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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D610E3 it is the complementary color #29EF1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D610E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D610E3 shade: #DB10DE, #EC22F1, #FD34FF, #FF46FF and #FF58FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D610E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D610E3 shade: #D610E3, #C500D0, #B400BD, #A300AA and #920097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D610E3 shade: #D70FE4, #E40FB8, #E40F7F, #E40F45 and #E40F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D610E3 shade: #D70FE4, #9E0FE4, #640FE4, #2B0FE4 and #0F0FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D610E3 shade matches the following richer shades: #D70FE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D610E3 shade: #D70FE4, #C623D1, #B537BD, #A34BA9 and #925F95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D610E3 shade: #650FE4, #9D0FE4, #D60FE4, #E40FBA and #E40F81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D610E3 shade: #8F0A97, #B30DBE, #D70FE4, #E42DF0 and #E954F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D610E3 shade: #D610E3, #E42C0F and #0FE481

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D610E3 shade: #D610E3, #E4D60F and #0FE4D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D610E3 shade: #D610E3, #E42C0F, #1EE40F and #0FC8E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D610E3 shade: #D610E3, #E46C0F, #1EE40F and #0F88E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 93 / 0 / 11

HEX #D610E3

RGB 214 16 227

HSL 296.3, 0.87%, 0.48%

LAB 52.08, 86.74, -58.76

 

Complementary color

CMYK 83 / 0 / 88 / 6

HEX #29EF1C

RGB 41 239 28

HSL 116.3, 0.87%, 0.52%

LAB 83.07, -79.21, 76.44

 

CMYK 1 / 93 / 0 / 13

HEX #DB10DE

RGB 219 16 222

HSL 299.13, 0.87%, 0.47%

LAB 52.62, 86.8, -55

 

CMYK 2 / 86 / 0 / 5

HEX #EC22F1

RGB 236 34 241

HSL 298.55, 0.88%, 0.54%

LAB 57.39, 90.06, -57.92

 

CMYK 1 / 80 / 0 / 0

HEX #FD34FF

RGB 253 52 255

HSL 299.41, 1%, 0.6%

LAB 62.13, 91.63, -57.96

 

CMYK 0 / 73 / 0 / 0

HEX #FF46FF

RGB 255 70 255

HSL 300, 1%, 0.64%

LAB 64.05, 87.38, -54.9

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 6 / 93 / 0 / 11

HEX #D610E3

RGB 214 16 227

HSL 296.3, 0.87%, 0.48%

LAB 52.08, 86.74, -58.76

 

CMYK 5 / 100 / 0 / 18

HEX #C500D0

RGB 197 0 208

HSL 296.83, 1%, 0.41%

LAB 47.53, 82.54, -55.37

 

CMYK 5 / 100 / 0 / 26

HEX #B400BD

RGB 180 0 189

HSL 297.14, 1%, 0.37%

LAB 43.33, 77.01, -51.24

 

CMYK 4 / 100 / 0 / 33

HEX #A300AA

RGB 163 0 170

HSL 297.53, 1%, 0.33%

LAB 39.05, 71.37, -47.02

 

CMYK 3 / 100 / 0 / 41

HEX #920097

RGB 146 0 151

HSL 298.01, 1%, 0.3%

LAB 34.69, 65.62, -42.7

 

CMYK 6 / 93 / 0 / 11

HEX #D70FE4

RGB 215 15 228

HSL 296.34, 0.88%, 0.48%

LAB 52.28, 87.15, -59

 

CMYK 0 / 93 / 19 / 11

HEX #E40FB8

RGB 228 15 184

HSL 312.39, 0.88%, 0.48%

LAB 52.17, 83.39, -33.74

 

CMYK 0 / 93 / 44 / 11

HEX #E40F7F

RGB 228 15 127

HSL 328.45, 0.88%, 0.48%

LAB 49.94, 77.53, -3.18

 

CMYK 0 / 93 / 70 / 11

HEX #E40F45

RGB 228 15 69

HSL 344.79, 0.88%, 0.48%

LAB 48.59, 73.85, 30.45

 

CMYK 0 / 93 / 93 / 11

HEX #E40F0F

RGB 228 15 15

HSL 0, 0.88%, 0.48%

LAB 48.1, 72.47, 57.67

 

CMYK 6 / 93 / 0 / 11

HEX #D70FE4

RGB 215 15 228

HSL 296.34, 0.88%, 0.48%

LAB 52.28, 87.15, -59

 

CMYK 31 / 93 / 0 / 11

HEX #9E0FE4

RGB 158 15 228

HSL 280.28, 0.88%, 0.48%

LAB 43.08, 79.12, -74.34

 

CMYK 56 / 93 / 0 / 11

HEX #640FE4

RGB 100 15 228

HSL 263.94, 0.88%, 0.48%

LAB 35.31, 73.39, -87.42

 

CMYK 81 / 93 / 0 / 11

HEX #2B0FE4

RGB 43 15 228

HSL 247.89, 0.88%, 0.48%

LAB 30.54, 70.63, -95.48

 

CMYK 93 / 93 / 0 / 11

HEX #0F0FE4

RGB 15 15 228

HSL 240, 0.88%, 0.48%

LAB 29.52, 70.15, -97.2

 

CMYK 6 / 93 / 0 / 11

HEX #D70FE4

RGB 215 15 228

HSL 296.34, 0.88%, 0.48%

LAB 52.28, 87.15, -59

 

CMYK 6 / 93 / 0 / 11

HEX #D70FE4

RGB 215 15 228

HSL 296.34, 0.88%, 0.48%

LAB 52.28, 87.15, -59

 

CMYK 5 / 83 / 0 / 18

HEX #C623D1

RGB 198 35 209

HSL 296.21, 0.71%, 0.48%

LAB 49.27, 78.42, -53.15

 

CMYK 4 / 71 / 0 / 26

HEX #B537BD

RGB 181 55 189

HSL 296.42, 0.55%, 0.48%

LAB 47.28, 66.2, -44.91

 

CMYK 4 / 56 / 0 / 34

HEX #A34BA9

RGB 163 75 169

HSL 296.17, 0.39%, 0.48%

LAB 46.56, 49.79, -34.49

 

CMYK 2 / 36 / 0 / 42

HEX #925F95

RGB 146 95 149

HSL 296.67, 0.22%, 0.48%

LAB 47.58, 29.99, -21.22

 

CMYK 56 / 93 / 0 / 11

HEX #650FE4

RGB 101 15 228

HSL 264.23, 0.88%, 0.48%

LAB 35.42, 73.47, -87.23

 

CMYK 31 / 93 / 0 / 11

HEX #9D0FE4

RGB 157 15 228

HSL 280, 0.88%, 0.48%

LAB 42.93, 79, -74.59

 

CMYK 6 / 93 / 0 / 11

HEX #D60FE4

RGB 214 15 228

HSL 296.06, 0.88%, 0.48%

LAB 52.11, 86.99, -59.28

 

CMYK 0 / 93 / 18 / 11

HEX #E40FBA

RGB 228 15 186

HSL 311.83, 0.88%, 0.48%

LAB 52.27, 83.63, -34.75

 

CMYK 0 / 93 / 43 / 11

HEX #E40F81

RGB 228 15 129

HSL 327.89, 0.88%, 0.48%

LAB 50, 77.7, -4.3

 

CMYK 5 / 93 / 0 / 41

HEX #8F0A97

RGB 143 10 151

HSL 296.6, 0.88%, 0.32%

LAB 34.58, 63.81, -42.9

 

CMYK 6 / 93 / 0 / 25

HEX #B30DBE

RGB 179 13 190

HSL 296.27, 0.87%, 0.4%

LAB 43.64, 75.75, -51.33

 

CMYK 6 / 93 / 0 / 11

HEX #D70FE4

RGB 215 15 228

HSL 296.34, 0.88%, 0.48%

LAB 52.28, 87.15, -59

 

CMYK 5 / 81 / 0 / 6

HEX #E42DF0

RGB 228 45 240

HSL 296.31, 0.87%, 0.56%

LAB 56.74, 86.44, -58.47

 

CMYK 4 / 65 / 0 / 5

HEX #E954F3

RGB 233 84 243

HSL 296.23, 0.87%, 0.64%

LAB 61.77, 76.2, -52.08

 

CMYK 6 / 93 / 0 / 11

HEX #D610E3

RGB 214 16 227

HSL 296.3, 0.87%, 0.48%

LAB 52.08, 86.74, -58.76

 

CMYK 0 / 81 / 93 / 11

HEX #E42C0F

RGB 228 44 15

HSL 8.17, 0.88%, 0.48%

LAB 49.89, 67.33, 58.71

 

CMYK 93 / 0 / 43 / 11

HEX #0FE481

RGB 15 228 129

HSL 152.11, 0.88%, 0.48%

LAB 80.28, -67.5, 35.68

 

CMYK 6 / 93 / 0 / 11

HEX #D610E3

RGB 214 16 227

HSL 296.3, 0.87%, 0.48%

LAB 52.08, 86.74, -58.76

 

CMYK 0 / 6 / 93 / 11

HEX #E4D60F

RGB 228 214 15

HSL 56.06, 0.88%, 0.48%

LAB 84.29, -12.79, 82.78

 

CMYK 93 / 0 / 6 / 11

HEX #0FE4D6

RGB 15 228 214

HSL 176.06, 0.88%, 0.48%

LAB 82.08, -47.81, -6.08

 

CMYK 6 / 93 / 0 / 11

HEX #D610E3

RGB 214 16 227

HSL 296.3, 0.87%, 0.48%

LAB 52.08, 86.74, -58.76

 

CMYK 0 / 81 / 93 / 11

HEX #E42C0F

RGB 228 44 15

HSL 8.17, 0.88%, 0.48%

LAB 49.89, 67.33, 58.71

 

CMYK 87 / 0 / 93 / 11

HEX #1EE40F

RGB 30 228 15

HSL 115.77, 0.88%, 0.48%

LAB 79.5, -77.5, 75.25

 

CMYK 93 / 12 / 0 / 11

HEX #0FC8E4

RGB 15 200 228

HSL 187.89, 0.88%, 0.48%

LAB 74.2, -30.89, -25.44

 

CMYK 6 / 93 / 0 / 11

HEX #D610E3

RGB 214 16 227

HSL 296.3, 0.87%, 0.48%

LAB 52.08, 86.74, -58.76

 

CMYK 0 / 53 / 93 / 11

HEX #E46C0F

RGB 228 108 15

HSL 26.2, 0.88%, 0.48%

LAB 59.21, 42.36, 64.66

 

CMYK 87 / 0 / 93 / 11

HEX #1EE40F

RGB 30 228 15

HSL 115.77, 0.88%, 0.48%

LAB 79.5, -77.5, 75.25

 

CMYK 93 / 40 / 0 / 11

HEX #0F88E4

RGB 15 136 228

HSL 205.92, 0.88%, 0.48%

LAB 55.39, 3.88, -54.85

 

Description

Color code: HEX #D610E3 | qconv.com Color code: HEX #D610E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 16 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 16 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 93 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 93% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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