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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D60EBD it is the complementary color #29F142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D60EBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D60EBD shade: #DB0EB8, #EC20CB, #FD32DE, #FF44F1 and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D60EBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D60EBD shade: #D60EBD, #C500AA, #B40097, #A30084 and #920071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D60EBD shade: #D70DBE, #D70D88, #D70D51, #D70D1B and #D70D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D60EBD shade: #D70DBE, #BA0DD7, #840DD7, #4D0DD7 and #170DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D60EBD shade matches the following richer shades: #D70DBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D60EBD shade: #D70DBE, #C520B0, #B232A2, #A04594 and #8D5886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D60EBD shade: #830DD7, #B90DD7, #D70DC0, #D70D8A and #D70D54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D60EBD shade: #8A0879, #B00B9C, #D70DBE, #F01ED6 and #F344DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D60EBD shade: #D60EBD, #D74D0D and #0DD79E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D60EBD shade: #D60EBD, #C0D70D and #0DC0D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D60EBD shade: #D60EBD, #D74D0D, #0DD725 and #0D97D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D60EBD shade: #D60EBD, #D78A0D, #0DD725 and #0D5BD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 12 / 16

HEX #D60EBD

RGB 214 14 189

HSL 307.5, 0.88%, 0.45%

LAB 49.84, 81.54, -40.5

 

Complementary color

CMYK 83 / 0 / 73 / 5

HEX #29F142

RGB 41 241 66

HSL 127.5, 0.88%, 0.55%

LAB 83.85, -77.71, 67.26

 

CMYK 0 / 94 / 16 / 14

HEX #DB0EB8

RGB 219 14 184

HSL 310.24, 0.88%, 0.46%

LAB 50.49, 81.8, -36.48

 

CMYK 0 / 86 / 14 / 7

HEX #EC20CB

RGB 236 32 203

HSL 309.71, 0.84%, 0.53%

LAB 55.25, 85.11, -39.79

 

CMYK 0 / 80 / 12 / 1

HEX #FD32DE

RGB 253 50 222

HSL 309.16, 0.98%, 0.59%

LAB 60.28, 87.43, -42.48

 

CMYK 0 / 73 / 5 / 0

HEX #FF44F1

RGB 255 68 241

HSL 304.49, 1%, 0.63%

LAB 63.13, 85.88, -48.6

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 93 / 12 / 16

HEX #D60EBD

RGB 214 14 189

HSL 307.5, 0.88%, 0.45%

LAB 49.84, 81.54, -40.5

 

CMYK 0 / 100 / 14 / 23

HEX #C500AA

RGB 197 0 170

HSL 308.22, 1%, 0.39%

LAB 45.32, 77.18, -36.66

 

CMYK 0 / 100 / 16 / 29

HEX #B40097

RGB 180 0 151

HSL 309.67, 1%, 0.35%

LAB 41.12, 71.62, -32.09

 

CMYK 0 / 100 / 19 / 36

HEX #A30084

RGB 163 0 132

HSL 311.41, 1%, 0.32%

LAB 36.84, 65.96, -27.38

 

CMYK 0 / 100 / 23 / 43

HEX #920071

RGB 146 0 113

HSL 313.56, 1%, 0.29%

LAB 32.49, 60.21, -22.49

 

CMYK 0 / 94 / 12 / 16

HEX #D70DBE

RGB 215 13 190

HSL 307.43, 0.89%, 0.45%

LAB 50.04, 81.94, -40.75

 

CMYK 0 / 94 / 37 / 16

HEX #D70D88

RGB 215 13 136

HSL 323.47, 0.89%, 0.45%

LAB 47.64, 75.73, -12.35

 

CMYK 0 / 94 / 62 / 16

HEX #D70D51

RGB 215 13 81

HSL 339.8, 0.89%, 0.45%

LAB 46.08, 71.52, 19.34

 

CMYK 0 / 94 / 87 / 16

HEX #D70D1B

RGB 215 13 27

HSL 355.84, 0.89%, 0.45%

LAB 45.38, 69.57, 49.74

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 94 / 12 / 16

HEX #D70DBE

RGB 215 13 190

HSL 307.43, 0.89%, 0.45%

LAB 50.04, 81.94, -40.75

 

CMYK 13 / 94 / 0 / 16

HEX #BA0DD7

RGB 186 13 215

HSL 291.39, 0.89%, 0.45%

LAB 46.49, 80.86, -61.17

 

CMYK 39 / 94 / 0 / 16

HEX #840DD7

RGB 132 13 215

HSL 275.35, 0.89%, 0.45%

LAB 38.02, 73.8, -75.34

 

CMYK 64 / 94 / 0 / 16

HEX #4D0DD7

RGB 77 13 215

HSL 259.01, 0.89%, 0.45%

LAB 31.28, 69.19, -86.69

 

CMYK 89 / 94 / 0 / 16

HEX #170DD7

RGB 23 13 215

HSL 242.97, 0.89%, 0.45%

LAB 27.78, 67.33, -92.62

 

CMYK 0 / 94 / 12 / 16

HEX #D70DBE

RGB 215 13 190

HSL 307.43, 0.89%, 0.45%

LAB 50.04, 81.94, -40.75

 

CMYK 0 / 94 / 12 / 16

HEX #D70DBE

RGB 215 13 190

HSL 307.43, 0.89%, 0.45%

LAB 50.04, 81.94, -40.75

 

CMYK 0 / 84 / 11 / 23

HEX #C520B0

RGB 197 32 176

HSL 307.64, 0.72%, 0.45%

LAB 47.02, 73.91, -37.52

 

CMYK 0 / 72 / 9 / 30

HEX #B232A2

RGB 178 50 162

HSL 307.5, 0.56%, 0.45%

LAB 44.74, 62.87, -33.04

 

CMYK 0 / 57 / 7 / 37

HEX #A04594

RGB 160 69 148

HSL 307.91, 0.4%, 0.45%

LAB 44.04, 48.05, -25.94

 

CMYK 0 / 38 / 5 / 45

HEX #8D5886

RGB 141 88 134

HSL 307.92, 0.23%, 0.45%

LAB 44.75, 29.35, -16.64

 

CMYK 39 / 94 / 0 / 16

HEX #830DD7

RGB 131 13 215

HSL 275.05, 0.89%, 0.45%

LAB 37.88, 73.69, -75.58

 

CMYK 14 / 94 / 0 / 16

HEX #B90DD7

RGB 185 13 215

HSL 291.09, 0.89%, 0.45%

LAB 46.32, 80.71, -61.44

 

CMYK 0 / 94 / 11 / 16

HEX #D70DC0

RGB 215 13 192

HSL 306.83, 0.89%, 0.45%

LAB 50.15, 82.2, -41.75

 

CMYK 0 / 94 / 36 / 16

HEX #D70D8A

RGB 215 13 138

HSL 322.87, 0.89%, 0.45%

LAB 47.71, 75.93, -13.46

 

CMYK 0 / 94 / 61 / 16

HEX #D70D54

RGB 215 13 84

HSL 338.91, 0.89%, 0.45%

LAB 46.14, 71.69, 17.56

 

CMYK 0 / 94 / 12 / 46

HEX #8A0879

RGB 138 8 121

HSL 307.85, 0.89%, 0.29%

LAB 31.71, 58.53, -28.9

 

CMYK 0 / 94 / 11 / 31

HEX #B00B9C

RGB 176 11 156

HSL 307.27, 0.88%, 0.37%

LAB 41.01, 70.41, -35.34

 

CMYK 0 / 94 / 12 / 16

HEX #D70DBE

RGB 215 13 190

HSL 307.43, 0.89%, 0.45%

LAB 50.04, 81.94, -40.75

 

CMYK 0 / 88 / 11 / 6

HEX #F01ED6

RGB 240 30 214

HSL 307.43, 0.88%, 0.53%

LAB 56.4, 87.6, -44.23

 

CMYK 0 / 72 / 9 / 5

HEX #F344DD

RGB 243 68 221

HSL 307.54, 0.88%, 0.61%

LAB 60.26, 80.46, -42.07

 

CMYK 0 / 93 / 12 / 16

HEX #D60EBD

RGB 214 14 189

HSL 307.5, 0.88%, 0.45%

LAB 49.84, 81.54, -40.5

 

CMYK 0 / 64 / 94 / 16

HEX #D74D0D

RGB 215 77 13

HSL 19.01, 0.89%, 0.45%

LAB 51.59, 51.9, 59.1

 

CMYK 94 / 0 / 27 / 16

HEX #0DD79E

RGB 13 215 158

HSL 163.07, 0.89%, 0.45%

LAB 76.77, -57.05, 15.99

 

CMYK 0 / 93 / 12 / 16

HEX #D60EBD

RGB 214 14 189

HSL 307.5, 0.88%, 0.45%

LAB 49.84, 81.54, -40.5

 

CMYK 11 / 0 / 94 / 16

HEX #C0D70D

RGB 192 215 13

HSL 66.83, 0.89%, 0.45%

LAB 81.75, -28.45, 79.83

 

CMYK 94 / 11 / 0 / 16

HEX #0DC0D7

RGB 13 192 215

HSL 186.83, 0.89%, 0.45%

LAB 71.34, -31.27, -22.74

 

CMYK 0 / 93 / 12 / 16

HEX #D60EBD

RGB 214 14 189

HSL 307.5, 0.88%, 0.45%

LAB 49.84, 81.54, -40.5

 

CMYK 0 / 64 / 94 / 16

HEX #D74D0D

RGB 215 77 13

HSL 19.01, 0.89%, 0.45%

LAB 51.59, 51.9, 59.1

 

CMYK 94 / 0 / 83 / 16

HEX #0DD725

RGB 13 215 37

HSL 127.13, 0.89%, 0.45%

LAB 75.34, -74.2, 67.65

 

CMYK 94 / 30 / 0 / 16

HEX #0D97D7

RGB 13 151 215

HSL 199.01, 0.89%, 0.45%

LAB 59.09, -9.85, -41.73

 

CMYK 0 / 93 / 12 / 16

HEX #D60EBD

RGB 214 14 189

HSL 307.5, 0.88%, 0.45%

LAB 49.84, 81.54, -40.5

 

CMYK 0 / 36 / 94 / 16

HEX #D78A0D

RGB 215 138 13

HSL 37.13, 0.89%, 0.45%

LAB 63.88, 21.39, 67.45

 

CMYK 94 / 0 / 83 / 16

HEX #0DD725

RGB 13 215 37

HSL 127.13, 0.89%, 0.45%

LAB 75.34, -74.2, 67.65

 

CMYK 94 / 58 / 0 / 16

HEX #0D5BD7

RGB 13 91 215

HSL 216.83, 0.89%, 0.45%

LAB 41.96, 27.24, -69.2

 

Description

Color code: HEX #D60EBD | qconv.com Color code: HEX #D60EBD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 14 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 14 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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