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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5DEAA it is the complementary color #2A2155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5DEAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5DEAA shade: #DADEA5, #EBF0B8, #FCFFCB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5DEAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5DEAA shade: #D5DEAA, #C4CC97, #B3BA84, #A2A871 and #91965E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5DEAA shade: #D5DEAA, #DED9AA, #DECBAA, #DEBDAA and #DEAFAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5DEAA shade: #D5DEAA, #C7DEAA, #B9DEAA, #ABDEAA and #AADEB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5DEAA shade matches the following richer shades: #D5DEAA, #DBE7A1, #E1F197 and #E7FA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5DEAA shade: #D5DEAA, #CFD4B4, #C8CBBD, #C2C1C7 and #BCB8D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5DEAA shade: #DECBAA, #DED8AA, #D5DEAA, #C7DEAA and #BADEAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5DEAA shade: #B7C76F, #C6D28C, #D5DEAA, #E3E9C8 and #F2F5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5DEAA shade: #D5DEAA, #AADEBD and #D2AADE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5DEAA shade: #D5DEAA, #AAD5DE and #DEAAD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5DEAA shade: #D5DEAA, #AADEBD, #B3AADE and #DEAACB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5DEAA shade: #D5DEAA, #AADECC, #B3AADE and #DEAABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

Complementary color

CMYK 51 / 61 / 0 / 67

HEX #2A2155

RGB 42 33 85

HSL 250.38, 0.44%, 0.23%

LAB 16.68, 19.55, -30.33

 

CMYK 2 / 0 / 26 / 13

HEX #DADEA5

RGB 218 222 165

HSL 64.21, 0.46%, 0.76%

LAB 86.93, -10.44, 27.59

 

CMYK 2 / 0 / 23 / 6

HEX #EBF0B8

RGB 235 240 184

HSL 65.36, 0.65%, 0.83%

LAB 93.21, -10.6, 26.58

 

CMYK 1 / 0 / 20 / 0

HEX #FCFFCB

RGB 252 255 203

HSL 63.46, 1%, 0.9%

LAB 98.64, -9.26, 24.58

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 4 / 0 / 26 / 20

HEX #C4CC97

RGB 196 204 151

HSL 69.06, 0.34%, 0.7%

LAB 80.27, -11.47, 25.57

 

CMYK 4 / 0 / 29 / 27

HEX #B3BA84

RGB 179 186 132

HSL 67.78, 0.28%, 0.62%

LAB 73.78, -11.32, 26.63

 

CMYK 4 / 0 / 33 / 34

HEX #A2A871

RGB 162 168 113

HSL 66.55, 0.24%, 0.55%

LAB 67.19, -11.15, 27.76

 

CMYK 3 / 0 / 37 / 41

HEX #91965E

RGB 145 150 94

HSL 65.36, 0.23%, 0.48%

LAB 60.46, -10.92, 28.95

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 0 / 2 / 23 / 13

HEX #DED9AA

RGB 222 217 170

HSL 54.23, 0.44%, 0.77%

LAB 86.04, -5.73, 23.83

 

CMYK 0 / 9 / 23 / 13

HEX #DECBAA

RGB 222 203 170

HSL 38.08, 0.44%, 0.77%

LAB 82.46, 1.51, 18.88

 

CMYK 0 / 15 / 23 / 13

HEX #DEBDAA

RGB 222 189 170

HSL 21.92, 0.44%, 0.77%

LAB 78.94, 8.88, 13.97

 

CMYK 0 / 21 / 23 / 13

HEX #DEAFAA

RGB 222 175 170

HSL 5.77, 0.44%, 0.77%

LAB 75.51, 16.36, 9.1

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 10 / 0 / 23 / 13

HEX #C7DEAA

RGB 199 222 170

HSL 86.54, 0.44%, 0.77%

LAB 85.65, -16.67, 23.02

 

CMYK 17 / 0 / 23 / 13

HEX #B9DEAA

RGB 185 222 170

HSL 102.69, 0.44%, 0.77%

LAB 84.72, -21.6, 21.6

 

CMYK 23 / 0 / 23 / 13

HEX #ABDEAA

RGB 171 222 170

HSL 118.85, 0.44%, 0.77%

LAB 83.86, -26.36, 20.28

 

CMYK 23 / 0 / 18 / 13

HEX #AADEB7

RGB 170 222 183

HSL 135, 0.44%, 0.77%

LAB 84.07, -24.4, 13.75

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 5 / 0 / 30 / 9

HEX #DBE7A1

RGB 219 231 161

HSL 70.29, 0.59%, 0.77%

LAB 89.29, -15.09, 32.82

 

CMYK 7 / 0 / 37 / 5

HEX #E1F197

RGB 225 241 151

HSL 70.67, 0.76%, 0.77%

LAB 92.2, -18.98, 41.71

 

CMYK 8 / 0 / 43 / 2

HEX #E7FA8E

RGB 231 250 142

HSL 70.56, 0.92%, 0.77%

LAB 94.87, -22.05, 49.55

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 2 / 0 / 15 / 17

HEX #CFD4B4

RGB 207 212 180

HSL 69.38, 0.27%, 0.77%

LAB 83.78, -7.18, 15.27

 

CMYK 1 / 0 / 7 / 20

HEX #C8CBBD

RGB 200 203 189

HSL 72.86, 0.12%, 0.77%

LAB 81.11, -3.53, 6.61

 

CMYK 3 / 3 / 0 / 22

HEX #C2C1C7

RGB 194 193 199

HSL 250, 0.05%, 0.77%

LAB 78.31, 1.47, -2.89

 

CMYK 10 / 12 / 0 / 18

HEX #BCB8D0

RGB 188 184 208

HSL 250, 0.2%, 0.77%

LAB 75.78, 6.05, -11.57

 

CMYK 0 / 9 / 23 / 13

HEX #DECBAA

RGB 222 203 170

HSL 38.08, 0.44%, 0.77%

LAB 82.46, 1.51, 18.88

 

CMYK 0 / 3 / 23 / 13

HEX #DED8AA

RGB 222 216 170

HSL 53.08, 0.44%, 0.77%

LAB 85.78, -5.22, 23.47

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 10 / 0 / 23 / 13

HEX #C7DEAA

RGB 199 222 170

HSL 86.54, 0.44%, 0.77%

LAB 85.65, -16.67, 23.02

 

CMYK 16 / 0 / 23 / 13

HEX #BADEAA

RGB 186 222 170

HSL 101.54, 0.44%, 0.77%

LAB 84.78, -21.25, 21.7

 

CMYK 8 / 0 / 44 / 22

HEX #B7C76F

RGB 183 199 111

HSL 70.91, 0.44%, 0.61%

LAB 77.32, -18.93, 42.07

 

CMYK 6 / 0 / 33 / 18

HEX #C6D28C

RGB 198 210 140

HSL 70.29, 0.44%, 0.69%

LAB 81.83, -15.22, 33.39

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 3 / 0 / 14 / 9

HEX #E3E9C8

RGB 227 233 200

HSL 70.91, 0.43%, 0.85%

LAB 91.13, -7.6, 15.37

 

CMYK 1 / 0 / 7 / 4

HEX #F2F5E5

RGB 242 245 229

HSL 71.25, 0.44%, 0.93%

LAB 95.93, -3.75, 7.34

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 23 / 0 / 15 / 13

HEX #AADEBD

RGB 170 222 189

HSL 141.92, 0.44%, 0.77%

LAB 84.21, -23.29, 10.78

 

CMYK 5 / 23 / 0 / 13

HEX #D2AADE

RGB 210 170 222

HSL 286.15, 0.44%, 0.77%

LAB 74.65, 23.73, -20.7

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 23 / 4 / 0 / 13

HEX #AAD5DE

RGB 170 213 222

HSL 190.38, 0.44%, 0.77%

LAB 82.6, -12.01, -9.06

 

CMYK 0 / 23 / 4 / 13

HEX #DEAAD5

RGB 222 170 213

HSL 310.38, 0.44%, 0.77%

LAB 75.5, 26.02, -14.39

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 23 / 0 / 15 / 13

HEX #AADEBD

RGB 170 222 189

HSL 141.92, 0.44%, 0.77%

LAB 84.21, -23.29, 10.78

 

CMYK 19 / 23 / 0 / 13

HEX #B3AADE

RGB 179 170 222

HSL 250.38, 0.44%, 0.77%

LAB 71.97, 13.83, -25.04

 

CMYK 0 / 23 / 9 / 13

HEX #DEAACB

RGB 222 170 203

HSL 321.92, 0.44%, 0.77%

LAB 75.2, 24.27, -9.39

 

CMYK 4 / 0 / 23 / 13

HEX #D5DEAA

RGB 213 222 170

HSL 70.38, 0.44%, 0.77%

LAB 86.65, -11.59, 24.55

 

CMYK 23 / 0 / 8 / 13

HEX #AADECC

RGB 170 222 204

HSL 159.23, 0.44%, 0.77%

LAB 84.56, -20.36, 3.37

 

CMYK 19 / 23 / 0 / 13

HEX #B3AADE

RGB 179 170 222

HSL 250.38, 0.44%, 0.77%

LAB 71.97, 13.83, -25.04

 

CMYK 0 / 23 / 16 / 13

HEX #DEAABB

RGB 222 170 187

HSL 340.38, 0.44%, 0.77%

LAB 74.74, 21.63, -1.31

 

Description

Color code: HEX #D5DEAA | qconv.com Color code: HEX #D5DEAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 222 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 222 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 23 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 23% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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