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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D614CD it is the complementary color #29EB32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D614CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D614CD shade: #DB14C8, #EC26DB, #FD38EE, #FF4AFF and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D614CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D614CD shade: #D614CD, #C502BA, #B400A7, #A30094 and #920081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D614CD shade: #D613CD, #D61399, #D61364, #D61330 and #D61313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D614CD shade: #D613CD, #AB13D6, #7613D6, #4213D6 and #1313D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D614CD shade matches the following richer shades: #D613CD and #E900DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D614CD shade: #D613CD, #C326BC, #B039AB, #9D4C99 and #8A5F88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D614CD shade: #7513D6, #A913D6, #D613D0, #D6139C and #D61368

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D614CD shade: #8B0C85, #B010A9, #D613CD, #EB28E2 and #EE4EE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D614CD shade: #D614CD, #D64113 and #13D68F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D614CD shade: #D614CD, #D0D613 and #13D0D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D614CD shade: #D614CD, #D64113, #13D61A and #13A9D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D614CD shade: #D614CD, #D67B13, #13D61A and #136ED6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 4 / 16

HEX #D614CD

RGB 214 20 205

HSL 302.78, 0.83%, 0.46%

LAB 50.93, 83.08, -48.04

 

Complementary color

CMYK 83 / 0 / 79 / 8

HEX #29EB32

RGB 41 235 50

HSL 122.78, 0.83%, 0.54%

LAB 81.9, -77.09, 70.37

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C8

RGB 219 20 200

HSL 305.73, 0.83%, 0.47%

LAB 51.53, 83.26, -44.14

 

CMYK 0 / 84 / 7 / 7

HEX #EC26DB

RGB 236 38 219

HSL 305.15, 0.84%, 0.54%

LAB 56.42, 86.21, -47.08

 

CMYK 0 / 78 / 6 / 1

HEX #FD38EE

RGB 253 56 238

HSL 304.57, 0.98%, 0.61%

LAB 61.55, 88.24, -49.45

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 91 / 4 / 16

HEX #D614CD

RGB 214 20 205

HSL 302.78, 0.83%, 0.46%

LAB 50.93, 83.08, -48.04

 

CMYK 0 / 99 / 6 / 23

HEX #C502BA

RGB 197 2 186

HSL 303.38, 0.98%, 0.39%

LAB 46.26, 79.16, -44.62

 

CMYK 0 / 100 / 7 / 29

HEX #B400A7

RGB 180 0 167

HSL 304.33, 1%, 0.35%

LAB 41.99, 73.77, -40.35

 

CMYK 0 / 100 / 9 / 36

HEX #A30094

RGB 163 0 148

HSL 305.52, 1%, 0.32%

LAB 37.71, 68.11, -35.87

 

CMYK 0 / 100 / 12 / 43

HEX #920081

RGB 146 0 129

HSL 306.99, 1%, 0.29%

LAB 33.34, 62.34, -31.25

 

CMYK 0 / 91 / 4 / 16

HEX #D613CD

RGB 214 19 205

HSL 302.77, 0.84%, 0.46%

LAB 50.89, 83.2, -48.1

 

CMYK 0 / 91 / 29 / 16

HEX #D61399

RGB 214 19 153

HSL 318.77, 0.84%, 0.46%

LAB 48.34, 76.62, -21.56

 

CMYK 0 / 91 / 53 / 16

HEX #D61364

RGB 214 19 100

HSL 335.08, 0.84%, 0.46%

LAB 46.55, 71.8, 8.15

 

CMYK 0 / 91 / 78 / 16

HEX #D61330

RGB 214 19 48

HSL 351.08, 0.84%, 0.46%

LAB 45.6, 69.13, 38.71

 

CMYK 0 / 91 / 91 / 16

HEX #D61313

RGB 214 19 19

HSL 0, 0.84%, 0.46%

LAB 45.37, 68.49, 53.09

 

CMYK 0 / 91 / 4 / 16

HEX #D613CD

RGB 214 19 205

HSL 302.77, 0.84%, 0.46%

LAB 50.89, 83.2, -48.1

 

CMYK 20 / 91 / 0 / 16

HEX #AB13D6

RGB 171 19 214

HSL 286.77, 0.84%, 0.46%

LAB 44.2, 77.75, -64.41

 

CMYK 45 / 91 / 0 / 16

HEX #7613D6

RGB 118 19 214

HSL 270.46, 0.84%, 0.46%

LAB 36.31, 71.12, -77.64

 

CMYK 69 / 91 / 0 / 16

HEX #4213D6

RGB 66 19 214

HSL 254.46, 0.84%, 0.46%

LAB 30.59, 67.06, -87.29

 

CMYK 91 / 91 / 0 / 16

HEX #1313D6

RGB 19 19 214

HSL 240, 0.84%, 0.46%

LAB 28, 65.53, -91.67

 

CMYK 0 / 91 / 4 / 16

HEX #D613CD

RGB 214 19 205

HSL 302.77, 0.84%, 0.46%

LAB 50.89, 83.2, -48.1

 

CMYK 0 / 100 / 5 / 9

HEX #E900DE

RGB 233 0 222

HSL 302.83, 1%, 0.46%

LAB 54.66, 90.25, -51.61

 

CMYK 0 / 91 / 4 / 16

HEX #D613CD

RGB 214 19 205

HSL 302.77, 0.84%, 0.46%

LAB 50.89, 83.2, -48.1

 

CMYK 0 / 81 / 4 / 24

HEX #C326BC

RGB 195 38 188

HSL 302.68, 0.67%, 0.46%

LAB 47.78, 73.93, -43.39

 

CMYK 0 / 68 / 3 / 31

HEX #B039AB

RGB 176 57 171

HSL 302.52, 0.51%, 0.46%

LAB 45.77, 61.3, -36.79

 

CMYK 0 / 52 / 3 / 38

HEX #9D4C99

RGB 157 76 153

HSL 302.96, 0.35%, 0.46%

LAB 45.13, 44.6, -27.28

 

CMYK 0 / 31 / 1 / 46

HEX #8A5F88

RGB 138 95 136

HSL 302.79, 0.18%, 0.46%

LAB 46.13, 24.64, -15.76

 

CMYK 45 / 91 / 0 / 16

HEX #7513D6

RGB 117 19 214

HSL 270.15, 0.84%, 0.46%

LAB 36.18, 71.01, -77.86

 

CMYK 21 / 91 / 0 / 16

HEX #A913D6

RGB 169 19 214

HSL 286.15, 0.84%, 0.46%

LAB 43.88, 77.46, -64.95

 

CMYK 0 / 91 / 3 / 16

HEX #D613D0

RGB 214 19 208

HSL 301.85, 0.84%, 0.46%

LAB 51.05, 83.62, -49.56

 

CMYK 0 / 91 / 27 / 16

HEX #D6139C

RGB 214 19 156

HSL 317.85, 0.84%, 0.46%

LAB 48.46, 76.95, -23.16

 

CMYK 0 / 91 / 51 / 16

HEX #D61368

RGB 214 19 104

HSL 333.85, 0.84%, 0.46%

LAB 46.66, 72.09, 5.82

 

CMYK 0 / 91 / 4 / 45

HEX #8B0C85

RGB 139 12 133

HSL 302.83, 0.84%, 0.3%

LAB 32.8, 59.93, -34.69

 

CMYK 0 / 91 / 4 / 31

HEX #B010A9

RGB 176 16 169

HSL 302.63, 0.83%, 0.38%

LAB 41.95, 71.66, -41.66

 

CMYK 0 / 91 / 4 / 16

HEX #D613CD

RGB 214 19 205

HSL 302.77, 0.84%, 0.46%

LAB 50.89, 83.2, -48.1

 

CMYK 0 / 83 / 4 / 8

HEX #EB28E2

RGB 235 40 226

HSL 302.77, 0.83%, 0.54%

LAB 56.75, 86.64, -50.52

 

CMYK 0 / 67 / 3 / 7

HEX #EE4EE7

RGB 238 78 231

HSL 302.63, 0.82%, 0.62%

LAB 61.13, 77.55, -46.36

 

CMYK 0 / 91 / 4 / 16

HEX #D614CD

RGB 214 20 205

HSL 302.78, 0.83%, 0.46%

LAB 50.93, 83.08, -48.04

 

CMYK 0 / 70 / 91 / 16

HEX #D64113

RGB 214 65 19

HSL 14.15, 0.84%, 0.46%

LAB 49.65, 56.49, 55.98

 

CMYK 91 / 0 / 33 / 16

HEX #13D68F

RGB 19 214 143

HSL 158.15, 0.84%, 0.46%

LAB 76.2, -59.76, 23.1

 

CMYK 0 / 91 / 4 / 16

HEX #D614CD

RGB 214 20 205

HSL 302.78, 0.83%, 0.46%

LAB 50.93, 83.08, -48.04

 

CMYK 3 / 0 / 91 / 16

HEX #D0D613

RGB 208 214 19

HSL 61.85, 0.84%, 0.46%

LAB 82.67, -21.22, 80.34

 

CMYK 91 / 3 / 0 / 16

HEX #13D0D6

RGB 19 208 214

HSL 181.85, 0.84%, 0.46%

LAB 76.13, -38.88, -14.94

 

CMYK 0 / 91 / 4 / 16

HEX #D614CD

RGB 214 20 205

HSL 302.78, 0.83%, 0.46%

LAB 50.93, 83.08, -48.04

 

CMYK 0 / 70 / 91 / 16

HEX #D64113

RGB 214 65 19

HSL 14.15, 0.84%, 0.46%

LAB 49.65, 56.49, 55.98

 

CMYK 91 / 0 / 88 / 16

HEX #13D61A

RGB 19 214 26

HSL 122.15, 0.84%, 0.46%

LAB 75.02, -74.1, 69.77

 

CMYK 91 / 21 / 0 / 16

HEX #13A9D6

RGB 19 169 214

HSL 193.85, 0.84%, 0.46%

LAB 64.46, -19.78, -32.78

 

CMYK 0 / 91 / 4 / 16

HEX #D614CD

RGB 214 20 205

HSL 302.78, 0.83%, 0.46%

LAB 50.93, 83.08, -48.04

 

CMYK 0 / 43 / 91 / 16

HEX #D67B13

RGB 214 123 19

HSL 32, 0.84%, 0.46%

LAB 60.35, 29.07, 63.64

 

CMYK 91 / 0 / 88 / 16

HEX #13D61A

RGB 19 214 26

HSL 122.15, 0.84%, 0.46%

LAB 75.02, -74.1, 69.77

 

CMYK 91 / 49 / 0 / 16

HEX #136ED6

RGB 19 110 214

HSL 212, 0.84%, 0.46%

LAB 47.16, 14.78, -60.17

 

Description

Color code: HEX #D614CD | qconv.com Color code: HEX #D614CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 20 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 20 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 4 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 4% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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