, #C1C59F, #B7B8AC and #ADACB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5DE86 shade: #DEB886, #DECF86, #D5DE86, #BEDE86 and #A6DE86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5DE86 shade: #BECC46, #C9D566, #D5DE86, #E0E6A7 and #EBEFC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5DE86 shade: #D5DE86, #86DEA1 and #C386DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5DE86 shade: #D5DE86, #86D5DE and #DE86D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5DE86 shade: #D5DE86, #86DEA1, #8F86DE and #DE86C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5DE86 shade: #D5DE86, #86DEBB, #8F86DE and #DE86A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

Complementary color

CMYK 65 / 73 / 0 / 53

HEX #2A2179

RGB 42 33 121

HSL 246.14, 0.57%, 0.3%

LAB 19.88, 32.04, -48.7

 

CMYK 2 / 0 / 42 / 13

HEX #DADE81

RGB 218 222 129

HSL 62.58, 0.58%, 0.69%

LAB 86.37, -14.74, 45.04

 

CMYK 2 / 0 / 38 / 6

HEX #EBF094

RGB 235 240 148

HSL 63.26, 0.75%, 0.76%

LAB 92.63, -15.05, 43.89

 

CMYK 1 / 0 / 35 / 0

HEX #FCFFA7

RGB 252 255 167

HSL 62.05, 1%, 0.83%

LAB 98.04, -13.85, 41.77

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 4 / 0 / 44 / 20

HEX #C4CC73

RGB 196 204 115

HSL 65.39, 0.47%, 0.63%

LAB 79.7, -15.87, 43.26

 

CMYK 4 / 0 / 48 / 27

HEX #B3BA60

RGB 179 186 96

HSL 64.67, 0.39%, 0.55%

LAB 73.25, -15.52, 44.44

 

CMYK 4 / 0 / 54 / 34

HEX #A2A84D

RGB 162 168 77

HSL 63.96, 0.37%, 0.48%

LAB 66.69, -15.07, 45.58

 

CMYK 3 / 0 / 61 / 41

HEX #91963A

RGB 145 150 58

HSL 63.26, 0.44%, 0.41%

LAB 60.01, -14.51, 46.59

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 0 / 7 / 40 / 13

HEX #DECF86

RGB 222 207 134

HSL 49.77, 0.57%, 0.7%

LAB 82.85, -5.06, 38.14

 

CMYK 0 / 18 / 40 / 13

HEX #DEB786

RGB 222 183 134

HSL 33.41, 0.57%, 0.7%

LAB 76.75, 7.47, 30.19

 

CMYK 0 / 28 / 40 / 13

HEX #DEA086

RGB 222 160 134

HSL 17.73, 0.57%, 0.7%

LAB 71.14, 19.78, 22.67

 

CMYK 0 / 39 / 40 / 13

HEX #DE8886

RGB 222 136 134

HSL 1.36, 0.57%, 0.7%

LAB 65.64, 32.63, 15.1

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 15 / 0 / 40 / 13

HEX #BDDE86

RGB 189 222 134

HSL 82.5, 0.57%, 0.7%

LAB 84.37, -25.25, 39.6

 

CMYK 25 / 0 / 40 / 13

HEX #A6DE86

RGB 166 222 134

HSL 98.18, 0.57%, 0.7%

LAB 82.95, -33.52, 37.49

 

CMYK 36 / 0 / 40 / 13

HEX #8EDE86

RGB 142 222 134

HSL 114.55, 0.57%, 0.7%

LAB 81.68, -41.48, 35.6

 

CMYK 40 / 0 / 32 / 13

HEX #86DE96

RGB 134 222 150

HSL 130.91, 0.57%, 0.7%

LAB 81.57, -41.38, 27.22

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 5 / 0 / 48 / 8

HEX #DFEA7A

RGB 223 234 122

HSL 65.89, 0.73%, 0.7%

LAB 89.83, -19.37, 52.72

 

CMYK 6 / 0 / 55 / 4

HEX #E8F66E

RGB 232 246 110

HSL 66.18, 0.88%, 0.7%

LAB 93.53, -22.65, 62.64

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 3 / 0 / 30 / 18

HEX #CBD193

RGB 203 209 147

HSL 65.81, 0.4%, 0.7%

LAB 82.06, -11.91, 30.15

 

CMYK 2 / 0 / 19 / 23

HEX #C1C59F

RGB 193 197 159

HSL 66.32, 0.25%, 0.7%

LAB 78.33, -7.82, 18.64

 

CMYK 1 / 0 / 7 / 28

HEX #B7B8AC

RGB 183 184 172

HSL 65, 0.08%, 0.7%

LAB 74.4, -2.52, 5.96

 

CMYK 6 / 7 / 0 / 28

HEX #ADACB8

RGB 173 172 184

HSL 245, 0.08%, 0.7%

LAB 70.77, 2.68, -6.01

 

CMYK 0 / 17 / 40 / 13

HEX #DEB886

RGB 222 184 134

HSL 34.09, 0.57%, 0.7%

LAB 77, 6.94, 30.52

 

CMYK 0 / 7 / 40 / 13

HEX #DECF86

RGB 222 207 134

HSL 49.77, 0.57%, 0.7%

LAB 82.85, -5.06, 38.14

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 14 / 0 / 40 / 13

HEX #BEDE86

RGB 190 222 134

HSL 81.82, 0.57%, 0.7%

LAB 84.44, -24.88, 39.7

 

CMYK 25 / 0 / 40 / 13

HEX #A6DE86

RGB 166 222 134

HSL 98.18, 0.57%, 0.7%

LAB 82.95, -33.52, 37.49

 

CMYK 7 / 0 / 66 / 20

HEX #BECC46

RGB 190 204 70

HSL 66.27, 0.57%, 0.54%

LAB 78.8, -22.01, 62.47

 

CMYK 6 / 0 / 52 / 16

HEX #C9D566

RGB 201 213 102

HSL 66.49, 0.57%, 0.62%

LAB 82.36, -19.59, 52.78

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 3 / 0 / 27 / 10

HEX #E0E6A7

RGB 224 230 167

HSL 65.71, 0.56%, 0.78%

LAB 89.5, -11.95, 30.11

 

CMYK 2 / 0 / 17 / 6

HEX #EBEFC7

RGB 235 239 199

HSL 66, 0.56%, 0.86%

LAB 93.24, -7.93, 18.93

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 40 / 0 / 27 / 13

HEX #86DEA1

RGB 134 222 161

HSL 138.41, 0.57%, 0.7%

LAB 81.78, -39.44, 21.79

 

CMYK 12 / 40 / 0 / 13

HEX #C386DE

RGB 195 134 222

HSL 281.59, 0.57%, 0.7%

LAB 64.9, 38.7, -35.82

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 40 / 4 / 0 / 13

HEX #86D5DE

RGB 134 213 222

HSL 186.14, 0.57%, 0.7%

LAB 80.7, -21.96, -12.09

 

CMYK 0 / 40 / 4 / 13

HEX #DE86D5

RGB 222 134 213

HSL 306.14, 0.57%, 0.7%

LAB 67.56, 45.2, -26.46

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 40 / 0 / 27 / 13

HEX #86DEA1

RGB 134 222 161

HSL 138.41, 0.57%, 0.7%

LAB 81.78, -39.44, 21.79

 

CMYK 36 / 40 / 0 / 13

HEX #8F86DE

RGB 143 134 222

HSL 246.14, 0.57%, 0.7%

LAB 60.04, 23.81, -43.79

 

CMYK 0 / 40 / 12 / 13

HEX #DE86C3

RGB 222 134 195

HSL 318.41, 0.57%, 0.7%

LAB 66.92, 42.16, -17.4

 

CMYK 4 / 0 / 40 / 13

HEX #D5DE86

RGB 213 222 134

HSL 66.14, 0.57%, 0.7%

LAB 86.06, -16.15, 42.1

 

CMYK 40 / 0 / 16 / 13

HEX #86DEBB

RGB 134 222 187

HSL 156.14, 0.57%, 0.7%

LAB 82.32, -34.34, 8.9

 

CMYK 36 / 40 / 0 / 13

HEX #8F86DE

RGB 143 134 222

HSL 246.14, 0.57%, 0.7%

LAB 60.04, 23.81, -43.79

 

CMYK 0 / 40 / 24 / 13

HEX #DE86A9

RGB 222 134 169

HSL 336.14, 0.57%, 0.7%

LAB 66.09, 38.17, -4.01

 

Description

Color code: HEX #D5DE86 | qconv.com Color code: HEX #D5DE86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 222 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 222 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 40% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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