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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D600C9 it is the complementary color #29FF36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D600C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D600C9 shade: #DB00C4, #EC12D7, #FD24EA, #FF36FD and #FF48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D600C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D600C9 shade: #D600C9, #C500B6, #B400A3, #A30090 and #92007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D600C9 shade: #D600C9, #D6008F, #D60055, #D6001B and #D60000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D600C9 shade: #D600C9, #A900D6, #6F00D6, #3500D6 and #0000D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D600C9 shade matches the following richer shades: #D600C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D600C9 shade: #D600C9, #C411B9, #B322AA, #A2339B and #90458C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D600C9 shade: #6E00D6, #A700D6, #D600CB, #D60092 and #D60059

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D600C9 shade: #83007B, #AC00A2, #D600C9, #FF00EF and #FF29F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D600C9 shade: #D600C9, #D63500 and #00D68B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D600C9 shade: #D600C9, #CBD600 and #00CBD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D600C9 shade: #D600C9, #D63500, #00D60A and #00A0D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D600C9 shade: #D600C9, #D67500, #00D60A and #0060D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

Complementary color

CMYK 84 / 0 / 79 / 0

HEX #29FF36

RGB 41 255 54

HSL 123.64, 1%, 0.58%

LAB 88.09, -82.48, 75.11

 

CMYK 0 / 100 / 11 / 14

HEX #DB00C4

RGB 219 0 196

HSL 306.3, 1%, 0.43%

LAB 50.74, 84.43, -43.08

 

CMYK 0 / 92 / 9 / 7

HEX #EC12D7

RGB 236 18 215

HSL 305.78, 0.86%, 0.5%

LAB 55.25, 88.49, -46.66

 

CMYK 0 / 86 / 8 / 1

HEX #FD24EA

RGB 253 36 234

HSL 305.25, 0.98%, 0.57%

LAB 59.97, 91.7, -49.73

 

CMYK 0 / 79 / 1 / 0

HEX #FF36FD

RGB 255 54 253

HSL 300.6, 1%, 0.61%

LAB 62.5, 91.25, -56.26

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

CMYK 0 / 100 / 8 / 23

HEX #C500B6

RGB 197 0 182

HSL 304.57, 1%, 0.39%

LAB 45.97, 78.78, -42.72

 

CMYK 0 / 100 / 9 / 29

HEX #B400A3

RGB 180 0 163

HSL 305.67, 1%, 0.35%

LAB 41.76, 73.22, -38.31

 

CMYK 0 / 100 / 12 / 36

HEX #A30090

RGB 163 0 144

HSL 306.99, 1%, 0.32%

LAB 37.48, 67.56, -33.78

 

CMYK 0 / 100 / 14 / 43

HEX #92007D

RGB 146 0 125

HSL 308.63, 1%, 0.29%

LAB 33.12, 61.78, -29.09

 

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

CMYK 0 / 100 / 33 / 16

HEX #D6008F

RGB 214 0 143

HSL 319.91, 1%, 0.42%

LAB 47.34, 77.3, -17.07

 

CMYK 0 / 100 / 60 / 16

HEX #D60055

RGB 214 0 85

HSL 336.17, 1%, 0.42%

LAB 45.57, 72.66, 16.12

 

CMYK 0 / 100 / 87 / 16

HEX #D6001B

RGB 214 0 27

HSL 352.43, 1%, 0.42%

LAB 44.77, 70.49, 49.17

 

CMYK 0 / 100 / 100 / 16

HEX #D60000

RGB 214 0 0

HSL 0, 1%, 0.42%

LAB 44.65, 70.18, 58.89

 

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

CMYK 21 / 100 / 0 / 16

HEX #A900D6

RGB 169 0 214

HSL 287.38, 1%, 0.42%

LAB 43.2, 79.5, -66.06

 

CMYK 48 / 100 / 0 / 16

HEX #6F00D6

RGB 111 0 214

HSL 271.12, 1%, 0.42%

LAB 34.47, 73.24, -80.72

 

CMYK 75 / 100 / 0 / 16

HEX #3500D6

RGB 53 0 214

HSL 254.86, 1%, 0.42%

LAB 28.41, 70.13, -90.95

 

CMYK 100 / 100 / 0 / 16

HEX #0000D6

RGB 0 0 214

HSL 240, 1%, 0.42%

LAB 26.32, 69.38, -94.5

 

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

CMYK 0 / 91 / 6 / 23

HEX #C411B9

RGB 196 17 185

HSL 303.69, 0.84%, 0.42%

LAB 46.5, 77.44, -43.66

 

CMYK 0 / 81 / 5 / 30

HEX #B322AA

RGB 179 34 170

HSL 303.72, 0.68%, 0.42%

LAB 43.7, 68.99, -39.43

 

CMYK 0 / 69 / 4 / 36

HEX #A2339B

RGB 162 51 155

HSL 303.78, 0.52%, 0.42%

LAB 41.87, 57.56, -33.54

 

CMYK 0 / 52 / 3 / 44

HEX #90458C

RGB 144 69 140

HSL 303.2, 0.35%, 0.42%

LAB 41.34, 41.89, -25.49

 

CMYK 49 / 100 / 0 / 16

HEX #6E00D6

RGB 110 0 214

HSL 270.84, 1%, 0.42%

LAB 34.33, 73.16, -80.94

 

CMYK 22 / 100 / 0 / 16

HEX #A700D6

RGB 167 0 214

HSL 286.82, 1%, 0.42%

LAB 42.87, 79.24, -66.61

 

CMYK 0 / 100 / 5 / 16

HEX #D600CB

RGB 214 0 203

HSL 303.08, 1%, 0.42%

LAB 50.23, 84.53, -48

 

CMYK 0 / 100 / 32 / 16

HEX #D60092

RGB 214 0 146

HSL 319.07, 1%, 0.42%

LAB 47.46, 77.61, -18.7

 

CMYK 0 / 100 / 58 / 16

HEX #D60059

RGB 214 0 89

HSL 335.05, 1%, 0.42%

LAB 45.66, 72.9, 13.75

 

CMYK 0 / 100 / 6 / 49

HEX #83007B

RGB 131 0 123

HSL 303.66, 1%, 0.26%

LAB 30.05, 58.7, -32.89

 

CMYK 0 / 100 / 6 / 33

HEX #AC00A2

RGB 172 0 162

HSL 303.49, 1%, 0.34%

LAB 40.21, 71.68, -40.27

 

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

CMYK 0 / 100 / 6 / 0

HEX #FF00EF

RGB 255 0 239

HSL 303.76, 1%, 0.5%

LAB 59.43, 96.09, -53.36

 

CMYK 0 / 84 / 5 / 0

HEX #FF29F2

RGB 255 41 242

HSL 303.64, 1%, 0.58%

LAB 61.01, 92.32, -52.53

 

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

CMYK 0 / 75 / 100 / 16

HEX #D63500

RGB 214 53 0

HSL 14.86, 1%, 0.42%

LAB 48.06, 60.5, 60.25

 

CMYK 100 / 0 / 35 / 16

HEX #00D68B

RGB 0 214 139

HSL 158.97, 1%, 0.42%

LAB 76.04, -61.27, 24.96

 

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

CMYK 5 / 0 / 100 / 16

HEX #CBD600

RGB 203 214 0

HSL 63.08, 1%, 0.42%

LAB 82.27, -23.53, 81.76

 

CMYK 100 / 5 / 0 / 16

HEX #00CBD6

RGB 0 203 214

HSL 183.08, 1%, 0.42%

LAB 74.55, -37.14, -17.34

 

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

CMYK 0 / 75 / 100 / 16

HEX #D63500

RGB 214 53 0

HSL 14.86, 1%, 0.42%

LAB 48.06, 60.5, 60.25

 

CMYK 100 / 0 / 95 / 16

HEX #00D60A

RGB 0 214 10

HSL 122.8, 1%, 0.42%

LAB 74.9, -75.33, 71.9

 

CMYK 100 / 25 / 0 / 16

HEX #00A0D6

RGB 0 160 214

HSL 195.14, 1%, 0.42%

LAB 61.65, -15.6, -37.16

 

CMYK 0 / 100 / 6 / 16

HEX #D600C9

RGB 214 0 201

HSL 303.64, 1%, 0.42%

LAB 50.11, 84.26, -47.03

 

CMYK 0 / 45 / 100 / 16

HEX #D67500

RGB 214 117 0

HSL 32.8, 1%, 0.42%

LAB 58.99, 32.02, 66.2

 

CMYK 100 / 0 / 95 / 16

HEX #00D60A

RGB 0 214 10

HSL 122.8, 1%, 0.42%

LAB 74.9, -75.33, 71.9

 

CMYK 100 / 55 / 0 / 16

HEX #0060D6

RGB 0 96 214

HSL 213.08, 1%, 0.42%

LAB 43.09, 23.19, -66.78

 

Description

Color code: HEX #D600C9 | qconv.com Color code: HEX #D600C9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, none green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 0 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 6 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 6% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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