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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E7BA it is the complementary color #2A1845. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E7BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E7BA shade: #DAE7B5, #EBF9C8, #FCFFDB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E7BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E7BA shade: #D5E7BA, #C4D5A7, #B3C394, #A2B181 and #919F6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E7BA shade: #D5E7BB, #E1E7BB, #E7E0BB, #E7D5BB and #E7C9BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E7BA shade: #D5E7BB, #C9E7BB, #BDE7BB, #BBE7C4 and #BBE7D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E7BA shade matches the following richer shades: #D5E7BB, #D6EEB3, #D8F5AC and #D9FDA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E7BA shade: #D5E7BB, #D4DFC2, #D2D8C9, #D1D0D1 and #CFC9D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E7BA shade: #E7E1BB, #E1E7BB, #D5E7BB, #C9E7BB and #BEE7BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E7BA shade: #B0D17E, #C2DC9C, #D5E7BB, #E8F1D9 and #FAFCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E7BA shade: #D5E7BA, #BBE7D5 and #E7BBE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E7BA shade: #D5E7BA, #BBD5E7 and #E7BBD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E7BA shade: #D5E7BA, #BBE7D5, #CCBBE7 and #E7BBCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E7BA shade: #D5E7BA, #BBE7E2, #CCBBE7 and #E7BBBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 19 / 9

HEX #D5E7BA

RGB 213 231 186

HSL 84, 0.48%, 0.82%

LAB 89.32, -13.72, 19.94

 

Complementary color

CMYK 39 / 65 / 0 / 73

HEX #2A1845

RGB 42 24 69

HSL 264, 0.48%, 0.18%

LAB 13.08, 20.44, -25.16

 

CMYK 6 / 0 / 22 / 9

HEX #DAE7B5

RGB 218 231 181

HSL 75.6, 0.51%, 0.81%

LAB 89.58, -12.69, 22.94

 

CMYK 6 / 0 / 20 / 2

HEX #EBF9C8

RGB 235 249 200

HSL 77.14, 0.8%, 0.88%

LAB 95.82, -12.76, 22.02

 

CMYK 1 / 0 / 14 / 0

HEX #FCFFDB

RGB 252 255 219

HSL 65, 1%, 0.93%

LAB 98.96, -6.91, 16.89

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BA

RGB 213 231 186

HSL 84, 0.48%, 0.82%

LAB 89.32, -13.72, 19.94

 

CMYK 8 / 0 / 22 / 16

HEX #C4D5A7

RGB 196 213 167

HSL 82.17, 0.35%, 0.75%

LAB 82.97, -13.69, 20.87

 

CMYK 8 / 0 / 24 / 24

HEX #B3C394

RGB 179 195 148

HSL 80.43, 0.28%, 0.67%

LAB 76.53, -13.66, 21.85

 

CMYK 8 / 0 / 27 / 31

HEX #A2B181

RGB 162 177 129

HSL 78.75, 0.24%, 0.6%

LAB 69.97, -13.61, 22.88

 

CMYK 9 / 0 / 31 / 38

HEX #919F6E

RGB 145 159 110

HSL 77.14, 0.2%, 0.53%

LAB 63.29, -13.55, 23.98

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BB

RGB 213 231 187

HSL 84.55, 0.48%, 0.82%

LAB 89.34, -13.56, 19.45

 

CMYK 3 / 0 / 19 / 9

HEX #E1E7BB

RGB 225 231 187

HSL 68.18, 0.48%, 0.82%

LAB 90.21, -9.28, 20.79

 

CMYK 0 / 3 / 19 / 9

HEX #E7E0BB

RGB 231 224 187

HSL 50.45, 0.48%, 0.82%

LAB 88.87, -3.56, 19

 

CMYK 0 / 8 / 19 / 9

HEX #E7D5BB

RGB 231 213 187

HSL 35.45, 0.48%, 0.82%

LAB 86.09, 2.1, 15.1

 

CMYK 0 / 13 / 19 / 9

HEX #E7C9BB

RGB 231 201 187

HSL 19.09, 0.48%, 0.82%

LAB 83.1, 8.36, 10.87

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BB

RGB 213 231 187

HSL 84.55, 0.48%, 0.82%

LAB 89.34, -13.56, 19.45

 

CMYK 13 / 0 / 19 / 9

HEX #C9E7BB

RGB 201 231 187

HSL 100.91, 0.48%, 0.82%

LAB 88.52, -17.75, 18.19

 

CMYK 18 / 0 / 19 / 9

HEX #BDE7BB

RGB 189 231 187

HSL 117.27, 0.48%, 0.82%

LAB 87.76, -21.83, 17

 

CMYK 19 / 0 / 15 / 9

HEX #BBE7C4

RGB 187 231 196

HSL 132.27, 0.48%, 0.82%

LAB 87.83, -20.92, 12.39

 

CMYK 19 / 0 / 10 / 9

HEX #BBE7D0

RGB 187 231 208

HSL 148.64, 0.48%, 0.82%

LAB 88.1, -18.7, 6.51

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BB

RGB 213 231 187

HSL 84.55, 0.48%, 0.82%

LAB 89.34, -13.56, 19.45

 

CMYK 10 / 0 / 25 / 7

HEX #D6EEB3

RGB 214 238 179

HSL 84.41, 0.63%, 0.82%

LAB 91.1, -17.88, 26.01

 

CMYK 12 / 0 / 30 / 4

HEX #D8F5AC

RGB 216 245 172

HSL 83.84, 0.78%, 0.82%

LAB 92.96, -21.56, 32.12

 

CMYK 14 / 0 / 35 / 1

HEX #D9FDA4

RGB 217 253 164

HSL 84.27, 0.96%, 0.82%

LAB 95.03, -26.08, 38.86

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BB

RGB 213 231 187

HSL 84.55, 0.48%, 0.82%

LAB 89.34, -13.56, 19.45

 

CMYK 5 / 0 / 13 / 13

HEX #D4DFC2

RGB 212 223 194

HSL 82.76, 0.31%, 0.82%

LAB 87.32, -8.77, 12.96

 

CMYK 3 / 0 / 7 / 15

HEX #D2D8C9

RGB 210 216 201

HSL 84, 0.16%, 0.82%

LAB 85.52, -4.71, 6.68

 

CMYK 0 / 0 / 0 / 18

HEX #D1D0D1

RGB 209 208 209

HSL 300, 0.01%, 0.82%

LAB 83.58, 0.53, -0.38

 

CMYK 4 / 7 / 0 / 15

HEX #CFC9D8

RGB 207 201 216

HSL 264, 0.16%, 0.82%

LAB 81.84, 4.85, -6.71

 

CMYK 0 / 3 / 19 / 9

HEX #E7E1BB

RGB 231 225 187

HSL 51.82, 0.48%, 0.82%

LAB 89.12, -4.07, 19.35

 

CMYK 3 / 0 / 19 / 9

HEX #E1E7BB

RGB 225 231 187

HSL 68.18, 0.48%, 0.82%

LAB 90.21, -9.28, 20.79

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BB

RGB 213 231 187

HSL 84.55, 0.48%, 0.82%

LAB 89.34, -13.56, 19.45

 

CMYK 13 / 0 / 19 / 9

HEX #C9E7BB

RGB 201 231 187

HSL 100.91, 0.48%, 0.82%

LAB 88.52, -17.75, 18.19

 

CMYK 18 / 0 / 19 / 9

HEX #BEE7BB

RGB 190 231 187

HSL 115.91, 0.48%, 0.82%

LAB 87.82, -21.5, 17.1

 

CMYK 16 / 0 / 40 / 18

HEX #B0D17E

RGB 176 209 126

HSL 83.86, 0.47%, 0.66%

LAB 79.81, -24.79, 37.59

 

CMYK 12 / 0 / 29 / 14

HEX #C2DC9C

RGB 194 220 156

HSL 84.38, 0.48%, 0.74%

LAB 84.51, -19.53, 28.67

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BB

RGB 213 231 187

HSL 84.55, 0.48%, 0.82%

LAB 89.34, -13.56, 19.45

 

CMYK 4 / 0 / 10 / 5

HEX #E8F1D9

RGB 232 241 217

HSL 82.5, 0.46%, 0.9%

LAB 93.92, -7.15, 10.56

 

CMYK 1 / 0 / 2 / 1

HEX #FAFCF8

RGB 250 252 248

HSL 90, 0.4%, 0.98%

LAB 98.72, -1.35, 1.67

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BA

RGB 213 231 186

HSL 84, 0.48%, 0.82%

LAB 89.32, -13.72, 19.94

 

CMYK 19 / 0 / 8 / 9

HEX #BBE7D5

RGB 187 231 213

HSL 155.45, 0.48%, 0.82%

LAB 88.22, -17.74, 4.06

 

CMYK 0 / 19 / 0 / 9

HEX #E7BBE7

RGB 231 187 231

HSL 300, 0.48%, 0.82%

LAB 80.9, 23.16, -15.93

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BA

RGB 213 231 186

HSL 84, 0.48%, 0.82%

LAB 89.32, -13.72, 19.94

 

CMYK 19 / 8 / 0 / 9

HEX #BBD5E7

RGB 187 213 231

HSL 204.55, 0.48%, 0.82%

LAB 83.93, -4.89, -11.76

 

CMYK 0 / 19 / 8 / 9

HEX #E7BBD5

RGB 231 187 213

HSL 324.55, 0.48%, 0.82%

LAB 80.37, 19.97, -7.05

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BA

RGB 213 231 186

HSL 84, 0.48%, 0.82%

LAB 89.32, -13.72, 19.94

 

CMYK 19 / 0 / 8 / 9

HEX #BBE7D5

RGB 187 231 213

HSL 155.45, 0.48%, 0.82%

LAB 88.22, -17.74, 4.06

 

CMYK 12 / 19 / 0 / 9

HEX #CCBBE7

RGB 204 187 231

HSL 263.18, 0.48%, 0.82%

LAB 78.55, 14.35, -19.72

 

CMYK 0 / 19 / 12 / 9

HEX #E7BBCC

RGB 231 187 204

HSL 336.82, 0.48%, 0.82%

LAB 80.12, 18.46, -2.56

 

CMYK 8 / 0 / 19 / 9

HEX #D5E7BA

RGB 213 231 186

HSL 84, 0.48%, 0.82%

LAB 89.32, -13.72, 19.94

 

CMYK 19 / 0 / 2 / 9

HEX #BBE7E2

RGB 187 231 226

HSL 173.18, 0.48%, 0.82%

LAB 88.55, -15.15, -2.28

 

CMYK 12 / 19 / 0 / 9

HEX #CCBBE7

RGB 204 187 231

HSL 263.18, 0.48%, 0.82%

LAB 78.55, 14.35, -19.72

 

CMYK 0 / 19 / 17 / 9

HEX #E7BBBF

RGB 231 187 191

HSL 354.55, 0.48%, 0.82%

LAB 79.78, 16.38, 3.96

 

Description

Color code: HEX #D5E7BA | qconv.com Color code: HEX #D5E7BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 231 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 231 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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