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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5F17E it is the complementary color #2A0E81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5F17E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5F17E shade: #DAF179, #EBFF8C, #FCFF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5F17E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5F17E shade: #D5F17E, #C4DF6B, #B3CD58, #A2BB45 and #91A932

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5F17E shade: #D4F07E, #F0ED7E, #F0CE7E, #F0B07E and #F0917E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5F17E shade: #D4F07E, #B6F07E, #97F07E, #7EF084 and #7EF0A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5F17E shade matches the following richer shades: #D4F07E and #DAFC72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5F17E shade: #D4F07E, #CEE58A, #C9D995, #C3CEA1 and #BDC2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5F17E shade: #F0CE7E, #F0EC7E, #D6F07E, #B7F07E and #99F07E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5F17E shade: #BCE834, #C8EC59, #D4F07E, #E1F4A3 and #EDF8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5F17E shade: #D5F17E, #7EF0AF and #DD7EF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5F17E shade: #D5F17E, #7ED6F0 and #F07ED6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5F17E shade: #D5F17E, #7EF0AF, #997EF0 and #F07EBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5F17E shade: #D5F17E, #7EF0D2, #997EF0 and #F07E9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 48 / 5

HEX #D5F17E

RGB 213 241 126

HSL 74.61, 0.8%, 0.72%

LAB 91.04, -26.19, 52.13

 

Complementary color

CMYK 67 / 89 / 0 / 49

HEX #2A0E81

RGB 42 14 129

HSL 254.61, 0.8%, 0.28%

LAB 17.42, 44.22, -57.87

 

CMYK 10 / 0 / 50 / 5

HEX #DAF179

RGB 218 241 121

HSL 71.5, 0.81%, 0.71%

LAB 91.32, -24.77, 54.88

 

CMYK 8 / 0 / 45 / 0

HEX #EBFF8C

RGB 235 255 140

HSL 70.43, 1%, 0.77%

LAB 96.44, -23.13, 52.5

 

CMYK 1 / 0 / 38 / 0

HEX #FCFF9F

RGB 252 255 159

HSL 61.88, 1%, 0.81%

LAB 97.92, -14.74, 45.53

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 12 / 0 / 48 / 5

HEX #D5F17E

RGB 213 241 126

HSL 74.61, 0.8%, 0.72%

LAB 91.04, -26.19, 52.13

 

CMYK 12 / 0 / 52 / 13

HEX #C4DF6B

RGB 196 223 107

HSL 73.97, 0.64%, 0.65%

LAB 84.78, -25.96, 53.22

 

CMYK 13 / 0 / 57 / 20

HEX #B3CD58

RGB 179 205 88

HSL 73.33, 0.54%, 0.57%

LAB 78.43, -25.65, 54.24

 

CMYK 13 / 0 / 63 / 27

HEX #A2BB45

RGB 162 187 69

HSL 72.71, 0.46%, 0.5%

LAB 72, -25.24, 55.09

 

CMYK 14 / 0 / 70 / 34

HEX #91A932

RGB 145 169 50

HSL 72.1, 0.54%, 0.43%

LAB 65.46, -24.71, 55.62

 

CMYK 12 / 0 / 48 / 6

HEX #D4F07E

RGB 212 240 126

HSL 74.74, 0.79%, 0.72%

LAB 90.7, -26.1, 51.71

 

CMYK 0 / 1 / 48 / 6

HEX #F0ED7E

RGB 240 237 126

HSL 58.42, 0.79%, 0.72%

LAB 91.95, -13.81, 53.7

 

CMYK 0 / 14 / 48 / 6

HEX #F0CE7E

RGB 240 206 126

HSL 42.11, 0.79%, 0.72%

LAB 84.06, 1.82, 44.02

 

CMYK 0 / 27 / 48 / 6

HEX #F0B07E

RGB 240 176 126

HSL 26.32, 0.79%, 0.72%

LAB 76.73, 17.53, 34.71

 

CMYK 0 / 40 / 48 / 6

HEX #F0917E

RGB 240 145 126

HSL 10, 0.79%, 0.72%

LAB 69.67, 33.89, 25.42

 

CMYK 12 / 0 / 48 / 6

HEX #D4F07E

RGB 212 240 126

HSL 74.74, 0.79%, 0.72%

LAB 90.7, -26.1, 51.71

 

CMYK 24 / 0 / 48 / 6

HEX #B6F07E

RGB 182 240 126

HSL 90.53, 0.79%, 0.72%

LAB 88.81, -37.12, 48.97

 

CMYK 37 / 0 / 48 / 6

HEX #97F07E

RGB 151 240 126

HSL 106.84, 0.79%, 0.72%

LAB 87.2, -47.5, 46.61

 

CMYK 48 / 0 / 45 / 6

HEX #7EF084

RGB 126 240 132

HSL 123.16, 0.79%, 0.72%

LAB 86.22, -54.01, 42.27

 

CMYK 48 / 0 / 32 / 6

HEX #7EF0A3

RGB 126 240 163

HSL 139.47, 0.79%, 0.72%

LAB 86.7, -49.05, 27.44

 

CMYK 12 / 0 / 48 / 6

HEX #D4F07E

RGB 212 240 126

HSL 74.74, 0.79%, 0.72%

LAB 90.7, -26.1, 51.71

 

CMYK 13 / 0 / 55 / 1

HEX #DAFC72

RGB 218 252 114

HSL 74.78, 0.96%, 0.72%

LAB 94.2, -30.55, 61.4

 

CMYK 12 / 0 / 48 / 6

HEX #D4F07E

RGB 212 240 126

HSL 74.74, 0.79%, 0.72%

LAB 90.7, -26.1, 51.71

 

CMYK 10 / 0 / 40 / 10

HEX #CEE58A

RGB 206 229 138

HSL 75.16, 0.64%, 0.72%

LAB 87.48, -21.8, 41.82

 

CMYK 7 / 0 / 31 / 15

HEX #C9D995

RGB 201 217 149

HSL 74.12, 0.47%, 0.72%

LAB 84.08, -16.42, 31.78

 

CMYK 5 / 0 / 22 / 19

HEX #C3CEA1

RGB 195 206 161

HSL 74.67, 0.31%, 0.72%

LAB 80.92, -11.41, 21.18

 

CMYK 3 / 0 / 11 / 24

HEX #BDC2AC

RGB 189 194 172

HSL 73.64, 0.15%, 0.72%

LAB 77.51, -5.64, 10.47

 

CMYK 0 / 14 / 48 / 6

HEX #F0CE7E

RGB 240 206 126

HSL 42.11, 0.79%, 0.72%

LAB 84.06, 1.82, 44.02

 

CMYK 0 / 2 / 48 / 6

HEX #F0EC7E

RGB 240 236 126

HSL 57.89, 0.79%, 0.72%

LAB 91.69, -13.32, 53.39

 

CMYK 11 / 0 / 48 / 6

HEX #D6F07E

RGB 214 240 126

HSL 73.68, 0.79%, 0.72%

LAB 90.84, -25.34, 51.9

 

CMYK 24 / 0 / 48 / 6

HEX #B7F07E

RGB 183 240 126

HSL 90, 0.79%, 0.72%

LAB 88.87, -36.76, 49.06

 

CMYK 36 / 0 / 48 / 6

HEX #99F07E

RGB 153 240 126

HSL 105.79, 0.79%, 0.72%

LAB 87.29, -46.87, 46.75

 

CMYK 19 / 0 / 78 / 9

HEX #BCE834

RGB 188 232 52

HSL 74.67, 0.8%, 0.56%

LAB 86.33, -36.88, 75.84

 

CMYK 15 / 0 / 62 / 7

HEX #C8EC59

RGB 200 236 89

HSL 74.69, 0.79%, 0.64%

LAB 88.44, -31.98, 65.24

 

CMYK 12 / 0 / 48 / 6

HEX #D4F07E

RGB 212 240 126

HSL 74.74, 0.79%, 0.72%

LAB 90.7, -26.1, 51.71

 

CMYK 8 / 0 / 33 / 4

HEX #E1F4A3

RGB 225 244 163

HSL 74.07, 0.79%, 0.8%

LAB 93.17, -18.99, 37.02

 

CMYK 4 / 0 / 19 / 3

HEX #EDF8C8

RGB 237 248 200

HSL 73.75, 0.77%, 0.88%

LAB 95.71, -11.56, 21.88

 

CMYK 12 / 0 / 48 / 5

HEX #D5F17E

RGB 213 241 126

HSL 74.61, 0.8%, 0.72%

LAB 91.04, -26.19, 52.13

 

CMYK 48 / 0 / 27 / 6

HEX #7EF0AF

RGB 126 240 175

HSL 145.79, 0.79%, 0.72%

LAB 86.92, -46.85, 21.59

 

CMYK 8 / 48 / 0 / 6

HEX #DD7EF0

RGB 221 126 240

HSL 290, 0.79%, 0.72%

LAB 66.96, 53.96, -42.34

 

CMYK 12 / 0 / 48 / 5

HEX #D5F17E

RGB 213 241 126

HSL 74.61, 0.8%, 0.72%

LAB 91.04, -26.19, 52.13

 

CMYK 48 / 11 / 0 / 6

HEX #7ED6F0

RGB 126 214 240

HSL 193.68, 0.79%, 0.72%

LAB 81.19, -19.72, -20.98

 

CMYK 0 / 48 / 11 / 6

HEX #F07ED6

RGB 240 126 214

HSL 313.68, 0.79%, 0.72%

LAB 68.24, 54.88, -25.78

 

CMYK 12 / 0 / 48 / 5

HEX #D5F17E

RGB 213 241 126

HSL 74.61, 0.8%, 0.72%

LAB 91.04, -26.19, 52.13

 

CMYK 48 / 0 / 27 / 6

HEX #7EF0AF

RGB 126 240 175

HSL 145.79, 0.79%, 0.72%

LAB 86.92, -46.85, 21.59

 

CMYK 36 / 48 / 0 / 6

HEX #997EF0

RGB 153 126 240

HSL 254.21, 0.79%, 0.72%

LAB 59.88, 35.8, -54

 

CMYK 0 / 48 / 20 / 6

HEX #F07EBF

RGB 240 126 191

HSL 325.79, 0.79%, 0.72%

LAB 67.43, 51.4, -14.16

 

CMYK 12 / 0 / 48 / 5

HEX #D5F17E

RGB 213 241 126

HSL 74.61, 0.8%, 0.72%

LAB 91.04, -26.19, 52.13

 

CMYK 48 / 0 / 13 / 6

HEX #7EF0D2

RGB 126 240 210

HSL 164.21, 0.79%, 0.72%

LAB 87.68, -39.56, 4.48

 

CMYK 36 / 48 / 0 / 6

HEX #997EF0

RGB 153 126 240

HSL 254.21, 0.79%, 0.72%

LAB 59.88, 35.8, -54

 

CMYK 0 / 48 / 35 / 6

HEX #F07E9C

RGB 240 126 156

HSL 344.21, 0.79%, 0.72%

LAB 66.4, 46.81, 4.08

 

Description

Color code: HEX #D5F17E | qconv.com Color code: HEX #D5F17E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 241 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 241 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 48% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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