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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5F758 it is the complementary color #2A08A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5F758. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5F758 shade: #DAF753, #EBFF66, #FCFF79, #FFFF8C and #FFFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5F758. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5F758 shade: #D5F758, #C4E545, #B3D332, #A2C11F and #91AF0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5F758 shade: #D5F759, #F7EE59, #F7C359, #F79959 and #F76E59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5F758 shade: #D5F759, #AAF759, #80F759, #59F75D and #59F787

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5F758 shade matches the following richer shades: #D5F759

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5F758 shade: #D5F759, #CDE967, #C5DB75, #BDCD83 and #B5BF91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5F758 shade: #F7C259, #F7EC59, #D7F759, #ADF759 and #83F759

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5F758 shade: #C1F20B, #CBF532, #D5F759, #DFF980 and #E9FAA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5F758 shade: #D5F758, #59F798 and #D759F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5F758 shade: #D5F758, #59D7F7 and #F759D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5F758 shade: #D5F758, #59F798, #7859F7 and #F759B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5F758 shade: #D5F758, #59F7C7, #7859F7 and #F75988

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 64 / 3

HEX #D5F758

RGB 213 247 88

HSL 72.83, 0.91%, 0.66%

LAB 92.3, -32.09, 69.99

 

Complementary color

CMYK 75 / 95 / 0 / 35

HEX #2A08A7

RGB 42 8 167

HSL 252.83, 0.91%, 0.34%

LAB 21.78, 56.41, -74.17

 

CMYK 12 / 0 / 66 / 3

HEX #DAF753

RGB 218 247 83

HSL 70.61, 0.91%, 0.65%

LAB 92.6, -30.45, 72.31

 

CMYK 8 / 0 / 60 / 0

HEX #EBFF66

RGB 235 255 102

HSL 67.84, 1%, 0.7%

LAB 96.06, -26.32, 68.88

 

CMYK 1 / 0 / 53 / 0

HEX #FCFF79

RGB 252 255 121

HSL 61.34, 1%, 0.74%

LAB 97.47, -18.27, 62.7

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 14 / 0 / 64 / 3

HEX #D5F758

RGB 213 247 88

HSL 72.83, 0.91%, 0.66%

LAB 92.3, -32.09, 69.99

 

CMYK 14 / 0 / 70 / 10

HEX #C4E545

RGB 196 229 69

HSL 72.38, 0.75%, 0.58%

LAB 86.11, -31.55, 70.37

 

CMYK 15 / 0 / 76 / 17

HEX #B3D332

RGB 179 211 50

HSL 71.93, 0.65%, 0.51%

LAB 79.84, -30.89, 70.25

 

CMYK 16 / 0 / 84 / 24

HEX #A2C11F

RGB 162 193 31

HSL 71.48, 0.72%, 0.44%

LAB 73.49, -30.06, 69.31

 

CMYK 17 / 0 / 93 / 31

HEX #91AF0C

RGB 145 175 12

HSL 71.04, 0.87%, 0.37%

LAB 67.06, -29.02, 67.07

 

CMYK 14 / 0 / 64 / 3

HEX #D5F759

RGB 213 247 89

HSL 72.91, 0.91%, 0.66%

LAB 92.3, -32.02, 69.61

 

CMYK 0 / 4 / 64 / 3

HEX #F7EE59

RGB 247 238 89

HSL 56.58, 0.91%, 0.66%

LAB 92.42, -14.21, 70.5

 

CMYK 0 / 21 / 64 / 3

HEX #F7C359

RGB 247 195 89

HSL 40.25, 0.91%, 0.66%

LAB 81.58, 7.54, 58.89

 

CMYK 0 / 38 / 64 / 3

HEX #F79959

RGB 247 153 89

HSL 24.3, 0.91%, 0.66%

LAB 71.74, 29.56, 47.79

 

CMYK 0 / 55 / 64 / 3

HEX #F76E59

RGB 247 110 89

HSL 7.97, 0.91%, 0.66%

LAB 63.05, 51.08, 37.44

 

CMYK 14 / 0 / 64 / 3

HEX #D5F759

RGB 213 247 89

HSL 72.91, 0.91%, 0.66%

LAB 92.3, -32.02, 69.61

 

CMYK 31 / 0 / 64 / 3

HEX #AAF759

RGB 170 247 89

HSL 89.24, 0.91%, 0.66%

LAB 89.76, -47.87, 66.14

 

CMYK 48 / 0 / 64 / 3

HEX #80F759

RGB 128 247 89

HSL 105.19, 0.91%, 0.66%

LAB 87.89, -61.1, 63.57

 

CMYK 64 / 0 / 62 / 3

HEX #59F75D

RGB 89 247 93

HSL 121.52, 0.91%, 0.66%

LAB 86.72, -70.08, 60.31

 

CMYK 64 / 0 / 45 / 3

HEX #59F787

RGB 89 247 135

HSL 137.47, 0.91%, 0.66%

LAB 87.19, -64.69, 41.82

 

CMYK 14 / 0 / 64 / 3

HEX #D5F759

RGB 213 247 89

HSL 72.91, 0.91%, 0.66%

LAB 92.3, -32.02, 69.61

 

CMYK 14 / 0 / 64 / 3

HEX #D5F759

RGB 213 247 89

HSL 72.91, 0.91%, 0.66%

LAB 92.3, -32.02, 69.61

 

CMYK 12 / 0 / 56 / 9

HEX #CDE967

RGB 205 233 103

HSL 72.92, 0.75%, 0.66%

LAB 88.08, -27.57, 59

 

CMYK 10 / 0 / 47 / 14

HEX #C5DB75

RGB 197 219 117

HSL 72.94, 0.59%, 0.66%

LAB 83.87, -22.67, 47.43

 

CMYK 8 / 0 / 36 / 20

HEX #BDCD83

RGB 189 205 131

HSL 72.97, 0.43%, 0.66%

LAB 79.68, -17.28, 35.07

 

CMYK 5 / 0 / 24 / 25

HEX #B5BF91

RGB 181 191 145

HSL 73.04, 0.26%, 0.66%

LAB 75.53, -11.3, 22.11

 

CMYK 0 / 21 / 64 / 3

HEX #F7C259

RGB 247 194 89

HSL 39.87, 0.91%, 0.66%

LAB 81.33, 8.06, 58.62

 

CMYK 0 / 4 / 64 / 3

HEX #F7EC59

RGB 247 236 89

HSL 55.82, 0.91%, 0.66%

LAB 91.9, -13.23, 69.96

 

CMYK 13 / 0 / 64 / 3

HEX #D7F759

RGB 215 247 89

HSL 72.15, 0.91%, 0.66%

LAB 92.44, -31.25, 69.79

 

CMYK 30 / 0 / 64 / 3

HEX #ADF759

RGB 173 247 89

HSL 88.1, 0.91%, 0.66%

LAB 89.92, -46.83, 66.36

 

CMYK 47 / 0 / 64 / 3

HEX #83F759

RGB 131 247 89

HSL 104.05, 0.91%, 0.66%

LAB 88, -60.25, 63.72

 

CMYK 20 / 0 / 95 / 5

HEX #C1F20B

RGB 193 242 11

HSL 72.73, 0.91%, 0.5%

LAB 89.33, -40.39, 85.9

 

CMYK 17 / 0 / 80 / 4

HEX #CBF532

RGB 203 245 50

HSL 72.92, 0.91%, 0.58%

LAB 90.89, -36.96, 80.83

 

CMYK 14 / 0 / 64 / 3

HEX #D5F759

RGB 213 247 89

HSL 72.91, 0.91%, 0.66%

LAB 92.3, -32.02, 69.61

 

CMYK 10 / 0 / 49 / 2

HEX #DFF980

RGB 223 249 128

HSL 72.89, 0.91%, 0.74%

LAB 93.88, -25.99, 54.79

 

CMYK 7 / 0 / 33 / 2

HEX #E9FAA8

RGB 233 250 168

HSL 72.44, 0.89%, 0.82%

LAB 95.38, -18.34, 37.54

 

CMYK 14 / 0 / 64 / 3

HEX #D5F758

RGB 213 247 88

HSL 72.83, 0.91%, 0.66%

LAB 92.3, -32.09, 69.99

 

CMYK 64 / 0 / 38 / 3

HEX #59F798

RGB 89 247 152

HSL 143.92, 0.91%, 0.66%

LAB 87.44, -61.89, 33.78

 

CMYK 13 / 64 / 0 / 3

HEX #D759F7

RGB 215 89 247

HSL 287.85, 0.91%, 0.66%

LAB 60.17, 70.94, -57.01

 

CMYK 14 / 0 / 64 / 3

HEX #D5F758

RGB 213 247 88

HSL 72.83, 0.91%, 0.66%

LAB 92.3, -32.09, 69.99

 

CMYK 64 / 13 / 0 / 3

HEX #59D7F7

RGB 89 215 247

HSL 192.15, 0.91%, 0.66%

LAB 80.43, -25.33, -25.99

 

CMYK 0 / 64 / 13 / 3

HEX #F759D7

RGB 247 89 215

HSL 312.15, 0.91%, 0.66%

LAB 63.2, 73.24, -34.05

 

CMYK 14 / 0 / 64 / 3

HEX #D5F758

RGB 213 247 88

HSL 72.83, 0.91%, 0.66%

LAB 92.3, -32.09, 69.99

 

CMYK 64 / 0 / 38 / 3

HEX #59F798

RGB 89 247 152

HSL 143.92, 0.91%, 0.66%

LAB 87.44, -61.89, 33.78

 

CMYK 51 / 64 / 0 / 3

HEX #7859F7

RGB 120 89 247

HSL 251.77, 0.91%, 0.66%

LAB 49.32, 51.57, -75.05

 

CMYK 0 / 64 / 26 / 3

HEX #F759B8

RGB 247 89 184

HSL 323.92, 0.91%, 0.66%

LAB 61.98, 69.06, -18.34

 

CMYK 14 / 0 / 64 / 3

HEX #D5F758

RGB 213 247 88

HSL 72.83, 0.91%, 0.66%

LAB 92.3, -32.09, 69.99

 

CMYK 64 / 0 / 19 / 3

HEX #59F7C7

RGB 89 247 199

HSL 161.77, 0.91%, 0.66%

LAB 88.34, -52.42, 11

 

CMYK 51 / 64 / 0 / 3

HEX #7859F7

RGB 120 89 247

HSL 251.77, 0.91%, 0.66%

LAB 49.32, 51.57, -75.05

 

CMYK 0 / 64 / 45 / 3

HEX #F75988

RGB 247 89 136

HSL 342.15, 0.91%, 0.66%

LAB 60.51, 63.83, 7.23

 

Description

Color code: HEX #D5F758 | qconv.com Color code: HEX #D5F758 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 247 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 247 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 64 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 64% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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