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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E8D8 it is the complementary color #2A1727. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E8D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E8D8 shade: #DAE8D3, #EBFAE6 and #FCFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E8D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E8D8 shade: #D5E8D8, #C4D6C5, #B3C4B2, #A2B29F and #91A08C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E8D8 shade: #D4E7D7, #D6E7D4, #DBE7D4, #E0E7D4 and #E5E7D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E8D8 shade: #D4E7D7, #D4E7DC, #D4E7E1, #D4E7E6 and #D4E2E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E8D8 shade matches the following richer shades: #D4E7D7, #CEECD3, #C9F2CF, #C4F7CC and #BEFCC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E8D8 shade: #D4E7D7, #D9E2DA, #DEDCDE, #E4D7E2 and #E9D2E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E8D8 shade: #DBE7D4, #D6E7D4, #D4E7D7, #D4E7DC and #D4E7E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E8D8 shade: #9FCAA5, #B9D8BE, #D4E7D7 and #EEF6EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E8D8 shade: #D5E8D8, #D4E0E7 and #E7D4D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E8D8 shade: #D5E8D8, #D7D4E7 and #E7D7D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E8D8 shade: #D5E8D8, #D4E0E7, #E7D4E4 and #E7DAD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E8D8 shade: #D5E8D8, #D4DAE7, #E7D4E4 and #E7E0D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 7 / 9

HEX #D5E8D8

RGB 213 232 216

HSL 129.47, 0.29%, 0.87%

LAB 90.24, -9.22, 5.62

 

Complementary color

CMYK 0 / 45 / 7 / 84

HEX #2A1727

RGB 42 23 39

HSL 309.47, 0.29%, 0.13%

LAB 10.93, 12.79, -6.99

 

CMYK 6 / 0 / 9 / 9

HEX #DAE8D3

RGB 218 232 211

HSL 100, 0.31%, 0.87%

LAB 90.47, -8.4, 8.61

 

CMYK 6 / 0 / 8 / 2

HEX #EBFAE6

RGB 235 250 230

HSL 105, 0.67%, 0.94%

LAB 96.72, -8.45, 7.89

 

CMYK 1 / 0 / 2 / 0

HEX #FCFFF9

RGB 252 255 249

HSL 90, 1%, 0.99%

LAB 99.63, -2.03, 2.5

 

CMYK 8 / 0 / 7 / 9

HEX #D5E8D8

RGB 213 232 216

HSL 129.47, 0.29%, 0.87%

LAB 90.24, -9.22, 5.62

 

CMYK 8 / 0 / 8 / 16

HEX #C4D6C5

RGB 196 214 197

HSL 123.33, 0.18%, 0.8%

LAB 83.89, -9.2, 6.32

 

CMYK 9 / 0 / 9 / 23

HEX #B3C4B2

RGB 179 196 178

HSL 116.67, 0.13%, 0.73%

LAB 77.45, -9.19, 7.06

 

CMYK 9 / 0 / 11 / 30

HEX #A2B29F

RGB 162 178 159

HSL 110.53, 0.11%, 0.66%

LAB 70.89, -9.18, 7.82

 

CMYK 9 / 0 / 13 / 37

HEX #91A08C

RGB 145 160 140

HSL 105, 0.1%, 0.59%

LAB 64.21, -9.18, 8.63

 

CMYK 8 / 0 / 7 / 9

HEX #D4E7D7

RGB 212 231 215

HSL 129.47, 0.28%, 0.87%

LAB 89.88, -9.22, 5.63

 

CMYK 7 / 0 / 8 / 9

HEX #D6E7D4

RGB 214 231 212

HSL 113.68, 0.28%, 0.87%

LAB 89.95, -9.08, 7.31

 

CMYK 5 / 0 / 8 / 9

HEX #DBE7D4

RGB 219 231 212

HSL 97.89, 0.28%, 0.87%

LAB 90.31, -7.38, 7.86

 

CMYK 3 / 0 / 8 / 9

HEX #E0E7D4

RGB 224 231 212

HSL 82.11, 0.28%, 0.87%

LAB 90.67, -5.67, 8.43

 

CMYK 1 / 0 / 8 / 9

HEX #E5E7D4

RGB 229 231 212

HSL 66.32, 0.28%, 0.87%

LAB 91.04, -3.95, 9.01

 

CMYK 8 / 0 / 7 / 9

HEX #D4E7D7

RGB 212 231 215

HSL 129.47, 0.28%, 0.87%

LAB 89.88, -9.22, 5.63

 

CMYK 8 / 0 / 5 / 9

HEX #D4E7DC

RGB 212 231 220

HSL 145.26, 0.28%, 0.87%

LAB 90.01, -8.32, 3.19

 

CMYK 8 / 0 / 3 / 9

HEX #D4E7E1

RGB 212 231 225

HSL 161.05, 0.28%, 0.87%

LAB 90.13, -7.4, 0.75

 

CMYK 8 / 0 / 0 / 9

HEX #D4E7E6

RGB 212 231 230

HSL 176.84, 0.28%, 0.87%

LAB 90.26, -6.45, -1.68

 

CMYK 8 / 2 / 0 / 9

HEX #D4E2E7

RGB 212 226 231

HSL 195.79, 0.28%, 0.87%

LAB 89, -3.7, -4.05

 

CMYK 8 / 0 / 7 / 9

HEX #D4E7D7

RGB 212 231 215

HSL 129.47, 0.28%, 0.87%

LAB 89.88, -9.22, 5.63

 

CMYK 13 / 0 / 11 / 7

HEX #CEECD3

RGB 206 236 211

HSL 130, 0.44%, 0.87%

LAB 90.7, -14.45, 8.83

 

CMYK 17 / 0 / 14 / 5

HEX #C9F2CF

RGB 201 242 207

HSL 128.78, 0.61%, 0.87%

LAB 91.88, -19.77, 12.55

 

CMYK 21 / 0 / 17 / 3

HEX #C4F7CC

RGB 196 247 204

HSL 129.41, 0.76%, 0.87%

LAB 92.85, -24.34, 15.43

 

CMYK 25 / 0 / 21 / 1

HEX #BEFCC8

RGB 190 252 200

HSL 129.68, 0.91%, 0.87%

LAB 93.77, -29.33, 18.73

 

CMYK 8 / 0 / 7 / 9

HEX #D4E7D7

RGB 212 231 215

HSL 129.47, 0.28%, 0.87%

LAB 89.88, -9.22, 5.63

 

CMYK 4 / 0 / 4 / 11

HEX #D9E2DA

RGB 217 226 218

HSL 126.67, 0.13%, 0.87%

LAB 89.02, -4.46, 2.85

 

CMYK 0 / 1 / 0 / 13

HEX #DEDCDE

RGB 222 220 222

HSL 300, 0.03%, 0.87%

LAB 87.96, 1.04, -0.75

 

CMYK 0 / 6 / 1 / 11

HEX #E4D7E2

RGB 228 215 226

HSL 309.23, 0.19%, 0.87%

LAB 87.28, 6.4, -3.8

 

CMYK 0 / 10 / 2 / 9

HEX #E9D2E5

RGB 233 210 229

HSL 310.43, 0.34%, 0.87%

LAB 86.54, 11.25, -6.44

 

CMYK 5 / 0 / 8 / 9

HEX #DBE7D4

RGB 219 231 212

HSL 97.89, 0.28%, 0.87%

LAB 90.31, -7.38, 7.86

 

CMYK 7 / 0 / 8 / 9

HEX #D6E7D4

RGB 214 231 212

HSL 113.68, 0.28%, 0.87%

LAB 89.95, -9.08, 7.31

 

CMYK 8 / 0 / 7 / 9

HEX #D4E7D7

RGB 212 231 215

HSL 129.47, 0.28%, 0.87%

LAB 89.88, -9.22, 5.63

 

CMYK 8 / 0 / 5 / 9

HEX #D4E7DC

RGB 212 231 220

HSL 145.26, 0.28%, 0.87%

LAB 90.01, -8.32, 3.19

 

CMYK 8 / 0 / 3 / 9

HEX #D4E7E1

RGB 212 231 225

HSL 161.05, 0.28%, 0.87%

LAB 90.13, -7.4, 0.75

 

CMYK 21 / 0 / 18 / 21

HEX #9FCAA5

RGB 159 202 165

HSL 128.37, 0.29%, 0.71%

LAB 77.48, -21.45, 13.9

 

CMYK 14 / 0 / 12 / 15

HEX #B9D8BE

RGB 185 216 190

HSL 129.68, 0.28%, 0.79%

LAB 83.52, -15.2, 9.4

 

CMYK 8 / 0 / 7 / 9

HEX #D4E7D7

RGB 212 231 215

HSL 129.47, 0.28%, 0.87%

LAB 89.88, -9.22, 5.63

 

CMYK 3 / 0 / 3 / 4

HEX #EEF6EF

RGB 238 246 239

HSL 127.5, 0.31%, 0.95%

LAB 96.13, -3.88, 2.43

 

CMYK 8 / 0 / 7 / 9

HEX #D5E8D8

RGB 213 232 216

HSL 129.47, 0.29%, 0.87%

LAB 90.24, -9.22, 5.62

 

CMYK 8 / 3 / 0 / 9

HEX #D4E0E7

RGB 212 224 231

HSL 202.11, 0.28%, 0.87%

LAB 88.48, -2.67, -4.81

 

CMYK 0 / 8 / 6 / 9

HEX #E7D4D9

RGB 231 212 217

HSL 344.21, 0.28%, 0.87%

LAB 86.55, 7.41, -0.09

 

CMYK 8 / 0 / 7 / 9

HEX #D5E8D8

RGB 213 232 216

HSL 129.47, 0.29%, 0.87%

LAB 90.24, -9.22, 5.62

 

CMYK 7 / 8 / 0 / 9

HEX #D7D4E7

RGB 215 212 231

HSL 249.47, 0.28%, 0.87%

LAB 85.66, 4.57, -8.97

 

CMYK 0 / 7 / 8 / 9

HEX #E7D7D4

RGB 231 215 212

HSL 9.47, 0.28%, 0.87%

LAB 87.16, 5, 3.45

 

CMYK 8 / 0 / 7 / 9

HEX #D5E8D8

RGB 213 232 216

HSL 129.47, 0.29%, 0.87%

LAB 90.24, -9.22, 5.62

 

CMYK 8 / 3 / 0 / 9

HEX #D4E0E7

RGB 212 224 231

HSL 202.11, 0.28%, 0.87%

LAB 88.48, -2.67, -4.81

 

CMYK 0 / 8 / 1 / 9

HEX #E7D4E4

RGB 231 212 228

HSL 309.47, 0.28%, 0.87%

LAB 86.84, 9.34, -5.49

 

CMYK 0 / 6 / 8 / 9

HEX #E7DAD4

RGB 231 218 212

HSL 18.95, 0.28%, 0.87%

LAB 87.91, 3.44, 4.53

 

CMYK 8 / 0 / 7 / 9

HEX #D5E8D8

RGB 213 232 216

HSL 129.47, 0.29%, 0.87%

LAB 90.24, -9.22, 5.62

 

CMYK 8 / 6 / 0 / 9

HEX #D4DAE7

RGB 212 218 231

HSL 221.05, 0.28%, 0.87%

LAB 86.95, 0.44, -7.07

 

CMYK 0 / 8 / 1 / 9

HEX #E7D4E4

RGB 231 212 228

HSL 309.47, 0.28%, 0.87%

LAB 86.84, 9.34, -5.49

 

CMYK 0 / 3 / 8 / 9

HEX #E7E0D4

RGB 231 224 212

HSL 37.89, 0.28%, 0.87%

LAB 89.42, 0.34, 6.71

 

Description

Color code: HEX #D5E8D8 | qconv.com Color code: HEX #D5E8D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 232 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 232 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 7 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 7% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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