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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5ECED it is the complementary color #2A1312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5ECED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5ECED shade: #DAECE8, #EBFEFB and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5ECED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5ECED shade: #D5ECED, #C4DADA, #B3C8C7, #A2B6B4 and #91A4A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5ECED shade: #D4EBEC, #D4E5EC, #D4DEEC, #D4D7EC and #D7D4EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5ECED shade: #D4EBEC, #D4E5EC, #D4DEEC, #D4D7EC and #D4D4EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5ECED shade matches the following richer shades: #D4EBEC, #CFF0F1, #CAF4F6 and #C5F9FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5ECED shade: #D4EBEC, #D9E7E7, #DEE2E2, #E3DEDD and #E7D9D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5ECED shade: #D4ECE0, #D4ECE6, #D4EBEC, #D4E5EC and #D4DEEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5ECED shade: #9AD1D3, #B7DEE0, #D4EBEC and #F1F8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5ECED shade: #D5ECED, #D9D4EC and #ECE3D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5ECED shade: #D5ECED, #ECD4EB and #EBECD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5ECED shade: #D5ECED, #D9D4EC, #ECD4D4 and #E6ECD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5ECED shade: #D5ECED, #E1D4EC, #ECD4D4 and #DFECD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 0 / 7

HEX #D5ECED

RGB 213 236 237

HSL 182.5, 0.4%, 0.88%

LAB 91.8, -7.33, -3.07

 

Complementary color

CMYK 0 / 55 / 57 / 84

HEX #2A1312

RGB 42 19 18

HSL 2.5, 0.4%, 0.12%

LAB 9.01, 11.7, 5.55

 

CMYK 8 / 0 / 2 / 7

HEX #DAECE8

RGB 218 236 232

HSL 166.67, 0.32%, 0.89%

LAB 92.01, -6.67, -0.11

 

CMYK 7 / 0 / 1 / 0

HEX #EBFEFB

RGB 235 254 251

HSL 170.53, 0.9%, 0.96%

LAB 98.24, -6.72, -0.7

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 10 / 0 / 0 / 7

HEX #D5ECED

RGB 213 236 237

HSL 182.5, 0.4%, 0.88%

LAB 91.8, -7.33, -3.07

 

CMYK 10 / 0 / 0 / 15

HEX #C4DADA

RGB 196 218 218

HSL 180, 0.23%, 0.81%

LAB 85.47, -7.3, -2.5

 

CMYK 11 / 0 / 0 / 22

HEX #B3C8C7

RGB 179 200 199

HSL 177.14, 0.16%, 0.74%

LAB 79.05, -7.28, -1.93

 

CMYK 11 / 0 / 1 / 29

HEX #A2B6B4

RGB 162 182 180

HSL 174, 0.12%, 0.67%

LAB 72.52, -7.26, -1.33

 

CMYK 12 / 0 / 2 / 36

HEX #91A4A1

RGB 145 164 161

HSL 170.53, 0.09%, 0.61%

LAB 65.86, -7.25, -0.71

 

CMYK 10 / 0 / 0 / 7

HEX #D4EBEC

RGB 212 235 236

HSL 182.5, 0.39%, 0.88%

LAB 91.45, -7.34, -3.07

 

CMYK 10 / 3 / 0 / 7

HEX #D4E5EC

RGB 212 229 236

HSL 197.5, 0.39%, 0.88%

LAB 89.9, -4.27, -5.34

 

CMYK 10 / 6 / 0 / 7

HEX #D4DEEC

RGB 212 222 236

HSL 215, 0.39%, 0.88%

LAB 88.11, -0.66, -7.99

 

CMYK 10 / 9 / 0 / 7

HEX #D4D7EC

RGB 212 215 236

HSL 232.5, 0.39%, 0.88%

LAB 86.33, 3, -10.63

 

CMYK 9 / 10 / 0 / 7

HEX #D7D4EC

RGB 215 212 236

HSL 247.5, 0.39%, 0.88%

LAB 85.8, 5.54, -11.4

 

CMYK 10 / 0 / 0 / 7

HEX #D4EBEC

RGB 212 235 236

HSL 182.5, 0.39%, 0.88%

LAB 91.45, -7.34, -3.07

 

CMYK 10 / 3 / 0 / 7

HEX #D4E5EC

RGB 212 229 236

HSL 197.5, 0.39%, 0.88%

LAB 89.9, -4.27, -5.34

 

CMYK 10 / 6 / 0 / 7

HEX #D4DEEC

RGB 212 222 236

HSL 215, 0.39%, 0.88%

LAB 88.11, -0.66, -7.99

 

CMYK 10 / 9 / 0 / 7

HEX #D4D7EC

RGB 212 215 236

HSL 232.5, 0.39%, 0.88%

LAB 86.33, 3, -10.63

 

CMYK 10 / 10 / 0 / 7

HEX #D4D4EC

RGB 212 212 236

HSL 240, 0.39%, 0.88%

LAB 85.57, 4.57, -11.76

 

CMYK 10 / 0 / 0 / 7

HEX #D4EBEC

RGB 212 235 236

HSL 182.5, 0.39%, 0.88%

LAB 91.45, -7.34, -3.07

 

CMYK 14 / 0 / 0 / 5

HEX #CFF0F1

RGB 207 240 241

HSL 181.76, 0.55%, 0.88%

LAB 92.55, -10.46, -4.09

 

CMYK 18 / 1 / 0 / 4

HEX #CAF4F6

RGB 202 244 246

HSL 182.73, 0.71%, 0.88%

LAB 93.41, -13, -5.45

 

CMYK 22 / 1 / 0 / 2

HEX #C5F9FB

RGB 197 249 251

HSL 182.22, 0.87%, 0.88%

LAB 94.56, -15.94, -6.38

 

CMYK 10 / 0 / 0 / 7

HEX #D4EBEC

RGB 212 235 236

HSL 182.5, 0.39%, 0.88%

LAB 91.45, -7.34, -3.07

 

CMYK 6 / 0 / 0 / 9

HEX #D9E7E7

RGB 217 231 231

HSL 180, 0.23%, 0.88%

LAB 90.63, -4.63, -1.61

 

CMYK 2 / 0 / 0 / 11

HEX #DEE2E2

RGB 222 226 226

HSL 180, 0.06%, 0.88%

LAB 89.59, -1.34, -0.48

 

CMYK 0 / 2 / 3 / 11

HEX #E3DEDD

RGB 227 222 221

HSL 10, 0.1%, 0.88%

LAB 88.82, 1.52, 1.08

 

CMYK 0 / 6 / 6 / 9

HEX #E7D9D8

RGB 231 217 216

HSL 4, 0.24%, 0.88%

LAB 87.76, 4.63, 2.21

 

CMYK 10 / 0 / 5 / 7

HEX #D4ECE0

RGB 212 236 224

HSL 150, 0.39%, 0.88%

LAB 91.4, -10.11, 3.12

 

CMYK 10 / 0 / 3 / 7

HEX #D4ECE6

RGB 212 236 230

HSL 165, 0.39%, 0.88%

LAB 91.55, -8.99, 0.21

 

CMYK 10 / 0 / 0 / 7

HEX #D4EBEC

RGB 212 235 236

HSL 182.5, 0.39%, 0.88%

LAB 91.45, -7.34, -3.07

 

CMYK 10 / 3 / 0 / 7

HEX #D4E5EC

RGB 212 229 236

HSL 197.5, 0.39%, 0.88%

LAB 89.9, -4.27, -5.34

 

CMYK 10 / 6 / 0 / 7

HEX #D4DEEC

RGB 212 222 236

HSL 215, 0.39%, 0.88%

LAB 88.11, -0.66, -7.99

 

CMYK 27 / 1 / 0 / 17

HEX #9AD1D3

RGB 154 209 211

HSL 182.11, 0.39%, 0.72%

LAB 80.28, -17.14, -6.73

 

CMYK 18 / 1 / 0 / 12

HEX #B7DEE0

RGB 183 222 224

HSL 182.93, 0.4%, 0.8%

LAB 85.85, -12.24, -5.22

 

CMYK 10 / 0 / 0 / 7

HEX #D4EBEC

RGB 212 235 236

HSL 182.5, 0.39%, 0.88%

LAB 91.45, -7.34, -3.07

 

CMYK 3 / 0 / 0 / 2

HEX #F1F8F9

RGB 241 248 249

HSL 187.5, 0.4%, 0.96%

LAB 97.1, -2.12, -1.29

 

CMYK 10 / 0 / 0 / 7

HEX #D5ECED

RGB 213 236 237

HSL 182.5, 0.4%, 0.88%

LAB 91.8, -7.33, -3.07

 

CMYK 8 / 10 / 0 / 7

HEX #D9D4EC

RGB 217 212 236

HSL 252.5, 0.39%, 0.88%

LAB 85.95, 6.19, -11.16

 

CMYK 0 / 4 / 10 / 7

HEX #ECE3D4

RGB 236 227 212

HSL 37.5, 0.39%, 0.88%

LAB 90.56, 0.54, 8.4

 

CMYK 10 / 0 / 0 / 7

HEX #D5ECED

RGB 213 236 237

HSL 182.5, 0.4%, 0.88%

LAB 91.8, -7.33, -3.07

 

CMYK 0 / 10 / 0 / 7

HEX #ECD4EB

RGB 236 212 235

HSL 302.5, 0.39%, 0.88%

LAB 87.45, 12.28, -8.25

 

CMYK 0 / 0 / 10 / 7

HEX #EBECD4

RGB 235 236 212

HSL 62.5, 0.39%, 0.88%

LAB 92.75, -4.4, 11.52

 

CMYK 10 / 0 / 0 / 7

HEX #D5ECED

RGB 213 236 237

HSL 182.5, 0.4%, 0.88%

LAB 91.8, -7.33, -3.07

 

CMYK 8 / 10 / 0 / 7

HEX #D9D4EC

RGB 217 212 236

HSL 252.5, 0.39%, 0.88%

LAB 85.95, 6.19, -11.16

 

CMYK 0 / 10 / 10 / 7

HEX #ECD4D4

RGB 236 212 212

HSL 0, 0.39%, 0.88%

LAB 86.84, 8.31, 3.03

 

CMYK 3 / 0 / 10 / 7

HEX #E6ECD4

RGB 230 236 212

HSL 75, 0.39%, 0.88%

LAB 92.38, -6.14, 10.94

 

CMYK 10 / 0 / 0 / 7

HEX #D5ECED

RGB 213 236 237

HSL 182.5, 0.4%, 0.88%

LAB 91.8, -7.33, -3.07

 

CMYK 5 / 10 / 0 / 7

HEX #E1D4EC

RGB 225 212 236

HSL 272.5, 0.39%, 0.88%

LAB 86.58, 8.81, -10.16

 

CMYK 0 / 10 / 10 / 7

HEX #ECD4D4

RGB 236 212 212

HSL 0, 0.39%, 0.88%

LAB 86.84, 8.31, 3.03

 

CMYK 6 / 0 / 10 / 7

HEX #DFECD4

RGB 223 236 212

HSL 92.5, 0.39%, 0.88%

LAB 91.88, -8.55, 10.16

 

Description

Color code: HEX #D5ECED | qconv.com Color code: HEX #D5ECED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 236 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 236 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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